Quotes & Sayings About Painting A Picture

God is God and I am not. I can only see a part of the picture He's painting ... — Steven Curtis Chapman

And for the next long years of my life, I tried to remember only the reading, not the terrible things that happened to me as I came and went up and down the stairs. The library became my sanctuary. I loved the ways the precious stories took shape but always had room to be read again. I became fascinated with how writers did that. How did they make a story feel so complete and yet to open-ended? It was like painting a picture that changed each time you looked at it. — Rene Denfeld

In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man. — John Berger

My music is more than me writing a flashy soul song. They're heartfelt songs about my family and true stories. I have also songs that aren't personal, but just painting a picture. I don't like being put under labels, but my music is going to continue to stay classic and timeless forever. — Leon Bridges

There is the happiness which comes from creative effort. The joy of dreaming, creating, building, whether in painting a picture, writing an epic, singing a song, composing a symphony, devising new invention, creating a vast industry. — Henry Miller

I got the idea from our family's plant book. The place where we recorded things you cannot trust to memory. The page begin's with the person's picture. A photo if we can find it. If not, a sketch or a painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim's cheek. My father's laugh. Peeta's father with the cookies. The colour of Finnick's eyes. What Cinna would do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late promise preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie's newborn son. — Suzanne Collins

What we need is more sense of the wonder of life and less of this business of making a picture. — Robert Henri

A picture was a motionless record of motion. An arrested representation of life. A picture was the kiss of death pretending to possess immutability. — Ivan Klima

Because Guillermo's [del Toro] obviously a painter painting a picture and my job is just to provide the color that he probably already has in his mind. — Charlie Day

At the end of the day, no one gets a prize for simply getting it accurate. A bit of artistic theatrics can go a long way in making a painting a piece of artwork instead of just another picture. — Richard McKinley

We need to get a broader awareness. People say climate change is really bad, but painting that picture of what you're putting at risk. — Bill Gates

The proletarian writer is a writer with a purpose; he thinks no more of art for art's sake than a man on a sinking ship thinks of painting a beautiful picture in the cabin; he thinks of getting ashore - and then there will be time enough for art. — Upton Sinclair

Every so often, a painter has to destroy painting. Cezanne did it, Picasso did it with Cubism. Then Pollock did it. He busted our idea of a picture all to hell. Then there could be new paintings again. — Willem De Kooning

I respect journalism. I was always very aware of journalism from a very broad point of view, but I'd say my baptism by fire was doing the Donald Margulies play Time Stands Still. That for me was a real education because I spent a lot of time with some incredible journalists, war reporters particularly - Bob Woodruff, Dexter Filkins - people who were very helpful in painting the picture for me and reading the accounts of people and what they experienced, a lot of PTSD. — James D'arcy

I don't understand why people never say what they mean. It's like the immigrants who come to a country and learn the language but are completely baffled by idioms. (Seriously, how could anyone who isn't a native English speaker 'get the picture,' so to speak, and not assume it has something to do with a photo or a painting?) — Jodi Picoult

While Elstir, at my request, went on painting, I wandered about in the half-light, stopping to examine first one picture, then another.
Most of those that covered the walls were not what I should chiefly have liked to see of his work, paintings in what an English art journal which lay about on the reading-room table in the Grand Hotel called his first and second manners, the mythological manner and the manner in which he shewed signs of Japanese influence, both admirably exemplified, the article said, in the collection of Mme. de Guermantes. Naturally enough, what he had in his studio were almost all seascapes done here, at Balbec. But I was able to discern from these that the charm of each of them lay in a sort of metamorphosis of the things represented in it, analogous to what in poetry we call metaphor, and that, if God the Father had created things by naming them, it was by taking away their names or giving them other names that Elstir created them anew. — Marcel Proust

He laughed. "What's to say? Great paintings - people flock to see them, they draw crowds, they're reproduced endlessly on coffee mugs and mouse pads and anything-you-like. And, I count myself in the following, you can have a lifetime of perfectly sincere museum-going where you traipse around enjoying everything and then go out and have some lunch. But - " crossing back to the table to sit again " - if a painting really works down in your heart and changes the way you see, and think, and feel, you don't think, 'oh, I love this picture because it's universal.' 'I love this painting because it speaks to all mankind.' That's not the reason anyone loves a piece of art. It's a secret whisper from an alleyway. Psst, you. Hey kid. Yes you." Fingertip gliding over the faded-out photo - the conservator's touch, a touch-without-touching, a communion wafer's space between the surface and his forefinger. — Donna Tartt

Surely when a man is painting a picture he ought not refuse to hear any man's opinion ... Since men are able to form a true judgement as to the works of nature, how much more does it behoove us to admit that they are able to judge our faults. — Leonardo Da Vinci

Relevance, for me, is about being creative and doing things that you believe in, whether that's music or acting or painting a picture, or whatever that is. — Larry Mullen Jr.

