Painting Body Quotes & Sayings

Technically, a makeup artist's canvas is the face and body. The difference is that my painting of makeup is integrated into the painting of the flesh and not on top of it. I think in some ways it is more difficult to expressively deploy makeup. — Richard Phillips

When I look at a body it gives me choice of what to put in a painting, what will suit me and what won't. — Lucian Freud

I did love Ben, in a sense. Because he cooked for me. Because he told me that my body was beautiful, like a Renaissance painting, something I badly needed to hear. Because his stepmother was the same age as him, and that is really sad. But I also didn't: Because his vanity drove him to wear vintage shoes that gave him blisters. Because he gave me HPV. He called me terrible names when I broke up with him for a Puerto Rican named Joe with a tattoo that said mom in Comic Sans. Admittedly, I didn't handle it too well either when, several months later, he moved in with a girl who taught special-needs preschool. I didn't utter the words "I love you" again in a romantic context for more than two years. Joe turned out to consider blow jobs misogynistic and pretended his house had caught fire just to get out of plans. — Lena Dunham

If you listen to your body and your intuition, they'll guide you well. There are countless ways to develop listening skills. Some helpful and classic practices include: dancing and drumming, sitting and walking meditations, t'ai chi or chi kung, painting or journal writing. It's important to find what works for you, and even the time of day or night that works best for you. Whatever you choose, the commonality is that they all offer an opportunity for quieting the mind, and slowing down enough to be
present and able to listen for inner guidance - and guidance from the plants themselves. — Robin Rose Bennett

The young man being embraced by the Father is no longer just one repentant sinner, but the whole of humanity returning to God. The broken body of the prodigal becomes the broken body of humanity, and the baby-like face of the returning child becomes the face of all suffering people longing to reenter the lost paradise. Thus Rembrandt's painting becomes more than the mere portrayal of a moving parable. It becomes the summary of the history of our salvation. The light surrounding both Father and Son now speaks of the glory that awaits the children of God. — Henri J.M. Nouwen

I remembered from movies and TV that a human being striking a window could cause it to shatter, but the glass was too strong or I was too weak. My body didn't do much anymore when I put it to things. I didn't even make much noise pounding my fist against the glass: the ones that turned to look dismissed me almost before they had swiveled their heads. I might have been a painting of a hysterical female, paused in motion and screaming decoratively. But my throat was going raw, and my hands hurt dully. — Alexandra Kleeman

The back is like a frame, the front body, the painting that it throws into relief. — B.K.S. Iyengar

The power of a painting has to come from the inside out, not the outside in. It's not just an image. It's an image with a body and that body has to contain its spirit ... What's behind it decides everything. How it starts will define how it ends. — Sean Scully

Let me tell you something about the beauty of destruction. There is a distinct art in boxing, because there is method, strategy, technique rules and all the bells and whistles that the general public knows. However, since the beginning of time mankind was destined to appreciate the art of combat; and that is the mortal sacrifice - you put yourself out there and display a virtual painting, an interactive canvas that portrays the nature of the human body and what it's capable of, and as an outcome, the object of combat is not to sacrifice yourself to entertain spectators, no, but to make the other bastard sacrifice himself to entertain spectators - thus comes the art of honor. It's not a thirst for blood, not at all - but an astonishment, an appreciation for the capabilities of a human that bares his soul naked for the art of combat using strictly his body. That's entertainment. — Ghaleya Aldhafiri

I don't know anything about art so I can't tell you that it's watercolor or acrylic or that it's on canvas or anything art related at all. I can tell you that it's a painting of a hand, my hand, turned up and opened to the world and that it reaches into my body and rips out everything that's left. Because in the palm, right in the center, is the pearl button I never reached. — Katja Millay

Merleau-Ponty's painting inhabits the same rhetoric as early cinema: it makes the invisible visible, or rather it makes visibility visible; it forms from the thresholds of the visible and invisible world, an order, mode, or aesthetic of visuality. Not only of the small or fast, but of visibility as such. The visuality of the visible and the invisible is found in the mixture of the body and its world, of your body and your world, all your worlds, all your bodies in this world and all those others. Painting is the process by which the visuality of the visible and invisible is made manifest: "Painting mixes up all our categories in laying out its oneiric universe of carnal essences, of effective likenesses, of mute meanings." Each painting is a universal archive, a picture of the universe, a universal image - and like a dream. — Akira Mizuta Lippit

