Quotes & Sayings About Photography Images

The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed. — Anne Geddes

To suffer is one thing; another thing is living with the photographed images of suffering, which does not necessarily strengthen conscience and the ability to be compassionate. It can also corrupt them. Once one has seen such images, one has started down the road of seeing more - and more. Images transfix. Images anesthetize. — Susan Sontag

The first time, I usually skim off the outer layer and end up with photographs that are fairly obvious. The second time, I have to look a little deeper. The images get more interesting. The third time it is even more challenging and on each subsequent occasion, the images should get stronger, but it takes more effort to get them. — Michael Kenna

The Concerned Photographer produces images in which genuine human feeling predominates over commercial cynicism or disinterested formalism. — Cornell Capa

Only powerfully conceived images have the ability to penetrate the memory, to stay there, in short to become unforgettable. — Brassai

If there can be a better way for the real world to include the one of images, it will require an ecology not only of real things but of images as well. — Susan Sontag

Why should there be only one sort of photography? I want to create images with elements of my choosing, narrative or evocative ... I give myself a literary frame, I tell a story. — Sarah Moon

We are drowning in images. Photography is used as a propaganda tool, which serves to sell products and ideas. I use the same approach to show aspects of reality. — Martin Parr

If you cannot think of anything to say that is useful or enlightening about your images, then don't say anything. There are plenty of other people who would love to put words in your mouth. — Bill Jay

Photography is an imprint or transfer off the real; it is a photochemically processed trace causally connected to the thing in the world to which it refers in a manner parallel to fingerprints or footprints or the rings of water that cold glasses leave on tables. The photograph is thus generically distinct from painting or sculpture or drawing. On the family tree of images it is closer to palm prints, death masks, the Shroud of Turin, or the tracks of gulls on beaches. — Rosalind E. Krauss

And young people who are learning digital skills discover that the real challenge is coming up with an image that resonates, first of all, with your self and hopefully, with an audience. They can learn all these new techniques and think that they're easier to use, but creating great images isn't about the tools. — Jerry Uelsmann

If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. [ ... ] Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm. — Bill Jay

Light is my inspiration. My photographic images search for dimensions that words cannot touch- the result of intense responses to personal experiences. I do not wish to "record," but rather to touch upon the illusive meanings which I perceive and try to comprehend in this limitless universe. — Ruth Bernhard

Words are more thoughts;
the photographed images always
ends up having a romantic gloss about it
- no matter how I try to avoid it. — Robert Frank

Photography is much more about elimination than inclusion. The images we make with a lens typically eliminate ninety percent of our field of view and everything that is out of our field of view. The shutter slices time, eliminating all moments before and after it opens and closes. Three dimensions are reduced to two. And in some cases color is removed. How can we call these kinds of artifacts unaltered? — John Paul Caponigro

Outside the window of the balcony room, three
metal guys were building a new patio for the
defunct pool. The pool was slowly filling with
red dust carried across the highway by intermittent
breezes. At some point I stood up from the table
and pulled back the curtain a bit and watched the
half naked bodies of the guys climbing in and out
of their trucks for tools or to turn up the volume
of the music. I felt like a detective with only the window
glass and the curtains camouflaging my desire. For a
moment I was afraid the intensity of my sexual fantasies
would become strangely audible; the energy of
the thought images would become so loud that
all three guys would turn simultaneously like
witnesses to a nearby car crash. — David Wojnarowicz

At birth we begin to discover that shapes, sounds, lights, and textures have meaning. Long before we learn to talk, sounds and images form the world we live in. All our lives, that world is more immediate than words and difficult to articulate. Photography, reflecting those images with uncanny accuracy, evokes their associations and our instant conviction. The art of the photographer lies in using those connotations, as a poet uses the connotations of words and a musician the tonal connotations of sounds. — Nancy Newhall

Good pictures. Tragedy and violence certainly make powerful images. It is what we get paid for.But there is a price extracted with every such frame: some of the emotion, the vulnerability, the empathy that makes us human, is lost every time the shutter is released. — Greg Marinovich

If the photographer isn't going to pay attention to the picture he is making, that if he thinks the camera is just a machine and not an avenue of expression, then he has no business asking anyone for anything, let alone their time and interest. Don't show the world, he said, invent the world. — Whitney Otto

