Paper With Words Quotes & Sayings

After a long while he sat upright with great effort, exhaled a sigh and reached for a clean sheet of lined paper, smoothing it out on the desk. He unscrewed the lid of his fountain pen, laid it perpendicular to his paper, and began to write. Often he compared his writing to white water. He had only to leap in to be dragged away on its rapids, thrown this way and that with his own will rendered impotent. While writing he found the words came from the muscles in his hands, the feel of the shaft of his pen, the locked joint of his elbow. the scratching noise of the nib marking paper and, underneath all that, some coordinating impulse in his guts. Certainly not from his mind. — Ali Shaw

But even now, a full century after he wrote his first school poem, scratched out in startlingly plain words on onion skin paper with a number two pencil, his heart and soul remain as fresh and brave as ever. Hemingway lives. — Clancy Sigal

You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh. — John Green

I soothe my conscience now with the thought that it is better for hard words to be on paper than that Mummy should carry them in her heart. — Anne Frank

Almost every day I can feel myself suffering mainly in the head, I can explain the pain to myself but knowing it comes from an inflammation of my imagination doesn't prevent it being reality itself. What's more I'd be crazy not to go crazy. We don't know what an illness is. On awful hurts we plaster little old words, as if we could think hell with a paper bandage. — Helene Cixous

Some professional writers write everyday no matter what and perhaps that's the way it should be done, but it's not the way I do it. If I'm not pregnant with words and I'm not in labor with them, I don't even try to bring them forth because they won't be any good anyway. Once I'm ready to deliver, it's like being pregnant. I've got to find a typewriter or a piece of paper. The only words that have ever had any possible value to others seem to have been those words that just had to come out. — Marianne Williamson

Keeping this journal causes tension as much as it calms it. The writing busies my hands and occupies my mind, but there's something about the pen scratching against the thick textured paper that makes my words take on an uncomfortable weight. Online, words flow almost as quickly as thoughts without revision or purpose, the way they do when you're alone or with someone who's fallen in love with you. — Wayne Gladstone

In America: each year the day before school after summer vacation I sat on my bed touching my notebooks, pencils, ruler-holding the stern and sweet smelling brown oxfords in my lap and spreading my skirt and blouse and underwear and socks before me. My mother would come in and always say the same thing: "Free paper burn now."
Such words conspire to make a past.
Such words conjure a knowledge.
Such words make assimilation impossible. They stay with you for years. They puzzle but you sense a significance. I need these words. — Michelle Cliff

Haiku are meant to evoke an emotional response from the reader ... to light the spark that triggers creative rumination ... They act as literary manifestations ... visions of nature's seasonal modulations ... They're emotionally tinged words, barely perceptible sensory flickers ... literary etchings of lucid visions transposed into the minds of its readers ... They're meant to act as sensory catalysts ... like the passing of a penciled baton laid out upon a piece of paper that a reader might grasp for in their mind's eye ... all of which prompts the reader to continue exploring the sensory experience elicited from the writers pen ... This is how the literary sketching of poets are intended to function ... as creative muses with which readers can draw from and viscerally apply to their own artistic idioms ... from that lucid space within their heads ... where their minds eye can spark their own creative visions"

Bukusai Ashagawa — Bukusai Ashagawa

A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they? — Cornelia Funke

I will quote one sentence from this text, namely, the one with which it ended. It was also the sentence which finally dissolved the writer's block that had inhibited the author from starting work. I have since used it whenever I myself have been gripped by fear of the blank sheet in front of me. It is infallible, and its effect is always the same: the knot unravels and a stream of words gushes out on to the virgin paper. It acts like a magic spell and I sometimes fancy it really is one. But, even if it isn't the work of a sorcerer, it is certainly the most brilliant sentence any writer has ever devised. It runs: 'This is where my story begins.' — Walter Moers

Great rolls of toilet paper arc like ejaculate through the black sycamores. — Garth Risk Hallberg

I don't even own a computer. I write by hand then I type it up on an old manual typewriter. But I cross out a lot - I'm not writing in stone tablets, it's just ink on paper. I don't feel comfortable without a pen or a pencil in my hand. I can't think with my fingers on the keyboard. Words are generated for me by gripping the pen, and pressing the point on the paper. — Paul Auster

