Place Of Art Quotes & Sayings

The phrase comes to him before the emotion; but we must add that he is nevertheless a born writer, a man who detests meals, servants, ease, respectability or anything that gets between him and his art; who has kept his freedom when most of his contemporaries have long ago lost theirs; who is ashamed of nothing but being ashamed; who says whatever he has it in his mind to say, and has taught himself an accent, a cadence, indeed a language, for saying it in which, though they are not English, but Irish, will give him his place among the lesser immortals of our tongue. — Virginia Woolf

If you want to master the art of the sentence, you must first accept a somewhat unpleasant truth--something a lot of writers would rather deny: The Reader is king. You are his servant. You serve the Reader information. You serve the Reader entertainment. You serve the Reader details of your company's recent merger or details of your experiences in drug rehab. In each case, as a writer you're working for the man (or the woman). Only by knowing your place can you do your job well. — June Casagrande

Japanese things - laquers, netsuke, prints - conjure a picture of a place where sensations are always new, where art pours out of daily life, where everything exists in a dream of endless beautiful flow. — Edmund De Waal

It is, perhaps more than anything else, the arrest of time which has taken place in a completed work of art that gives certain plays their feeling of depth and significance. — Tennessee Williams

Men love death. In everything they make, they hollow out a central place for death, let its rancid smell contaminate every dimension of whatever still survives. Men especially love murder. In art they celebrate it, and in life they commit it. They embrace murder as if life without it would be devoid of passion, meaning, and action, as if murder were solace, stilling their sobs as they mourn the emptiness and alienation of their lives. — Andrea Dworkin

One of the obvious implications is that a person will have to face the fact that she cannot meet other people's expectations. This signals the end of what might be called the "camel" phase of human development. I believe it was Nietschze who suggested that for the first part of life, we are camels, trudging through the desert, accepting on our backs everybody's "shoulds" and "don'ts." Camels only know how to spit; they don't think for themselves or talk back. As the camel dies, a lion is born in its place. Lions discover both their roar and the art of preening. The lion may be a little shaky at first, so support and encouragement are vital. But once the camel begins to die (e.g., signaled by depression), there is no turning back. Symptoms occupy the space between the death of the camel and the birth of the lion. A therapist can be a good midwife during this liminal phase. — Stephen Gilligan

Now then, you of noble mind, who love this profession, come at once to art and accept these precepts: enthusiasm , reverence, obedience, and perseverance. As soon as you can, place yourself under the guidance of a master, and remain with him as long as possible. — Cennino Cennini

New York is what Paris was in the twenties ... the center of the art world. And we want to be in the center. It's the greatest place on earth ... I've got a lot of friends here and I even brought my own cash. — John Lennon

To be an outlaw you must first have a base in law to reject and get out of, I never had such a base. I never had a place I could call home that meant any more than a key to a house, apartment or hotel room. ... Am I alien? Alien from what exactly? Perhaps my home is my dream city, more real than my waking life precisely because it has no relation to waking life ... — William S. Burroughs

I felt the strange brooding lonely presence of Nature fostering a new race, a new age, and as part of it, a new expression in Art. It was an unfolding of the heart itself through the effect of environment, of people, of place, and time. — Lawren Harris

Those words ... national and portrait. They were both to do with identity: the identity of a culture (place, language and history), the identity of an individual human being as an object for mimetic representation. — A.S. Byatt

Perhaps the art of harvesting the secret riches of our lives is best achieved when we place profound trust in the act of beginning. Risk might be our greatest ally. To live a truly creative life, we always need to cast a critical look at where we presently are, attempting always to discern where we have become stagnant and where new beginning might be ripening. There can be no growth if we do not remain open and vulnerable to what is new and different. I have never seen anyone take a risk for growth that was not rewarded a thousand times over. — John O'Donohue

Chess is one thing, but if we get to the point computers can best humans in the arts-those splendid, millennia-old expressions of the heart and soul of human existence-then why bother existing? to produce human art a computer would have to find, feel, absorb reality to the point it is overcome, to the point it sobs for release. A computer perhaps could replicate every possibility but could never transfer the energy art requires to exist in the first place. — Jonny Lee Miller

