Photographs To Quotes & Sayings

One day I went to the manager and I asked him whether his model was working and he said, "Well, haven't you seen how many customers we have in this store?" And yes indeed I had. I mean it was definitely attracting a lot of customers, even attracting tourist buses that would land up at this store and people would go through the store and marvel at all the options, even sometimes take photographs of the various aisles. — Sheena Iyengar

It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us. — Ian McEwan

The writer who is a mother should, I think, record everything she can: make notes, keep journals, take photographs, use a tape recorder, and remind herself that there is a subject so incalculably vast significance to humanity, about which virtually nothing is known because writers have not been mothers. — Alicia Ostriker

I remembered seeing it and it was this metallic turbine and I thought it was beautiful. I had never been in a power plant before, but I felt, without being overly dramatic, compelled to make photographs of this for myself. — John Sexton

Cameras and lenses are simply tools to place our unique vision on film. Concentrate on equipment and you'll take technically good photographs. Concentrate on seeing the light's magic colors and your images will stir the soul. — Jack Dykinga

[Photography] allows me to accede to an infra-knowledge; it supplies me with a collection of partial objects and can flatter a certain fetishism of mine: for this 'me' which like knowledge, which nourishes a kind of amorous preference for it. In the same way, I like certain biographical features which, in a writer's life, delight me as much as certain photographs; I have called these features 'biographemes'; Photography has the same relation to History that the biographeme has to biography. — Roland Barthes

been rounded up during a raid.2 We were lucky: Our neighbors, who were good people, had a key to our house, and they took everything they could carry and hid it for us. After the war, we got back our photographs, a set of cutlery, a figurine, and a clock. — Marcel Prins

We fought in 1974 - that was a long time ago. After 1981, we became the best of friends. By 1984, we loved each other. I am not closer to anyone else in this life than I am to Muhammad Ali. Why? We were forged by that first fight in Zaire, and our lives are indelibly linked by memories and photographs, as young men and old men. — George Foreman

I've come to realize that I'm a image maker, not an object maker. Images come to me as photographs because I don't have any other way of express them. I have to translate everything into still or moving pictures. I've learned that reality is not important to me. In the end it is the representation of reality that I'm striving to capture. — Gerardo Suter

When the reality looks magnificent, a real art of photography has only one choice: To capture this beauty magnificently! — Mehmet Murat Ildan

Sometimes the most interesting visual phenomena occur when you least expect it. Other times, you think youre getting something amazing and the photographs turn out to be boring and predictable. So I think thats why, a long time ago, I consciously tried to let go of artists angst, and instead just hope for the best and enjoy it. I love the journey as much as the destination. If I wasnt a photographer, Id still be a traveler. — Michael Kenna

Photography is a tool for dealing with things everybody knows about but isn't attending to. My photographs are intended to represent something you don't see. — Emmet Gowin

While photographs certainly attest to Nazi crimes, the magnitude of Nazi genocide demands that every trace of the regime be forever remembered. The various symbols devised by the Nazi image-makers for the most sophisticated visual identity of any nation are a vivid reminder of the systematic torture and murder engaged in by this totalitarian state. These pictures, signs, and emblems are not merely clip art for contemporary designers to toy with as they please, but evidence of crimes against humanity. — Steven Heller

The particular qualities and intentions of photographs tend to be swallowed up in the generalized pathos of time past. — Susan Sontag

Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-existing film. — Jerry Saltz

I'm always worried about the sitter - are they cold, are they hot, are they comfortable? Photography today is so accurate and so good that it's really so much easier just to take photographs and work from them. — Paul Emsley

My photographs are subjective and personal-they'r e intended to be accessible, to relate to people's lives ... People-their well-being and survival-are the crux of what's important to me. — Roy DeCarava

As I was walking up the stairs to dad's old room, and I was looking at the photographs, I started thinking that there was a time when these weren't memories. That someone actually took the photograph, and the people in the photograph had just eaten lunch or something. — Stephen Chbosky