My letters! all dead paper, mute and white!
And yet they seem alive and quivering
Against my tremulous hands which loose the string
And let them drop down on my knee to-night.
This said,
he wished to have me in his sight
Once, as a friend: this fixed a day in spring
To come and touch my hand ... a simple thing,
Yet I wept for it!
this, ... the paper's light ...
Said, Dear I love thee; and I sank and quailed
As if God's future thundered on my past.
This said, I am thine
and so its ink has paled
With lying at my heart that beat too fast.
And this ... O Love, thy words have ill availed
If, what this said, I dared repeat at last! — Elizabeth Barrett Browning

As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire. — Hilary Mantel

He wanted to crumple her up and toss her from his mind like a scrap piece of paper filled with nonsensical doodles or dissonant words that formed unbalanced rhymes. Yet, he refused throw her away. — Emmie White

It's terribly, terribly important recording what we've done, in words, on paper, it's got to be our way of telling ourselves that we mean something, that we matter. That the things we've done have made a difference. I don't know how big a difference, but a difference. Writing it down means we might be remembered. And by God that matters to us. None of us wants to end up as a pile of dead white bones, unnoticed, unknown, and worst of all, with no one knowing or appreciating the risks we've run. — John Marsden

Amy, amante, amour, he whispered, as if the words themselves were smuts of ash rising and falling, as though the candle were the story of his life and she the flame. He lay down in his haphazard cot. After a time he found and opened a book he had been reading that he had expected to end well, a romance which he wanted to end well, with the hero and heroine finding love, with peace and joy and redemption and understanding. Love is two bodies with one soul, he read, and turned the page. But there was nothing - the final pages had been ripped away and used as toilet paper or smoked, and there was no hope or joy or understanding. There was no last page. The book of his life just broke off. There was only the mud below him and the filthy sky above. There was to be no peace and no hope. And Dorrigo Evans understood that the love story would go on forever and ever, world without end. He would live in hell, because love is that also. — Richard Flanagan

When she'd finished, Blake took the paper from her hands. He folded it and put it in his pocket, where it nestled side by side with his music. He kissed her ringed hand, and then her bare one. He had no paper, but he spoke clearly and unhesitatingly. There was a slight echo as his words bounced around the cement platform. He borrowed her letter format to respond. — Debra Anastasia

Taylor sighed. Going head-to-head with Sharpay on a school assignment was really beneath her. But the more Taylor considered it, the more she liked the idea of seeing her own poem in the paper. After all, the words "published poet" would look awfully good on those Ivy League college applications.

"You know what?" Taylor said.

"What?" Sharpay snapped.

Hands on hips, Taylor stepped forward till the girls were nose-to-nose. "Bring it on. — Alice Alfonsi

A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry. — Cynthia Rylant

Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children's toys
and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence. — Jacques Bonnet

While they were thus embarrassed, a large chest was brought and deposited in the presbytery for the Bishop, by two unknown horsemen, who departed on the instant. The chest was opened; it contained a cope of cloth of gold, a mitre ornamented with diamonds, an archbishop's cross, a magnificent crosier, - all the pontifical vestments which had been stolen a month previously from the treasury of Notre Dame d'Embrun. In the chest was a paper, on which these words were written, "From Cravatte to Monseigneur Bienvenu."
"Did not I say that things would come right of themselves?" said the Bishop. Then he added, with a smile, "To him who contents himself with the surplice of a curate, God sends the cope of an archbishop."
"Monseigneur," murmured the cure, throwing back his head with a smile. "God - -or the Devil."
The Bishop looked steadily at the cure, and repeated with authority, "God! — Victor Hugo

Early in her career at Langley, Dorthy Lee was interviewed for the Daily Press, in all probability by Virginia Biggins, the female reporter assigned to Langley beat. "Do you believe," she was asked, "that women working with men have to think like a man, work like a dog, and act like a lady?" "Yes, I do," Lee said, who was mildly mortified to read her words in the Sunday paper. — Margot Lee Shetterly

Franz shook his head. When a society is rich, its people don't need to work with their hands;they can devote themselves to activities of the spirit. We have more and more universities and more and more students. If students are going to earn degrees, they've got to come up with dissertation topics. And since dissertations can be written about everything under the sun, the number of topics is infinite. Sheets of paper covered with words pile up in archives sadder than cemeteries, because no one ever visits them, not even on All Souls' Day. Culture is perishing in overproduction, in an avalanche of words, in the madness of quantity. That's why one banned book in your former country means infinitely more than the billions of words spewed out by our universities. — Milan Kundera

More than anything, I wanted to help her write new words, on perfectly crisp, untouched paper, and to come up with a flawless title, for the perfect story. — Rachel Brookes

