Page Six Quotes & Sayings

In fact, this figure [five million "murdered" Gentiles] is too high if one is counting victims who were targeted exclusively for racial reasons, but too low if one counts the total number of victims the Nazi regime killed outside military operations.
(...)
Wiesenthal's aggrandizement of his role in the Eichmann capture is far less disturbing and historiographically significant than another of his inventions. In an attempt to elicit non-Jewish interest in the Holocaust, Wiesenthal decided to broaden the population of victims - even though it meant falsifying history. He began to speak of eleven million victims: six million Jews and five million non-Jews. Holocaust historian Yehuda Bauer immediately recognized that this number made no historical sense. Who, Bauer wondered, constituted Wiesenthal's five million.

--The Eichmann Trial, page 8 — Deborah E. Lipstadt

Dead end after dead end. Did you find the answers you were looking for in that book?"
"I haven't had a chance to read it yet," I said nonchalantly.
A half-smile tugged at Noah's mouth. "You fell asleep, didn't you?"
I lifted my chin. "No."
"What page?"
"I didn't fall asleep."
"What page?"
Busted. "Six, — Michelle Hodkin

Here's what you do," suggested Tansy Wagwheel, whom this job in just a few short weeks would drive screaming down Fifteenth Street and on into the embrace of the Denver County public-school system, "It's in this wonderful book I keep close to me all the time, A Modern Christian's Guide to Moral Perplexities. Right here, on page eighty-six, is your answer. Do you have your pencil? Good, write this down - 'Dynamite Them All, and Let Jesus Sort Them Out.'" "Uh . . ." "Yes, I know. . . ." The dreamy look on her face could not possibly be for Lew. "Does it do horse races?" Lew asked after a while. "Mr. Basnight, you card. — Thomas Pynchon

Finally (and here is a sentence I never imagined writing), I thank my conversation partners on Facebook. A couple of years ago, my friend Finn Ryan set up a Facebook author page for me. Grateful as I was, my skepticism about the medium kept me from posting anything there until six months before I finished this book. I am very glad that I took the leap. The folks who share that space with me have helped me refine a number of key ideas, allowing me to write a better book than I could have written alone. Many thanks to all my Facebook "friends" as well as my face-to-face friends. — Parker J. Palmer

Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy. — Harold Evans

Bones turned a page, read down the entries and stopped.
"You got a miss. Guy's six weeks over."
"He died," Chili said.
"How you know he died, he tell you. — Elmore Leonard

Michael figured correctly that I hadn't finished reading the six-hundred-page book in the two weeks since he had recommended it to me — Zack Love

On page six his eyes fell on a large photograph of a wooden road sign with a sun cross painted on. Oslo 2,611 km, it said on one arm, Leningrad 5 km on the other. The article beneath was credited to Even — Jo Nesbo

A lot of the people in Northern California and parts of Oregon have decided that we are not on the same page as San Francisco and Portland and Los Angeles. I don't know if six states is a solution because is Washington, D.C. and the rest of the country really going to give California 10 new senators? — Doug LaMalfa

Christmas," said Robin, with a faint grin but without apology. "I was going to put it up yesterday, but after Leonora was charged I didn't feel very festive. Anyway, I've got you an appointment to see her at six. You'll need to take photo ID - " "Good work, thanks." " - and I got you sandwiches and I thought you might like to see this," she said. "Michael Fancourt's given an interview about Quine." She passed him a pack of cheese and pickle sandwiches and a copy of The Times, folded to the correct page. Strike lowered himself onto the farting leather sofa and ate while reading the article, which was adorned with a split photograph. On the left-hand side was a picture of Fancourt standing in front of an Elizabethan country house. Photographed from below, his head — Robert Galbraith

....one of those long, romantic novels, six hundred and fifty pages of small print, translated from French or German or Hungarian or something -- because few of the English ones have the exact feeling I mean. And you read one page of it or even one phrase of it, and then you gobble up all the rest and go about in a dream for weeks afterwards, for months afterwards -- perhaps all your life, who knows? -- surrounded by those six hundred and fifty pages, the houses, the streets, the snow, the river, the roses, the girls, the sun, the ladies' dresses and the gentlemen's voices, the old, wicked, hard-hearted women and the old, sad women, the waltz music -- everything. What is not there you put in afterwards, for it is alive, this book, and it grows in your head. 'The house I was living in when I read that book,' you think, or 'This colour reminds me of that book. — Jean Rhys

When the author is not traveling, he works at an L-shaped desk, which affords a view north through a large sunny window. He writes everything on an electric typewriter because "it has to be a book from the first day," he explains. He has no daily routine because of all the traveling he does, but follows a very disciplined writing process. He writes each page six times, then places it in a three-ring binder with a DePauw University cover ("a talisman," he calls this memento from his alma mater). When he feels that he has gotten a page just right, he takes out another 20 words. "After a year, I've come to the end. Then I'll take this first chapter, and without rereading it, I'll throw it away and write the chapter that goes at the beginning. Because the first chapter is the last chapter in disguise." He always hands in a completed manuscript, and his editor is his first reader. — Jennifer M. Brown

