Pale Faces Quotes & Sayings
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Top Pale Faces Quotes

Dolor
I have known the inexorable sadness of pencils,
Neat in their boxes, dolor of pad and paper weight,
All the misery of manilla folders and mucilage,
Desolation in immaculate public places,
Lonely reception room, lavatory, switchboard,
The unalterable pathos of basin and pitcher,
Ritual of multigraph, paper-clip, comma,
Endless duplicaton of lives and objects.
And I have seen dust from the walls of institutions,
Finer than flour, alive, more dangerous than silica,
Sift, almost invisible, through long afternoons of tedium,
Dropping a fine film on nails and delicate eyebrows,
Glazing the pale hair, the duplicate gray standard faces. — Theodore Roethke

God is a creed outworn, Ill-wrought from a mirage fair, And life is an image pale That faces a sunless morn. — Kenneth Rand

And somewhere, in a black California morning, some hour before dawn, amid the corridors, the galleries, the faces of dream, fragments of conversation she half-recalled, waking to pale fog against the windows of the master bedroom, she prized something free and dragged it back through the wall of sleep. Rolling over, fumbling through a bedside drawer, finding a Porsche pen, a present from an assistant grip, she inscribed her treasure on the glossy back of an Italian fashion magazine: — William Gibson

We love each other," Terence repeated, searching into her face. Their faces were both very pale and quiet, and they said nothing. He was afraid to kiss her again. By degrees she drew close to him, and rested against him. In this position they sat for some time. She said "Terence" once; he answered "Rachel. — Virginia Woolf

It's funny that all these goths paint their faces with such white make-up and that is the actual colour of my skin, I am that pale! — Kelly Osbourne

I thought I was benefiting the Indians as well as the government, by taking them all over the United States, and giving them a correct idea of the customs, life, etc., of the pale faces, so that when they returned to their people they could make known all they had seen. — Buffalo Bill

In a moment I was clutched by several hands, and there was no mistaking that they were trying to haul me back. I struck another light, and waved it in their dazzled faces. You can scarce imagine how nauseatingly inhuman they looked - those pale, chinless faces and great, lidless, pinkish-grey eyes! - as they stared in their blindness and bewilderment. — H.G.Wells

I do not recall distinctly when it began, but it was months ago. The general tension was horrible. To a season of political and social upheaval was added a strange and brooding apprehension of hideous physical danger; a danger widespread and all-embracing, such a danger as may be imagined only in the most terrible phantasms of the night. I recall that the people went about with pale and worried faces, and whispered warnings and prophecies which no one dared consciously repeat or acknowledge to himself that he had heard. A sense of monstrous guilt was upon the land, and out of the abysses between the stars swept chill currents that made men shiver in dark and lonely places. There was a daemoniac alteration in the sequence of the seasons - the autumn heat lingered fearsomely, and everyone felt that the world and perhaps the universe had passed from the control of known gods or forces to that of gods or forces which were unknown. — H.P. Lovecraft

I am a shadow. I walk the wet roads under the dim light of the pale lamps, in the darkest hour of the cold dull nights.
I walk past the silent graveyard of the dead memories, towards the city of chaos plagued with gloom.
I do not exist, but in the eyes of the shattered souls. In the chapter of an old book. In the poem. In the smile of a wrecked and in the tear of a broken spirit.
Listen me in the songs told in the times long forgotten.
Search for me in the churchs and temples, bars and brothels,pitch black nights and the colorless days.
Dive down in your deepest part of your soul. And you will find my home.
I have many faces but I have no face of my own. I am a shadow. — Foaad Ahmad

You think to baffle me, you with your pale faces all in a row, like sheep in a butcher's. You shall be sorry yet, each one of you! You think you have left me without a place to rest, but I have more. My revenge is just begun! I spread it over centuries, and time is on my side. Your girls that you all love are mine already. And through them you and others shall yet be mine, my creatures, to do my bidding and to be my jackals when I want to feed. Bah! — Bram Stoker

He stared up at the stars: and it seemed to him then that they were dancers, stately and graceful, performing a dance almost infinite in its complexity. He imagined he could see the very faces of the stars; pale, they were, and smiling gently, as if they had spent so much time above the world, watching the scrambling and the joy and the pain of the people below them, that they could not help being amused every time another little human believed itself the center of its world, as each of us does. — Neil Gaiman

I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't. — Margaret Atwood

Then he noticed her boys. They were standing side by side at the edge of the driveway, their plastic guns still in their hands and their faces pale and forlorn beneath the toy helmets, his own Tony, God bless him, with a comforting arm around each. — Alice McDermott

