Painting That Self Quotes & Sayings

Keith Haring wrote " You see that's why I work like a dog and I worked like a dog all my life. I am not interested in the academic status of what I am doing because my problem is my own transformation. Thats the reason also why, when people say. " Well you thought this a few years ago and now you say something else," my answer is[laughter]" well, do you think that I have worked like that all those years and not be changed?" This transformation of ones self by ones own knowledge is,I think something rather close to the aesthetic experience. Why should a painter work if he is not transformed by his own painting. — Keith Haring

After he and this girl split up in Paris, Roger was on the town; really on the town. He joked about it and made fun of himself; but he was very angry inside for having made such a profound fool of himself and he took his talent for being faithful to people, which was the best one he had, next to the ones for painting and writing and his various good human and animal traits, and beat and belaboured that talent miserably. He was no good to anyone when he was on the town, especially to himself, and he knew it and hated it and he took pleasure in pulling down the pillars of the temple. It was a very good and strongly built temple and when it is constructed inside yourself it is not so easy to pull down. But he did as good a job as he could. — Ernest Hemingway,

Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness,to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms. — Ralph Waldo Emerson

The "I" was not the self, but from there one could see the divine miracle. The small light resembled the great light. Henceforth, he stopped painting mandalas. The dream had expressed the unconscious developmental process, which was not linear, and he found it completely satisfying. He felt utterly alone at that time, preoccupied with something great that others didn't understand. In the dream, only he saw the tree. While they stood in the darkness, the tree appeared radiantly. Had he not had such a vision, his life would have lost meaning. — C. G. Jung

I loved surrealism and abstract painting, and anything related to those. I always thought painting was the highest form of art. What led me to drawing was seeing so much self-important, pretentious, conceptual-type art in university. I wanted to reject that by making quick, fun art. — Neil Farber

The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do. — John Hurt

As he went about to the other workrooms he realised that every painting was a self-portrait even when it was a still life or a scene over the roofs of Paris; for no man ever pictured anything but himself, his core, the things that he was basically. With every brush stroke the artist was mercilessly exposed: he could not conceal nothing, he could pretend to be another person, to believe in other values, but in the end he would fool no one. — Irving Stone

Listening to music, reading literature, writing, and extended periods of personal introspection provide four prongs of the incitements available to form a conscious and subconscious designation of self. Other potential incentives that contribute to self-identity include religion and cultural events as well as painting, sculpture, dance, films, newspapers, television, Internet surfing, web sites, and online message boards. — Kilroy J. Oldster

To survive in China you must reveal nothing to others. Or it could be used against you ... That's why I've come to think the deepest part of the self is best left unclear. Like mist and clouds in a Chinese landscape painting, hide the private part behind your social persona. Let your public self be like rice in a dinner: bland and inconspicuous, taking on the flavors of its surroundings while giving off no flavor of its own. — Evan Osnos

Writing, I am convinced, is the least appreciated of all the creative arts. Only a miniscule portion of the population engages in sculpting or painting or composing but everyone writes - whether it be letters, invitations, shopping lists...It is not far-fetched, therefore, for anyone with a smattering of self-esteem to believe that if he or she had the time, and the desire, an acceptable book or article could be produced. — Og Mandino

Painting is a means of saying something about one's self in a beautiful or powerful way that people would like to see, but not hear. — David Luiz

Painting is a self-disciplined activity that you have to learn by yourself. — Romare Bearden

We are difficult. Human beings are difficult. We're difficult to ourselves, we're difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most "intellectual" piece of work. Why is it believed that poetry, prose, painting, music should be less than we are? Why does music, why does poetry have to address us in simplified terms, when if such simplification were applied to a description of our own inner selves we would find it demeaning? — Geoffrey Hill

Can one have love? If we could, love would need to be a thing, a substance that one can have, own, possess. The truth is, there is no such thing as "love." "Love" is abstraction, perhaps a goddess or an alien being, although nobody has ever seen this goddess. In reality, there exists only the act of loving. To love is a productive activity. It implies caring for, knowing, responding, affirming, enjoying: the person, the tree, the painting, the idea. It means bringing to life, increasing his/her/its aliveness. It is a process, self-renewing and self-increasing. — Erich Fromm

Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine,
No shape so true, no truth of such account,
And for myself mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed,
Beared and chopp'd with tann'd antiquity,
Mine own self-love quite contrary I read;
Self so self-loving were iniquity.
'Tis thee (myself) that for myself I praise,
Painting my age with beauty of thy days. — William Shakespeare