Did you know that Jeff Bezos, in place of PowerPoint presentations in meetings, requires his execs to write six-page narrative memos? — Bryan Eisenberg

Some days I'm lucky to squeeze out a page of copy that pleases me, but I get as many as six or seven pages on a very good day; the average is probably three pages. — Dean Koontz

As Harvard Business School professor Peter Bregman advises, 'Don't write a book, write a page...Don't expect to be a great manager in your first six months, just try to set expectations well. — Shawn Achor

Don't say you don't know! It's because of Kim. Meaning there's no photo that I would have put up by myself, or next to one of my smarty friends, that would have got that amount of likes. So now you take this photo that has that amount of likes, and it has a flower wall from the same guy who does the Lanvin shows, and it has a couture Givenchy dress and Givenchy tuxedo in it. That's the point. Now the thing that is the most popular is also communicating the highest level of creativity. The concept of Kimye has more cultural significance than what Page Six could write. — Kanye West

Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me
I swear
"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved. — Stan Lee

What followed were instructions for casting the spell itself and a diagram for laying the components out. Altin didn't like the secrecy thing, but a quick glance at the spell Greater Common Tongue showed that it was forty-three pages long. He didn't think he had that kind of time or expertise, so he decided to stick with the six-page version for now. He realized that getting cuttings of their hair was likely going to be an interesting trick as well. And he needed his quill pen, parchment and pot of ink, which meant he had to go back to the tower. He wondered how they were going to take his making another trip into the waterfall-pot room so soon, but he had little other choice. — John Daulton

A man who is not born with the novel-writing gift has a troublesome time of it when he tries to build a novel. I know this from experience. He has no clear idea of his story; in fact he has no story. He merely has some people in his mind, and an incident or two, also a locality, and he trusts he can plunge those people into those incidents with interesting results. So he goes to work. To write a novel? No
that is a thought which comes later; in the beginning he is only proposing to tell a little tale, a very little tale, a six-page tale. But as it is a tale which he is not acquainted with, and can only find out what it is by listening as it goes along telling itself, it is more than apt to go on and on and on till it spreads itself into a book. I know about this, because it has happened to me so many times. — Mark Twain

I know what I'm capable of; I am a soldier now, a warrior. I am someone to fear, not hunt. — Pittacus Lore

AS STRATEGY SESSIONS BEGAN IN HAWTHORNE, THE Handlers made a brilliant tactical move. They commissioned a toy study from Ernest Dichter, Ph.D., director of the Institute for Motivational Research in Croton-on-Hudson, New York. The study cost a staggering $12,000 and took six months to complete, but when it was finished the charge seemed low. Dichter had masterminded a cunning campaign to peddle Barbie. Dichter was already a legend when the Handlers approached him. Quoted on nearly every page of Vance Packard's The Hidden Persuaders, a bestseller in 1957, Dichter was hailed as a marketing Einstein - an evil Einstein, but an Einstein nonetheless. He pioneered what he called "motivational research," advertising's newest, hippest, and, in Packard's view, scariest trend - the manipulation of deep-seated psychological cravings to sell merchandise. — M.G. Lord

My favorite actress of all times is Bette Davis in Dark Victory. I have seen it six or seven times, and I still cry. — Bettie Page

With twenty six letters, you can create anything you like - any person, any world, any place, any emotion. And they are so potent, so powerful, and at the same time, they're marks on the page, and that's all. There's nothing else to them. — Samantha Harvey

My best times are midnight to six actually. I'll leaf through my notebooks and if something catches my eye and I feel like I want to transfer it from the notebook to the page, I do, and then comes this very strange process which is difficult to describe in that I'll write until I get stuck or I can't go any further or I'm boring myself or whatever and then I might go to another poem. — Rita Dove

When they [visitors to his studio:] learn about the six-week daily-strip deadline and the 12-week Sunday-page deadline, a visitor almost never fails to remark: "Gee, you could work real hard, couldn't you, and get several months ahead and then take the time off?"
Being, as I said, a slow learner, it took me until last year to realize what an odd statement that really is. You don't work all of your life to do something so you don't have to do it. — Charles M. Schulz

DFW: I think there are different people on the page than in real life. I do six to eight drafts of everything that I do. Um, I am probably not the smartest writer going. But I also
and I know, OK, this is gonna fit right into the persona
I work really really hard. I'm really
you give me twenty-four hours? If we'd done this interview through the mail? I could be really really really smart. I'm not all that fast. And I'm really self-conscious. And I get confused really easily. When I'm in a room by myself alone, and have enough time, I can be really really smart. And people are different that way. You know what I mean? I may not
I don't think I'm quite as smart, one-on-one with people, when I'm self-conscious, and I'm really really confused. And it's like, My dream would be for you to write this up, and then to send it to me, and I get to rewrite all my quotes to you. Which of course you'll never do ... — David Lipsky

The guitar to me, from the classical/gut-string guitar right through to Hendrix, et cetera, has all the range [of sound]. Within those six strings it is incredible what one can get sound-wise. It's just down to imagination, really. — Jimmy Page