You see, i f you have t rue photographic vision, you have clar i ty and i f you have
clarity, you don't need to explain or defend your images.
Clar i ty is about what emot ions or feel ings the image is t rying to evoke, not the fact s
behind the image.
Photographic clar i ty is about passion of purpose. I t 's about a single-minded desi re
to protect a memory. I t 's about story tel l ing wi th a camera that 's so power ful , no
words are necessary. — Scott Bourne

What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction. — Aaron Siskind

Moreover, photography has made it possible to fix these images and now provides us with a permanent record of each observed spectrum, which can be measured out at any time. — Pieter Zeeman

Photography is my method for defining the confusing world that rushes constantly toward me. It is my defensive attempt to reduce our daily chaos to a set of understandable images. — Arthur Tress

I'm shooting a gangbanger, but as a dignified man. That's pretty much what war photography did: seeing images of soldiers in a dignified way. They might have been killers in Vietnam, but I'm seeing another side of them, and looking at images of the the American soldiers, also the North Vietnamese and the Viet Cong - I never saw an enemy. — Jamel Shabazz

He nods, looking through the pictures on the screen on the back of his camera. Some relationships can only exist as memories. But unlike ephemeral digital images that can be sorted and deleted, we can't erase the past. We have to learn to live with all the images that are stored in love's archive, memories tagged good and bad. No Photoshopping. Accept the negative before moving forward. — Shannon Mullen

Those static images have the uncanny ability to jar the memory and bring places and people back to life. They bridge the present with the past and validate as real what the passage of time has turned into hazy recollections. Were it not for them, my experiences would have remained as just imperfect memories of perfect moments. — Isabel Lopez

The ultimate role of photography as a contemporary language of visual communication consists of its capacity to slow down our fast and chaotic way of reading images. — Luigi Ghirri

Anyone can take a picture of poverty; it's easy to focus on the dirt and hurt of the poor. It's much harder - and much more needful - to pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy. — David DuChemin

My husband and I have always been good at creative visualization. Before we quit drugs and got married he'd place tabs of acid on his eyes to see things that weren't there. I'd lay blank sheets of photographic paper on the cornea of developing solution to conjure images. We'd always coaxed dreams from paper, and believed them. — Jalina Mhyana

When we concentrate on photography, we make it possible to see the walls of photographs in black homes as a critical intervention, a disruption of white control over black images. — Bell Hooks

I don't know whether we think in moving images or whether we think in still images. I have a suspicion that on our hard drive, our series within our brains, [exist] still photographs of very important moments in our lives ... That we think in terms of still images and that what the photography is doing is making direct contact with the human hard drive and recording for all time a sense of what happened. — Jon Snow

The oceans are in trouble. There are some serious problems out there that I believe are not clear to many people. My hope is to continually find new ways of creating images and stories that both celebrate the sea yet also highlight environmental problems. Photography can be a powerful instrument for change. — Brian Skerry

Images of people, cities, and landscapes from the air tell a unique story about our personal space and how we relate to one another. I've always aimed to address the bigger picture and later trends. In many ways, what a photographer does is give others a chance to step back and look at their world and gain perspective on where we stand, and what that means. — Vincent Laforet

It's said that in the beginning was the word, but for me the beginning is always an image. When I think about a conversation, it always starts with images. And what I love about photography is the inscription of a single moment: it's completely ephemeral. You take the photograph, and one second later, everything has changed. — Abbas Kiarostami

I am suspicious and disillusioned about the uses and misuses of photography in the art world, the press, and the world of entertainment. And to make things more complicated, I don't think that the general public is well educated regarding images. Generally we are taught how to read, but we are not taught how to look. — Alfredo Jaar

F8 And Be There! For years, this was the cry of the photojournalist. It meant that 90% of a great photo was being in the right place at the right time. True, it was simplistic, but in the Age of Photoshop, this maxim is too often forgotten. No matter how much you play with the bits and bytes, the best images always start out with a great vision, clearly and cleanly seen. — Dewitt Jones

[Postmodern photography] implies the exhaustion of the image universe: it suggests that a photographer can find more than enough images already existing in the world without the bother of making new ones. — Andy Grundberg

To teach consequential photography, don't bother with Photoshop or f-stops. Create a craving for images. — Douglas McCulloh

Photography has fooled the world. There's no more convincing fraud. Its images are nothing but the expression of the invisible man working behind the camera. They are not reality, they form part of the language of culture. — Edmundo Desnoes

I remember going through school and doing art, which was the only thing that I actually found fulfilling, and I couldn't really figure out why. Then I got into college and started messing around with photography, and I realised that it was about getting the images that were in my head out in a way that didn't have to be spelt correctly. — Joe Anderson