When I first started to take photographs in Czechoslovakia, I met this old gentleman, this old photographer, who told me a few practical things. One of the things he said was, "Josef, a photographer works on the subject, but the subject works on the photographer." — Josef Koudelka

I have a rule that I don't review shows from photographs or from video. I certainly might go back and look at photographs and look at video to remind myself of something or for personal information. But I never review from that. — Robin Givhan

As [John Heartfield] was playing with the fire of appearance, reality took fire around him ... The scraps of photographs that he formerly manoeuvred for the pleasure of stupification, under his fingers began to signify. — Louis Aragon

There are photographs that I don't take now that I previously would have taken without any thought at all as to any misinterpretations. — Jock Sturges

Documenting life as it happened seemed like a way of not experiencing it. As if posing for photographs, or focusing on what to save and call a souvenir, made the present instantly the past. You had to choose one or the other was Everly's feeling. Try to shape a moment into a memory you could save and look at later, or have the moment as it was happening, but you couldn't have both. — Rachel Kushner

Because it flew without a pilot, the D-21 was designed to fly over territory where the U.S. was denied access and to take photographs of weapons facilities from altitudes as low as 1,500 feet. But the project was canceled on July 30, 1966, after a fatal accident at sea during the drone's first official launch. — Annie Jacobsen

I have a vision of life, and I try to find equivalents for it in the form of photographs. — Alfred Stieglitz

I am not an artist, and I never intended to be one. I hope I have made some good photographs, but what I really hope is that I have done some good photo stories with memorable images that make a point, and, perhaps, even make a difference. — Cornell Capa

Ruskin's interest in beauty and in its possession led him to five central conclusions. First, beauty was the result of a number of complex factors that affected the mind both psychologically and visually. Second, humans had an innate tendency to respond to beauty and to desire to possess it. Third, there were many lower expressions of this desire for possession (including, as we have seen, buying souvenirs and carpets, carving one's name on a pillar and taking photographs). Fourth, there was only one way to possess beauty properly, and that was by understanding it, by making oneself conscious of the factors (psychological and visual) responsible for it. And last, the most effective means of pursuing this conscious understanding was by attempting to describe beautiful places through art, by writing about or drawing them, irrespective of whether one happened to have any talent for doing so. — Alain De Botton

Despite the illusion of giving understanding, what seeing through photographs really invites is an acquisitive relation to the world that nourishes aesthetic awareness and promotes emotional detachment. — Susan Sontag

I think photographs should be provocative and not tell you what you already know. It takes no great powers or magic to reproduce somebody's face in a photograph. The magic is in seeing people in new ways. — Duane Michals

My photographs are a picture of the chaos in the world, and of my relationship to that chaos. My prints show the world's constant upsetting of man's equilibrium, and his eternal battle to reestablish it. — Alfred Stieglitz

Authenticity is too big a subject to just toss in with the question about the photographs! — Rachel Kushner

When I saw photographs of children murdered by the Fascist, I felt furious pity. When the supporters of Franco talked of Red atrocities, I merely felt indignant that people should tell such lies. In the first case I saw corpses, in the second only words ... I gradually acquired a certain horror of the way in which my own mind worked. It was clear to me that unless I cared about every murdered child impartially, I did not really care about children being murdered at all. — Stephen Spender

It is the purpose of life that each of us strives to become actually what he or she is potentially. Each photographer, then, should be obsessed with stretching towards that goal through an understanding of others and the world we inhabit. When that happens, the results, like photographs, are really the expressions of the life of the maker. — David Hurn

I continue to hope and believe that the best stories and photographs are yet to occur. My quest for them will certainly require that I keep my head up and my eyes and heart open as I walk down the street. — Peter Turnley

Getting a new passport took me a stupid amount of time. I had to go back five times with different photographs because they kept saying I was smiling, which is against the rules. I was not smiling. — Sally Phillips

When we were kids, growing up in the sixties, the only images we had of ourselves were either still photographs or 8mm movies ... Now we have video, digital cameras, MP3s, and a million other ways to document ourselves. But the still photograph continues to hold a sense of mystery and awe to me. — Catherine Opie

In assembling this group of portraits of women, I'm aware that I'm treading on dangerous ground. When I was in college, I learned to be distrustful of men's depictions of women. I remember seeing Garry Winogrand's book Women Are Beautiful in the school library and being shocked that it hadn't been defaced for its blatant objectification of women. But looking back, maybe I was too harsh. Whether one photographs men or women, it is always a form of objectification. Whatever you say about Winogrand, his depiction was honest. — Alec Soth

Letter 84


An elephant with his trunk raised is a ladder to the stars.

