Picture Are You A Character Quotes & Sayings
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Top Picture Are You A Character Quotes

As the prospect gradually revealed itself and disclosed the scene over which the wind had wandered in the dark, like my memory over my life, I had a pleasure in discovering the unknown objects that had been around me in my sleep. At first they were faintly discernible in the mist, and above them the later stars still glimmered. That pale interval over, the picture began to enlarge and fill up so fast that at every new peep I could have found enough to look at for an hour. Imperceptibly my candles became the only incongruous part of the morning, the dark places in my room all melted away, and the day shone bright upon a cheerful landscape, prominent in which the old Abbey Church, with its massive tower, threw a softer train of shadow on the view than seemed compatible with its rugged character. — Charles Dickens

In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part. — Melissa Joan Hart

There are a lot of things that make players really good coaches. Whether you've played in the NBA or not, there are certain things you have to master and be really good at. They just have to be gifted in these areas. You've got to be competent. Secondly, you've got to be able to communicate. You can have a picture in your mind on how to score but if you can't communicate it, if you can't teach it, what good is it? You've got to be brutally honest and be a man of strong character and then you've got to have class. They've got to respect you. — Avery Johnson

I don't really mess with Instagram much, but I get why people love it. Because to me, it's better to tell a story through a picture than 140 characters. — Rashida Jones

Your story is not a picture of life; it lacks the elements of truth. And why? Simply because you run straight on to the end; because you do not analyze. Your heroes do this thing or that from this or that motive, which you assign without ever a thought of dissecting their mental and moral natures. Our feelings, you must remember, are far more complex than all that. In real life every act is the
resultant of a hundred thoughts that come and go, and these
you must study, each by itself, if you would create a living
character. 'But,' you will say, 'in order to note these fleeting
thoughts one must know them, must be able to follow them in their capricious meanderings.You have simply to make use of hypnotism, electrical or human, which gives one a two-fold being, setting free the witness-personality so that it may see, understand, and remember the reasons which determine the personality that acts. — Jules Verne

By fate, not option, frugal Nature gave One scent to hyson and to wall-flower, One sound to pine-groves and to water-falls, One aspect to the desert and the lake. It was her stern necessity : all things Are of one pattern made; bird, beast, and flower, Song, picture, form, space, thought, and character Deceive us, seeming to be many things, And are but one. — Ralph Waldo Emerson

I didn't want to argue with my hosts. I wanted them to talk. But I felt like reminding Li that perhaps forty million Chinese people had died of starvation a half century earlier because they followed their government's orders. It was the largest famine in history. A snapshot taken then would have given a very different picture of the supposedly essential character of Chinese people, and it would have entirely missed the point. Governments matter. Markets matter. History matters. International circumstances matter. — Howard W. French

The character of Rocky was built on the idea that he was chosen to do something. That's why the first image in Rocky is the picture of Christ. — Sylvester Stallone

I love writing every song I can like a little mini movie. I like to have a character, or some characters, and really paint a picture with the song. — Dolly Parton

Suppose we had some kind of device with particles moving with a certain definite symmetry, and suppose their movements were bilaterally symmetrical (fig. 20). Then, following the laws of physics, with all the movements and collisions, you could expect, and rightly, that if you look at the same picture later on it will still be bilaterally symmetrical. So there is a kind of conservation, the conservation of the symmetry character. This should be in the table, but it is not like a number that you measure, and we will discuss it in much more detail in the next lecture. The reason this is not very interesting in classical physics is because the times when there are such nicely symmetrical initial conditions are very rare, and it is therefore a not very important or practical conservation law. But — Richard Feynman

I am more affected by the attractions of virtue than by the deformities of vice; I turn gently away from the wicked and I fly to meet the good. If there is in a literary work, in a character, in a picture, in a statue, a beautiful spot, that is where my eyes rest; I see only that, I remember only that, all the rest is well-nigh forgotten. What becomes of me when the whole work is beautiful! — Denis Diderot

