Performance Dialogue Quotes & Sayings

Actors always want to know how I come up with interesting and creative takes on characters, characters that aren't like me as I appear in daily life and that aren't like each other. It's simple: I let the lines and images connect with my imagination. I don't worry about consistency; I let myself respond moment by moment, piecemeal, to the character's dialogue and actions. Then I let my responses take me wherever they go, making mistakes and discarding them until choices start repeating themselves on their own no matter how arbitrary they seem at first. Then I know I'm on to something. But I don't try to put the character together. I leave it in pieces. The script and story put the character together so my moment by moment performance seems like a creative take on the whole character. — Harold Guskin

It is the single image, as used in a photograph or a painting - or the frame of a film - to which words have been added to enlarge the context. The method is not the same as that by which most paintings are named. It is closer in its performance to what dialogue does to a movie, to what the caption does to a good poster. — Muriel Rukeyser

In business, there's a constant focus on developing strategies, reviewing executive performance against those strategies each year, engaging with opposing or different points of view, and having intellectual dialogue. — Jeff Raikes

All the dialogue on tape, and we'd play the tape in performance. Then I thought it'd be interesting if the actor's repeated what they heard on the tape, but at a slower speed, so we'd get a web of language. — Richard Foreman

I enjoyed Jonathan Franzen's 'Freedom.' Would I make that into a film? I think it's better suited to television. That would very much be a dialogue and performance piece, and it would take some very skilful direction - but not my kind of directing. But I thought it was a real literary work. — Peter Weir

When we did the first 'Uncharted,' we weren't able to capture the audio with the performances. We would go back and do A.D.R. - Automated Dialogue Replacement - in which you would hear yourself and then repeat your line. Even when we were doing that, there was a slight disconnect because you were trying to recreate a performance. — Nolan North

In looking at our our individual classroom pedagogies and our isolated artistic endeavors, we must broaden the frame of analysis to consider historical, contextual and institutional assumptions. This means a constant awareness of how the micro-practices of interpersonal dialogue and embodied ways of knowing each other can provide an impetus fro structural change. — Ann Elizabeth Armstrong

Through performance, I found the possibility of establishing a dialogue with the audience through an exchange of energy, which tended to transform the energy itself. I could not produce a single work without the presence of the audience, because the audience gave me the energy to be able, through a specific action, to assimilate it and return it, to create a genuine field of energy. — Marina Abramovic

A hallmark of high performance leaders is the ability to influence others through all levels and types of communication, from simple interactions to difficult conversations and more complex conflicts, in order to achieve greater team and organizational alignment. High performing leaders are able to unite diverse team members by building common goals and even shared emotions by engaging in powerful and effective dialogue. — George Kohlrieser

Human Rights calls for responsible behavior on the part of every individual being, and the society at large. As entwined portion of rights, duties follow, thereby it calls for performance of duties such as practicing nonviolence, solving conflicts with a dialogue, respect for the other individual or a nation, respect for human rights of other individuals etc — Henrietta Newton Martin

I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around. — Steven Knight

Directing is a reactionary job more than a creation job. The job is to react whether it's moment one, the first time you read the script or see an article or read a book or notice something happen on the street and have an idea for a movie, and it just continues from there on in. You're just reacting to dialogue, a performance, an audition, a headache, a piece of furniture, a piece of clothing. — Jason Reitman

People like light and silly, and they like stuff that's really energetic, and you get a character in a film bouncing around and screaming, people laugh. That's all it takes. I don't find that funny. To me, what's funny is dialogue and nuance of character and performance. — Terry Zwigoff