A breaching whale is a ladder to the bottom of the sea.

My photographs are a ladder to my dreams.

These letters are ladders to you. — Gregory Colbert

I wanted my photographs to be as powerful as the last thing a person sees or remembers before death. — Joel-Peter Witkin

Watch the Film You Paid to See"

In my bedroom my weight is three times more
than what I'd weigh on Jupiter.
If your kitchen was on Mercury I'd be heavier by half
of you while sitting at your table.
On Uranus, a quarter of my weight is meat,
or an awareness of myself as flesh.
On Venus the light would produce a real volume around me
that would make me look happy in photographs.
This is how it is with quantity in any life. It's a fact
that on certain planets I'd actually be able to mount
the stairs four at a time. Think of the most beautiful horse
in the world: a ridiculously beautiful golden horse,
with a shimmering coat; it would weigh no more
than an empty handbag on Mars. You need
to get real about these things. — Todd Colby

Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. — Sam Abell

I find the past so fascinating. Photographs are strange, almost surreal, almost here yet gone. I slip into thinking what the past must have been like and I enjoy creating that ambience and atmosphere - 1730 to around 1870 is the most interesting period. — Kate Atkinson

Looking at old photographs makes it hard for me to believe that I was ever that thin physically. And remembering some of the things I did in those days makes it hard to believe that I was ever that thin mentally. — Thomas Sowell

Now that Dad was gone I was starting to see how mortality was bound up in things like that cold, arc-lit sky. How the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again. The albums on my mother's shelves are full of family photographs. But also other things. A starling with a crooked beak. A day of hoarfrost and smoke. A cherry tree thick with blossom. Thunderclouds, lightning strikes, comets and eclipses: celestial events terrifying in their blind distances but reassuring you, too, that the world is for ever, though you are only a blink in its course. — Helen Macdonald

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man) — Kevin Bacon

The bar was meant to look like a place where Hemingway might have hung out in the Bahamas. A stuffed swordfish hung on the wall, and fishing nets dangled from the ceiling. There were lots of photographs of people posing with giant fish they had caught, and there was a portrait of Hemingway. Happy Papa Hemingway. The people who came here were apparently not concerned that the author later suffered from alcoholism and killed himself with a hunting rifle. — Haruki Murakami

I imagine these men sitting in fashion control centers around the world thinking of new ways to torture women, new ways to make them wince twenty years from now when they look at old photographs of themselves. — Cristina Garcia

My aim is increasingly to make my photographs look so much like photographs [rather than paintings, etchings, etc.] that unless one has eyes and sees, they won't be seen - and still everyone will never forget having once looked at them. — Alfred Stieglitz

The only times we are consciously aware of the authorship of a photograph, I would argue, are when we contemplate the photographs we ourselves have taken (or those of friends and family) or when we go deliberately to the photographers monograph or exhibition. The signed image - the appropriated, the owned image - is by far the rarest in this pullulating world of pictures. — William Boyd

Archaeologists gave the military the idea to use aerial photographs for spying and field survey. We are fortunate that the spatial and spectral resolutions of the imagery available to us are so broadly useful for archaeology. — Sarah Parcak

But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work. — Sam Abell

Throughout the history of art it has been art itself - in all its forms - that has inspired art ... today's photographs are so geared to life that one can learn more from them than from life itself. — Van Deren Coke

He slid the photo out and raised it. The sun washed out any distinguishable characteristics. All except her eyes. He didn't need a picture to remember those. As turquoise as the waters near Cozumel, and just as warm. — Kelly Moran

