Pallas Athena Quotes & Sayings

There is a great deal of illusion in a work of art; one could go farther and say that it is illusory in and of itself, as a "work." Its ambition is to make others believe that it was not made but rather simply arose, burst forth from Jupiter's head like Pallas Athena fully adorned in enchased armor. But that is only a pretense. No work has ever come into being that way. It is indeed work, artistic labor for the purpose of illusion-and now the question arises whether, given the current state of our consciousness, our comprehension, and our sense of truth, the game is still permissible, still intellectually possible, can still be taken seriously; whether the work as such, as a self-sufficient and harmonically self-contained structure, still stands in a legitimate relation to our problematical social condition, with its total insecurity and lack of harmony; whether all illusion, even the most beautiful, and especially the most beautiful, has not become a lie today. — Thomas Mann

Jealousy & Zeal were the split personalities of Zelos. Just as Eros & Himeros were uncoupled in the Big Bang, so were Jealousy & Zeal. Zelos[Jealousy] remained as part of Eros[Love] whilst Zelos[Zeal] found himself reborn through the descendants of Uranus & Gaea as a son of Styx & Pallas, & accordingly, as a brother of Nike[Victory], Cratos[Power & Strength] & Bia[Force & Violence], all four being in the entourage of Zeus. After Nike combined with Athena to form "Pallas Athena", Zelos[Zeal] merged with Zelos[Jealousy] as part of Eros[Love].Zelos[Jealousy], as part of Love was responsible for the relentless jealousy of Hera who zealously persecuted all her husband's paramours & their children![GLOS] — Nicholas Chong

One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job's cry, or to Jeremiah's, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too. — Walter Kaufmann