Nothing had been the same; and this slight, all-pervading instability, had given her greater pain than if all had been too entirely changed for her to recognise it. I begin to understand now what heaven must be-and, oh! the grandeur and repose of the words-"The same yesterday, to-day, and for ever." Everlasting! "From everlasting to everlasting, Thou art God." That sky above me looks as though it could not change, and yet it will. I am so tired-so tired of being whirled on through all these phases of my life, in which nothing abides by me, no creature, no place; it is like the circle in which the victims of earthly passion eddy continually. I am in the mood in which women of another religion take the veil. I seek heavenly steadfastness in earthy monotony. — Elizabeth Gaskell

Pyramids, cathedrals, and rockets exist not because of geometry, theories of structures, or thermodynamics, but because they were first a picture- literally a vision-in the minds of those who built them. Society is where it is today because people had the perception; the images and the imagination; the creativity that the Arts provide, to make the world the place we live in today. — Eugene S. Ferguson

I cannot recall having believed, even as a child, that the purpose of reading fiction was to learn about the place commonly called the real world. I seem to have sensed from the first that to read fiction was to make available for myself a new kind of space. In that space, a version of myself was free to move among places and personages the distinguishing features of which were the feelings they caused to arise in me rather than their seeming appearance, much less their possible resemblance to places or persons in the world where I sat reading. — Gerald Murnane

All art stems from a place of alienation. Intimate and alone. Most people are oppressed by the opinion of others, but I was not that way. I was afraid of the repercussions of not doing what I was told to do, what I was called to do by a creator. — CeeLo Green

In the last analysis, provincialism is your belief in yourself, in your neighborhood, in your reality. It is patriotism without belligerence. Convincing cases have been made to show that all great art is provincial in the sense of reflecting a place, a time, and a Zeitgeist. — Richard M. Weaver

Cities, Barber notes, "collect garbage and collect art rather than collecting votes or collecting allies. They put up buildings and run buses rather than putting up flags and running political parties. They secure the flow of water rather than the flow of arms. They foster education and culture in place of national defense and patriotism. They promote collaboration, not exceptionalism."24 — Michael Shermer

If I were only allowed to read or enjoy art or listen to music made by people whose opinions and beliefs were the same as mine, I think the world would be a pretty dismal sort of a place ... Most, probably all, human beings get to do awful things and believe things that other human beings think they should be burned for believing, and they get to do and believe wonderful things too, and artists, writers, musicians, creators, actors, are nothing if not human beings. — Neil Gaiman

Construed as turf, home just seems a provisional claim, a designation you make upon a place, not one it makes on you. A certain set of buildings, a glimpsed, smudged window-view across a schoolyard, a musty aroma sniffed behind a garage when you were a child, all of which come crowding in upon your latter-day senses
those are pungent things and vivid, even consoling. But to me they are also inert and nostalgic and unlikely to connect you to the real, to that essence art can sometimes achieve, which is permanence. — Richard Ford

The traditional difficulty of balancing the mechanical with the imaginative schools of photography still operates. In schools of photography meaningful art education is often lacking and on the strength of their technical ability alone students, deprived of a richer artistic training, are sent forth inculcated with the belief that they are creative photographers and artists. It is yet a fact that today, as in the past, the most inspiring and provocative works in photography come as much (and probably more) from those who are in the first place artists. — Aaron Scharf

Do the poet and scientist not work analogously? Both are willing to waste effort. To be hard on himself is one ... of the main strengths of each. Each is attentive to clues, each must narrow the choice, must strive for precision. As George Grosz says, "In art there is no place for gossip and but a small place for the satirist." The objective is fertile procedure. Is it not? Jacob Bronowski says in The Saturday Evening Post that science is not a mere collection of discoveries, but that science is the process of discovering. In any case it's not established once and for all; it's evolving. — Marianne Moore

Fighting isn't all there is to the Art of War. The men who think that way, and
are satisfied to have food to eat and a place to sleep, are mere vagabonds. A
serious student is much more concerned with training his mind and disciplining
his spirit than with developing martial skills. — Eiji Yoshikawa

Often I'll go outside and just place my hands on the soil, even if there's no work to do on it. When I am filled with worries, I do that and I can feel the energy of the mountains and of the trees. — Andy Couturier