A first impression works like a magic mirror; it reflects what intrigues us rather than echoing a truthful picture. A first impression is the creating of an imagined character born from personal desires, perceptions, and biases. Though sparked by an introduction to a real, living, breathing individual, the person remains a mystery long after parting. It is a fictitious ghost masked with similar features that remains. A first impression is rarely accurate; therefore, it should never be trusted. — Richelle E. Goodrich

The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play ... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture. — Martin Scorsese

People just expect you to show up, be a cartoon character of yourself, take your money and go home. But don't screw up to the point where you're gonna be out of the picture. — Jimmy Chamberlin

Perhaps, like most of us in a foreign country, he was incapable of placing people, selecting a frame for their picture, as he would at home; therefore all Americans had to be judged in a pretty equal light, and on this basis his companions appeared to be tolerable examples of local color and national character. — Truman Capote

What would you love to achieve and accomplish? What would you feel great about doing in your life? What meaningful goals would you wish to reach? Imagine achieving and accomplishing everything that you would wish [dream] for. Picture yourself reaching your highest aspirations and your most meaningful goals. Visualize yourself speaking and acting the way you would wish with the highest and best character traits. — Zelig Pliskin

I set the vodka glasses on the table, and we become gently drunk in the foetal warmth. The Australian woman doesn't quite get the picture. We have a brief exchange in English. 'Do you have a car?' she asks. 'No,' I reply. 'A TV?' 'No.' 'What if you have a problem?' 'I walk.' 'Do you go to the village for food?' 'There is no village.' 'Do you wait for a car on the road?' 'There is no road.' 'Are those your books?' 'Yes.' 'Did you write all of them?' I prefer people whose character resembles a frozen lake to those who are more like marshes. — Sylvain Tesson

A writer's duty is to draw a picture that expresses more inner beauty, deeper anxiety, and more complex tragedy than a real character ever can. — Debasish Mridha

Carrying a small notebook with you always, in your pocket or purse, along with a reliable ballpoint pen will enable you to jot down spot observations and quick character sketches before the first sharp impressions fade away. You'll need all kinds of story actors, because even picture books can include a wide range of ages, relationships, occupations, and nationalities. Learn to observe and analyze swiftly, wherever you are. — Lee Wyndham

On no account would I do a picture which I should be unwilling to show to all the world - or at least all the artistic world. If I did not believe I could take pictures of all children without any lower motive than a pure love of Art, I would not ask it: and if I thought there was any fear of its lessening their beautiful simplicity of character, I would not ask it. I print all such pictures myself, and of course would not let any one see them without your permission. I fear you will reply that the one insuperable objection is "Mrs. Grundy"
that people will be sure to hear that such pictures have been done, and that they will talk. As to their hearing of it, I say "of course. All the world are welcome to hear of it, and I would not an any account suggest to the children to mention it - which would at once introduce an objectionable element" - but as to people talking about it, I will only quote the grand old monkish legend: They say: Quhat do they say? Lat them say! — Lewis Carroll

Character is the product of daily, hourly actions, words and thoughts: daily forgiveness, unselfishness, kindnesses, sympathies, charities, sacrifices for the good of others, struggles against temptation, submissiveness under trial. It is these, like the blinding colors in a picture, or the blending notes of music, which constitute the person. — John Ross Macduff

It's important to fight for your character but at the same time realize there's a bigger picture involved and, you know, this is a character that's shared by everybody. It's not just purely your own. — Hayden Panettiere

What is either a picture or a novel that is not character? — Henry James

My job as an actor is to serve the script. If I'm looking at it as to see what the best character is, then it's not really looking at the big picture. — Frank Grillo

I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method. — Jean-Baptiste-Camille Corot