Do not listen to what any society tells you about the body - the body is the metaphor for all experience. A woman's body more than any other. Like language, its beautiful but weaker sister. Look at this poem. This painting. Look at these photographs. The body doesn't lie. — Lidia Yuknavitch

Soul is as necessary in a painting as body. — Marie Bashkirtseff

Thomas looked like someone's painting of the forgotten Greek god of body cologne. He had long hair so dark that light itself could not escape it, and even fresh from the shower it was starting to curl. His eyes were the color of thunderclouds, and he never did a single moment of exercise to earn the gratuitous amount of ripple in his musculature. He was wearing jeans and no shirt
his standard household uniform. I once saw him answer the door to speak to a female missionary in the same outfit, and she'd assaulted him in a cloud of forgotten copies of The Watchtower. The tooth marks she left had been interesting. — Jim Butcher

Painting and tattooing the body is a return to animalism. — Johann Wolfgang Von Goethe

The pull of music, literature or painting on us is like the plucking of a string. Literally, in the case of music. Sometimes gently, sometimes vigorously, but it always causes a reaction. Our innate response brings us in synchronized harmony with the elements in nature - from the smallest atomic particle to the largest heavenly body. We're connected through these vibrations to nature and to each other. So, really, everything's connected — Marilyn Brant

It appears that Venus has Beatrice's face. Once again, I'm not interested in a historical analysis of the models for the painting. I'm simply asking you to note the visible similarities between the figures. They represent two muses, two ideal types, one theological and one secular. Beatrice is the lover of the soul; Venus is the lover of the body. Botticelli's La Bella has both faces - one of sacrificial love or agape, and one of sexual love or eros. — Sylvain Reynard

The best way to remember a beautiful city or a beautiful painting is to eat something while you are looking at it. The flavor really helps the image to penetrate the body. It fixes it as lacquer does a drawing. — Anais Nin

Self-painting is a further development of painting. The pictorial surface has lost its function as sole expressive support. It was led back to its origins, the wall, the object, the living being, the human body. By incorporating my body as expressive support, occurrences arise as a result, the course of which the camera records and the viewer can experience — Gunter Brus

Before you either turn away in disgust or wink knowingly at one another, you should know that the artist insists that this is a picture about love. Filial love. The old man has been condemned by the Roman senate to die of hunger, and his daughter has come to his prison cell and offered her breast to feed him. This has nothing to do with with the decorous love or amorous passions one is more accustomed to seeing in a painting. It is raw and wretched and demeaning. In the end, we are physical bodies and every abstract notion about love sinks beneath this fact. — Debra Dean

All my album artwork is body painting. — Kimbra

Despite his title, the Secretary of the Interior was a shallow man. He was given to surfaces, not depths; to cortex, not medulla; to the puff, not the cream. He didn't understand the interior of anything: not the interior of a tenor sax solo, a painting or a poem; not the interior of an atom, a planet, a spider or his wife's body; not the interior, least of all, of his own heart and head. — Tom Robbins

Beautiful, I think to myself as I float back into sleep, my whole body thrumming with a tender, exhausted state of exhilaration. Beside me, Skunk's body is warm under his T-shirt. The last thing I see before falling asleep is the Kali painting on Skunk's wall. Her blue-gold body is draped in equal parts flowers and severed heads - as if beauty and horror were interchangeable and what matters most is trusting in the dance. — Hilary T. Smith

The bathroom door swings open. Emma sees the blood painting my skin and the red rivers carved on my body. Emma sees the wet knife, silver and bone. The screams of my little sister shatter mirrors. — Laurie Halse Anderson