I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens. — Henri Cartier-Bresson

What do you say to your sister who poses in the nude? It's not like you are really itching to see photographs of your sister naked. I mean, it's just something that is not too exciting. — Ron Reagan

True photographs tend to remain on the streets, the story almost about to enter the edge of the frame of the snapshot or the shutter closing a moment too late, the story having just abandoned the frame. — Doug Rice

I'm lucky enough and wealthy enough to be able to buy photographs and buy art that inspires me from day to day. I don't want a Picasso on my wall; it's great art, but it's dead art to me. I'd rather have a photograph by someone I've never heard of that really inspires me. — Elton John

It wasn't until I realised that I could actually take nice photographs that I started to become passionate about it. I then got a few jobs working for magazines in London, and I would get terribly excited and intense about doing a job and taking photographs and looking through the lens to capture something amazing. — Pattie Boyd

Properly speaking, global thinking is not possible ... Look at one of those photographs of half the earth taken from outer space, and see if you recognize your neighborhood. The right local questions and answers will be the right global ones. The Amish question, what will this do to our community? tends toward the right answer for the world. — Wendell Berry

Years passed. The trees in our yard grew taller. I watched my family and my friends and neighbors, the teachers whom I'd had or imaged having, the high school I had dreamed about. As I sat in the gazebo I would pretend instead that I was sitting on the topmost branch of the maple under which my brother had swallowed a stick and still played hide-and-seek with Nate, or I would perch on the railing of a stairwell in New York and wait for Ruth to pass near. I would study with Ray. Drive the Pacific Coast Highway on a warm afternoon of salty air with my mother. But I would end each day with my father in his den.
I would lay these photographs down in my mind, those gathered from my constant watching, and I could trace how one thing- my death- connected these images to a single source. No one could have predicted how my loss would change small moments on Earth. But I held on to those moments, hoarded them. None of them were lost as long as I was there. — Alice Sebold

The way that I rationalize making photographs is because you're countering what's offensively mass-produced with something that you just want more people to see. — Mary Mattingly

Let's say that you could carry around a perfect copy of a three-dimensional realization of a Caravaggio painting (or if your tastes are more modern make it a Picasso). You would carry a small box in your pocket, and whenever you wanted, you could press a button and the box would open up into life-sized glory and show you the picture. You would bring it to all the parties you attended. The peak of the culture of the seventeenth century (or say the 1920s if you prefer Picasso) would be at your disposal. Alternatively, let's say you could carry around in your pocket an iPhone. That gives you thousands of songs, a cell phone, access to personal photographs, YouTube, email, and web access, among many other services, not to mention all the applications that have not yet been written. You will have a strong connection to the contemporary culture of small bits. — Tyler Cowen

He was thinking about men like his Uncle Ted, a Cornishman to his bones, who lived and would die in St. Mawes, part of the fabric of the place, remembered as long as there were locals, beaming out of fading photographs of the Life Boat on pub walls. When Ted died - and Strike hoped it would be twenty, thirty years hence - they would mourn him as the unknown Barrovian Grammar boy was being mourned: with drink, with tears, but in celebration that he had been given to them. What had dark, hulking Brockbank, child rapist, and fox-haired Laing, wife-torturer, left behind in the towns of their birth? Shudders of relief that they had gone, fear that they had returned, a trail of broken people and bad memories. — Robert Galbraith

One thing that struck me early is that you don't put into a photograph what's going to come out. Or, vice versa, what comes out is not what you put in. — Diane Arbus

Photographs are believed more than words; thus they can be used persuasively to show people who have never taken the trouble to look what is there. — Eliot Porter

Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures. — Andreas Feininger

There is something about the photographs that is endlessly disturbing. The fact that we like to think of them as torture actually hides what is really deeply offensive about them. — Errol Morris

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

Snapchat really has to do with the way photographs have changed. Historically, photos have always been used to save really important memories: major life moments. But today ... pictures are being used for talking. — Evan Spiegel

