Paragraph Quotes & Sayings

I woke up at five o'clock in the morning with the whole first paragraph in my head. Now, this just shows what a slothful person I am: I tried to go back to sleep. — Fran Lebowitz

Life is not a paragraph, and death is no parenthesis.

(This is a reference to an E.E. Cummings poem within the author's work) — Paula Hawkins

To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself ... Anybody can have ideas
the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph. — Mark Twain

1. Make the paragraph the unit of composition: one paragraph to each topic. — William Strunk Jr.

I wonder about my sister Janelle, too, who does know and wrote me this email - this long, long email that I had to close and not look at, because the first paragraph contained the words 'I forgive you', and I don't want anyone's forgiveness.

I'm not the one who has to be forgiven. — Robin York

Daniel pointed to a dense paragraph of text. Luce hadn't realized until then that the book was written in Latin. She recognized a few words from the years of Latin class she'd taken at Dover. Daniel had underlined and circled several words and made some notes in the margins, but time and wear had made the pages almost illegible.
Arriane hovered over him. That's some serious chicken scratch. — Lauren Kate

I'll write maybe one long paragraph describing the events, then a page or two breaking the events into chapters, and then reams of pages delving into my characters. After that, I'm ready to begin. — Anne Tyler

...clutching the Book to his chest, under his crossed arms, as if trying to press it into his ribs, until his lungs filled with letters and his heart became a pulsing paragraph. — Traci Chee

Elisabeth Sheffield's new novel is multilayered, smart, beautifully written, and funny. I was taken in by the first paragraph and held firmly through the roller coaster of a ride. The depth of the novel was evidenced by the constantly shifting meaning of the title itself. In fact, the entire work never changes its meaning, but somehow, seamlessly, simply means more. This is a rare and memorable piece of work. — Percival Everett

It's Nathaniel Hawthorne Month in English. Poor Nathaniel. Does he know what they've done to him? We're reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones.
It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break
these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward? — Laurie Halse Anderson

And that's one thing that helps me is I learn it blandly, vanilla, then I don't try to act it too soon because you start to act it, and you kind of go away from what the next sentence is, what the next paragraph is. So get it down so it kind of can - it's in there so you can then, as I call it, dance on top of it. — Jeff Daniels

But you know how it is with fathers and sons. We can't say what we want to say. We think a nod is a paragraph and a sentence is a book, and, in the end, all that's important is left unspoken. — Peter Kirby

Every paragraph should accomplish two goals: advance the story, and develop your characters as complex human beings. — Nancy Kress

The camera can photograph thought. It's better than a paragraph of sweet polemic. — Dirk Bogarde

And he'd laughed a lot as he'd helped improve her proposal. It felt good to work with someone who respected her opinion. She could see now that her earlier drafts were juvenile, full of wishful thinking, but Quentin forced her to dig deeper and work harder. Every paragraph of this document was dense with solid reasoning, including the numbers to back her assertions. — Elizabeth Camden

I start with an idea that is no more than a paragraph long, and expand it slowly into an outline. But I'm always surprised by the directions things take when I actually start writing. — Barry Schwartz

A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. — William Strunk Jr.

Most personal correspondence of today consists of letters the first half of which are given over to an indexed statement of why the writer hasn't written before, followed by one paragraph of small talk, with the remainder devoted to reasons why it is imperative that the letter be brought to a close. — Robert Benchley

In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times. — David A. Adler

In this postcolonial context, my contention is that interreligious engagement is enhanced by renewed attention to the particularity of religious traditions. From a European (Anglican) standpoint, a revised particularist theology of religions is proposed as an appropriate Christian theology for our time that respects the integrity of Christianity and of other religious traditions. This particularist approach concerns Christian terms of engagement with other religious traditions, as these may be understood in Christian theological terms. Having regard to questions raised in the opening paragraph above, centred in trinitarian thinking, as capable of hospitality to the liberative and interreligious concerns of post-colonial, Asian and feminist theologies; respectful interreligious engagement and the pursuit of gender justice amid increasing global diversity need not require repudiation of orthodox trinitarian thought and its liturgical expressions. — Jenny Daggers