The essence will be evident everywhere. In all that the citizens do: in their art, music, food, and their buildings. If the essence of a place nourishes your spirit, then it is a good place to be -Rovender — Tony DiTerlizzi

There was something terribly sad, yet terribly uplifting, about watching this prophet of the ancient art of distance running turning his back on everything except his dream, and heading back down to "the best place in the world to run." Alone. — Christopher McDougall

My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it. — Jasper Johns

The more I've gotten interested in writing about history and making sense of myself within the continuum of history, the more I've turned to paintings, to art. I look to the imagery of art to help me understand something about my own place in the world. — Natasha Trethewey

All "if" statements about the past are as dubious as prophecies of the future are. It seems fairly plausible that if Alexander or Ghengis Khan had never been born, some other individual would have filled his place and executed the design of the Hellenic or Mongolic expansion; but the Alexanders of philosophy and religion, of science and art, seem less expendable; their impact seems less determined by economic challenges and social pressures; and they seem to have a much wider range of possibilities to influence the direction, shape and texture of civilizations. — Arthur Koestler

For the first time in his life, he stopped worrying about results, and as a consequence the terms "success" and "failure" had suddenly lost their meaning for him. The true purpose of art was not to create beautiful objects, he discovered. It was a method of understanding, a way of penetrating the world and finding one's place in it, and whatever aesthetic qualities an individual canvas might have were almost an incidental by-product of the effort to engage oneself in this struggle, to enter into the thick of things. — Paul Auster

Nothing is really beautiful unless it is useless; everything useful is ugly, for it expresses a need, and the needs of man are ignoble and disgusting, like his poor weak nature. The most useful place in a house is the lavatory. — Theophile Gautier

Not in San Salvador, he thinks, where the shanty slums press against gleaming high-rises like the thatched huts of medieval peasants pressed against castle walls. Except these castle walls are patrolled by private security guards wielding automatic rifles and machine pistols. And at night, the guards venture out from the castle walls and ride through the villages ...and slaughter the peasants, leaving their bodies at crossroads and in the middle of village squares, and rape and kill women and execute children in front of their parents.

So the survivors will know their place.

It's a killing ground, Art thinks.

El Salvador.

The Savior, my ass. — Don Winslow

I guess the fact that they made something they could be proud of is more important than any prize ever could be. I can understand that. The beauty of the clothing itself is in the eye of the beholder. Judging art on a point system in the first place seems totally ridiculous! But since I grew up in such a competitive, point-awarding world, I wanted the grand prize more than anything. I wanted to be number one and get all the glory. Glory, huh ... how stupid! — Ai Yazawa

More than anything, he taught me the art of patience. Cameras introduce tension. People are aware of the power of a camera, and this instinctively makes most subjects uncomfortable and stiff. But Bebeto taught me to linger in a place long enough, without photographing, so that people grew comfortable with me and the camera's presence. — Lynsey Addario

Art, well good art at least, takes you to a place you go during the experience of it, and then after you experience it you are different. — Nile Rodgers

The increased abstraction in mathematics that took place during the early part of this century was paralleled by a similar trend in the arts. In both cases, the increased level of abstraction demands greater effort on the part of anyone who wants to understand the work. — Keith Devlin

Now sexual obsessions are the basis of artistic creation. Accumulated frustration leads to what Freud calls the process of sublimation. Anything that does not take place erotically sublimates itself in the work of art — Salvador Dali

At school, I always felt the art room was the place where you could sit and talk. It was a place of solace. I wasn't the best artist at school by a long shot; it was more the understanding and the support that came from that room. — Sam Taylor-Wood

Every woman, even the most respectable, had roses blooming under glass; lips cut with a knife; curls of Indian ink; there was design, art, everywhere; a change of some sort had undoubtedly taken place. — Virginia Woolf

A war, or any wild-goose chase, is, as the vulgar use the phrase, a lucky turn-up of patronage for the minister, whose chief merit is the art of keeping himself in place. — Mary Wollstonecraft

I've always thought hard-boiled detective novels an American art form. At their best, they're more than who-dun-its or thrillers, they're vehicles for a writer's observations about culture, politics, philosophy, music, history and a time or a place. Or life, it's ownself. When you read James Ellroy, Dashiell Hammett or James Lee Burke, their stories are always about far more than good guys chasing bad guys. That's the kind of book I wanted to write. Still do. — Jim Nesbitt