I used to take photographs just to remember people. — Gus Van Sant

It seems to me as natural and necessary to keep notes, however brief, of one's reading, as logs of voyagesor photographs of one's travels. For memory, in most of us, is a liar with galloping consumption. — F.L. Lucas

In a recent experiment, men were asked to rank how attractive they found photographs of different women's faces. The photos were eight by ten inches, and showed women facing the camera or turned in three-quarter profile. Unbeknownst to the men, in half the photos the eyes of the women were dilated, and in the other half they were not. The men were consistently more attracted to the women with dilated eyes. Remarkably, the men had no insight into their decision making. None of them said, "I noticed her pupils were two millimeters larger in this photo than in this other one." Instead, they simply felt more drawn toward some women than others, for reasons they couldn't quite put a finger on. — David Eagleman

In my stolen photographs
for the photographer must be a thief, he must steal instants of other people's time to make his own tiny eternities
it was this intimacy I sought, hte closeness of the living and the dead. — Salman Rushdie

To collect photographs is to collect the world. — Susan Sontag

We perceive and interpret the outer world through a set of incredibly fine internal receptors. But we are incapable, by ourselves, of grasping or tweezing out any permanent, sharable figment of it. Practically speaking, we ritually verify what is there, and are disposed to call it reality. But, with photographs, we have concrete proof that we have not been hallucinating all our lives. — Max Kozloff

I often wondered why I was attracted to certain landscapes and not others and why my photographs (and depictions by other artists) looked the way they did, Archetypes imprinted on my mind started me on a search ... — John Pfahl

Oh, I don't know. Italy always seemed an awfully long way to go for fascism and olives." "I rather like olives." "Mother rather liked fascism. We had to burn all the photographs when war was declared." They — Chris Cleave

What is style but a form of silent speech? When I put together an outfit to wear, I am putting together chapters of a story that needs to tell itself to the world in merely a minute! When I choose an outfit to wear, I am choosing a speech, a certain flow of mind-to-skin that is important to be understood. Style is the sentiment that I make without needing to speak to anyone and it's also an internal conversation that I make with myself throughout the day, I share those intimate words every time I look into the mirror or every time I look at my photographs. — C. JoyBell C.

I really try to divorce myself from any thought of possible use of this stuff. That's part of the discipline. My only purpose while I'm working is to try to make interesting photographs, and what to do with them is another act - an alter consideration. Certainly while I'm working, I want them to be as useless as possible. — Garry Winogrand

Everyone wants to look good in photographs, even us trolls who tell jokes. — Doug Benson

As any American with children knows, our children have at least one bright, clear reason for being: to furnish subjects for digital photographs that can be corrected, cropped, captioned, organized, categorized, albumized, broadcast, turned into screen savers, and brandished on online social networks. — Virginia Heffernan

Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, gifts and other expenses paid by the distributors, and then are supposed to write serious articles about the movie. — Wim Wenders

What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things
from close-ups of insects to panoramas of prairies
which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity. — Eric Bentley

Who are you who will read these words and study these photographs, and through what cause, by what chance, and for what
purpose, and by what right do you qualify to, and what will you
do about it? — James Agee

I feel like I need to start wearing a T-shirt saying 'This is not a photo opportunity'. People are so lovely but you do find that when you're out you spend 40% of your time posing for photographs. — Chris O'Dowd

By playing happy or sad music, displaying different emotionally moving photographs, or giving different kinds of feedback to participants during a taxing task, researchers can manipulate participants' affective responses. This proves the variability of affective states in response to constantly changing surroundings and social interactions. Of course classrooms are rife with changing conditions that influence students' affective states. — Anne Meyer

In my photographic work I was always especially entranced, said Austerlitz, by the moment when the shadows of reality, so to speak, emerge out of nothing on the exposed paper, as memories do in the middle of the night, darkening again if you try to cling to them, just like a photographic print left in the developing bath too long. — W.G. Sebald