The way in which the photograph records experience is also different from the way of language. Language makes sense only when it is presented as a sequence of propositions. Meaning is distorted when a word or sentence is, as we say, taken out of context; when a reader or listener is deprived of what was said before, and after. But there is no such thing as a photograph taken out of context, for a photograph does not require one. In fact, the point of photography is to isolate images from context, so as to make them visible in a different way. — Neil Postman

To make images is a way of ordering one's world, of exploring and understanding one's relationship to existence ... The images we make are often ahead of our understanding, but to say "yes" to a subject is also to have recognized, however dimly, a part of oneself; to live with that image, to accept its significance is perhaps to grow in understanding. — John Blakemore

The dismal half-baked images of the average "reportage" and "documentary" photography are self dammning ... the slick manner, the slightly obscure significance, the esoteric fear of simple beauty for its own sake - I am deeply concerned with these manifestations of decay. Gene Smith's work validates my most vigorous convictions that if the documentary photographs is to be truly effective it must contain elements of art, intensity, fine craft and spirituality. All these his work contains and we may turn to his work with gratitude, appreciation and great respect. — Ansel Adams

Since I'm inarticulate, I express myself with images. — Helen Levitt

A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [ ... ] I don't want to just be a photo essayist; I'm more interested in single images ... ones that I feel are good enough to stand on their own. — Mary Ellen Mark

At the heart of all photography is an urge to express our deepest personal feelings - to reveal our inner, hidden selves, to unlock the artist. Those of us who become photographers are never satisfied with just looking at someone else's expression of something that is dear to us. We must produce our own images, instead of buying postcards and photo books. We seek to make our own statements of individuality. — Galen Rowell

Humans have changed the landscape so much, but images of the sea could be shared with primordial people. I just project my imagination on to the viewer, even the first human being. I think first and then imagine some scenes. Then I go out and look for them. Or I re-create these images with my camera. I love photography because photography is the most believable medium. Painting can lie, but photography never lies: that is what people used to believe. — Hiroshi Sugimoto

A man with a camera was always suspected of being a spy. Moreover, the Jews did not want to be photographed, due to a misunderstanding of the prohibition against making graven images (photography had not been invented when the Torah was written!). I was forced to use a hidden camera ... — Roman Vishniac

Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage. — Scott Kelby

That we are not totally transformed, that we can turn away, turn the page, switch the channel, does not impugn the ethical value of an assault by images. It is not a defect that we are not seared, that we do not suffer enough, when we see these images. Neither is the photograph supposed to repair our ignorance about the history and causes of the suffering it picks out and frames. Such images cannot be more than an invitation to pay attention, to reflect, to learn, to examine the rationalizations for mass suffering offered by established powers. Who caused what the picture shows? Who is responsible? Is it excusable? Was it inevitable? Is there some state of affairs which we have accepted up to now that ought to be challenged? All this, with the understanding that moral indignation, like compassion, cannot dictate a course of action. — Susan Sontag

Videos are more like photography. It's not as much about trying to tell a story as it is creating images. — Tatyana Ali

Well, I do think, particularly the way I work, the better images occur when you're moving to the fringes of your own understanding. That's where self-doubt and risk taking are likely to occur. It's when you trust what's happening at a non-intellectual non-conscious level that you can produce work that later resonates, often in a way that you can't articulate a response to. — Jerry Uelsmann

Photography, like all camera-made images such as film and video, effaces the marks of its making (and maker) at the click of a shutter. A photograph appears to be self-generated - as though it had created itself. — Abigail Solomon-Godeau

By furnishing this already crowded world with a duplicate one of images, photography makes us feel that the world is more available than it really is. — Susan Sontag

In a world of disturbing images, the general body of photography is bland, dealing complacently with nature and treating our preconceptions as insights. Strange, private worlds rarely slip past our guard ... — Henry Holmes Smith

The craft of photography is the key to good images. — Ansel Adams

The relation of photography and language is a principal site of struggle for value and power in contemporary representations of reality; it is the place where images and words find and lose their conscience, their aesthetic and ethical identity. — William J. Mitchell

[David Lean's] images stay with me forever. But what makes them memorable isn't necessarily their beauty. That's just good photography. It's the emotion behind those images that's meant the most to me over the years. It's the way David Lean can put feeling on film. The way he shows a whole landscape of the spirit. For me, that's the real geography of David Lean country. And that's why, in a David Lean movie, there's no such thing as an empty landscape. — Martin Scorsese