Painting a picture is writing a poem with paint. — Debasish Mridha

Painting a picture is like fighting a battle; and trying to paint a picture is, I suppose, like trying to fight a battle. It is, if anything, more exciting than fighting it successfully. But the principle is the same. — Winston Churchill

Think of an abstract painting as very, very low relief - a thing, not a picture. — Jerry Saltz

I find the Doomsday picture Al Gore is painting - a six-meter sea level rise, fifteen times the IPCC number - entirely without merit ... I protest vigorously the idea that the climate reacts like a home heating system to a changed setting of the thermostat: just turn the dial, and the desired temperature will soon be reached. — Hendrik Tennekes

- if a painting really works down in your heart and changes the way you see, and think, and feel, you don't think, 'oh, I love this picture because it's universal.' 'I love this painting because it speaks to all mankind.' That's not the reason anyone loves a piece of art. It's a secret whisper from an alleyway. Psst, you. Hey kid. Yes you. — Donna Tartt

I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see. — J.J. Abrams

And David and Goliath I have done before, but this time there is a difference. David holds the head at arm's length and looks disgusted. And onto Goliath's severed head, I put my own features. The head hangs in darkness so that the black hair and beard framing the face blend off into the shadows, and there are four thin ropes of dark blood trailing down into space from the neck. And in one eye of the freshly severed head, there is still the faint glimmer of life.
That's me and that's the last painting I ever did.
Spectator, viewer, audience, however you care to call yourself; I address you here, with this, my final picture.
Cast a cold eye on it all, and on my work. I am still alive. — Christopher Peachment

I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity. — Wolf Kahn

Out to sea, the calm lagoon waters were darkening, while the comets overhead glowed brighter, omens in the gloaming. — Julian May

What is the world? What is it for?
It is an art. It is the best of all possible art, a finite picture of the infinite. Assess it like prose, like poetry, like architecture, sculpture, painting, dance, delta blues, opera, tragedy, comedy, romance, epic. Assess it like you would a Faberge egg, like a gunfight, like a musical, like a snowflake, like a death, a birth, a triumph, a love story, a tornado, a smile, a heartbreak, a sweater, a hunger pain, a desire, a fufillment, a desert, a waterfall, a song, a race, a frog, a play, a song, a marriage, a consummation, a thirst quenched.
Assess it like that. And when you're done, find an ant and have him assess the cathedrals of Europe. — N.D. Wilson

They wound their way through a labyrinth of streets, partly following their noses, partly the orientation of the map. Jardines, Mirasol, Cruz, Puentezuelas, Capuchinas ...
Each word held its magic. They were like brushstrokes painting the landscape of the city, each one helping to build up a picture of the whole. — Victoria Hislop

When I am finishing a picture, I hold some God-made object up to it - a rock, a flower, the branch of a tree or my hand - as a final test. If the painting stands up beside a thing man cannot make, the painting is authentic. If there's a clash between the two, it's bad art. — Marc Chagall

The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this ... Scientific perspective forces the objects in a picture to disappear away form the beholder instead of bringing them within his reach as painting should. — Georges Braque

Somehow, though, neither her clothes nor her features seemed to matter - they were the adornments of a painting or a picture, not the real thing. What made her so captivating was something else, not so easily named: the way she moved, the glance of her eyes, the manner and sound and form. All I wanted to do was sit and gape. If I'd let myself fall into her eyes, I think an army of constructs could have battered down the door and I wouldn't have noticed. — Benedict Jacka

Love is an art, Berk. Just like painting or music. Some painters draw mere lines, scratches on the canvas and call them art; some paint stars studded skies like van Gogh; or Chopin's music conquers the hearts of millions while the execrable disco music blaring out of the open windows of a car have also their audience. Some describe love in high-flown flowery language and you identify yourself with the hero and the heroine and feel yourself in the seventh heaven while some give such a lamentable picture of it that you almost curse it! — T. Afsin Ilgar

