Pictures That Represent Quotes & Sayings
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Top Pictures That Represent Quotes

He lifted her up against that tiled wall. Spread her legs. Her mouth was still on him, lips, tongue, teeth ... His fingers slid over her core. Pushed inside her sex. So wet. So hot. She clamped down on him and held tight. — Cynthia Eden

We live in a world of endless transgressions and selfishness, and no pictures that represent us otherwise can be true. — James Fenimore Cooper

People ask me this a lot, what a song's about ... I do think analyzing a song can be interesting, although it doesn't necessarily get to the point. It's a whole other side activity. I do like making a thing into pictures. If I get an abstract idea and all the words in it don't represent tangible things, I might try to take the idea and make it into a picture, create a little scene there, an image. — Tom Verlaine

There is a progression from pictographic, writing the picture; to ideographic, writing the idea; and then logographic, writing the word. Chinese script began this transition between 4,500 and 8,000 years ago: signs that began as pictures came to represent meaningful units of sound. Because the basic unit was the word, thousands of distinct symbols were required. This is efficient in one way, inefficient in another. Chinese unifies an array of distinct spoken languages: people who cannot speak to one another can write to one another. It employs at least fifty thousand symbols, about six thousand commonly used and known to most literate Chinese. In swift diagrammatic strokes they encode multidimensional semantic relationships. One device is simple repetition: tree + tree + tree = forest; more abstractly, sun + moon = brightness and east + east = everywhere. The process of compounding creates surprises: grain + knife = profit; hand + eye = look. — James Gleick

For the person who wants to capture everything that passes before his eyes, [...] the only coherent way to act is to snap at least one picture a minute, from the instant he opens his yes in the morning to when he goes to sleep. This is the only way that he rolls of exposed film will represent a faithful diary of our days, with nothing left out. If I were to start taking pictures, I'd see this thing through, even if it meant losing my mind. But the rest of you still insist on making a choice. What sort of choice? A choice in the idyllic sense, apologetic, consolatory, at peace with nature, the fatherland, the family. Your choice isn't only photographic; it is a choice of life, which leads you to exclude dramatic conflicts, the knots of contradiction, the great tensions of will, passion, aversion. So you think you are saving yourselves from madness, but you are falling into mediocrity, into hebetude."
- from "The Adventure of a Photographer — Italo Calvino

In newsreels or news-photos, the Arab is always shown in large numbers. No individuality, no personal characteristics or experiences. Most of the pictures represent mass rage and misery, or irrational (hence hopelessly eccentric) gestures. Lurking behind all of these images is the menace of jihad. Consequence: a fear that the Muslims (or Arabs) will take over the world. — Edward W. Said

The motion pictures I have made and the plays I have chosen to direct represent my convictions. — Elia Kazan

When you over Stretch your finger, it gets hurt — Samar Sudha

All statistics consist of our attempts to represent statistically what is in motion; and in the process things assume a weight in our mind which they have not in reality. For this reason a man, who by his profession is concerned with any particular aspect of life, is apt to magnify its proportions; in laying undue stress upon facts he loses his hold upon truth. A detective may have the opportunity of studying crimes in detail, but he loses his sense of their relative places in the whole social economy. When science collects facts to illustrate the struggle for existence that is going on in the kingdom of life, it raises a picture in our minds of "nature red in tooth and claw." But in these mental pictures we give a fixity to colours and forms which are really evanescent. — Rabindranath Tagore

May we not have a picture of Christ, who has a true body? By no means; because, though he has a true body and a reasonable soul, John 1:14, yet his human nature subsists in his divine person, which no picture can represent, Psalm 45:2. Why ought all pictures of Christ to be abominated by Christians? Because they are downright lies, representing no more than the picture of a mere man: whereas, the true Christ is God-man — James Fisher

Humans weren't made to be perfect, Daniel. We were made to screw up, fuck up, and learn new things. We were made perfectly imperfect. — Brittainy C. Cherry

The point here is not just that an image represents God as having body and parts, whereas in reality he has neither. But the point really goes much deeper. The heart of the objection to pictures and images is that they inevitably conceal most, if not all, of the truth about the personal nature and character of the divine Being whom they represent. — J.I. Packer

I'm a dual citizen, as are my husband and children. We have got eight passports between us; we're weighed down by them whenever we go anywhere. — Emily Mortimer

The whole idea of hobknobbing and schmoozing and the concept of an "elite" class of celebrities better than the common people has always made my stomach turn. — Bill Watterson

The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons , however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies . — James Berardinelli

What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph. — Sebastiao Salgado

Nations need to constantly reaffirm their historical roots to maintain their political ideals. Motion pictures were one of the media used by nations to accommplish this task. The question one must ask is: Did the colonial films made faithfully represent the period in our nation's history? — John P. Harty Jr.

Far more powerful than religion, far more powerful than money, or even land or violence, are symbols. Symbols are stories. Symbols are pictures, or items, or ideas that represent something else. Human beings attach such meaning and importance to symbols that they can inspire hope, stand in for gods, or convince someone that he or she is dying. These symbols are everywhere around you. — Lia Habel

You are terminally arrogant, — Jeaniene Frost

Thus even supposedly unadulterated facts of observation already are interfused with all sorts of conceptual pictures, model concepts, theories or whatever expression you choose. The choice is not whether to remain in the field of data or to theorize; the choice is only between models that are more or less abstract, generalized, near or more remote from direct observation, more or less suitable to represent observed phenomena. — Ludwig Von Bertalanffy

Sometimes a homeland becomes a tale. We love the story because it is about our homeland and we love our homeland even more because of the story. — Refaat Alareer

We live in a world of transgressions and selfishness, and no pictures that represent us otherwise can be true; though happily for human nature, gleamings of that pure spirit in whose likeness man has been fashioned, are to be seen, relieving its deformities, and mitigating, if not excusing its crimes. — James Fenimore Cooper

If you were shopping for a father, you'd have to take out a serious loan to afford mine. He's the best. — Peter DeLuise

The earliest impressions are pictographic in form - little pictures that are the stylized versions of the things they represent. And most things they represent are plants and animals. The earliest writing deprived from vision rather than sound. — Chris Gosden

The pictures which do not represent an intense interest cannot expect to create an intense interest. — Robert Henri