I'm almost violent about that stuff - electronic manipulation of pictures. I think it's an abomination. I reject it all. I mean, it's OK for selling corn flakes or automobiles or for taking pimples out of Elizabeth Taylor's face, but it undermines the thing that photography is about, which is about observation and not about manipulation of images. — Elliott Erwitt

Photography has a meaning only if it exhausts all possible images. — Italo Calvino

I've seen so many photographers rush to do books the minute they start shooting, but one great thing about photography is that the images don't go away, so the more I sit with these images, the more I learn which ones have had the most impact. — Lynsey Addario

Photography is a tool to negotiate our idea of reality. Thus it is the responsibility of photographers to not contribute with anaesthetic images but rather to provide images that shake consciousness. — Joan Fontcuberta

There are too many images, too many cameras now. We're all being watched. It gets sillier and sillier. As if all action is meaningful. Nothing is really all that special. It's just life. If all moments are recorded, then nothing is beautiful and maybe photography isn't an art anymore. Maybe it never was — Robert Frank

I did all the stuff that people do - film, performance, photography, pictures and words, words and pictures. In retrospect, I was trying to find some way to put things - meaning images and forms - together that highlighted some idea of what was underneath the surface of an image, what determined how something was seen. — David Salle

It is every photographer's responsibility to discover new images and a new personal way of looking at things. If he can do this his pictures will command attention and have surprise quality. — Alexey Brodovitch

As objects of contemplation, images of the atrocious can answer to several different needs. To steel oneself against weakness. To make oneself more numb. To acknowledge the existence of the incorrigible. — Susan Sontag

The school should teach a class on deciphering obscure images in bad photography. Amanda's photos could make up the textbooks. — Jordan Elizabeth Mierek

The doors of our fridges, glimpses of cleavage, images of our birthday cakes, the setting sun: cheap photography makes visible the ways in which we are similar, and have for a long time been similar. Now we have proof, again, and again, and again. The — Teju Cole

If I am lucky, something new and inexplicable often appears in front of my lens. I am always surprised by the mystery of how my best images appear. That excitement and shock of discovery makes my life at these moments a gift. — Joyce Tenneson

We make images to "honor what is greater and more interesting than we are." — Ansel Adams

Just as a fisherman cannot catch fish unless his line is in the water, a wildlife photographer cannot shoot great wildlife images unless he or she is out there with camera in hand and the knowledge of what to do then the 'magnificent moment' occurs. — George H. Harrison

As a photographer, I'm interested in how dramatically photography has changed. Most images are not real or are composites, and most of us don't even know it anymore. — David Allee

This, too, was like seeing double. This was where my heartaches began.

In combat zones there is no structure, the form of things changes all the time. Safety, danger, control, panic, these and other labels constantly attach and detach themselves from places and people. When you emerge from such a space it stays with you, its otherness randomly imposes itself on the apparent stability of your peaceful home-town streets. What-if becomes the truth, you imagine buildings exploding in Gramercy Park, you see craters appear in the middle of Washington Square, and women carrying shopping bags drop dead on Delancey Street, bee-stung by sniper fire. You take pictures of your small patch of Manhattan and ghost images begin to appear in them, negative phantoms of the distant dead. Double exposure: like Kirlian photography, it becomes a new kind of truth. — Salman Rushdie

Books on scientific photography with such beauty, breadth, and insight are rare. Felice Frankel's Envisioning Science is chock full of mind-boggling images and valuable information
not only for curious artists, students, and lay people, but also for seasoned researchers and photographers. The eclectic Frankel is both a scientist and photographer, and with the cold logic of the one and the inspired vision of the other, she covers an array of topics sure to stimulate your imagination and sense of wonder at the incredible vastness of the physical world. — Clifford A. Pickover

Photography has the capacity to provide images of man and his environment that are both works of art and moments in history. — Cornell Capa

Think clearly, act sensibly, commit yourself to caring and work hard in order to discover joy. Then give the images back to the world from which they were taken. — Bill Jay

That was why, later on, he began to lose interest in photography: first when colour took over, then when it became plain that the old magic of light-sensitive emulsions was waning, that to the rising generation the enchantment lay in a techne of images without substance, images that could flash through the ether without residing anywhere, that could be sucked into a machine and emerge from it doctored, untrue. He gave up recording the world in photographs then, and transferred his energies to saving the past. — J.M. Coetzee