For instance, in one play the palace of Lord Hosokawa, in which was preserved the celebrated painting of Dharuma by Sesson, suddenly takes fire through the negligence of the samurai in charge. Resolved at all hazards to rescue the precious painting, he rushes into the burning building and seizes the kakemono, only to find all means of exit cut off by the flames. Thinking only of the picture, he slashes open his body with his sword, wraps his torn sleeve about the Sesson and plunges it into the gaping wound. The fire is at last extinguished. Among the smoking embers is found a half- consumed corpse, within which reposes the treasure uninjured by the fire. Horrible as such tales are, they illustrate the great value that we set upon a masterpiece, as well as the devotion of a trusted samurai. — Okakura Kakuzo

In order to break your child's negative cycle, you must first break your own cycle of negative perception. You must take on a strengths-based perspective. Look for the good, which in some cases may require you to get creative. Do this even when it's hard. This sends a powerful message to children even when they are behaving poorly. You are sending the message that you believe in them, you see that there is more to them than their bad behavior, and you are painting a future picture of what they can become. — Daniel Bates

When I act, I feel like I am a color in someone else's painting - I can be the best blue that there is, but I'm still only part of their entire picture - but, with music, when I am performing with Reserved For Rondee, I am the painter, you know? — Billy Magnussen

I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method. — Jean-Baptiste-Camille Corot

No-one who has a real understanding of the art of painting attaches any importance to what we call the subject of a picture - what is represented. To one who feels the language of pictorial form, all depends on how it is presented, nothing on what. — Roger Fry

Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography. — Gerhard Richter

Painting a picture is like trying to fight a battle. — Winston Churchill

I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to - because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting. — Arshile Gorky

Many of the articles printed over the last few months have ended up painting a picture of me that is more than a little distorted. — Phil Collins

I think I'm painting a picture of two women but it may turn out to be a landscape. — Willem De Kooning

The material memories are not usually part of what is said about a picture, and that is a fault in interpretation because every painting captures a certain resistance of paint, a prodding gesture of the brush, a speed and insistence in the face of mindless matter ... — James Elkins

What is the use of good painting? We want a spell cast upon the optical part of our existence! We seldom really see the world, but when we do, we become as still as a picture. — Robert Musil

Its front porch had a beautiful view of the water and invisible screening to keep the jellybugs and stinkmoths at bay. I wove mats for the floors and painted sincere, klutzy seascapes for the walls. Piece by piece I assembled chef-quality cooking equipment, learned how to use it, and achieved a state of domestic competence that would have astounded my long-suffering ex-wife, Joanna. — Julian May

Should it not be remembered that in setting a garden we are painting a picture? — Beatrix Farrand

USURY: Everybody's looking for the job in which you never have to pay anyone their pound of flesh. Self-employed nirvana. A lot of artists like to think of themselves as uncompromising; a lot of management consultants won't tell you what they do until they've sunk five pints. I don't think anybody should give themselves air just because they don't have to hand over a pound of flesh every day at 5pm, and I don't think anyone should beat themselves with broken glass because they do. If you're an artist, well, good for you. Thank your lucky stars every evening and dance in the garden with the fairies. But don't fool yourself that you occupy some kind of higher moral ground. You have to work for that. Writing a few lines, painting a pretty picture - that just won't do it. — Zadie Smith

What is seen and called the picture is what remains - an evidence. Even as one travels in painting toward a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear. — Philip Guston

Much-Afraid, don't ever allow yourself to begin trying to picture what it will be like. Believe me, when you get to the place which you dread you will find that they are as different as possible from what you have imagined, just as was the case when you were actually ascending the precipice. I must warn you that I see your enemies lurking among the trees ahead, and if you ever let Craven Fear begin painting a picture on the screen of your imagination, you will walk with fear and trembling and agony, where no fear is. — Hannah Hurnard

An artist painting a picture should have at his side a man with a club to hit him over the head when the picture is finished. — John Singer Sargent

What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished. — Pierre-Auguste Renoir

I'd see him do things that didn't fit with his face or hands, things like painting a picture at OT with real paints on a blank paper with no lines or numbers anywhere on it to tell him where to paint, or like writing letters to somebody in a beautiful flowing hand. How could a man who looked like him paint pictures or write letters to people, or be upset and worried like I saw him once when he got a letter back? — Ken Kesey

Vladimir Putin bribed a soccer official with a Picasso painting so he would support Russia's bid to host the 2018 World Cup. Putin was like, 'It wasn't Picasso, just picture of what his face would look like if he said no.' (Nose over here, eye up here, ear in forehead.) — Jimmy Fallon

Kolchak nodded, 'Right, because that would make sense." He took off his hat and crumpled it against his hip. 'When I lived in Seattle, I met a man who had been killing people for a hundred years easily. I nearly got arrested painting on his portrait in the bank he owned, just to match his face to the hundred-year-old shot I had of him with a beard. It's possible.'