The other thing that's happened with writing is that I'm not afraid it will go away. Up until a couple of years ago, I feared that sitting down with paper and pencil revealed too much desire and that for such ambition I would be punished. My vocabulary would contract anorexia, ideas would be born autistic, even titles would not come to flirt with me anymore. I suppose this was tied to that internal judge, the serpent who eats her own tail. She insinuates you're not good enough; you believe her and try less, ratifying her assessment; so you try even less; and on and on. This snake survives on your dying. Finally, now, the elided words of my wisest writing teacher, the poet David Wojahn, make sense. "Be ambitious," he said, "for the work." Not for the in-dwelling editor. That bitch was impossible to please anyway. — Marsha L. Larsen

Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love. — Jeanette Winterson

Who Am I?
I'm a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer's heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me. — Sharon M. Draper

P.S. I fear that in person I shall prove to be a sore disappointment. With pen and paper I am at ease; in the solitude of my own company my thoughts and ideas flow without obstruction. But before others it takes me the greatest effort to string two words together, and more often than not my words emerge awkward and off-putting. — Sherry Thomas

I'm not a good kid. Yeah, look, I'm just a piece of paper with the word sad and a bunch of cuss words written on it.
A lousy piece of paper. That's me.
A piece of paper that's waiting to be torn up. — Benjamin Alire Saenz

In astrology the rules happen to be about stars and planets, but they could be about ducks and drakes for all the difference it would make. It's just a way of thinking about a problem which lets the shape of that problem begin to emerge. The more rules, the tinier the rules, the more arbitrary they are, the better. It's like throwing a handful of fine graphite dust on a piece of paper to see where the hidden indentations are. It lets you see the words that were written on the piece of paper above it that's now been taken away and hidden. The graphite's not important. It's just the means of revealing the indentations. So you see, astrology's nothing to do with astronomy. It's just to do with people thinking about people. — Douglas Adams

He looked up from the paper he was scribbling on and offered
her a lopsided grin. "Hey, sweet pea. You bring me anything
special?"
The lopsided bit wasn't odd, but there was something forced
about it. "Got a fresh bag of cat food outside." Cat food that she'd
bought with the twenty he'd left to pay for his ice cream.
He pushed his makeshift drum set aside and rose with a
stretch. "Words every man dreams of hearing. Make my night if
you say you got catnip too."
She tried not to giggle. She tried hard.
But she couldn't help herself. "Extra strength," she said.
This time, his grin came out bigger, less forced. "Woman of
my dreams."
"In your dreams," she said. — Jamie Farrell

Films are not mathematics - that's the first thing you need to understand. At least, that's how I feel. They are not words on paper. Films are made with people, with teams and with individual bundles of creativity coming together to fulfill the vision of an individual who is the director of the film. — Shahid Kapoor

The moments that define lives aren't always obvious. They don't scream LEDGE, and nine times out of ten there's no rope to duck under, no line to cross, no blood pact, no official letter on fancy paper. They aren't always protracted, heavy with meaning. Between one sip and the next, Victor made the biggest mistake of his life, and it was made of nothing more than one line. Three small words.
I'll go first. — Victoria Schwab

Writing in a journal is just a stall, a waiting game, a way to tell yourself that you're working when you're not, that you're doing something of value when you're just using up paper, that you're a writer when in fact you're just going through the motions of one. Look at me! I have blank paper in front of me-and now I'm filling it, with words! — Robert Masello

A distinguished man should be as particular about his last words as he is about his last breath. He should write them out on a slip of paper and take the judgment of his friends on them. He should never leave such a thing to the last hour of his life, and trust to an intellectual spurt at the last moment to enable him to say something smart with his latest gasp and launch into eternity with grandeur. — Mark Twain

Well, putting words on paper isn't your job. Your job is to go digging around in your soul. And that's the end of it all. A songwriter's job is to go digging around in his soul. And come up with, and put to paper, what others can't express about the soul itself. — Radney Foster

I guess you can call me "old fashioned". I prefer the book with the pages that you can actually turn. Sure, I may have to lick the tip of my fingers so that the pages don't stick together when I'm enraptured in a story that I can't wait to get to the next page. But nothing beats the sound that an actual, physical book makes when you first crack it open or the smell of new, fresh printed words on the creamy white paper of a page turner. — Felicia Johnson

She will have reason in future to thank you for it," said Mary. Her face was serious. "We women own nothing absolutely, save what lies between our ears. Our virtue belongs first to our father and then to our husband. We dedicate our duty to our family. As soon as we share our thoughts with another, put pen to paper or thread a needle, all that we do and make belongs to someone else. So long as she has words and ideas, Annie will always possess something that is hers alone." "If — Deborah Harkness

