Oxidizers Symbol Quotes & Sayings
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Top Oxidizers Symbol Quotes

What Robert was trying to do so intently was, in fact, no more than craft. He did no more than copy my tics and twitches - even to the point of staring at my family portrait, a very personal part of my disguise, for his character research - — Jeff Lindsay

I can do comedy, so people want me to do that, but the other side of comedy is depression. Deep, deep depression is the flip side of comedy. Casting agents don't realize it but in order to be funny you have to have that other side. — Parker Posey

We do not often get to declare victories, Natch, and most of them do not remain victories for very long. Ultimately when you reach my age you realize that victories are temporary, and in all the years of human history there is one final battle which nobody has ever won.Time has a way of changing the terms of your victories over the years, until you begin to wonder precisely what it was you fought for so viciously, so uncompromisingly. You begin to see that victory and defeat are but alternate reflections from the same prism.You see that the measure of a person really might be the integrity with which he fought his battles and not their ultimate dispensation, just like your elders have been telling you all along. — David Louis Edelman

Sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter of an inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky. — Nicole Krauss

Having spent alarmingly large chunks of my life studying the white side of the Open Sicilian, I find myself asking, why did I bother? — Daniel J. King

I had years of partying, and I was kind of surprised and happy I survived it all. Now, being a parent, I look back on it thinking, Oh God, the things you did! — Jeff Bridges

Such afternoons the buses are crowded into line like elephants in a circusparade. Morningside Heights to Washington Square, Penn Station to Grant's Tomb. Parlorsnakes and flappers joggle hugging downtown uptown, hug joggling gray square after gray square, until they see the new moon giggling over Weehawken and feel the gusty wind of a dead Sunday blowing dust in their faces, dust of a typsy twilight. — John Dos Passos

But now the problem of the causa-sui project of the genius. In the normal Oedipal project the person internalizes the parents and the superego they embody, that is, the culture at large. But the genius cannot do this because his project is unique; it cannot be filled up by the parents or the culture. It is created specifically by a renunciation of the parents, a renunciation of what they represent and even of their own concrete persons-at least in fantasy-as there doesn't seem to be anything in them that has caused the genius. Here we see whence the genius gets his extra burden of guilt: he has renounced the father both spiritually and physically. This act gives him extra anxiety because now he is vulnerable in his turn, as he has no one to stand on. He is alone in his freedom. Guilt is a function of fear, as Rank said. — Ernest Becker

Get up from that piano. You hurtin' its feelings. — Jelly Roll Morton