They lie in all the pools, pale faces, deep deep under the dark water. I saw them: grim faces and evil, and noble faces and sad. Many faces proud and fair, and weeds in their silver hair. But all foul, all rotting, all dead. — J.R.R. Tolkien

Death wasn't a movie where the pretty star faded away with a touch of pale makeup and every hair in place. — Soheir Khashoggi

He imagined he could see the very faces of the stars; pale, they were, and smiling gently, as if they had spent so much time above the world, watching the scrambling and the joy and the pain of the people below them, that they could not help being amused every time another little human believed itself the center of its world, as each of us does. And — Neil Gaiman

But the silent majority and I do have one memorial, at least. The Disaster. We have small lives, easily lost in foreign droughts, or famines; the occasional incendiary incident, or a wall of pale faces, crushed against grillwork, one Saturday afternoon in Spring. This is not enough. — A. L. Kennedy

Such are the visions which proffer great cornucopias full of fruit to the solitary traveller, or murmur in his ear like sirens lolloping away on the green sea waves, or are dashed in his face like bunches of roses, or rise to the surface like pale faces which fishermen flounder through floods to embrace. — Virginia Woolf

And the concert halls overflow with humiliated, outraged people who close their eyes and try to turn their pale faces into receiving antennae. They imagine that the sounds flow into them, sweet, nourishing, and that their sufferings become music, like Werther; they think that beauty is compassionate to them. Mugs. I — Jean-Paul Sartre

The sun was clear and diaphanous like white win. Its light barely touched the moving figures, gave them no shadow, no relief: faces and hands made spots of pale gold. — Jean-Paul Sartre

She was wearing a simple silver sheath cut within an inch of indecency, curving round her slender shoulders and then falling away to expose the smooth white skin of her back and just a hint of the soft round curve of her breasts. She had on no jewellery, only a pale wash of lipstick, and again the black halo of hair was arranged so that it looked almost wind tossed. Yet her dark tresses shone, framing her face with a soft, unearthly light. Next to the other women at the table, with their diamonds, heavy strands of pearls, and meticulously groomed faces and hair, she seemed feral and bewitching. The impact of her beauty lay in her confidence and her utter lack of self-awareness. In contrast, others appeared to be trying too hard, careful and staid. — Kathleen Tessaro

A tall, fragile woman with pale blond hair and a face of such beauty that it seemed veiled by distance, as if the artist had been merely able to suggest it, not to make it quite real ... she was Kay Ludlow, the movie star who, once seen, could never be forgotten; the star who had retired and vanished five years ago, to be replaced by girls of indistinguishable names and interchangeable faces ... she felt that the glass cafeteria was a cleaner use for Kay Ludlow's beauty than a role in a picture glorifying the commonplace for possessing no glory. — Ayn Rand

If you were dying ...
If you were sixteen and dying ...
If your blood was spilling out of you, calling to them, the creatures of the night, and you knew you were dying ...
If you saw their pale faces and the gleam of sharp teeth in the moonlight, and you felt your blood spilling warmly over your hands, and you knew beyond any doubt that you were dying ...
Wouldn't you say yes?
Yes, turn me.
Yes, I want to live.
Yes ... make me one of you. — Tamara Summers

On the other side of the village Havaa was studying the pale blue flowers on her mother's skirt, annoyed she couldn't find them in the Caucasian flora guide. Why invent flowers when so many real ones would be honored to find their faces on a skirt? — Anthony Marra

Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart? — Sylvia Plath

Her face was pale, her eyes as sad as when she looked at the ocean. — Rick Riordan

Now there is a modern-day anthropology* for the criminal type: a great number of so-called 'born criminals' have pale faces, large cheekbones, a coarse lower jaw, and deeply shining eyes. How can one not recall this when one thinks of Lenin and thousands like him? How many pale faces, high cheekbones and strikingly asymmetric features mark the soldiers of the Red Army and, generally speaking, also of the common Russian people - how many of them, these savage types, have Mongolian atavism directly in their blood! They are all from Murom, the white-eyed Chud. And it is precisely these individuals, these very Russichi, who gave us so many 'daring pirates', so many vagabonds, escapees, scoundrels and tramps - it is precisely these people whom we have recruited for the glory, pride and hope of the Russian social revolution. So why should we feign surprise at the results? — Ivan Bunin

Some children like to make castles out of their rice pudding, or faces with raisins for eyes. It is forbidden
so sternly that, when they grow up, they take a horrid revenge by dying meringues pale blue or baking birthday cakes in the form of horseshoes or lyres or whatnot. — Julia Child