Unfortunately, an equally strong negative current - fear - is at work. Fear of writing gets planted in most Americans at an early age, usually at school, and it never entirely goes away. The blank piece of paper or the blank computer screen, waiting to be filled with our wonderful words, can freeze us into not writing any words at all, or writing words that are less than wonderful. — William Zinsser

Oh, Christ. Word stuff, paper stuff, and that's neither words nor paper in that goddam little coffin, that's my son, my kid, my little dirty gap-toothed boy with the torn britches and the scabs on his knees, and he wasn't ever intended to ride thunder and bridle lightning, no man is. Pulp heroes were all made of wood and they could do it, but Dan's human and soft and easily broken. He hasn't any business there, no man has. — Mike Resnick

Nikki Giovanni! I got a book of hers from the library, and there was this woman who could paint me on paper with words - my whole little experience. I thought it was wonderful. — Jill Scott

I do not possess the ability to draw or paint.
I can't sing or dance.
I can't knit or sew.
But I am an artist.
I have the ability to put onto paper, words that tell an intriguing story.
I am a writer.
A writer is someone who, with just words, can paint a beautiful picture.
A writer can open up a world of imagination you didn't realize was possible.
When you open up a book and become so consumed in the story, you feel like you're a part of it ... you're standing next to that character and feeling the same way that character feels,
That's the art of a writer.
I am an artist.
My inspiration is the world around me.
My paintbrush is my words.
My easel is my computer.
My canvas is the mind of my reader. — Bri Justine

Tied round the neck of the bottle was a paper label, with the words "DRINK ME" beautifully printed on it in large letters. — Lewis Carroll

After all, everything in here is just pieces of paper with words and lines on them. They're not even very valuable.
Pieces of paper with words and lines on them have the ability to change the world ... They always have. — Elizabeth Camden

I lie and repeat these words over to myself, and find that they are capital. Little by little others come and fit themselves to the preceding ones. I grow keenly wakeful. I get up and snatch paper and pencil from the table behind my bed. It was as if a vein had burst in me ; one word follows another, and they fit themselves together harmoniously with telling effect. Scenes piles on scene, actions and speeches bubble up in my brain, and a wonderful sense of pleasure empowers me. I write as one possessed, and fill page after page without a moment's pause — Knut Hamsun

The governments alone are responsible for the spread of the superstitious awe with which the common man looks upon every bit of paper upon which the treasury or agencies which it controls have printed the magical words legal tender. — Ludwig Von Mises

I believe that the many administration officials, lawmakers, and regulatory policymakers - and their staffs - who poured a year and a half of prodigious work into the legislation had been guided, knowingly or not, by a simultaneously high-minded and pragmatic sentiment that Woodrow Wilson voiced before he launched the effort that would establish the Federal Reserve System. "We shall deal with our economic system as it is and as it may be modified, not as it might be if we had a clean sheet of paper to write upon; and step by step we shall make it what it should be," Wilson said in his first inaugural address. Wilson's words continued to make good sense a century later. — Ben S. Bernanke

In the depth of my soul there are songs unwilling to take the garb of words, songs living as seed in my heart. They will not flow with ink onto paper. Like a translucent veil, they are wrapped about emotions that can never flow sweetly on my tongue.
Yet how can I even whisper them when I fear what the particles of air may do to them? To whom shall I sing them when they have become accustomed to live in the house of my soul and fear the harshness of other ears?
Were you to look into my eyes, you would see the image of their image. Were you to touch my fingertips, you would feel their quick movements. The works of my hands reveal them as the lake reflects the twinkling of the stars.
My tears disclose them as the mystery of the rose petal is disclosed at the moment the heat dissolves the drops of dew when that rose withers.
... Who can combine the roaring of the sea and the warbling of the nightingale? Who can link the crashing thunder with the baby's sigh? — Kahlil Gibran

My life was a blank paper, until you came to rhyme with words & make it a poetry book. — Akansh Malik

I looked at this first sheet, words scribbled confidently on a lined pad. My attempt at making contact the spirit of Llandor. Disaster. I couldn't do the language or locate the period. The pad of paper, with its grey-mauve rules, was all wrong. It was intended for meaningful work, figures, calculations, notes. — Iain Sinclair