The Nazis were tedious in their self-righteousness and triumphalism. They were like a winning soccer team at the after-match party, getting drunker and more boring and refusing to go home. He was sick of them. Some people might say that the USSR was similar, with its secret police, its rigid orthodoxy, and its puritan attitudes to such pleasures as abstract painting and fashion. They were wrong. Communism was a work in progress, with mistakes being made on the road to a fair society. The NKVD with its torture chambers was an aberration, a cancer in the body of Communism. One day it would be surgically removed. But probably not in wartime. — Ken Follett

Back at the cottage we explored the topography of my body; twigs in my hair, calves striped red and my skirt smudged in meadowtones. The forest underlined me, accentuated me, illustrated me. I felt alive in that midnight village whose dark places left their signatures on my skin, whose bites still hummed around my wrists. I didn't notice till then the thousand nettle stings rising like pearls; burning bracelets that my love kissed and rubbed with dock leaves; a folk remedy painting my pulse points green; honorary stalks. — Jalina Mhyana

Te is thus the natural miracle of one who seems born to be wise and humane, comparable to what we call "perfect specimens" of flowers, trees, or butterflies - though sometimes our notions of the perfect specimen are too formal. Thus Chuang-tzu enlarges on the extraordinary virtue of being a hunchback, and goes on to suggest that being weird in mind may be even more advantageous than being weird in body. He compares the hunchback to a vast tree which has grown to a great old age by virtue of being useless for human purposes because its leaves are inedible and its branches twisted and pithy.5 Formally healthy and upright humans are conscripted as soldiers, and straight and strong trees are cut down for lumber; wherefore the sage gets by with a perfect appearance of imperfection, such as we see in the gnarled pines and craggy hills of Chinese painting. — Alan W. Watts

I wonder, only in passing, whether the indelible ornamentation that man inscribes upon his own epidermis does not respond to a nostalgia for the universal internally generated coloring of corrollas, furs, shells, carapaces and wings. For man it has been necessary to create both works and tools outside of himself. But it may be that he retains an obscure nostalgia to create them on his own body, to make them a part of it rather than projecting them outwards onto an independent surface, where he is free to retouch them as he sees fit, which is precisely what painting and art are. — Roger Caillois

There may not be any romance to mental illness but who needs romance when the preferable route is agency? The prevailing conversation around mental health issues is agency and the lack thereof on the part of the mentally ill. But what do you do if you're a paid-up member of the mentally ill populace in question? Do you curl up into a ball and give up? No, you look for solutions. Ultimately, it's about keeping despair at bay and sometimes simple things like running, taking up a hobby, doing charity work, painting or, in my case, writing can be a galvanizing part of the recovery process. Keeping the brain and the body active can give life a semblance of pleasure and hope. This is what writing has done for me. I took every traumatic element of my condition and channelled it into something useful. — Diriye Osman

The Prelude to Tristan and Isolde reminds me of the old Italian painting of a martyr whose intestines are slowly unwound from his body on a reel. — Eduard Hanslick

Subject becoming less relevant, each painting having a life of its own, each stroke leading to the next. It is more about the connection of body and spirit to canvas, over mind to canvas. — Ken Gillespie

The point of the resurrection ... is that the present bodily life is not valueless just because it will die ... What you do with your body in the present matters because God has a great future in store for it ... What you do in the present - by painting, preaching, singing, sewing, praying, teaching, building hospitals, digging wells, campaigning for justice, writing poems, caring for the needy, loving your neighbor as yourself - will last into God's future. These activities are not simply ways of making the present life a little less beastly, a little more bearable, until the day when we leave it behind altogether (as the hymn so mistakenly puts it ... ). They are part of what we may call building for God's kingdom. — N. T. Wright

Thirst will parch your tongue and your body will waste through lack of sleep ere you can describe in words that which painting instantly sets before the eye. — Leonardo Da Vinci

What makes a poem a poem, finally, is that it is unparaphrasable. There is no other way to say exactly this; it exists only in its own body of language, only in these words. I may try to explain it or represent it in other terms, but then some element of its life will always be missing.
It's the same with painting. All I can say of still life must finally fall short; I may inventory, weigh, suggest, but I cannot circumscribe; some element of mystery will always be left out. What is missing is, precisely, its poetry. — Mark Doty