Now as at all times I can see in the mind's eye, In their stiff, painted clothes, the pale unsatisfied ones Appear and disappear in the blue depth of the sky With all their ancient faces like rain- beaten stones, And all their helms of silver hovering. — William Butler Yeats

There are faces which charge with a meaning and pathos not belonging to the single human soul that flutters beneath them, but speaking the joys and sorrows of foregone generations -- eyes that tell of deep love which doubtless has been and is somewhere, but not paired with these eyes -- perhaps paired with pale eyes that can say nothing; just as a national language may be instinct with poetry unfelt by the lips that use it. — George Eliot

Leaning against my car after changing the oil,
I hold my black hands out and stare into them
as if they were the faces of my children looking
at the winter moon and thinking of the snow
that will erase everything before they wake.
In the garage, my wife comes behind me
and slides her hands beneath my soiled shirt.
Pressing her face between my shoulder blades,
she mumbles something, and soon we are laughing,
wrestling like children among piles of old rags,
towels that unravel endlessly, torn sheets,
work shirts from twenty years ago when I stood
in the door of a machine shop, grease blackened,
and Kansas lay before me blazing with new snow,
a future of flat land, white skies, and sunlight.
After making love, we lie on the abandoned
mattress and stare at our pale winter bodies
sprawling in the half-light. She touches her belly,
the scar of our last child, and the black prints
of my hand along her hips and thighs. — B.H. Fairchild

The faces of the others looked like aggregates of interchangeable features, every face oozing to blend into the anonymity of resembling all, and all looking as if they were melting. Rearden's face, with the sharp planes, the pale blue eyes, the ash-blond hair, had the firmness of ice; the uncompromising clarity of its lines made it look, among the others, as if he were moving through a fog, hit by a ray of light. — Ayn Rand

I am terrified by this dark thing
That sleeps in me;
All day I feel its soft, feathery turnings, its malignity.
Clouds pass and disperse.
Are those the faces of love, those pale irretrievables?
Is it for such I agitate my heart?
I am incapable of more knowledge.
What is this, this face
So murderous in its strangle of branches? -
Its snaky acids kiss.
It petrifies the will. These are the isolate, slow faults
That kill, that kill, that kill.
From the poem "Elm", 19 April 1962 — Sylvia Plath

I try to conjure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. — Margaret Atwood

The airport in Sofia was a tiny place; I'd expected a palace of modern communism, but we descended to a modest area of tarmac and strolled across it with the other travelers. Nearly all of them were Bulgarian,
I decided, trying to catch something of their conversations. They were
handsome people, some of them strikingly so, and their faces varied
from the dark-eyed pale Slav to a Middle-Eastern bronze, a kaleidoscope
of rich hues and shaggy black eyebrows, noses long and flaring, or
aquiline, or deeply hooked, young women with curly black hair and noble
foreheads, and energetic old men with few teeth. They smiled or laughed and talked eagerly with one another; one tall man gesticulated to his companion with a folded newspaper. Their clothes were distinctly not Western, although I would have been hard put to say what it was about the cuts of suits and skirts, the heavy shoes and dark hats, that was unfamiliar to me. — Elizabeth Kostova

On moonlight nights the long, straight street and dirty white walls, nowhere darkened by the shadow of a tree, their peace untroubled by footsteps or a dog's bark, glimmered in the pale recession. The silent city was no more than an assemblage of huge, inert cubes, between which only the mute effigies of great men, carapaced in bronze, with their blank stone or metal faces, conjured up a sorry semblance of what the man had been. In lifeless squares and avenues these tawdry idols lorded it under the lowering sky; stolid monsters that might have personified the rule of immobility imposed on us, or, anyhow, its final aspect, that of a defunct city in which plague, stone, and darkness had effectively silenced every voice. — Albert Camus

Even in the wolfswood, you never found more than two or three of the white trees growing together; a grove of nine was unheard of. The forest floor was carpeted with fallen leaves, bloodred on top, black rot beneath. The wide smooth trunks were bone pale, and nine faces stared inward. The dried sap that crusted in the eyes was red and hard as ruby. — George R R Martin

Everyone had run to do her bidding. Soon only the three men
the three useless ones
had been left in the sitting room to fight terror and nausea and fits of the vapors.
The door opened. Three pale, terrified faces turned toward it.
-the three manly men waiting during a childbirth — Mary Balogh

Pale and pinched-up faces hovered about the windows where was tempting food; hungry eyes wandered over the profusion guarded by one thin sheet of brittle glass
an iron wall to them; half-naked shivering figures stopped to gaze at Chinese shawls and golden stuffs of India. — Charles Dickens