Is it that the joy that comes from other people always risks sadness, because even when love doesn't fail, mortality enters in; is it that there is a place where sadness and joy are not distinct, where all emotion lies together, a sort of ocean into which the tributary streams of distinct emotions go, a faraway deep inside; is it that such sadness is only the side effect of art that describes the depths of our lives, and to see that described in all its potential for loneliness and pain is beautiful? — Rebecca Solnit

Jowell fell back on the same justification for funding the arts that the first chairman of the Arts Council, John Maynard Keynes, had deployed in 1945. Art was something produced by people with special skills, who set their own standards of excellence; they needed to be supported to do this, and the audience needed to be encouraged to appreciate this excellence, by being given subsidised access to it. And for all of Jowell's attempts to transcend instrumentalism, the purpose of culture continued to be to help the government 'to transform our society into a place of justice, talent and ambition where individuals can fulfil their true potential'.22 — Robert Hewison

I think having a dispassionate eye is a good way of making art. When you don't know the structures of a place, you are unencumbered. — Rory Kinnear

The PBA was a symptom of the Philippines' basketball obsession, not the cause. I was thrilled to be witnessing the professional game from inside Alaska's locker room, but that wasn't what brought me to Manila in the first place. I was inspired by the idea that a Southeast Asian nation populated by five-foot-five men and mostly forgotten by America except for its political corruption, widespread prostitution, and violent Muslim separatist movement could be devoted to hoops with a passion unequaled by any other country. It was a nationwide tale of unrequited love. Forty million short men obsessed with basketball--they might as well have been a nation of blind art historians. — Rafe Bartholomew

Don't think too much. You'll create a problem that wasn't even there in the first place. — Sukhraj S. Dhillon

I am deeply spiritual; I revel in those things that make for good - the things that we can do to shed a little light, to help place an oft-dissonant universe back in tune with itself ... Long live art, long live friendship, long live the joy of life! — Jessye Norman

No refining of one's taste in matters of art or literature, no sharpening of one's powers of insight in matters of science or psychology, can ever take the place of one's sensitiveness to the life of the earth. This is the beginning and the end of a person's true education. — John Cowper Powys

You've got to be able to pay your bills; otherwise, you're not going to sleep at night. But beyond that, the world inside my head has always been a far richer place than the world outside it. I suppose that a lot of my art and writing are meant to bring the two together. — Alan Moore

Edwin Land of Polaroid talked about the intersection of the humanities and science. I like that intersection. There's something magical about that place. There are a lot of people innovating, and that's not the main distinction of my career. The reason Apple resonates with people is that there's a deep current of humanity in our innovation. I think great artists and great engineers are similar in that they both have a desire to express themselves. In fact some of the best people working on the original Mac were poets and musicians on the side. In the seventies computers became a way for people to express their creativity. Great artists like Leonardo da Vinci and Michelangelo were also great art science. Michelangelo knew a lot about how to quarry stone, not just how to be a sculptor. — Walter Isaacson

I think art must be the place where you are protected from the logic of the outside world. — Camille Henrot

What you have now is a Hollywood that is pure poison. Hollywood was a central place in the history of art in the 20th century: it was human idealism preserved. And then, like any great place, it collapsed, and it collapsed into the most awful machinery in the world. — Emir Kusturica

Chess is one of the few arts where composition takes place simultaneously with performance — Garry Kasparov

Clever deceivers rarely tell outright falsehoods. It's too risky. The art of deception is closely related to the magician's craft: it involves knowing how to draw attention to a harmless place, to deflect it away from the action. Deeply entrenched patterns of perceptual, emotional, and cognitive dispositions serve as instruments of deception. A skilled deceiver is an illusionist who knows how to manipulate the normal patterns of what is salient to their audience. He places salient markers - something red, something anomalous, something desirable - in the visual field, to draw attention just where he wants it. — Clancy Martin

The gentle art of being gentle - of kindness and forgiveness, sensitivity and thoughtfulness and generosity and humility and good old-fashioned love - have gone out of fashion. Ironically, everyone is demanding their "rights," and this demand is so shrill that it destroys one of the most basic "rights," if we can put it like that: the "right," or at least the longing and hope, to have a peaceful, stable, secure, and caring place to live, to be, to learn, and to flourish. — N. T. Wright

