Pgs 30 31 Quotes & Sayings
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Eventually my rejection of authority spilled into self-indulgence and self-destructiveness, and by the time I enrolled in college, I'd begun to see how any challenge to convention harbored within it the possibility of its own excesses and its own orthodoxy. I started to reexamine my assumptions, and recalled the values my mother and grandparents had taught me. In this slow, fitful process of sorting out what I believed, I began silently registering the point in dorm-room conversations when my college friends and I stopped thinking and slipped into can't: the point at which the denunciations of capitalism or American imperialism came too easily, and the freedom from the constraints of monogamy or religion was proclaimed without fully understanding the value of such constraints, and the role of victim was too readily embraced as a means of shedding responsibility, or asserting entitlement, or claiming moral superiority over those not so victimized. — Barack Obama

When people don't understand that being uncomfortable is part of the process of achievement, they use the discomfort as a reason not to do. They don't get what they want. We must learn to tolerate discomfort in order to grow. — Peter McWilliams

You gain courage and confidence from doing the things you think you cannot do. — Lois P Frankel

Often we have no choice about doing things, but we can always choose how to do them. — Norman Vincent Peale

It would be a fine thing if war could be conducted as a game where no lives were lost. At the end of a battle combatants could meet [ ... ] and drink and talk. — David Gemmell

He'd misspoken. She wasn't a blow. She was a hydrogen bomb directly aimed at his solar plexus. — Kelly Moran

Rosemary Rodriguez directed on Rescue Me for us, and I love her. She's fantastic with actresses and she's got a great sense of humor. That was a huge thing for me. — Denis Leary

The writer must resist this temptation [to quote] and do his best with his own tools. It would be most convenient for us musicians if, arrived at a given emotional crisis in our work, we could simply stick in a few bars of Brahms or Schubert. Indeed many composers have no hesitation in so doing. But I have never heard the practice defended; possibly because that hideous symbol of petty larceny, the inverted comma, cannot well be worked into a musical score. — Ethel Smyth

We're a machine and we have to be worked in the same way we have to be fed. — Twyla Tharp