Heavy is the head that holds the pen of creation. We construct these characters from nothing, molding them from our imaginations. We give them hopes and dreams and unique personalities until they feel so real you're mind believes it must be so. We watch them grow by our hands, not always knowing the paths they will choose with the obstacles we throw at them. They take on a life of their own and often surprise even us by their actions we couldn't have imagined before it poured out of us onto the paper. We could change it if we really wanted to, but it would be forced and not be true to the characters. And when something tragic happens and one is lost, we feel that loss even though we know they were not a friend, a family member or even ourselves. It can be a hard thing to voice sometimes, to give tribute to the one's left behind with the real sadness over something not so real. But we find the words and press on to the next challenge, because that's what good writers do. — Jennifer A. Marsh

On count two, she shouted, "I deserve a stipend after this!" The words echoed offbeat with the pulsing walls. — Charlie N. Holmberg

When you travel with your family, you may not get the volume of work done you would if you were alone, but you can still do something while recharging. If nothing else, you can gather your own thoughts, write down ideas, observe people around you, and reflect on experiences. Working doesn't always mean putting words on paper. — Barbara DeMarco-Barrett

There are times where I would keep three typewriters on a table, and I'd have three complete thoughts going. With computers, you make folders, files - I don't know about those things. I have sheaves of paper polluted with words and paragraphs. I found it a good tool for me. And it keeps your hands strong for guitar playing. — Eddie Vedder

You haven't given me any ink," he said.
"Oh, you won't need ink," said Professor Umbridge with the merest suggestion of a laugh in her voice.
Harry placed the point of the quill on the paper and wrote: I must not tell lies.
He let out a gasp of pain. The words had appeared on the parchment in what appeared to be shining red ink. At the same time, the words had appeared on the back of Harry's right hand, cut into his skin as though traced there by a scalpel - yet even as he stared at the shining cut, the skin healed over again, leaving the place where it had been slightly redder than before but quite smooth.
Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile.
"Yes?"
"Nothing," said Harry quietly. — J.K. Rowling

The struggle for a life extracts all our attention, and leaves us blind, deaf, dumb and senseless. The writer, the artist, the musician vanishes, without even the charity of a proper cremation. At this point words become formless sounds, and thoughts run out of paper and jump out of the terra firma and fly in the air, forcing us to find someone to share them with, someone who could understand. The fear of wasting words is the worst kind of it, only a writer knows. — Anu Lal

Smart art galleries know it's not the words on paper but the emotion in the piece that makes clients pull out the credit card or check book. The gallery's number one concern is will this stuff sell? What your bio, artist's statement or resume articulates will be of no help if you don't make art that connects with buyers. — Jack White

Writing is one of the best therapies that exist. Either on paper, computer, phone or tablet, in any form it is helpful. Whenever you feel like writing, just do it. Let the words flow out of your mind and heart. It doesn't have to make sense to anyone but you. Some people may find easier to express themselves in writing than verbally. While you will have time to choose the best words, you will also escape the fear of immediate reaction. Take your time and play with the words until you feel you got them right. One can write about anything. About a dream, a fantasy, a love story, happenings during the day, an apology or a greeting, everything is permitted in the world of writing. There it is no good or bad. — Nico J. Genes

As fascinated as I was by words on paper, it was matched by my fascination with words in people's mouths. The spoken word. And that is the world of theatre. — Athol Fugard

She chose books because they never left her lonely the way that Kirk had left her lonely. BEcause company was often nothing of the kind, whereas a good book always was.
She chose books for the smell of fresh-pressed pages, for the yellow-brown musk of library mould, but always for the breathy kiss of paper rustling. She chose books because some of the held prose that made her weep, or poetry that winded her, and words that mae her heart skip beats.
She chose books because some came readey-made with characters that seemed like perfect versions of hrself, all of them little proofs that somehow, somewhere, it might just be possible for her to be better: to be popular, powerful, sexy and smart.
She chose books because they lied to her with more conviction than people ever had. — Dan Micklethwaite

It seems to me the book has not just aesthetic values - the charming little clothy box of the thing, the smell of the glue, even the print, which has its own beauty. But there's something about the sensation of ink on paper that is in some sense a thing, a phenomenon rather than an epiphenomenon. I can't break the association of electric trash with the computer screen. Words on the screen give the sense of being just another passing electronic wriggle. — John Updike

Do you like books, Lady Murray?' Lavinia asked.
'Just to read,' Violet said.
'A mistake. A very big mistake. A poorly bound book disintegrates. Where would our learning be then? We need something permanent, solid. We need to treat words with the respect they are due. Treasure them. Adorn the books that contain these words with leather bindings, illuminate their words with gold. We shouldn't treat learning lightly.'
'But I would treat a word scrawled on a scrap of paper with the same respect as one written on an illuminated manuscript. — Alice Thompson