'Why didn't you just take a picture of the painting and scribble on the picture?'

'It was a gesture,' Kolchak wrung his hands, 'and anyway that's not the point.' ("Wet Dog of Galveston") — Jason Henderson

She did not care what a ludicrous picture she might be painting, a fat happy old lady in her night gown, swinging on a small little swing in the dead of the night. — Srividya Srinivasan

I thought I was painting in sound a picture of revolution - but I made a mistake, you know. The mistake was that it was anti-revolution. — John Lennon

Painting for me is like a fabric, all of a piece and uniform, with one set of threads as the representational, esthetic element, and the cross-threads as the technical, architectural, or abstract element. These threads are interdependent and complementary, and if one set is lacking the fabric does not exist. A picture with no representational purpose is to my mind always an incomplete technical exercise, for the only purpose of any picture is to achieve representation. — Juan Gris

Collect impressions. Don't be in a hurry to write them down. Because that's something music can do better than painting: it can centralise variations of colour and light within a single picture a truth generally ignored, obvious as it is. — Claude Debussy

I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly. — Pablo Picasso

Every now and then one paints a picture that seems to have opened a door and serves as a stepping stone to other things. — Pablo Picasso

Still I should paint my own places best; painting is with me but another word for feeling, and I associate "my careless boyhood" with all that lies on the banks of the Stour; those scenes made me a painter, and I am grateful; that is, I had often thought of pictures of them before ever I touched a pencil, and your picture ['The White Horse'] is one of the strongest instance I can recollect of it. — John Constable

If I want to pursue the art of painting - or music or writing or sculpture - it requires only my time and a few dollars for materials. If, however, I want to produce a motion picture I have to go out and raise a million dollars! — Orson Welles

The memories are so close I feel your presence everywhere. And I see forward so clearly and sadly to a time when the memories will be distant. I won't be able to picture your painting things scattered on a flat rock in Ammoudi or your bare feet soaking up the sunshine on Valia's garden wall. Now I see them. Long after that I will remember them. — Ann Brashares

I'm not interested in painting; I'm not interested in making a picture. Then what the hell am I interested in? I must be interested in this process. — Philip Guston

I've become like one of those people I hate, the sort who go to the museum and, instead of looking at the magnificent Brueghel, take a picture of it, reducing it from art to proof. It's not "Look what Brueghel did, painted this masterpiece" but "Look what I did, went to Rotterdam and stood in front of a Brueghel painting! — David Sedaris

The photograph is the only picture that can truly convey information, even if it is technically faulty and the object can barely be identified. A painting of a murder is of no interest whatever; but a photograph of a murder fascinates everyone. — Gerhard Richter

It is not certain whether the effects of totalitarianism upon verse need be so deadly as its effects on prose. There is a whole series of converging reasons why it is somewhat easier for a poet than a prose writer to feel at home in an authoritarian society.[ ... ]what the poet is saying- that is, what his poem "means" if translated into prose- is relatively unimportant, even to himself. The thought contained in a poem is always simple, and is no more the primary purpose of the poem than the anecdote is the primary purpose of the picture. A poem is an arrangement of sounds and associations, as a painting is an arrangement of brushmarks. For short snatches, indeed, as in the refrain of a song, poetry can even dispense with meaning altogether. — George Orwell

Eloquence is a painting of thought; and thus those who, after having painted it, add something more, make a picture instead of a portrait. — Blaise Pascal

That little guy, said Boris in the car on the way to Antwerp. You know the painter saw him-he wasn't painting that bird from his mind, you know? That's a real little guy, chained up on the wall, there. If I saw him mixed up with dozen other birds all the same kind, I could pick him out, no problem.
And he's right. So could I. And if I could go back in time I'd clip the chain in a heartbeat and never care a minute that the picture was never painted. — Donna Tartt

It was as if I was in a picture, a flat canvas, and everything around me was flat, me painted on like everything else: no colour, nothing in front and nothing behind me, not even earlier today or tomorrow, nothing to look back or forward to, just this moment. — Tim Relf

I do believe it is possible to create, even without ever writing a word or painting a picture, by simply molding one's inner life. And that too is a deed. — Etty Hillesum

