Pachner Company Quotes & Sayings

In the evening, the tarantella dancers will come to the hotel; perhaps they'll dance and sing in the courtyard that is dripping with wistaria blooms and pungent with citrus perfumes.
They wear gay costumes, these who sing and dance for us to keep alive the romance of other days; and they are full of that joy in living which seems the gift of these siren shores. — Clara E. Laughlin

The effort to improve the conditions of man, however, is not a task for the few. It is the task of all nations-acting alone, acting in groups, acting in the United Nations, for plague and pestilence, plunder and pollution, the hazards of nature and the hunger of children are the foes of every nation. The earth, the sea and the air are the concern of every nation. And science, technology and education can be the ally of every nation. — John F. Kennedy

What are the stars telling you?" I asked.
Max pushed up on his elbows and pretended to strain his ear toward the sky. "They say...They say...you're allowed to forgive yourself."
I rolled sideways...and he did the same.
"For what?" I asked.
"Living."
"I'm not very good at that," I admitted.
"Well, you kissed someone without flinching. Maybe you're getting better."
"Maybe it's just you."
He didn't argue. — Courtney C. Stevens

I would say that many of the characters in my stories do not live in true poverty - they are not out on the street; they are not wondering if there will be anything to eat in the next week. They are people who are at the lower echelons of the economic strata. — Robin Hobb

I'm not interested in celebrities, with their free dresses. I'm interested in clothes. — Bill Cunningham

Did you eat a lot of paint chips when you were a kid? — Rob Lowe

Habit, if wisely and skillfully formed, becomes truly a second nature; but unskillfully and unmethodically depicted, it will be as it were an ape of nature, which imitates nothing to the life, but only clumsily and awkwardly — Francis Bacon

I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide. — Hirokazu Koreeda