One day, while he was idly reciting his verses to a captive audience, a scrap of paper, borne by the wind, landed on his lap. On it were written two words: "Layla" and "Majnun." As the crowd watched, Majnun tore the paper in half. The half on which was written "Layla" he crumpled into a ball and threw over his shoulder; the half with his own name he kept for himself.
"What does this mean?" someone asked.
"Do you not realize that one name is better than two?" Majnun replied. "If only you knew the reality of love, you would see that when you scratch a lover, you find his beloved."
"But why throw away Layla's name and not your own?" asked another.
Majnun glowered at the man. "The name is a shell and nothing more. It is what the shell hides that counts. I am the shell and Layla is the pearl; I am the veil and she is the face beneath it."
The crowd, though they knew not the meaning of his words, were amazed by the sweetness of his tongue. — Reza Aslan

She gazed out across the rooftops of Ankh-Morpork and reasoned like this: writing was only the words that people said, squeezed between layers of paper until they were fossilized (fossils were well known on the Discworld, great spiraled shells and badly constructed creatures that were left over from the time when the Creator hadn't really decided what He wanted to make and was, as it were, just idly messing around with the Pleistocene). And the words people said were just shadow of real things. But some things were too big to be really trapped in words, and even the words were too powerful to be completely tamed by writing. — Terry Pratchett

I'm Writing my stoy. But i'm also plotting my escape from this prison cell.

This is my plan.
I will do it with words.
I will write them by day.
I will write them by night.
I will write them on the walls,
the stalls, the halls.
I will write them in big bold ink
on posters i hang on the concrete blocks.
I will write them on little pieces of paper
I stuff on the mattress and the pillow.
I will write them with fingers
bent and cramped from use.
I will write them in blood
if i have to,
but only my own.
And i will keep writing them,
again, and again, and again,
until i fill this prison cell so full of words,
that the bars bend and buckle and burst
because they cannot contain them
And then
I will
be free. — Carolee Dean

Oh, but this,' I think I say, 'is perfect! This is all I have longed for! What are you gazing at? Do you suppose a girl is sitting here? That girl is lost! She has been drowned! She is lying, fathoms deep. Do you think she has arms and legs, with flesh and cloth upon them? Do you think she has hair? She has only bones, stripped white! She is as white as a page of paper! She is a book, from which the words have peeled and drifted
— Sarah Waters

It is a glorious thing, to be able to write with pen on paper instead of nail or hook into oak, to feel one's words flowing so smoothly from instrument to surface, without the barriers of friction or poor leverage, and yet its own subtle tactile pleasures as the nib scratches tiny channels into the sheet. And here, unlike in his cabin, here he feels no division between his mind and his hand, no errors in translation or static in the transmission: the words appearing on the page are the ones he has intended to put there, the images match the scenes in his mind, the sensations the very ones that warm his chest, prickle his scalp, push against his eyes. — Doug Dorst

This is something I learned when I was working at a newspaper: when you put something on paper, whether it's words or pictures, and it's staring back at the reader, they are now alone in the room with them for as long as it takes them to turn the page. Whereas on television, the images fly by. — Brian Michael Bendis

The pressure disappeared with the first word he put on paper. He thought
while his hand moved rapidly
what a power there was in words; later, for those who heard them, but first for the one who found them; a healing power, a solution, like the breaking of a barrier. He thought, perhaps the basic secret the scientists have not discovered, the first fount of life, is that which happens when a thought takes shape in words. — Ayn Rand

I lifted my Bible in one hand and with my other scooped up all the papers on my adoption. Both hands held paper that contained words printed in black and white ink. Both contained facts. Yet only one held the truth. I had to choose which of these documents I would entrust with my life. — Christine Caine

Once they're on paper, they're gone. I like to do as much with the words, as far as image goes. — Ric Ocasek

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

Brin tilted his head. 'For a moment I thought you were a dirty little tramp like the rest of us, but then you go and ruin it. For future reference, stories about anonymous hookups in alleys should not end up with you going to the library alone.'
'I had a paper due.'
Brin burst out laughing and hugged him. 'You're too adorable for words.' — Lisa Henry

