Palcs K Quotes & Sayings
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Top Palcs K Quotes

Germany," Lindbergh said, "had the ambitious drive of America, but that drive was headed for war. — Winston Groom

What else could I tell them? I like my women like I like my whiskey: 12 years old and mixed up with coke. — Zach Braff

Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device. — Lawrence Lessig

For something to be beautiful it doesn't have to be pretty. — Rei Kawakubo

I don't like money actually, but it quiets the nerves. — Joe E. Lewis

The best beauty secret is sunblock. — Christie Brinkley

During a warm winter rain ... the basins of her collarbones collected water. — Jeffrey Eugenides

I fear oblivion. I fear it like the proverbial blind man who's afraid of the dark. — John Green

Craziness is only the state of mind. — Boris Zubry

People want stardom or fame or whatever - instant gratification as opposed to learning one's craft, which, when I was starting out, was the most important thing: that you are as fully equipped for your job or your art as possible. — Joshua Sasse

Part of the reason [Donald Trump] destroyed his Republican challengers is because they agree with him on issues. And he apparently struck a vein of entertainment among the Republican primary voters, so all they had left was kind of whining and insulting back and forth, as opposed to taking him on where I think a presidential election should. — Hillary Clinton

Always now - just now - come into being. Always now - just now - give yourself to death. Practicing this is Zen practice. — Soko Morinaga

Your problem is that you don't know how to be happy with unhappiness. — Anthony Breznican

If ... [Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes. — George Perle

Every song
is the remains
of love.
Every light
the remains
of time.
A knot
of time.
And every sigh
the remains
of a cry.
- Every Song — Federico Garcia Lorca