Feinstein examined the efficacy of various obesity treatments in a lengthy review in the Journal of Chronic Diseases, he dismissed exercise in a single paragraph. "There has been ample demonstration that exercise is an ineffective method of increasing energy output," Feinstein noted, "since it takes far too much activity to burn up enough calories for a significant weight loss. In addition, physical exertion may evoke a desire for food so that the subsequent intake of calories may exceed what was lost during the exercise. — Gary Taubes

We're well past the end of the century when time, for the first time, curved, bent, slipped, flash forwarded, and flashed back yet still kept rolling along. We know it all now, with our thoughts traveling at the speed of a tweet, our 140 characters in search of a paragraph. We're post-history. We're post-mystery. — Ali Smith

A proper sense of proportion leaves no room for superstition. A man says, "I have never been in a shipwreck," and becoming nervous touches wood. Why is he nervous? He has this paragraph before his eyes: "Among the deceased was Mr. - . By a remarkable coincidence this gentleman had been saying only a few days before that he had never been in a shipwreck. Little did he think that his next voyage would falsify his words so tragically." It occurs to him that he has read paragraphs like that again and again. Perhaps he has. Certainly he has never read a paragraph like this: "Among the deceased was Mr. - . By a remarkable coincidence this gentleman had never made the remark that he had not yet been in a shipwreck." Yet that paragraph could have been written truthfully thousands of times. — A.A. Milne

The books we enjoy as children stay with us forever
they have a special impact. Paragraph after paragraph and page after page, the author must deliver his or her best work. — Sid Fleischman

The difference between a writer who toughs it out and one who doesn't is that you push through the parts where you know that you've just written seven pages when all you're looking for is one paragraph. — Anne Lamott

This infantile sense of order tended to infect my life at large. Up at 5:30 a.m., coffee, oatmeal, perhaps sausage (homemade), and fresh eggs giving one of the yolks to Lola. Listening to NPR and grieving more recently over the absence of Bob Edwards who was the sound of morning as surely as birds. Reading a paragraph or two of Emerson or Loren Eiseley to raise the level of my thinking. Going out to feed the cattle if it was during our six months of bad weather. — Jim Harrison

I get up in the morning with an idea for a three-volume novel and by nightfall it's a paragraph in my column. — Don Marquis

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about. — Michael Chabon

Jaron stood on top of a hill, staring blankly into the distance and taking in every detail of the scene unfolding below him. To his back the sun was setting, casting its last rays over the field below and painting the sky around him in a vast array of red and gold. He shuddered slightly as a cool breeze blew gently through the tall grass of the field, nipping sharply at his cheeks which had gone numb from standing exposed to the elements for too long. It was a seemingly perfect fall day, and he couldn't help but feel that it was somewhat ironic that it was on this day life as he knew it was coming to an end. — K.R. Fajardo

The famous passage from her book is often erroneously attributed to the inaugural address of Nelson Mandela. About the misattribution Williamson said, Several years ago, this paragraph from A Return to Love began popping up everywhere, attributed to Nelson Mandela's 1994 inaugural address. As honored as I would be had President Mandela quoted my words, indeed he did not. I have no idea where that story came from, but I am gratified that the paragraph has come to mean so much to so many people. — Marianne Williamson

If you give a writer a line, they'll take a paragraph ... — Suzanne McKenna Link

And this is not the happiness of a magazine writer who sends in his gay little philosophy of life to the editor for the one paragraph spread in front of the magazine: This is a serious happiness full of doubts and strengths. I wonder if happiness is possible. It is a state of mind, but I'd hate to be a bore all my life, if only because of those I love around me. Happiness can change into unhappiness just for the sake of change. — Jack Kerouac

How many words are you having trouble with, sir?"
"Just the ones that I've highlighted."
"I count at least a dozen, and I haven't gotten out of the first paragraph."
"That's as far as I got, too. I'm not sure you and I speak the same language. — Howard Tayler

I can't go as far as Barthes in killing off the author, but I'm with him on the importance of the reader. We are the ones, after all, who exist long after the author (the real, physical being) is in the grave, choosing to read the book, deciding if it still has meaning, deciding what it means for us, feeling sympathy or contempt or amusement for its people and their problems. Take just the opening paragraph. If, having read that, we decide the book isn't worth our time, then the book ceases to exist in any meaningful fashion. Someone else may cause it to live again another day in another reading, but for now, dead as Jacob Marley. Did you have any idea you held so much power? — Thomas C. Foster

