Quotes & Sayings About Performance Nerves

I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you. — Jared Harris

A few people said to me on the UK tour 'that feeling you're feeling is natural. Everyone feels nerves. But, you've got to use that to your advantage. You've got to use that nervous energy and pull it into your performance'. And, I'd never thought of that before. — Ladyhawke

And this about-to-see-God stuff? Total buzz kill, and not because he was religious in the human way or jel that she was having a great time while he was thinking of pizza. Her grating, squeaky YouPorn performance with the head throws that kept landing her extensions in his face was getting on his nerves. — J.R. Ward

Humans are built to move. We evolved under conditions that required daily intense physical activity, and even among individuals with lower physical potential, that hard-earned genotype is still ours today. The modern sedentary lifestyle leads to the inactivation of the genes related to physical performance, attributes that were once critical for survival and which are still critical for the correct, healthy expression of the genotype. The genes are still there, they just aren't doing anything because the body is not stressed enough to cause a physiological adaptation requiring their activation. The sedentary person's heart, lungs, muscles, bones, nerves and brain all operate far below the level at which they evolved to function, and at which they still function best. — Mark Rippetoe

He contrived that she should be seated by him; and was sufficiently employed in looking out the best baked apple for her, and trying to make her help or advise him in his work, till Jane Fairfax was quite ready to sit down to the pianoforte again. That she was not immediately ready, Emma did suspect to arise from the state of her nerves; she had not yet possessed the instrument long enough to touch it without emotion; she must reason herself into the power of performance; and Emma could not but pity such feelings, whatever their origin, and could not but resolve never to expose them to her neighbour again. — Jane Austen