Victoria was an innocent country gentlewoman who spent her time reading, teaching the local children, painting, gathering armfuls of heather in the meadow. Vivien, by contrast, was pleasure-loving and self-serving... with a moral compass that was most definitely skewed. — Lisa Kleypas

Writing, playing, composing, painting, reading, listening, looking-all require that we submit to being swept away by Eros, to a transformation of self of the kind that happens when we fall in love. — Stephen Nachmanovitch

But you begin to feel as you go on working that unless painting proves its right to exist by being critical and self-judging, it has no reason to exist at all - or is not even possible. The canvas is a court where the artist is prosecutor, defendant, jury and judge. Art without a trial disappears at a glance. — Philip Guston

As I said before, I took to miniature painting without a completely whole heart, on the advice of my elders and betters. Generally speaking, I do not think that one should ever take another person's advice in the things of life that really matter, but follow the dictates of the still small something in one's innermost self. But 'they' advised, and I bowed to the advice; and in this particular instance it was a good thing I did, because the advice turned out to be so resoundingly wrong that it turned me into another direction altogether. If I had gone on working in oils I might very well have been a dedicated but unsuccessful painter to this day. — Rosemary Sutcliff

The Nazis were tedious in their self-righteousness and triumphalism. They were like a winning soccer team at the after-match party, getting drunker and more boring and refusing to go home. He was sick of them. Some people might say that the USSR was similar, with its secret police, its rigid orthodoxy, and its puritan attitudes to such pleasures as abstract painting and fashion. They were wrong. Communism was a work in progress, with mistakes being made on the road to a fair society. The NKVD with its torture chambers was an aberration, a cancer in the body of Communism. One day it would be surgically removed. But probably not in wartime. — Ken Follett

Part of the problem [with Picasso's fame] lies with the artist himself - at that point when Picasso stopped making art and began making Picassos...it is a potentially fatal side-effect of success for any artist... Would it be a parody of modernism's self-referentiality to describe this point as one where the artist stops thinking like an artist and starts [painting] like an art historian? — John Jacobus

Psychoanalysis comes down to the process itself - the self, and life. I think I can say that I'm friends with the unconscious life, but I've never tried to make a painting directly from a dream. — Malcolm Morley

I believe that what Genesis suggests is that this original self, with the print of God's thumb still upon it, is the most essential part of who we are and is buried deep in all of us as a source of wisdom and strength and healing which we can draw upon or, with our terrible freedom, not draw upon as we choose. I think that among other things all real art comes from that deepest self - painting, writing music, dance, all of it that in some way nourishes the spirit. — Frederick Buechner

There are certain things - How to say this? OK. Let me give you an example. Can I give you an example? There's a self-portrait by Rembrandt. It's at Kenwood House, very close to where we live. It's one of my favorite paintings. I go to see it quite a lot. I start off on a walk on the Heath, and then I find myself there. It's one of the last self-portraits he did. He painted it sometime between 1665 and when he died four years later, bankrupt and alone. Whole stretches of the canvas are bare. There's a hurried intensity in the strokes - you can see where he scratched into the wet paint with the end of the brush. It's as if he knew there wasn't much time left. And yet, there's a serenity in his face, a sense of something that's survived its own ruin.
Fran couldn't give two shits about that painting. — Nicole Krauss

USURY: Everybody's looking for the job in which you never have to pay anyone their pound of flesh. Self-employed nirvana. A lot of artists like to think of themselves as uncompromising; a lot of management consultants won't tell you what they do until they've sunk five pints. I don't think anybody should give themselves air just because they don't have to hand over a pound of flesh every day at 5pm, and I don't think anyone should beat themselves with broken glass because they do. If you're an artist, well, good for you. Thank your lucky stars every evening and dance in the garden with the fairies. But don't fool yourself that you occupy some kind of higher moral ground. You have to work for that. Writing a few lines, painting a pretty picture - that just won't do it. — Zadie Smith

Phidias and the achievements of Greek art are foreshadowed in Homer: Dante prefigures for us the passion and colour and intensity of Italian painting: the modern love of landscape dates from Rousseau, and it is in Keats that one discerns the beginning of the artistic renaissance of England. Byron was a rebel and Shelley a dreamer; but in the calmness and clearness of his vision, his perfect self-control, his unerring sense of beauty and his recognition of a separate realm for the imagination, Keats was the pure and serene artist, the forerunner of the pre-Raphaelite school, and so of the great romantic movement of which I am to speak. — Oscar Wilde