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

I wrote my first textbook in 1970. It was called 'The Theory and Practice of Group Psychotherapy,' and over the years, many students told me that they enjoyed reading it because there were so many stories in there; often just a paragraph or a page of something that happened in a group session. — Irvin D. Yalom

Oh God how subtle he would have to be, how cunning ... No paragraph, no phrase even of the thousands the book must contain could strike a discordant note, be less than fully imagined, an entire novel's worth of thought would have to be expended on each one. His attention had only to lapse for a moment, between preposition and object, colophon and chapter heading, for dead spots to appear like gangrene that would rot the whole. Silkworms didn't work as finely or as patiently as he must, and yet boldness was all, the large stroke, the end contained in and prophesied by the beginning, the stains of his clouds infinitely various but all signifying sunrise. Unity in diversity, all that guff. An enormous weariness flew over him. The trouble with drink, he had long known, wasn't that it started up these large things but that it belittled the awful difficulties of their execution. ("Novelty") — John Crowley

They left. Among the many dumb rules of paragraphing foisted on students in composition courses is the one that says that a paragraph may not consist of a single sentence. Wilkerson ends a richly descriptive introductory chapter with a paragraph composed of exactly two syllables. The abrupt ending and the expanse of blankness at the bottom of the page mirror the finality of the decision to move and the uncertainty of the life that lay ahead. Good writing finishes strong. — Steven Pinker

...we have chosen to speak of spirituality ultimately as the way in which we live out our response to God. Unless we find this personal, transformational meaning in its fullest sense, the struggle for wholeness will remain unresolved. As Augustine put it in the first paragraph of his Confessions, 'God created us for a relationship with him and our hearts are restless until we find our rest in God. — Janet O. Hagberg

There are people who are born superficial ... They prefer not to have to deal with more than a limited number of oversimplified ideas - they prefer the book reviews to the books, the headlines and the leading paragraph to the full report, the generalization to the facts, and the negative to the positive. — Gwethalyn Graham

When I started graduate school we did this publishing class where we learned about submitting and read interviews with editors from different magazines. A lot of them said they got so many submissions that unless the first page stuck out or the first paragraph or even the first sentence they'll probably send it back. So part of my idea was that if I have a really good first sentence maybe they'll read on a bit further. At least half, maybe more of the stories in Knockemstiff started with the first sentence; I got it down then went from there. — Donald Ray Pollock

I walked back into the studio pretending to be someone who was amazing at reading her own story. I finished an entire paragraph without interruption. Then I looked up and the producer stared at me and said, "I don't know what you just did, but keep doing it." And I said, "I just did a lot of cocaine," and she looked a bit aghast and so I said, "No, I'm just kidding. I just got some really good advice from a friend. — Jenny Lawson

They couldn't talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn't mention it. And it wasn't until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She'd written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find. — Keith Ridgway

The tops of pages are river-and-rain-warped, the whole book buckled a bit from travel, age and pockets, but it's a book that feels companionable somehow, if you know what I mean. In it there are many pages with lines underscored, or in some cases with just ascending wing-like Nike tick-marks next to a paragraph. — Niall Williams

A little more matriarchy is what the world needs, and I know it. Period. Paragraph. — Dorothy Thompson

He who could write so easily, who could spend a thousand words down along his plunging fingers on the green-rubber keyboard of his machine, had stumbled like a first-grader over this single paragraph. A dozen times he had begun it and written into it a naked desperation; a dozen times he had begun it and written into it the frosted mathematics of logic. Finally he'd written out quickly the sentences that kept cropping up in all the versions. Those must be, to whatever censor there was in him, the most acceptable ones. He sealed it without rereading it and went out to mail it. An hour later he despised himself for having sent it. — Laura Z. Hobson

They get the same rush from a well-executed trade that a writer finds in a well-turned paragraph - not because there's money in it, necessarily, but because it takes technical skill and some measure of creative thinking to pull off. — Anonymous

But how shall an Occidental mind ever understand the Orient? Eight
years of study and travel have only made this, too, more evident that not
even a lifetime of devoted scholarship would suffice to initiate a Western
student into the subtle character and secret lore of the East. Every chap-
ter, every paragraph in this book will offend or amuse some patriotic or
esoteric soul: the orthodox Jew will need all his ancient patience to forgive
the pages on Yahveh; the metaphysical Hindu will mourn this superficial
scratching of Indian philosophy; and the Chinese or Japanese sage will
smile indulgently at these brief and inadequate selections from the wealth
of Far Eastern literature and thought. Some of the errors in the chapter on
Judea have been corrected by Professor Harry Wolf son of Harvard; — Will Durant