It was uncanny. You press a button and a man drops dead a hundred meters away. It seemed hollow and remote, falsifying everything. It was a trick of the lenses. The man is an accurate picture. Then he is upside down. Then he is right side up. You shoot at a series of images conveyed to you through a metal tube. The force of a death should be enormous but how can you know what kind of man you've killed or who was the braver and stronger if you have to peer through layers of glass that deliver the image but obscure the meaning of the act? War has a conscience or it's ordinary murder. — Don DeLillo

Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. — Sam Abell

I am not an artist, and I never intended to be one. I hope I have made some good photographs, but what I really hope is that I have done some good photo stories with memorable images that make a point, and, perhaps, even make a difference. — Cornell Capa

I made 10 times as many images as the other students," he says of the early years. "I destroyed all those negatives except a few. I did it as a reminder that you can't afford to waste time: take it seriously. — Emmet Gowin

I always feel it's necessary to look at my images from two distances. Here is my criterion: If I can look at it from a distance and then come up close but find nothing more to see, it's printed too large. It's not giving me any new information when I come up to it. — Bruce Barnbaum

Not only has photography so thoroughly saturated our visual environment as to make the invention of visual images seem archaic, but it is also clear that photography is too multiple, too useful to other discourses, ever to be wholly contained within traditional definitions of art. — Douglas Crimp

You've got to struggle against the pollution of intelligence in order to become an animal with very sharp instincts - a sort of intuitive medium - so that to photograph becomes a magical act, and slowly other more suggestive images begin to appear behind the visible image, for which the photographer cannot be held responsible. — Robert Doisneau

Even in manipulating the images, I would like to do my dailies in a digital way because you can do so many things in that stage that I cannot do in real photography. — Vilmos Zsigmond

Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real ... 'concerned' photography has done at least as much to deaden conscience as to arouse it. — Susan Sontag

The shutter of the photographer's camera makes that repeated mechanical sound. That unlocking and locking of the doors of light to send momentary images of the present into the light trap of the past. — Simon Mawer

Paintings invariably sum up; photographs usually do not. Photographic images are pieces of evidence in an ongoing biography or history. And one photograph, unlike one painting, implies that there will be others. — Susan Sontag

Photography is light-writing, the language of images. Less abstract than written or spoken language, it selects images from the existing world of appearances and arranges them in patterns. The camera-eye doesn't think, it recognizes. It shows us what we already know, but don't know that we know. — David Levi Strauss

Perhaps the only people with the right to look at images of suffering of this extreme order are those who could do something to alleviate it - say, the surgeons at the military hospital where the photograph was taken - or those who could learn from it. The rest of us are voyeurs, whether or not we mean to be. — Sontag, Susan

My early self-portraits appeared effortlessly and seemed like equivalents for my deeper emotions. Many critics remarked that the images had an almost other-worldly haunting presence. For me, they were simply my own reality at that point in my life. What I was trying to reveal was my inner soul in all its fragile complexity. Without knowing it, I was trying to peel back the layers that shroud and bind us all as we struggle to reveal our own authentic selves. — Joyce Tenneson

I photograph from the heart. I adore little babies and I think that shows. My images are really very positive, very simple, and from the heart. Babies speak a universal language. — Anne Geddes

Photography was so perfectly suited to my sensibility and situation, it gave me a voice, a kind of crazy, out-of-whack voice, at the beginning, but a voice. I could finally put into images bottled up feelings of absurdity and alienation - and also joy and delight. — Abelardo Morell

I love the people I photograph. I mean, they're my friends. I've never met most of them or I don't know them at all, yet through my images I live with them. — Bruce Gilden

I like getting my ideas from the things of now. I am very conscious of the moment, of images that belong to this moment instead of another period. Fashion is really a reflection of our lives. You see women today and they don't do their hair up; they all wear their hair undone. So you have to reflect that in your photography . — Mario Testino

When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence. — Ansel Adams

A photographer who wants to see, a photographer who wants to make fine images, must recognize the value in the familiar. — Freeman Patterson

Try to go out empty and let your images fill you up. — Jay Maisel

A photographer is like a cod, which produces a million eggs in order that one may reach maturity. — George Bernard Shaw

Everything I do, it's a bit painterly. I like being surrounded by objects, mostly on paper. I like the images. I like the painting. I like good photography. It's something that makes me an emotional connection, and I feel comfortable around it. — Mikhail Baryshnikov