In light of this evidence, Bryan suggests that we should embrace nouns more thoughtfully. "Don't Drink and Drive" could be rephrased as: "Don't Be a Drunk Driver." The same thinking can be applied to originality. When a child draws a picture, instead of calling the artwork creative, we can say "You are creative." After a teenager resists the temptation to follow the crowd, we can commend her for being a non-conformist. When we shift our emphasis from behavior to character, people evaluate choices differently. Instead of asking whether this behavior will achieve the results they want, they take action because it is the right thing to do. In the poignant words of one Holocaust rescuer, "It's like saving somebody who is drowning. You don't ask them what God they pray to. You just go and save them. — Adam M. Grant

If I was going to be a woman, I would want to be as beautiful as possible. And they said to me, 'Uh, that's as beautiful as we can get you.' And I went home and started crying to my wife, and I said, 'I have to make this picture.' And she said, 'Why?' And I said, 'Because I think I'm an interesting woman when I look at myself on screen, and I know that if I met myself at a party, I would never talk to that character because she doesn't fulfill, physically, the demands that we're brought up to think that women have to have in order for us to ask them out.' She says, 'What are you saying?' and I said, 'There's too many interesting women I have not had the experience to know in this life because I have been brainwashed.' It was not what it felt like to be a woman. It was what it felt like to be someone that people didn't respect, for the wrong reasons. I know it's a comedy. But comedy's a serious business. — Dustin Hoffman

When I get an idea for a book, something appeals to me, it's usually a character. I'll see a picture of a female marshal in front of the courthouse in Miami and she's got a shotgun on her hip and it goes up on an angle. And she's good-looking. And I say, 'I've got to use her.' — Elmore Leonard

There is an old-fashioned distinction between the novel of character and the novel of incident, which must have cost many a smile to the intending romancer who was keen about his work. It appears to me as little to the point as the equally celebrated distinction between the novel and the romance- to answer as little to any reality. There are bad novels and good novels, as there are bad pictures and good pictures; but that is the only distinction in which I see any meaning, and I can as little imagine speaking of a novel of character as I can imagine speaking of a picture of character. When one says picture, one says of character, when one says novel, one says of incident, and the terms may be transposed. What is character but the determination of incident? What is incident but the illustration of character? What is a picture or a novel that is not of character? What else do we seek in it and find in it? — Henry James

When we hold a photo negative up to the light all objects are reversed. Black is white, white is black. Moreover, the character lines of any face in the picture are not clear. Once placed into the developing solution, what photographers call "the latent image" is revealed in the print-darkness is turned to light; and, lo, we have a beautiful picture. — Catherine Marshall

You cannot hide any secret. If the artist succor his flagging spirits by opium or wine, his work will characterize itself as the effect of opium or wine. If you make a picture or a statue, it sets the beholder in that state of mind you had when you made it. If you spend for show, on building, or gardening, or on pictures, or on equipages, it will so appear. We are all physiognomists and penetrators of character, and things themselves are detective. — Ralph Waldo Emerson

I think in some ways, acting and writing are the same. You're getting inside the skin of someone else; you're creating their language and their actions. As a writer, you have to see the whole picture and the structure, and you have to understand every character. — Finn Wittrock

One summer when Carol was attending day camp, Greta had an affair with a man named Mel Carter. He was an Eastern publicity representative for a film studio, and often instructed dinner parties to which we went in those days with accounts of the movies' coming of age. 'We have a picture coming up,' he said once, 'in which a character says "son of a bitch." Lots of exciting things are happening. Still, it's only a beginning. Much remains to be done. — Peter De Vries

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

This is a tried and true genre directed by a guy who's famous for character work. This could take a genre picture and lift it and elevate it. That was my thinking. — Michael Chiklis

It's not enough to picture their outward appearance. Give them a background and sphere of influence. — Jordan Dane

I was going to play in First Blood, but I suggested to changing it and I dropped out. I said to [Silvester] Stallone, 'You know, I almost stopped you from making millions of dollars,' because in my suggestion, I killed his character at the end of the picture . — Kirk Douglas