It is a thing of no great difficulty to raise objections against another man's oration, it is a very easy matter; but to produce a better in it's place is a work extremely troublesome. — Plutarch

For something to become a work of art, a labeling process must take place that requires three participants: an artist who produces an apt object, a client or public, and a critic or connoisseur who mediates between the artist and the public to assure them of the artness of the thing. If I make a painting, it is not sufficient for the painting to be "art" that I consider it so, nor even that you, my friend and neighbor, admire it and hang it on your wall; it must be certified as art by competent authority and exhibited in the institutionally appropriate place, a gallery or museum. — Wyatt MacGaffey

I figured out that art would be the perfect place for me because what's encouraged is the invention of languages. — David Altmejd

The power of the artform is stronger than stone, the poet says, and chooses the sonnet, a form concerned with argument and persuasion, to say so. This sonnet, he says, will last longer than any gravestone-and you'll be made shinier, brighter, by it. In this form it will-and therefore you will-avoid destruction by war, history, time generally; it'll even keep you alive after death; in fact it'll form a place for you to live, not die, where you'll be seen in the eyes of and the context of this love right to the end of time. — Ali Smith

THE ART OF THE BRICK exhibition is accessible because it engages the child in all of us while simultaneously illuminating sophisticated and complex concepts. Everyone can relate to the medium since it is a toy that many children have at home. But my goal with this exhibition when it first debuted in 2007 was to elevate this simple plaything to a place it has never been before. — Nathan Sawaya

Throw our your mean words, Mr. Freemantle. Art should be a place of hope, not doubt. — Stephen King

The deepwood is vanished in these islands
much, indeed, had vanished before history began
but we are still haunted by the idea of it. The deepwood flourishes in our architecture, art and above all in our literature. Unnumbered quests and voyages have taken place through and over the deepwood, and fairy tales and dream-plays have been staged in its glades and copses. Woods have been a place of inbetweenness, somewhere one might slip from one world to another, or one time to a former: in Kipling's story 'Puck of Pook's Hill,' it is by right of 'Oak and Ash and Thorn' that the children are granted their ability to voyage back into English history. — Robert Macfarlane

The purpose of art actually is, in many cases, to make you feel quite uncomfortable. Or at least to go to that place that's already of discomfort inside of you and tap into that. — Michael Moore

In sculpture did ever anybody call the Apollo a fancy piece? Or say of the Laocoon how it might be made different? A masterpiece of art has in the mind a fixed place in the chain of being, as much as a plant or a crystal. — Ralph Waldo Emerson

All events and experiences are local, somewhere. And all human enhancements of events and experiences
all the arts
are regional in the sense that they derive from immediate relation to felt life.
It is this immediacy that distinguishes art. And paradoxically the more local the feeling in art, the more all people can share it; for that vivid encounter with the stuff of the world is our common ground.
Artists, knowing this mutual enrichment that extends everywhere, can act, and praise, and criticize, as insiders
the means of art is the life of all people. And that life grows and improves by being shared. Hence, it is good to welcome any region you live in or come to, or think of, for that is where life happens to be, right where you are. — William Stafford

Each person entering our world brings either a contribution or destruction. Trying to be "always nice" is to invite certain disaster. Those with poisonous attitudes, strange opinions, and caustic conversations love to look for someone nice who will listen to them. They love to dump their verbal garbage into the mental factory of anyone willing to listen. A major challenge in life is for each person to learn the art of standing guard at the doorway of their mind. Carefully examine the credentials and authority of those seeking to enter within that place where your attitudes are formed. — Jim Rohn

No thanks. I'm not an artist." "You don't have to be. That's the beauty of creating art. It's cathartic. Think of your past, your present, your future. Draw what troubles you. It can be a face, a place, a story inside of one single image. — Keri Lake

Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature. — Andy Goldsworthy

Pure evil has no real place. And that means, doesn't it, that I have no place. Except, perhaps, in the art that repudiates evil - the vampire comics, the horror novels, the old gothic tales - or in the roaring chants of the rock stars who dramatize the battles against evil that each mortal fights within himself. — Anne Rice