If I'm very drunk, I can improvise. But generally speaking, no. Generally speaking, almost all of my work is material that was first done on the printed page. And the shorter ones that you might call poems, I had a stretch from '79, '80, for five or six years, where I wrote a lot of poetry as such. Simply because I was asked to. — Richard Meltzer

Kaz reached into his coat pocket. "Here," he said and handed Jesper a slender book with an elaborate cover.
"Are we going to read to each other?"
"Just flip it open to the back."
Jesper opened the book and peered at the last page, puzzled. "So?"
"Hold it up so we don't have to look at your ugly face."
"My face has character. Besides - oh!"
"An excellent read, isn't it?"
"Who knew I had a taste for literature? — Leigh Bardugo

I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out. — Jonathan Levine

Any apparent somewhere which you may inhabit is always at the mercy of a ruthless and omnivorous everywhere. — E. E. Cummings

One guy named Lars was writing a six-hundred-page poem on Hitler's last days in the bunker, written from the viewpoint of Eva Braun's dog. His first reading consisted of ten minutes of barking. "It sets the mood," he explained, and he was correct if that mood was to punch him hard in the face. Natalie's — Harlan Coben

Julian Fellowes doesn't come to the set, except maybe once every six weeks, for whatever reason. He's not a producer, in that sense. But if you write him a one-line question, he'll write you a three-page answer. — Hugh Bonneville

In film, you have the luxury of accomplishing what you need in 24 frames every second. Comics, you only have five or six panels a page to do that. — Brian K. Vaughan

Tick Lu-Tze patiently adjusted a tiny mirror to redirect sunlight more favourably on one of the bonsai mountains. He hummed tunelessly under his breath.
Lobsang, sitting cross-legged on the stones, carefully turned the yellowing pages of the ancient notebook on which was written, in faded ink, 'The Way of Mrs Cosmopilite'.
'Well?' said Lu-Tze.
'The Way has an answer for everything, does it?'
'Yes.'
'Then...' Lobsang nodded at the little volcano, which was gently smoking, 'how does that work? It's on a saucer!'
Lu-Tze stared straight ahead, his lips moving. 'Page seventy-six, I think,' he said.
Lobsang turned to the page. ' "Because", he read. — Terry Pratchett

Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid. — Jimmy Page

Sometimes I think everything I touch turns into a Page Six item. — Jay McInerney

There are six 'Time Warp Trio' books that would take a page each to fully praise. And I just thought up twelve more while I was typing this sentence. — Jon Scieszka

Look under the passenger seat in a black plastic bin. There should be a book."
Raphael hopped out, dug under the seat, and pulled out a dog-eared copy of The Almanac of Mystical Creatures.
"Got it," I said into the phone.
"Page seventy-six."
Raphael flipped the book open and held it up. On the left page a lithograph showed a three-headed dog with a serpent for a tail. The caption under the picture said CERBERUS.
"Is that your dog?" Kate asked.
"Could be. How the heck did you know the exact page?"
"I have perfect memory!"
I snorted.
She sighed into the phone.
"I spilled coffee on that page and had to leave the book open to dry it out. It always opens to that entry now. — Ilona Andrews

The main difference between illustration and comics is that comics are much, much more work. Every comics page is the equivalent of six to nine illustrations. — Molly Crabapple

I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in half, cut the edges to make a little eight-page booklet, break it up into squares and put in little stick men with little speech bubbles, and I'd have a spy story, a space story and a football story. — Ian Rankin

In 1969, 'Life' magazine came up to me and said they wanted to do a little story on the Hobie, and I ended up getting a six-page spread. I remember Robert Redford was on the cover, and when that magazine hit the stands, it was a whole new ballgame. — Hobart Alter

Don't we all discover, at some stage or another that there are some things we'll never get any better at, even though we have no idea why and hardly ever notice it when it happens, even though we may have enjoyed these things and might not have been lagging behind last time we checked? Learning to draw, for instance, was a familiar catastrophe - all of a sudden, unaware, you just stop getting any better at it, your drawings never progress beyond those of a four-year-old or a six-year-old, you're left behind by those who "can draw," condemned to producing flat, doughy figures on the page, with no sense of perspective to them and (this was what really struck me) no resemblance to the outside world: condemned by your ruined self to a shameful childhood. — Jean-Christophe Valtat

I'm not on Page Six, because I don't have anything salacious happening in my life ... unfortunately. — Jesse Eisenberg

Haska - a dim legendary figure of a generation ago, who went back up the mountain and cleared six acres of brush in the tiny valley that took his name. He broke the soil, reared stone walls and a house, and planted apple trees. And already the site of the house is undiscoverable, the location of the stone walls may be deduced from the configuration of the landscape, and I am renewing the battle, putting in angora goats to browse away the brush that has overrun Haska's clearing and choked Haska's apple trees to death. So I, too, scratch the land with my brief endeavour and flash my name across a page of legal script ere I pass and the page grows musty. — Jack London

You ever read an article, and at the bottom, it says, 'Continued on page six'? I'm , 'Not for me. I'm done.' — Jim Gaffigan