Create a Chocolate Factory There may be as many different types of playrooms as there are families, but every one of them should have the following design element: lots of choices. A place for drawing. A place for painting. Musical instruments. A wardrobe hanging with costumes. Blocks. Picture books. Tubes and gears. Anything where a child can be safely let loose, joyously free to explore whatever catches her fancy. Did you see the movie Willy Wonka and the Chocolate Factory? If so, you may have been filled with wonder at the chocolate plant, complete with trees, lawns, and waterfalls - a totally explorable, nonlinear ecology. That's what I mean. I am focusing on artistic pursuits because kids who are trained in the arts — John Medina

This is a perfectly good picture. And if I didn't know you, I would be impressed and charmed. But I do know you."
He thought some more, wondering whether he dared say precisely what he felt, for he knew he could never explain exactly why the idea came to him. "It's the painting of a dutiful daughter," he said eventually, looking at her cautiously to see her reaction. "You want to please. You are always aware of what the person looking at this picture will think of it. Because of that you've missed something important. Does that make sense?"
She thought, then nodded. "All right," she said grudgingly and with just a touch of despair in her voice. "You win."
Julien grunted. "Have another go, then. I shall come back and come back until you figure it out."
"And you'll know?"
"You'll know. I will merely get the benefit of it. — Iain Pears

When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out. — Frank Stella

to my father's amazement, was an ancient but clearly recognizable painting of Marco Polo, who must have visited Huai'an during his thirteenth-century travels about China. The priest asked my father to donate a picture of Jesus for his collection, and, after thinking about it, Daddy did. — Katherine Paterson

The Cubists' belief in progress was by no means complacent. They saw the new products, the new inventions, the new forms of energy, as weapons with which to demolish the old order. Yet at the same time their interest was profound and not simply declamatory. In this they differed fundamentally from the Futurists. The Futurists saw the machine as a savage god with which they identified themselves. Ideologically they were precursors of fascism: artistically they produced a vulgar form of animated naturalism, which was itself only a gloss on what had already been done in films. 35 Carlo Carra. The Funeral of the Anarchist Galli. 1911 The Cubists felt their way, picture by picture, towards a new synthesis which, in terms of painting, was the philosophical equivalent of the revolution that was taking place in scientific thinking: a revolution which was also dependent on the new materials and the new means of production. — John Berger

The concept of a writer writing a vivid and accurate scene in a language transparent and devoid of decoration so that we see through to the object without writerly distraction suffers the same contradiction as the concept of a painter painting a vivid and accurate scene with pigments transparent and devoid of color, including white and black - so that the paint will not get between us and the picture. — Samuel R. Delany

So perhaps the reason I shuddered at the idea of writing something about 'Christian art' is that to paint a picture or to write a story or to compose a song is an incarnational activity. The artist is a servant who is willing to be a birth-giver. In a very real sense the artist (male or female) should be like Mary, who, when the angel told her that she was to bear the Messiah, was obedient to the command. Obedience is an unpopular word nowadays, but the artist must be obedient to the work, whether it be a symphony, a painting, or a story for a small child. I believe that each work of art, whether it is a work of great genius or something very small, comes to the artist and says 'Here I am. Enflesh me. Give birth to me.' And the artist either says 'My soul doth magnify the Lord' and willingly becomes the bearer of the work, or refuses; but the obedient response is not necessicarily a conscious one, and not everyone has the humble, courageous obedience of Mary. — Madeleine L'Engle

The difference between this painting and the others the late Rembrandt painted is the difference between seeing and being seen. That is, in this picture he sees himself seeing while also being seen, and no doubt it was only in the Baroque period with its penchant for mirrors within mirrors, the play within the play, staged scenes and a belief in the interdependence of all things, when moreover craftsmanship attained heights witnessed neither before nor since, that such a painting was possible. But it exists in our age, it sees for us. — Karl Ove Knausgard

Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that? — Banksy

I sincerely believe that the best criticism is the criticism that is entertaining and poetic; not a cold analytical type of criticism, which, claiming to explain everything, is devoid of hatred and love, and deliberately rids itself of any trace of feeling, but, since a fine painting is nature reflected by an artist, the best critical study, I repeat, will be the one that is that painting reflected by an intelligent and sensitive mind. Thus the best accounts of a picture may well be a sonnet or an elegy ... But that type of criticism is destined for books of poetry and for readers of poetry. As to criticism proper, I hope philosophers will understand what I am about to say: to be in focus, in other words to justify itself, criticism must be partial, passionate, political, that is to say it must adopt an exclusive point of view, provided always the one adopted opens up the widest horizons. — Charles Baudelaire