My work is an exploration of the self. I've always been concerned with how I'm living and how that reflects in the painting. — Jose Parla

In order to break your child's negative cycle, you must first break your own cycle of negative perception. You must take on a strengths-based perspective. Look for the good, which in some cases may require you to get creative. Do this even when it's hard. This sends a powerful message to children even when they are behaving poorly. You are sending the message that you believe in them, you see that there is more to them than their bad behavior, and you are painting a future picture of what they can become. — Daniel Bates

That's what artists and athletes do day in and day out. Whether you see them at work or not the process is ongoing. They are working to achieve their heart's desire to either enlighten or entertain anyone who cares to watch or listen. Some of them achieve glory but others just do it because they love to and they are driven to.

When something, anything, interferes with that desire, their sense of self is jeopardized and they have to struggle to hang on to their identity. That's the real cost involved in producing a painting, writing a novel, or hitting over .300 for the season. — Richard Marcus

Colonized painting, for instance, is balanced between poles. From excessive submission to Europe resulting in depersonalization, it passes to such a violent return to self that it is obnoxious and esthetically illusory. The right balance not being found, the self-accusation continues. Before and during the revolt, the colonized always considers the colonizer as a model or as an antithesis. He continues to struggle against him. He was torn between what he was and what he wanted to be, and now he is making of himself. Nonetheless, the painful discord with himself continues.
In order to witness the colonized's complete cure, his alienation must completely cease. We must await the complete disappearance of colonization
including the period of revolt. — Albert Memmi

A veteran artist counsels a less experienced one to start a painting using colors in the middle range so that the painter can move to more extreme colors as the work progresses. — David McCullough

The legend of our times, it has been suggested, might be "The Revenge of Failure". This is what Envy has done for us. If we cannot paint well, we will destroy the canons of painting and pass ourselves off as painters. If we will not take the trouble to write poetry, we will destroy the rules of prosody and pass ourselves off as poets. If we are not inclined to the rigors of an academic discipline, we will destroy the standards of that discipline and pass ourselves off as graduates. If we cannot or will not read, we will say that "linear thought" is now irrelevant and so dispense with reading. If we cannot make music, we will simply make a noise and persuade others that it is music. If we can do nothing at all, why! we will strum a guitar all day, and call it self-expression. As long as no talent is required, no apprenticeship to a skill, everyone can do it, and we are all magically made equal. Envy has at least momentarily been appeased,and failure has had its revenge. — Henry Fairlie

To forestall misunderstandings: there is value in creating and enjoying art. To many people, drawing, painting, sculpting, singing, and playing a musical instrument are vital forms of self-expression, and their lives would be poorer without them. People produce art in all cultures and in all kinds of situations, even when they cannot satisfy their basic physical needs. Other people enjoy seeing art. In a world in which everyone had enough to eat, basic health care, adequate sanitation, and a place at school for each of their children, there would be no problem about donating to museums and other institutions that offer an opportunity to see original works of art to all who wish to see them, and (more important, in my view) the opportunity to create art to those who lack opportunities to express themselves in this way. Sadly, we don't live in that world, at least not yet. — Peter Singer

If you hear a voice within you say you cannot paint, then by all means paint and that voice will be silenced. — Vincent Van Gogh

I don't care. He'll only be painting his own feelings for me, and I don't mind if he does that. I wouldn't have him touch me, not for anything. But if he thinks he can do anything with his owlish arty staring, let him stare. He can make as many empty tubes and corrugations out of me as he likes. It's his funeral. He hated you for what you said: that his tubified art is sentimental and self-important. But of course it's true. — D.H. Lawrence

Consider what a child misses during the 15, 000 hours (from birth to age seventeen) he spends in front of the TV screen. He is not working in the garage with his father, or in the garden with his mother. He is not doing homework, or reading, or collecting stamps. He is not cleaning his room, washing the supper dishes, or cutting the lawn. He is not listening to a discussion about community politics among his parents and their friends. He is not playing baseball or going fishing, or painting pictures. Exactly what does television offer that is so valuable it can replace these activities that transform an impulsive, self-absorbed child into a critically thinking adult? — Paul Copperman

She was a passionate reader, and she thought that reading was one of the noblest efforts of all; in contrast, she found writing to be a great waste of time - a childish self-indulgence, even messier than finger painting - but she admired reading, which she believed was an unselfish activity that provided information and inspiration. She must have thought it a pity that some poor fools had to waste their lives writing in order for us to have sufficient reading material. (page 236) — John Irving

The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body. — Lucian Freud