He put down the receiver and looked vaguely at the paper in his hand. It was a rough piece of white wrapping paper. Scrawled in pencil in ragged block letters were the words:
HE DISAGREED WITH SOMETHING THAT ATE HIM
And underneath in brackets:
(P.S. WE HAVE PLENTY MORE JOKES AS GOOD AS THIS) — Ian Fleming

Oh, I should add, I'm not looting the city, but the people I heal often bring me gifts. I've got a statue of a dog made of gold with bright ruby eyes that dates back two thousand years. I've got the best television set that Arucu Corporation made last year. And I've got a piece of slightly used butcher paper with a crayon drawing of something that might be me or might be a spider, I'm not sure which, with the words "THAK YOU DRRON GRAGON" written on it. And various other treasures. — Bard Bloom

The animals will stop moving when I stop breathing. But if I write to you with all my heart, I'll leave a little of myself behind on this paper, in these words. Then, if you think of me on Qingming, when the spirits of the departed are allowed to visit their families, you'll make the parts of myself I leave behind come alive too. The creatures I made for you will again leap and run and pounce, and maybe you'll get to see these words then. — Ken Liu

There are guys bleeding to death who don't know it, they're smiling, they're talking, they don't feel pain because they're in shock, they ask you for some water and then they're dead. On D-day I ran past a guy lying on his spilled guts with his eyes closed and his thumb in his mouth. Eisenhower's speech had been read to us over the loudspeaker by our commander when we crossed the channel that morning. What valor and inspiration were in his words- all about how we were embarked on a great crusade, that the hopes and prayers of a liberty loving people were going with us ... I got gooseflesh when he asked for the blessing of almighty god on this great and noble undertaking. But how to reconcile that with spilled guts on a beach and flies in the eyes of some dead nineteen year old kid who traded his life for some words on paper? — Elizabeth Berg

Tiff needed the words on the page to become the voice in her head, her own voice, or an approximation of it, and she needed the paper and the sound of the scratch of her chapped fingertips against it as she fiddled with each page. — Timothy Schaffert

I soothe my conscience with the thought that it's better for unkind words to be down on paper than for Mother to have to carry them around in her heart. — Anne Frank

I read used books because fingerprint-smudged and dog-eared pages are heavier on the eye. Because every book can belong to many lives. Books should be kept in public places and step out with passersby who'll onto them for a spell. Books should die like people, consumed by aches and pains, infected, drowning off a bridge together with the suicides, poked into a potbellied stove, torn apart by children to make paper boats. They should die of anything, in other words, except boredom, as private property condemned to a life sentence on a shelf. — Erri De Luca

Every phrase had to be captured on paper or it wasn't real, it slipped away. I'd see the words hanging in midair
Camille, pass the milk
and anxiety coiled up in me as they began to fade, like jet exhaust. Writing them down, though, I had them. No worries that they'd become extinct. I was a lingual conservationist. I was the class freak, a tight, nervous eighth-grader frenziedly copying down phrases ("Mr. Feeney is totally gay," "Jamie Dobson is ugly," "They never have chocolate milk") with a keenness bordering on the religious. — Gillian Flynn

And speaking of this wonderful machine:
[840] I'm puzzled by the difference between
Two methods of composing: A, the kind Which goes on solely in the poet's mind,
A testing of performing words, while he
Is soaping a third time one leg, and B,
The other kind, much more decorous, when
He's in his study writing with a pen. In method B the hand supports the thought,
The abstract battle is concretely fought.
The pen stops in mid-air, then swoops to bar
[850] A canceled sunset or restore a star,
And thus it physically guides the phrase
Toward faint daylight through the inky maze.
But method A is agony! The brain
Is soon enclosed in a steel cap of pain.
A muse in overalls directs the drill Which grinds and which no effort of the will
Can interrupt, while the automaton
Is taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before. — Vladimir Nabokov

The writer learns to write, in the last resort, only by writing. He must get words onto paper even if he is dissatisfied with them. — Paul Johnson

You can say anything with a Post-It.
I'm not entirely sure why that is.
Maybe the friendliness of the squares makes it easier. A square is nicely compact and less intimidating than a full page.
And they come in cheerful colors. Non-white paper is kind of inherently festive.
Or maybe paper that sticks feels more important than paper that can blow away.
(Though you can move them, if you need to put them somewhere else.)
They might not be as lasting as words carved in stone, but Post-It thoughts will stay.
For awhile, at least. — Erin Morgenstern

I think people are trying out ideas with the new technology and it's too early to say where it's going exactly. But again, whether it's digital or paper, it doesn't matter. It's words that somebody is reading and getting an experience out of that reading. That's all that really matters. — Paul Auster