When I removed into the country, it was to occupy an old-fashioned farm-house, which had no piazza - a deficiency the more regretted, because not only did I like piazzas, as somehow combining the coziness of in-doors with the freedom of out-doors, and it is so pleasant to inspect your thermometer there, but the country round about was such a picture, that in berry time no boy climbs hill or crosses vale without coming upon easels planted in every nook, and sunburnt painters painting there. — Herman Melville

My paintings have gotten to be pretty popular and I've taken a little bit more interest in painting the last few years. In fact, my novel that I wrote not too long ago, 'The Hornet's Nest,' I painted the cover picture for it and I do a good bit of painting now. — Jimmy Carter

Molly grabbed a vase off the mantel and flung it at the wall, knocking it into a painting of a mountain scene. The vase shattered and the picture frame swayed back and forth on the wall, taunting her with an image of what life was supposed to be like. . . — Susan Rose

Let's say that you could carry around a perfect copy of a three-dimensional realization of a Caravaggio painting (or if your tastes are more modern make it a Picasso). You would carry a small box in your pocket, and whenever you wanted, you could press a button and the box would open up into life-sized glory and show you the picture. You would bring it to all the parties you attended. The peak of the culture of the seventeenth century (or say the 1920s if you prefer Picasso) would be at your disposal. Alternatively, let's say you could carry around in your pocket an iPhone. That gives you thousands of songs, a cell phone, access to personal photographs, YouTube, email, and web access, among many other services, not to mention all the applications that have not yet been written. You will have a strong connection to the contemporary culture of small bits. — Tyler Cowen

In a poem, melody, or picture, we are forced with a mystery: quality in the metaphysical sense of the word. How could the difference between an original painting and its copy be explained by means of quantity? The original possesses the quality of beauty and 'every copy is ugly'. The difference does not arise from the fact that something has been added or taken away from the copy in the quantitative sense of the word; it lies in the personal touch between the artist and the work of art. Quality can only be 'in touch' with a personality. — Alija Izetbegovic

Not only has volume been ratcheted up but expectations have, too. Quiet success
painting a picture, writing a poem, writing an algorithm
is all well and good, but if you haven't become famous doing it, then did it really matter? — Sophia Dembling

Wrestling needs to be about the art form again. It needs to be about painting a picture and having a really good match. — Hulk Hogan

A painting is not a picture of an experience, but is the experience. — Mark Rothko

We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor. — Alexander Rodchenko

Every realistic picture represents a choice as to which features of reality should be given prominence; no painting ever captures the whole ... — Alain De Botton

I wanted to paint a picture some day that people would stand before and forget that it was made of paint. I wanted it to creep into them like a bar of music and mushroom there like a soft bullet. — O. Henry

Creation rather than painting, or if painting, yet such, and with such co-presence of the whole picture flash'd at once upon the eye, as the sun paints in a camera obscura. (Describing his poetic ideal, 1817) — Samuel Taylor Coleridge

I was too tired to think. I merely felt the town as a unique unreality. What was it? I knew
the moon's picture of a town. These streets with their houses did not exist, they were but a ludicrous projection of the moon's sumptuous personality. This was a city of Pretend, created by the hypnotism of moonnight.
Yet when I examined the moon she too seemed but a painting of a moon and the sky in which she lived a fragile echo of color. If I blew hard the whole shy mechanism would collapse gently with a neat soundless crash. I must not, or lose all. — E. E. Cummings

I can picture things, like a painter would, though Im not good at painting, either. — Donald O'Connor

I consider my painting finished when my eyes goes to a particular spot on the canvas. But if I put the picture away about thirty feet on the wall and the movements keep returning to me and the eye seems to be responding to something living, then it is finished. — William Baziotes

The life of reality is confused, disorderly, almost always without apparent purpose, where in the artist's imaginative life there is purpose. There is determination to give the tale, the song, the painting, form - to make it true and real to the theme, not to life ...
I myself remember with what a shock I heard people say that one of my own books, Winesburg, Ohio, was an exact picture of Ohio village life. The book was written in a crowded tenement district of Chicago. The hint for almost every character was taken from my fellow lodgers in a large rooming house, many of whom had never lived in a village. The confusion arises out of the fact that others besides practicing artists have imaginations. But most people are afraid to trust their imaginations and the artist is not. — Sherwood Anderson

A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the other parts. — Elizabeth Peyton