Christ does not dress up a moral picture, and ask you to observe its beauty. He only tells you how to live; and the most beautiful characters the world has ever seen, have been those who received and lived these precepts without once conceiving their beauty. — Horace Bushnell

I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight. — Samuel R. Delany

Talking of appearances, I would like my future readers to know that the picture of Jim and me that Thomas Hart Benton painted on the wall of the Missouri state capitol bears not the slightest resemblance to either one of us. ... I've never been satisfied with any representation of myself and have seen only one picture of Jim that did him justice. I don't know why this should be, unless it is evidence of a nearly universal prejudice against us, instigated by Sunday school superintendents, Republicans, and bigots. — Norman Lock

Most people report dreaming principally in visual images. Freud, however, assumes that dreams start from a dream-thought that is best expressed in words and translate it into a picture-language which is intellectually inferior because it cannot convey logical connections; the analyst restores to the dream its verbal character. — Sigmund Freud

I'd be more interested in doing a smaller, character driven thing, rather than another action picture. — Sigourney Weaver

The life of reality is confused, disorderly, almost always without apparent purpose, where in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form - to make it true and real to the theme, not to life ...
I myself remember with what a shock I heard people say that one of my own books, Winesburg, Ohio, was an exact picture of Ohio village life. The book was written in a crowded tenement district of Chicago. The hint for almost every character was taken from my fellow lodgers in a large rooming house, many of whom had never lived in a village. The confusion arises out of the fact that others besides practicing artists have imaginations. But most people are afraid to trust their imaginations and the artist is not. — Sherwood Anderson

I want you to picture me as a cute little anime character that popped out from behind a mushroom or something and landed in Hollywood. — Mindy Kaling

What am I to call it? Diffidence? The fear of ridicule? Inverted vanity? What matters names, if it has brought me to this? I could never bear to be bustling about nothing; I was ashamed of this toy kingdom from the first; I could not tolerate that people should fancy I believed in a thing so patently absurd! I would do nothing that cannot be done smiling. I have a sense of humour, forsooth! I must know better than my Maker. And it was the same thing in my marriage," he added more hoarsely. "I did not believe this girl could care for me; I must not intrude; I must preserve the foppery of my indifference. What an impotent picture!"
"Ay, we have the same blood," moralised Gotthold. "You are drawing, with fine strokes, the character of the born sceptic."
"Sceptic? - coward!" cried Otto. "Coward is the word. A springless, putty-hearted, cowering coward! — Robert Louis Stevenson

As a writer you see the big picture and how you can tell as one character, how your storyline is going to meet up with all these other storylines. And as an actor you're thinking of all the minutiae, all the very small details. — Richard Dormer

Julian Schnabel painted a picture that he dedicated to my character in Rumble Fish. It was called The Motorcycle Boy. I remember when he brought it over to me at the Mayflower Hotel [in New York] years ago. This is when you and I knew each other. — Mickey Rourke

I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them. — Sarah Waters

Some men
not all men
see always before them an ideal, a mental picture if you will, of what they ought to be, and are not. Whoso seeks to follow this ideal revealed to the mental vision, whoso seeks to attain to conformity with it, will find it enlarge itself, and remove from him. He that follows it will improve his own moral character, but the ideal will remain always above him and before him, prompting him to new exertions. — William Batchelder Greene

A person speaks more about his character through his shared images or uploaded profile picture than with his words or deeds, but only a leader who is always true to himself correctly reads them. — Anuj

Well, one of the problems of working on a story with a character that sacred in the religions of the world or in a picture about that person, is that you have to forget about that and play it as real as you can because you can't look at yourself and judge yourself. — Rod Steiger

I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting ... I quite like to be in that maze. — Christopher Nolan

My son craves picture books about Transformers and Ninja Turtles and the Hulk; they show one fantastic creature smashing or zapping another into smithereens on page after page. They are dull and ugly and show no interesting stories or models of conflict resolution or character building. — Russell Smith

There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print.
Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day. — Nora Raleigh Baskin