My wife loves written words ... you know, words that stick to parchment and paper like dead flies, and it seems my father felt the same - but I want to hear words! Remember that when you are looking for the right words: You must ask yourself what they SOUND like! Glowing with passion, dark with sorrow, sweet with love, that's what I want. - Cosimo — Cornelia Funke

Wolfgang Pauli, in the months before Heisenberg's paper on matrix mechanics pointed the way to a new quantum theory, wrote to a friend, "At the moment physics is again terribly confused. In any case, it is too difficult for me, and I wish I had been a movie comedian or something of the sort and had never heard of physics." That testimony is particularly impressive if contrasted with Pauli's words less than five months later: "Heisenberg's type of mechanics has again given me hope and joy in life. To be sure it does not supply the solution to the riddle, but I believe it is again possible to march forward. — Wolfgang Pauli

Writing - like any art - is so damned personal that there really isn't a right way to do it. You do what works for you; what matters is getting the words on the paper. Sure, if you hear advice, and it works, then excellent. But, if it doesn't, you have to realize that perhaps nothing is wrong with you. You don't jive with the advice. — Mur Lafferty

Individual words, sounds, squiggles on paper with no meanings other than those with which our imagination can clothe them. — Jasper Fforde

I aspire to be acquainted with wiser men than this our Concord soil has produced, whose names are hardly known here. Or shall I hear the name of Plato and never read his book? As if Plato were my townsman and I never saw him - my next neighbor and I never heard him speak or attended to the wisdom of his words. But how actually is it? His Dialogues, which contain what was immortal in him, lie on the next shelf, and yet I never read them. We are underbred and low-lived and illiterate; and in this respect I confess I do not make any very broad distinction between the illiterateness of my townsman who cannot read at all and the illiterateness of him who has learned to read only what is for children and feeble intellects. We should be as good as the worthies of antiquity, but partly by first knowing how good they were. We are a race of tit-men, and soar but little higher in our intellectual flights than the columns of the daily paper. — Henry David Thoreau

WORK, SOMETIMES
I was sad all day, and why not. There I was, books piled
on both sides of the table, paper stacked up, words
falling off my tongue.
The robins had been a long time singing, and now it
was beginning to rain.
What are we sure of? Happiness isn't a town on a map,
or an early arrival, or a job well done, but good work
ongoing. Which is not likely to be the trifling around
with a poem.
Then it began raining hard, and the flowers in the yard
were full of lively fragrance.
You have had days like this, no doubt. And wasn't it
wonderful, finally, to leave the room? Ah, what a
moment!
As for myself, I swung the door open. And there was
the wordless, singing world. And I ran for my life. — Mary Oliver

But once I saw Fulvia Cardew crumple up a sheet of paper with just a couple of words written on it and you would've thought she'd murdered someone from the looks she got. — Suzanne Collins

Words mean more than what is set down on paper. It takes the human voice to infuse them with shades of deeper meaning. — Maya Angelou

How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper. — W.G. Sebald

Yet it was . . . Asahel who knew those books secretly by heart, and read, as laboriously as he did everything else, any scrap of paper with printing on it, poring hungrily over the magic of words. — Marjorie Kinnan Rawlings

Fidelity is surely our highest aim, but a translation is not made with tracing paper. It is an act of critical interpretation. Let me insist on the obvious: Languages trail immense, individual histories behind them, and no two languages, with all their accretions of tradition and culture, ever dovetail perfectly. They can be linked by translation, as a photograph can link movement and stasis, but it is disingenuous to assume that either translation or photography, or acting for that matter, are representational in any narrow sense of the term. Fidelity is our noble purpose, but it does not have much, if anything, to do with what is called literal meaning. A translation can be faithful to tone and intention, to meaning. It can rarely be faithful to words or syntax, for these are peculiar to specific languages and are not transferable. — Edith Grossman

It was her first book, an indigo cover with a silver moonflower, an art nouveau flower, I traced my finger along the silver line like smoke, whiplash curves ... I touched the pages her hands touched, I pressed them to my lips, the soft thick old paper, yellow now, fragile as skin. I stuck my nose between the bindings and smelled all the readings she had given, the smell of unfiltered cigarettes and the espresso machine, beaches and incense and whispered words in the night. I could hear her voice rising from the pages. The cover curled outward like sails. — Janet Fitch

Confront the page that taunts you with its whiteness. Face your enemy and fill it with words. You are bigger and stronger than a piece of paper. — Fennel Hudson