Painted Veil Quotes & Sayings

I describe myself as a member of the Church of England, which I suppose is an inoffensive way of saying that you don't believe in anything very much — William Somerset Maugham

The painted veil which those who live call life — W. Somerset Maugham

I always find it more difficult to say the things I mean than the things I don't. — W. Somerset Maugham

Everything passed, and what trace of its passage remained? It seemed to Kitty that they were all, the human race, like the drops of water in that river and they flowed on, each so close to the other and yet so far apart, a nameless flood, to the sea. — W. Somerset Maugham

You're mistaken in thinking I'm unhappy. T have a great deal too much to do to think of you very often. — W. Somerset Maugham

Her pain was so great that she could have screamed at the top of her voice. She had never known that one could suffer so much; and she asked herself desperately what she had done to deserve it. — W. Somerset Maugham

It was a pity that with his great qualities, his unselfishness and honor, his intelligence and sensibility, he should be so unlovable. — W. Somerset Maugham

Lift Not The Painted Veil
Lift not the painted veil which those who live
Call Life: though unreal shapes be pictured there,
And it but mimic all we would believe
With colours idly spread,
behind, lurk Fear
And Hope, twin Destinies; who ever weave
Their shadows, o'er the chasm, sightless and drear.
I knew one who had lifted it
he sought,
For his lost heart was tender, things to love,
But found them not, alas! nor was there aught
The world contains, the which he could approve.
Through the unheeding many he did move,
A splendour among shadows, a bright blot
Upon this gloomy scene, a Spirit that strove
For truth, and like the Preacher found it not. — Percy Bysshe Shelley

I'm pulled, pushed and then I find my back against a wall. Eagan's taut frame is bent toward mine, and my body is arched toward his. We create a peculiar sculpture of opposite forces. He cups my face in his palms and makes me look up at him. His lips are so close to mine, that I feel the whisper of his breath against my mouth; I smell mint and a hint of beer. I desire a kiss so desperately, my body is humming with longing. I curl my fingers around his wrists.
"I hate fighting with you," he admits huskily.
"I know. Me too."
"I need to hold you."
I nod and let him fold his arms around me. I bury my face against his chest and utter soft sounds of contentment as his warmth leaks into my skin.
I glance at our shadows painted on the gravel by darkness and streetlights; we're not opposite forces any longer, we're one single being.

("A Veil of Glass and Rain") — Petra F. Bagnardi

Hurrying on, Barbee nodded to the workman as casually as he could. His skin felt goose-pimpled under the thin red robe, and he couldn't help shivering to a colder chill than he felt in the frosty air. For the quiet city, it seemed to him, was only a veil of painted illusion. Its air of sleepy peace concealed brooding horror, too frightful for sane minds to dwell upon. Even the cheery bricklayer with the lunch pail might - just might - be the monstrous Child of Night. — Jack Williamson