Just like the movements in a symphony, the rain sent vibrations through his body, painting the world in a physical map of mountains, valleys and high peaks dropping into deep ravines. The physical structures were all created by sound itself, and the colors were intense and vivid - substance created by sound, by feeling. — Christine Feehan

Did Morris put anybody on Coltraine, specifically?"
"Clipper."
"Die-For-Ty? Talk about the sex. How come so many death doctors are wholly iced?"
"A mystery I've pondered throughout my career."
"No, seriously. Clipper's like ummm. He's gay and has a partner, but a yummy treat for the eyes. His partner's an artist. He paints people, literally I mean. Body painting. They've been together about six years."
"How do you know all this stuff?"
"Unlike you, I enjoy hearing about people's personal lives, especially when it involves sex."
"At least since Clipper's not into women, you won't be troubled by sexual fantasies."
Peabody pursed her lips in thought. "I can work with it. Two naked guys, body paints, me. Oh yeah, endless possibilities. — J.D. Robb

The painting is always done very much with [the model's] co-operation. The problem with painting a nude, of course, is that it deepens the transaction. You can scrap a painting of someone's face and it imperils the sitter's self-esteem less than scrapping a painting of the whole naked body. — Lucian Freud

In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange. — Werner Herzog

For instance, in one play the palace of Lord Hosokawa, in which was preserved the celebrated painting of Dharuma by Sesson, suddenly takes fire through the negligence of the samurai in charge. Resolved at all hazards to rescue the precious painting, he rushes into the burning building and seizes the kakemono, only to find all means of exit cut off by the flames. Thinking only of the picture, he slashes open his body with his sword, wraps his torn sleeve about the Sesson and plunges it into the gaping wound. The fire is at last extinguished. Among the smoking embers is found a half- consumed corpse, within which reposes the treasure uninjured by the fire. Horrible as such tales are, they illustrate the great value that we set upon a masterpiece, as well as the devotion of a trusted samurai. — Okakura Kakuzo

No one can get reall drunk on a novle or a painting, but who can help getting drunk on Beethoven's night, Bartok's Sonata for two Pianos and percussion or the Beatles' White Album? He loved mozart as much as rock.
He considered music a liberating force, it liberated him from lonliness, introversion, the dust of the library; it opened the door of hi body and allowed his soul to step out into the world to make friends, He loved to dance an regretted that Sabina did not share his passion
pg 92-93 — Milan Kundera

People think the painting is a portrait, but it isn't. Not really. He wasn't even in the field; he conjured it from a room in the house, an entirely different angle. He removed rocks and trees and outbuildings. The scale of the barn is wrong. And I am not that frail young thing, but a middle-aged spinster. It's not my body, really, and maybe not even my head. He — Christina Baker Kline

I stepped out of the shower and dried my hair, rubbed on body lotion, cleaned my ears. Then to the kitchen to heat up the last of the coffee. Only to discover: no one sitting at the opposite side of the table. Staring at that chair where no one sat, I felt like a tiny child in a De Chirico painting, left behind all alone in a foreign country. — Haruki Murakami

Perfect form is the most important thing to have a perfect body, it's impossible to make a painting with a big brush — Serge Nubret

I really love painting women. Their bodies, their clothes - it all interests me, whereas men really don't that much, in a way. — Chantal Joffe

I move with him, letting him touch me, kiss me, taste my body like I'm his canvas and he's painting me with his tongue. — Lauren Blakely

My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting ... the gesture and the movement is all pretty much contained within the body. — Deborah Butterfield

Physics, mathematics, music, painting, my politics, my love for you, my work, the star-dust of my body, the spirit that impels it, clocks diurnal, time perpetual, the roll, rough, tender, swamping, liberating, breathing, moving, thinking nature, human nature and the cosmos are patterned together. — Jeanette Winterson

Everything about her exuded a certain calmness, an unfathomable tranquillity. Her body, her smile, and her mesmerizing eyes all came together to form a lively painting of timeless allure. — Kevin Focke