Paragraphs Of Love Quotes & Sayings

That's all books are. Escapism borne of wonderfully crafted words that describe far off lands. Sentences that ask and answer within seconds. Paragraphs that slay dragons and ride horses into the midnight sky. Chapters that describe the sensation of pounding hearts and consuming desire, each feeling chronicling the incredible sensation of falling in love. — Emma Hart

The biggest challenge in the research process is to let go, to stop, to say enough, and then to reduce all of that beloved labor down to a few succinct paragraphs that shape the background to your narrative. I love research - that's all the fun, especially in the field. To write, however, is to suffer, and my pieces usually come in thousands of words over the assigned length. That's a serious flaw in my writing process - shaping and disciplining the footlockers of material one has so happily gathered. — Bob Shacochis

That distinctive singular stamp of himself is one of the main reasons readers come to love an author. The way you can just tell, often within a couple paragraphs, that something is by Dickens, or Chekhov, or Woolf, or Salinger, or Coetzee, or Ozick. The quality's almost impossible to describe or account for straight out - it mostly presents as a vibe, a kind of perfume of sensibility - and critics' attempts to reduce it to questions of "style" are almost universally lame. — David Foster Wallace

The other chief love- and how similar it was to science, and how different- was reading. As soon as she realized the figures on the page meant something- could be strung together as words, and then sentences, and then paragraphs- she was covetous of the whole system. It seemed a new universe to her. And it was. Everything opened up. Some stories were meant to inform, and others were meant to entertain. And then other stories were separate from those- this the young teacher did not tell her, it was something Angelene figured out on her own, the first year, when a man visited and read them a poem out of a tome of poems- that seemed crafted to relay some secret, and even more than that, some secret about herself. Angelene was mesmerized. What was available for her to know? What secrets did the world hold? Which secrets would be revealed to her through the soil, and which through words? — Amanda Coplin

We fell
into the book of love
stumbling through the pages
filling up the paragraphs
creating new chapters
right till the very last page
where we fell
out of the book
breaking into pieces
as we fell apart. — Pyrokardia

Love great first lines and paragraphs. From The Yiddish Policemen's Union:
Nine months Landsman's been flopping at the Hotel Zamenhof without any of his fellow residents managing to get themselves murdered. Now somebody has put a bullet in the brain of the occupant of 208, a yid who was calling himself Emanuel Lasker. — Michael Chabon

I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat
patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well
the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."
Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot
death, lives destroyed or the horror of the settings
a crazy, chaotic, emotional house, the sinister movie theater. — Arundhati Roy

A lot of times you get people writing wonderful sentences and paragraphs, and they fall in love with their prose style, but the stories really aren't that terrific. — James Patterson

True love was a language, so many looks, touches and one word references that told the other more than full sentences of paragraphs, more than full outpourings of speech.
Our language was extensive and beautiful, and over a joyful lifetime together, we stayed fluent in it. — R.K. Lilley

I am not a particularly natural writer. I am not a person who can write in paragraphs the way some writers do. For me, it's sentence by sentence, sometimes word-by-word. And I revise constantly. It's a very laborious process, but I love doing it. — Yann Martel

I'm not really putting this very well. My point is this: This book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy tear-jerking Moments When We Knew We Had Left Our Childhood Behind for Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence-paragraphs that you're supposed to think are deep because they're in italics. Do you know what I'm talking about? I'm talking about sentences like this:
The cancer had taken her eyeballs, yet she saw the world with more clarity than ever before.
Barf. Forget it. For me personally, things are in no way more meaningful because I got to know Rachel before she died. If anything, things are less meaningful. All right? — Jesse Andrews

Risk is important to me as a writer, reader, and editor. I love stories that take a premise or style that seems unlikely to succeed, whose first paragraphs risk a raised eyebrow or groan, and whose last paragraphs are then all that much sweeter a triumph. Basically, I love being proved wrong. — Caitlin Horrocks

I've always been enchanted by the endings of things. Series finales and sunsets. Last paragraphs and encores. I think for the way they remind me that losing something you love isn't always sad and heartbreaking, but sometimes breathtaking and beautiful. — Beau Taplin

The amateur study of philosophy is like taking a few laps with a NASCAR driver. You're not qualified to do it on your own, you have no business behind the wheel, but for a few laps or paragraphs, you're right in there with 'em, and when it's all over, you've learned something. Or, as my local fire chief once said, you've simply exasperated the situation. — Michael Perry