My desk was a present from Margaret Atwood.
After Zen and the Art of Uterus Maintenance
sold its first million, she said I needed a place
to write, other than the local bus-shelter. — Nuala Ni Chonchuir

Compared with this simple, fibrous life, our civilized history appears the chronicle of debility, of fashion, and the arts of luxury. But the civilized man misses no real refinement in the poetry of the rudest era. It reminds him that civilization does but dress men. It makes shoes, but it does not toughen the soles of the feet. It makes cloth of finer texture, but it does not touch the skin. Inside the civilized man stands the savage still in the place of honor. We are those blue-eyed, yellow-haired Saxons, those slender, dark-haired Normans. — Henry David Thoreau

When every piece falls into place, it's like a dance, a delicate but powerful balancing act. The art of holding on and letting go at the same time. — Kristin Bartley Lenz

To me, it's like the difference between a pen and a paintbrush. Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from. Nobody really does. It sort of arrives when it wants to. — Brandon Boyd

The art of change-ringing is peculiar to the English, and, like most English peculiarities, unintelligible to the rest of the world. (The change-ringer's) passion - and it is a passion - finds its satisfaction in mathematical completeness and mechanical perfection, and as his bell weaves her way rhythmically up from lead to hinder place and down again, he is filled with the solemn intoxication that comes of intricate ritual faultlessly performed. — Dorothy L. Sayers

Some collaboration has to take place in the mind between the woman and the man before the art of creation can be accomplished. Some marriage of opposites has to be consummated. The whole of the mind must lie wide open if we are to get the sense that the — Virginia Woolf

The place has had a super-conflicted relationship to its mission. In 1956, it opened as the Museum of Contemporary Crafts. Then in 1986 it had a midlife crisis and changed its name to the American Craft Museum. Then in 2002 the name changed again, this time to the Museum of Arts and Design. Maybe in 2025 the place will be called the Designatorium. The big problem with a museum of craft and design is that all art has craft and design. — Jerry Saltz

Maybe stalking the woods is as vital to the human condition as playing music or putting words to paper. Maybe hunting has as much of a claim on our civilized selves as anything else. After all, the earliest forms of representational art reflect hunters and prey. While the arts were making us spiritually viable, hunting did the heavy lifting of not only keeping us alive, but inspiring us. To abhor hunting is to hate the place from which you came, which is akin to hating yourself in some distant, abstract way. — Steven Rinella

Right-wing propagandists like Limbaugh and Coulter are essentially entertainers, entertainers who stimulate prejudice, selfishness and meanness the way a comedian works for laughs or a tragedian plays for tears. Theirs is a new art form, exclusive to America and bewilderingly successful. In place of traditional conservative ideology, they offer their audience partisan belligerence and a complete package of mail-order hatreds, designed for the conceptually and ethically impaired. — Hal Crowther

Creativity is a state of mind, a way of being, and it comes from a sacred place within. — Bonnie Kelso

My imagination was a great place to escape from all the anxiety and disapproval of my life ... I had to live in my head ... art was a way of making myself feel better. — Philip Schultz

Life comes first, an art not rooted in human experience is not worth a damn, but different kinds of minds have different kinds of experience, and all I ask of any man is validity; and there should be place for every type and kind of mind. — Katherine Anne Porter

People think I am being modest when I tell them I know absolutely nothing about art. But if they show me a piece of student work, I won't have the slightest idea whether it's art or even "good". What I do know is whether such things hang or stand in the houses of the rich - or in the museums where the rich allow their treasures to be seen. And when people understand this, they'll instantly agree with what I said in the first place, that I know absolutely nothing about art. - pg. 76 — Daniel Quinn

His OFELLUS in the Art of Living in London, I have heard him relate, was an Irish painter, whom he knew at Birmingham, and who had practiced his own precepts of economy for several years in the British capital. He assured Johnson, who, I suppose, was then meditating to try his fortune in London, but was apprehensive of the expence, 'that thirty pounds a year was enough to enable a man to live there without being contemptible. He allowed ten pounds for cloaths and linen. He said a man might live in a garret at eighteen-pence a week; few people would inquire where he lodged; and if they did, it was easy to say, "Sir, I am to be found at such a place." By spending three-pence in a coffee-house, he might be for some hours every day in very good company; he might dine for six-pence, breakfast on bread and milk for a penny, and do without supper. On clean-shirt day he went abroad, and paid visits. — James Boswell

