P. Auster Quotes & Sayings

We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment. — Paul Auster

I had made an empirical discovery and it carried all the weight of a mathematical proof. — Paul Auster

It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible. — Paul Auster

Just think it, and chances are it will happen. — Paul Auster

You find the book in the process of doing it. That's the adventure of the job. — Paul Auster

But I know nothing of time. I am new every day. I am born when I wake up in the morning, I grow old during the day, and I die at night when I go to sleep. It is not my fault. And I am doing so well today. I am doing so much better than I have ever done before. — Paul Auster

I see myself as anybody, as everybody; I'm not just telling the story of my life to give the reader a picture of who I am. — Paul Auster

Take a report. It's dry, the sentences are clunky and unfelicitous, they're just conveying information. But it seems to me that if you're fully engaged in a great piece of literature, once you enter the rhythms of the language, which is a kind of music, meanings are being conveyed that you're not fully aware of. They enter into your subconscious. — Paul Auster

Our lives are determined by manifold contingencies,' I said, trying to be as succinct as possible, 'and every day we struggle against these shocks and accidents in order to keep our balance. — Paul Auster

Nobody asks you to do this. The world out there is not panting after another novelist. We choose it. — Paul Auster

There's progress for you. A bigger and better mousetrap every month. Pretty soon, we'll all be able to kill all the mice at the same time. — Paul Auster

Love was not a quantifiable substance. There was always more of it somewhere, and even after one love had been lost, it was by no means impossible to find another. — Paul Auster

Everything can change at any moment, suddenly and forever. — Paul Auster

As long as you continue to travel, the nowhere that lies between the here of home and the there of somewhere else will continue to be one of the places where you live. — Paul Auster

Words tend to last a big longer than things, but eventually they fade too, along with the pictures they once evoked. Entire categories of objects disappear - flowerpots, for example, or cigarette filters, or rubber bands - and for a time you will be able to recognize those words, even if you cannot recall what they mean. But then, little by little, the words become only sounds, a random collection of glottals and fricatives, a storm of whirling phonemes, and finally the whole thing just collapses into gibberish. — Paul Auster

It was a dizzying prospect - to imagine all that freedom, to understand how little it mattered what choice he made. — Paul Auster

In my books, there are a lot of people stuck in rooms. Or, conversely, out in the wide open. It seems that, in a funny way, when people are cooped up in rooms they are freer than when they are wandering about in the world. — Paul Auster

It was one of the most sublimely exhilarating moments of my life. I was half a step in front of the real, an inch or two beyond the confines of my body, and when the thing happened just as I thought it would, I felt my skin had become transparent. I wasn't occupying space anymore so much as melting into it. What was around me was also inside me, and I had only to look into myself in order to see the world. — Paul Auster

I think that's what turns young men and women into writers - the happiness you discover living in books. — Paul Auster

You realize now that she turned to you as a form of consolation, to give her life a meaning and a purpose it was otherwise lacking. You were the beneficiary of her unhappiness, and you were well loved, especially well loved, without question deeply loved. That first of all, that above and beyond everything else there might be to say: she was an ardent and dedicated mother to you during your infancy and early childhood, and whatever is good in you now, whatever strengths you might possess, come from that time before you can remember who you were. — Paul Auster

There it was: a full confession. Sherlock Holmes had done it again, and as I marveled at my devastating powers of deduction, I wished there had been two of me so I could have patted myself on the back. I know it sounds arrogant, but how often does one achieve a mental triumph of that magnitude? After listening to her speak just two words, I had nailed the whole bloody thing. If Watson had been there, he would have been shaking his head and muttering under his breath. — Paul Auster

Poets are everywhere now, but they talk only to each other — Paul Auster

If your only motive is to be loved, to ingratiate yourself with the crowd, you're bound to fall into bad habits, and eventually the public will grow tired of you. You have to keep testing yourself, pushing yourself as hard as you can. You do it for yourself, but in the end it's this struggle to do better that endears you to your fans. — Paul Auster

But if these unavoidable separations cause you a measure of pain, they also increase your longing for her, and perhaps that isn't a bad thing, you decide, for you spend your days in the thrall of breathless anticipation, agitated and alert, counting the hours until you can see her and hold her again. Intense. That is the word you use to describe yourself now. You are intense. Your feelings are intense. Your life has become increasingly intense. — Paul Auster

But it would be wrong to say you were unhappy there, for you had no trouble adjusting to your reduced circumstances, you found it invigorating to learn that you could get by on almost nothing, and as long as you were able to write, it made no difference where or how you lived. — Paul Auster

He knew that his wings could ignite at any moment, but the closer he came to touching the fire, the more he sensed that he was fulfilling his destiny. As he put it in his journal that night: If I mean to save my life, then I have to come within an inch of destroying it. — Paul Auster

Yes. A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. [ ... ] Consider a word that refers to a thing- " umbrella", for example. [ ... ] Not only is an umbrella a thing, it is a thing that performs a function. [ ... ] What happens when a thing no longer performs its function? [ ... ] the umbrella ceases to be an umbrella. It has changed into something else. The word, however, has remained the same. Therefore it can no longer express the thing. — Paul Auster

In fifteen years, Sachs traveled from one end of himself to the other, and by the time he came to that last place, I doubt he even knew who he was anymore. So much distance had been covered by then, it wouldn't have been possible for him to remember where he had begun. — Paul Auster

For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house ... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail. — Paul Auster

Having made films, I know very well that the scope of the average 90- to 120-minute movie is about the same narrative heft as a long short story or a novella. — Paul Auster