Photographs were more than my livelihood. They were part of my life. The way light fell on a surface never failed to tug at my imagination. The way one picture, a single snapshot, could capture the essence of a time and place, a city, a war, a human being, was embedded in my consciousness. One day, one second, I might close the shutter on the perfect photograph. — Robert Goddard

From a social psychological standpoint, the selfie phenomenon seems to stem from two basic human motives. The first is to attract attention from other people. Because people's positive social outcomes in life require that others know them, people are motivated to get and maintain social attention. By posting selfies, people can keep themselves in other people's minds. In addition, like all photographs that are posted on line, selfies are used to convey a particular impression of oneself. Through the clothes one wears, one's expression, staging of the physical setting, and the style of the photo, people can convey a particular public image of themselves, presumably one that they think will garner social rewards. — Mark R. Leary

We can take all the photographs of Al Jamadi that night in the shower room, including the two trips to the shower room that Sabrina made, one with Chip Frederick, one with Chuck Graner, and we can order the photographs within a fraction of a second. It's — Joram Ten Brink

No matter how physically faint, a photograph involuntarily whisper of something exquisitely carnal. The weeks, the years, whatever stretches of time separating our present from the photographs retire into the transparence of the shot and seem erased by it. We almost have to shake ourselves to overcome the feeling that we peer out at the other place, in that different age. Yet we are always aware of this illusory dislocation, for such is the ambiguity, in principle, that seduces us over and over again in the photographic experience. — Max Kozloff

This is not the sort of thing that shows up in satellite photographs. Whether in CIA headquarters in Langley, Virginia, or in the East Asian studies department of a university, people usually analyze North Korea from afar. They don't stop to think that in the middle of this black hole, in this bleak, dark country where millions have died of starvation, there is also love. — Barbara Demick

Look," she sighed. "You might be a lovely lad, in fairness you look like a lovely lad, but I can't take the chance. My kids wouldn't even be able to remember what I was wearing to tell the police. And all the recent photographs of me are bad, very jowly. I couldn't have them stuck to the lamp posts around the city. On your way, son." (Woman to Matt, when he tried to give her a lift.) — Marian Keyes

Sometimes I think you take photographs instead of seeing, you forget to look in your eagerness to grasp what is seen, to capture it in time's flight. You are absent from your own pictures, not only because you took them yourself, but also because you betray the moments you want to save from oblivion. — Jens Christian Grondahl

In a word, and bluntly: as they walked around Sankt Pauli, it came to Pelletier and Espinoza that the search for Archimboldi could never fill their lives. They could read him, they could study him, they could pick him apart, but they couldn't laugh or be sad with him, partly because Archimboldi was always far away, partly because the deeper they went into his work, the more it devoured its explorers. In a word: in Sankt Pauli and later at Mrs. Bubis's house, hung with photographs of the late Mr. Bubis and his writers, Pelletier and Espinoza understood that what they wanted to make was love, not war. — Roberto Bolano

My work is about making candy for the eyes. It's about grabbing your attention. Even though my work is appearing in magazines I am trying to make a large picture. I want my photographs to read like a poster. — David LaChapelle

A close friend of mine, Annie Leibovitz, who I've known for forty years, photographs celebrities every single day of the week but they all seem to look the same even though she's one of the most creative photographers alive. They all just look the same. Brad Pitt is a great actor but all the pictures of Brad Pitt look the same. — Lawrence Schiller

My photographs at best hold only a small length, but through them I would suggest and criticize and illuminate and try to give compassionate understanding. — W. Eugene Smith

We chose the most interesting image available to us to illustrate the theme of the cover, which is what we always try to do. We apply the same test to photographs of any public figure, male or female: does the image convey what we are saying? That is a gender-neutral standard. — Jon Meacham

In the modern view, the pitched roof was itself a "dead concept," but equally unhealthy
were all those other dead concepts that got stored underneath the gable, in the attic. For there is where the ghosts of our past reside: the bric-abrac
and mementos that a lifetime collects; the love letters, photographs, and memories that clutter an attic and threaten to bear us back in time. — Michael Pollan