My art history papers were really politics. They were about the manifestation of culture through the eye of political events. So there was always that refusal to settle in one place, or one discipline or medium. — Roselee Goldberg

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous. — Tim Reed

Dirty Freds ... I love this filthy old place. I love the dust and the dirt, the crappy old books and the objects of art. — Alan C. Martin

Even the most perfect reproduction of a work of art is lacking in one element: its presence in time and space, its unique existence at the place where it happens to be. — Walter Benjamin

Essentially, the popular musician in America must learn that his basic job is to entertain people, to make them forget their sorrows for a moment or two; in the same sense that any popular art form must aim at the same distraction value. Any such job as that is basically a young man's business. It takes a young man's energy to go traveling around the country, night after night in a different place, prancing and cavorting around in front of mobs of people all out to try to forget their problems for an evening. And for a young man it can be a good enough way of life, if he happens to like it. — Artie Shaw

We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a public place for the first time in years without fear or anger, being in a place with a crowd of strangers that was not a demonstration, a protest rally, a breadline or a public execution...For a brief time we experienced collectively the kind of awful beauty that can only be grasped at through extreme anguish and expressed through art. — Azar Nafisi

Verbal imagery (such as a simile or a description of a place or an event) is more physical, more bodily, than thinking or feeling, but less physical, more internal, than the actual sounds of the words. Imagery takes place in "the imagination," which I take to be the meeting place of the thinking mind with the sensing body. What is imagined isn't physically real, but it feels as if it were: the reader sees or hears or feels what goes on in the story, is drawn into it, exists in it, among its images, in the imagination (the reader's? the writer's?) while reading. — Ursula K. Le Guin

A lot of what making art is, is just being open, and empty. And putting yourself in the right place for things to, literally, come together. — Bill Viola

I was born in St. Louis and lived in Pittsburgh for a bit, before my family moved to Nigeria, where they're from. We lived there for three or four years and came back to the States when I was about ten. I realised that I'd gone from place to place not fitting in. The thing that helped me fit in when moving around and not having a ton of friends was that I could make art. That was the through-line. — Babatunde Adebimpe

When experiencing a work of art, a curious exchange takes place; the work projects its aura, and we project our own emotions and precepts on the work. The melancholy in Michelangelo's architecture is fundamentally the viewer's sense of his/her own melancholy enticed by the authority of the work. Enigmatically, we encounter ourselves in the work. — Juhani Pallasmaa

No art can possibly comfort HER then, even though art is credited with so many things, especially an ability to offer solace. Sometimes, of course, art creates the suffering in the first place. — Elfriede Jelinek

In place of a hermeneutics we need an erotics of art. — Maggie Nelson

What you need to know about the next piece is contained in the last piece. The place to learn about your materials is in the last use of your materials. The place to learn about your execution is in your execution. Put simply, your work is your guide: a complete, comprehensive, limitless reference book on your work. — David Bayles

Elderly people are like plants. Whereas some go to seed, or to pot, others blossom in the most wonderful ways. I believe beauty competitions should be held only for people over seventy years of age. When we are young, we have the face and figure God gave us. We did nothing to earn our good looks. But as we get older, character becomes etched on our face. Beautiful old people are works of art. Like a white candle in a holy place, so it the beauty of an aged face. — James Simpson

I know what science this has come to be. All rights and laws are still transmitted Like an eternal sickness of the race, - From generation unto generation fitted, And shifted round from place to place. Reason becomes a sham, Beneficence a worry: Thou art a grandchild, therefore woe to thee! The right born with us, ours in verity, — Johann Wolfgang Von Goethe

There is some other form that you contain within yourself that is not will or purpose and, when applied to art, serves you best. If you systematically apply to the art that you create the aggression of the world that turned you towards art in the first place; if you, in turn, become the aggressor towards your canvas, the thing that you're doing; if you, in turn, work your will upon this thing that you want - you will then cause a dissatisfaction in this life that you create. — Milton Resnick