2. As a rule, begin each paragraph with a topic sentence; end it in conformity with the beginning. — William Strunk Jr.

I started writing half a paragraph of a mystery novel, half a paragraph there, and they were terrible. — Rabih Alameddine

I'm following it perfectly. Although, if this were a novel, I'd take the trouble to reread the last paragraph as carefully as possible. — Cesar Aira

For the only true sequel is the one that flickers briefly into being in your mind, O my friend by the fireside, in the moments after you read the last paragraph and lay the book down. — Michael Chabon

I brought the newspaper close up to my eyes to get a better view of George Pollucci's face, spotlighted like a three-quarter moon against a vague background of brick and black sky. I felt he had something important to tell me, and that whatever it was might just be written on his face.
But the smudgy crags of George Pollucci's features melted away as I peered at them, and resolved themselves into a regular pattern of dark and light and medium gray dots.
The inky black newspaper paragraph didn't tell why Mr Pollucci was on the ledge, or what Sgt Kilmartin did to him when he finally got him in through the window. — Sylvia Plath

There would be a paragraph about some veteran digging tunnels for the Germans in a slave labor camp, or something like that. Finally I decided to look it up and go further into it. — Charles Guggenheim

During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious. — Patricia Briggs

Some people write by day, others by night. Some people need silence, others turn on the radio. Some write by hand, some by typewriter or word processor, some by talking into a tape recorder. Some people write their first draft in one long burst and the revise; others can't write the second paragraph until they have fiddled endlessly with the first.

But all of them are vulnerable and all of them are tense. — William Zinsser

So this is supposed to be the how, and when, and why, and what or reading - about the way that, when reading is going well, one book leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time. "We talked about books," says a character in Charles Baxter's wonderful Feast of Love, "how boring they were to read, but how you loved them anyway. Anyone who hasn't felt like that isn't owning up. — Nick Hornby

A review was published in Nature, very scathing, essentially calling me incompetent, though they didn't use that word. I am putting a reply on my Web site in a few days, where I go through their arguments, paragraph by paragraph. — Bjorn Lomborg

Until Sammy Baugh - pro football in Texas was a one-paragraph story on the third page of the Monday sports section. — Dan Jenkins

And by the way, you really do suck in the romance department. Hallmark will never put that last paragraph on a card. — Alessandra Torre

I'm always looking for complicated characters in fiction about whom I can feel a dozen feelings at once - in the space of a single paragraph, even. — Edan Lepucki

The last paragraph, in which you tell what the story is about, is almost always best left out. — Irwin Shaw

I record the events of my life, filling up one notebook after another. Maybe I'm not getting the details exactly right, but it doesn't matter. The strict facts hold no currency here. What counts is the saliva I just spat on this very sheet of paper. The thick gob slowly dissolves a small circle in the text and turns the words translucent. The ink starts to bleed. The fibers loosen. If you run your fingers along this paragraph, you'll find the site where I stabbed my thumb straight through the page. There is an entire world in that hole. — Jeff Jackson

I think my prose reads as if English were my second language. By the time I get to the end of a paragraph, I'm dodging bullets and gasping for breath. — Lynn Abbey

The physician had asked the patient to read aloud a paragraph from the statutes of Trinity College, Dublin. 'It shall be in the power of the College to examine or not examine every Licentiate, previous to his admission to a fellowship, as they shall think fit.' What the patient actually read was: 'An the bee-what in the tee-mother of the trothodoodoo, to majoram or that emidrate, eni eni krastei, mestreit to ketra totombreidei, to ra from treido a that kekritest.' Marvellous! Philip said to himself as he copied down the last word. What style! What majestic beauty! The richness and sonority of the opening phrase! 'An the bee-what in the tee-mother of the trothodoodoo.' He repeated it to himself. 'I shall print it on the title page of my next novel,' he wrote in his notebook. — Aldous Huxley

Rilke had a line...something about fishes. Or was that by someone else? Too much had already been written, too many pages, too many words. Maybe writers would be better to just stop, himself included, so that people could catch up. Maybe one day they'd reach a limit. No more books would be able to fit into the universe's bookshelves, not another paragraph squeezed in, not even a punctuation mark. Writers would have to find something else to do. It might be the best thing. — Eric Gabriel Lehman

