Quotes & Sayings About Pas De Deux

Of the thousands of patients I have seen, only two or three have ever claimed to be unhappy: all the rest have said that they were depressed. This semantic shift is deeply significant, for it implies that dissatisfaction with life is itself pathological, a medical condition, which it is the responsibility of the doctor to alleviate by medical means. Everyone has a right to health; depression is unhealthy; therefore everyone has a right to be happy (the opposite of being depressed). This idea in turn implies that one's state of mind, or one's mood, is or should be independent of the way that one lives one's life, a belief that must deprive human existence of all meaning, radically disconnecting reward from conduct. A ridiculous pas de deux between doctor and patient ensues: the patient pretends to be ill, and the doctor pretends to cure him. In the process, the patient is wilfully blinded to the conduct that inevitably causes his misery in the first place. — Theodore Dalrymple

I haven't seen so much tippy-toeing around since the last time I went to the ballet. When members of the arts community were askedthis week about one of their biggest benefactors, Philip Morris, and its requests that they lobby the New York City Council on the company's behalf, the pas de deux of self- justification was so painstakingly choreographed that it constituted a performance all by itself. — Anna Quindlen

A lui la foi, a' elle le doute, a' elle le fardeau le plus lourd: la femme ne souffre-t-elle pas toujours pour deux? For him, faith; for her, doubt and for her theheavier load: does not the woman always suffer for both? — Honore De Balzac

Technical things are getting more mechanical. Take 'Swan Lake,' the Black Swan pas de deux. Now, my goodness, they're turning not just 32 fouettes - but double or triple pirouettes. — Natalia Makarova

Just as ballroom dancing and pair skating command partners to work together seamlessly, in the sport of dressage, the rider performers an intricate pas de deux with his partner - a twelve-hundred-pound four-footed beast. — Elizabeth Letts

And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love. — V.C. Andrews

In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength. — Meg Howrey

A pas de deux is a dialogue of love. How can there be conversation if one partner is dumb? — Rudolf Nureyev