Well! I had the most fantastic dream! Trees crying blood. Horrible dead elves going around and killing people! Raistlin wearing black robes! It was the most incredible thing! And you were there, Sturm. Laurana and Flint. And everyone died! Well, almost everyone. Raistlin didn't. And there was a green dragon-'
Tasslehoff stopped. What was wrong with his friends? Their faces were pale, their eyes wide. — Margaret Weis

People don't like to guess. It's easier to know something by how it immediately appears. Dark, hard metal is known as it appears, and so dark, hard people are built from it. Marble is smooth and pale and bright like the faces chipped into it. But that's something about life, what you think you know about a thing is always the first obstacle you face when trying to get to know it better. If they could speak, do you think they'd all be the same? — Devon Michael

Pale eyes, and a pointy nose. A gingham bonnet covered her hair. "Hello," she said to Cora. Both the man and the woman crouched low, their faces level with hers. Cora could not cough or pretend to be slow: one of the agents was right there, watching. The man asked her name, and she told him. He asked her age, and she said she didn't know, but that she'd just lost her first tooth. Both the man and the woman laughed as if Cora had said something terribly funny, as if she were one of the children singing the Jesus song, trying hard to be cute. She gave them a hard look, but they continued to smile. The man looked at the woman. The — Laura Moriarty

Every moment of the night
Forever changing places
And they put out the star-light
With the breath from their pale faces — Edgar Allan Poe

The Holy Night We sate among the stalls at Bethlehem; The dumb kine from their fodder turning them, Softened their horned faces To almost human gazes Toward the newly Born: The simple shepherds from the star-lit brooks Brought visionary looks, As yet in their astonied hearing rung The strange sweet angel-tongue: The magi of the East, in sandals worn, Knelt reverent, sweeping round, With long pale beards, their gifts upon the ground, The incense, myrrh, and gold These baby hands were impotent to hold: So let all earthlies and celestials wait Upon thy royal state. Sleep, sleep, my kingly One! — Elizabeth Barrett Browning

I did not do it. Yet now I wish I had.' He turned to face the hall, that sea of pale faces. 'I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here. — George R R Martin

I try to congure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.
It's my fault. I am forgetting too much. — Margaret Atwood

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless
as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it ... The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house. — Janet Malcolm

This commonplace cycle of falling asleep and waking, in darkness, under private cover, with another creature, a pale soft tender mammal, putting faces together in a ritual of affection, briefly settled in the eternal necessities of warmth, comfort, safety, crossing limbs to draw nearer - a simple daily consolation, almost too obvious, easy to forget by daylight. — Ian McEwan

They wanted to speak, but could not; tears stood in their eyes. They were both pale and thin; but those sick pale faces were bright with the dawn of a new future, of a full resurrection into a new life. — Fyodor Dostoyevsky

They lifted their faces to the astonishing warmth. The sky arched over them, a pale, clear blue. Lina felt as though a lid that had been on her all her life had been lifted off. Light and air rushed though her, making a song, like the songs of Ember, only it was a song of joy. She looked at Doon and saw that he was smiling and crying at the same time, and she realized that she was, too. — Jeanne DuPrau

I do not want a plain box, I want a sarcophagus With tigery stripes, and a face on it Round as the moon, to stare up. I want to be looking at them when they come Picking among the dumb minerals, the roots. I see them already-the pale, star-distance faces. Now they are nothing, they are not even babies. I imagine them without fathers or mothers, like the first gods. They will wonder if I was important. — Sylvia Plath

His mind refused to accept that what he was hearing was laughter, and that it was coming from a human throat. He scrambled backward, and the shadowy figure leaped forward, grabbing at his trailing leg with an outstretched hand. As soon as its grip latched onto his ankle, he started screaming and kicking. The figure laughed, fighting to snare both his legs, and his cries of terror brought the other two back. They loomed over him, faces that he knew but that were distorted and pale in the moonlight. There — Neal Stephenson

The Magi
Now as at all times I can see in the mind's eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depths of the sky
With all their ancient faces like rain-beaten stones,
And all their helms of silver hovering side by side,
And all their eyes still fixed, hoping to find once more,
Being by Calvary's turbulence unsatisfied,
The uncontrollable mystery on the bestial floor. — W.B.Yeats

While the darkness of the interior concealed her body, the streetlight behind them illuminated the pale oval of her face, gilding her cheeks in shades of amber and ghostly blue. The effect was . . . arresting. Vermeer had used natural light to paint women in this way, faces emerging from the shadows, forcing the viewer's eye to focus on what was most important: the look of grace. The mouth firmed in determination. The eyes poised to behold a revelation. — Meredith Duran