For me, a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity. — Paul Auster

Oh, I do a tremendous amount of rewriting. I just obsessively rewrite. Although sometimes there are sections, sometimes you're just lucky and a paragraph will just kind of come out. And that's great. But that's not ordinary in a day's work. — Elizabeth Strout

the text box (see screen shot in Step #5) that there is a bullet. This might be fine for listing items, but when you want to type a paragraph, this feature can be annoying. To eliminate bullets, click on the text box. Choose Bullets and Numbering from the — Anonymous

When I sat down and wrote the first paragraph, I was like, 'Oh, I can go with this.' I didn't do an outline. I didn't do anything. I just wrote sentence by sentence, not knowing where the story was going. — Colleen Hoover

When I write for 'n+1,' I begin by doing a lot of reading, to try to convince myself I'm not stupid. Then I scribble down a paragraph here, a paragraph there, when a notion strikes. Then I see if I can arrange those notions in a way that yields an argument. — Chad Harbach

Each story, good and bad, short or long
from that trip to the mall when you saw Santa, to a long, bad illness
they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits. — Deb Caletti

Then we're on the same page. Same paragraph, same sentence," I snapped. "Same bloody word," he agreed flatly. — Karen Marie Moning

Among all shravakas and pratyekabuddhas, bodhisattvas are the foremost. So is the Lotus Sutra; among all sutras, it is the foremost! Just as the Buddha is the King of the Law; so is the Lotus Sutra, it is the King of all Sutras!
(LS 23:2.16)
Lotus Sutra, Chapter 23, Section 2, Paragraph 16 — Gautama Buddha

I find it helpful when I stop for the day to leave the last sentence unfinished or the last paragraph only lightly sketched out, so that when I start again I can pick up where I left off the day before. — Julia Bell

The whole of the Targum deserves study as shewing how textual ambiguity or corruption may combine with doctrinal prepossession to modify tradition;
Chapter II, Section 2, Paragraph 1171 — Edwin A. Abbott

Whenever I teach writing I tell them to never revise as you go. Finish the first draft. This is my writing advice. I can't do that myself. I'm lying to everybody. I write a paragraph, and then I rewrite that paragraph. I want to feel like I'm standing on firm ground before I move on to the next paragraph. Mentally, I have to do that. — Matt De La Pena

He had got a good start on another book, Silent Spring, by Rachel Carson. I stood until he finished a paragraph, shut the book on a finger, and looked the question. "Twenty grand," I told him. "The DA wanted fifty, so I'm stepping high. One of the dicks was pretty good, he nearly backed me into a corner on the overalls, but I got loose. No mention of Saul or Fred or Orrie, so they haven't hit on them and now they probably won't. I signed two different statements ten hours apart, but they're welcome to them. The status quo has lost no hide. If there's nothing urgent I'll go up and attend to my hide. I had a one-hour nap with a dick standing by. As for eating, what's lunch? — Rex Stout

Uh-huh. Could be,' I said. It was a spot for a paragraph of lucid prose. Henry Clarendon IV would have obliged. I didn't have a damn thing more to say. — Raymond Chandler

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow. — G. M. Trevelyan

In an essay, you have the outcome in your pocket before you set out on your journey, and very rarely do you make an intellectual or psychological discovery. But when you write fiction, you don't know where you are going - sometimes down to the last paragraph - and that is the pleasure of it. — Cynthia Ozick

Actually, if you go back to what Marx said in The Communist Manifesto over a hundred years ago, when in talking about the constant revolutions in technology, he ended that paragraph by saying, "All that is sacred is profaned, all that is solid melts into air, and men and women are forced to face with sober senses our conditions of life and our relations with our kind." We're at that sort of turning point in human history. — Grace Lee Boggs

Miss Elizabeth Mapp might have been forty, and she had taken advantage of this opportunity by being just a year or two older. Her face was of high vivid colour and was corrugated by chronic rage and curiosity; but these vivifying emotions had preserved to her an astonishing activity of mind and body, which fully accounted for the comparative adolescence with which she would have been credited anywhere except in the charming little town which she had inhabited so long. Anger and the gravest suspicions about everybody had kept her young and on the boil. — E.F. Benson

A favorite strategy was the paragraph-terminating: Right? Followed immediately by Wrong. This linear invitation to a mugging was considered a strategy of wit. — Renata Adler

He wrote one more paragraph for his own sake, to see what he had to say. — Sebastian Faulks

In truth we re-create our reputation every day. Journalists with thirty years of credibility have washed their careers down the drain with one plagiarized paragraph. — Anonymous

To understand oneself requires patience, tolerant awareness; the self is a book of many volumes which you cannot read in a day, but when once you begin to read, you must read every word, every sentence, every paragraph for in them are the intimations of the whole. The beginning of it is the ending of it. If you know how to read, supreme wisdom is to be found. — Jiddu Krishnamurti

I never had a book get angry or yell at me, never had a book show disappointment in me or consider me stupid because I didn't understand a line or needed to reread a paragraph or didn't know a word, never had a book mock me, never had a book turn its back on me or slap me in the face or fire me from reading it or decide it was in love with a faster, more intelligent, handsomer reader, I never even had a book get bored with me, or question my logic, I never had a book look suddenly crestfallen because I shut it and left it on its own, I've never met a book too shy to come into the bathroom with me or under the covers, I never met a book that refused to read me to sleep. — Mark Frutkin

I like things to be really, really funny, or really, really dramatic. Those books are certainly the ones that grab me. I like the exercise of reading through a paragraph, and it's just torture. I try not to have my eyes dart to the right. That's the stuff that I love. — Angie Harmon

I don't do much rewriting, because each paragraph is very carefully put together. — Jayne Anne Phillips

I know that if I have been working on one paragraph and I have written it three times, it goes in the bin. Unless it comes straight out, it is wrong, it is awkward, it does not fit. — Robert Rankin

There is no exercise of the intellect which is not, in the final analysis, useless. A philosophical doctrine begins as a plausible description of the universe; with the passage of the years it becomes a mere chapter if not a paragraph or a name in the history of philosophy. — Jorge Luis Borges

It's the opening line of a football game returned for a touchdown. Or fumbled.

It's what orange juice is to breakfast, the first minutes of a blind date, a salesman's opening remarks.

It sets the tone, lights the stage, greases the skids for everything to follow.

It's the most important part of everything you'll ever write because if it doesn't work, whatever follows won't matter. It won't get read.

It's your opening paragraph. And enough can't be said about its importance.

Seduction. That's basically what leads are all about--enticing the reader across the threshold of your book, novel or article--because nothing happens until you get 'em inside.

And you literally have only seconds to do it because surveys show that eight out of ten people quit reading whatever it is they've started after the first fifty words. — Lionel Fisher

Firstly, being a local councillor, he was probably a cunt! A real 'book-waving-starch-underpants-wearing-precedent - quoting-sub-section-paragraph-thee-looking-up' sort of arsehole who lived his life by the numbers and reported his neighbours if they so much as tried to put up a bird-table without planning permission. — Danny King

My mother taught me that reading is a kind of work, and that every paragraph merits exertion, and in this way, I learned how to absorb difficult books. Soon after I went to kindergarten, however, I learned that reading difficult books also brings trouble. I was punished for reading ahead of the class, for being unwilling to speak and act "nicely." I didn't know why I simultaneously feared and adored my female teachers, but I did know that I needed their attention — Hope Jahren

One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily. In the first paragraph you solve most of the problems with your book. The theme is defined, the style, the tone. At least in my case, the first paragraph is a kind of sample of what the rest of the book is going to be. That's why writing a book of short stories is much more difficult than writing a novel. Every time you write a short story, you have to begin all over again. — Gabriel Garcia Marquez

Each letter of the alphabet is a steadfast loyal soldier in a great army of words, sentences, paragraphs, and stories. One letter falls, and the entire language falters. — Vera Nazarian

Always grab the reader by the throat in the first paragraph, send your thumbs into his windpipe in the second, and hold him against the wall until the tagline. — Paul O'Neill

Plus, if I can wax philosophical for a paragraph, there's an even more fundamental principle involved here, and it apples to everything from what you decide to do for a living, to making an omelette, which is that there is nothing so consistently dangerous, not to mention more likely to mess with your head and leave you muttering into your beer, than playing it safe. — James Patterson

The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself. — Lewis Thomas