Over Polished Quotes & Sayings

Her voice was polished with a hint of a New England-boarding-school accent that shouted refinement over geographic locale. I was trying not to stare. She saw that and smiled a little. I don't want to sound like some kind of pervert because it wasn't like that. Femal beauty gets to me. I don't think I'm alone in that. It gets to me like a work of art gets to me. It gets to me like a Rembrandt or Michelangelo. It gets to me like night views of Paris or when the sun rises on the Grand Canyon or sets in the turquoise Arizona sky. My thoughts were not illicit. Ther were, I self-rationalized, rather artistic. — Harlan Coben

Then the house had been boldly planned with a ball-room, so that, instead of squeezing through a narrow passage to get to it (as at the Chiverses') one marched solemnly down a vista of enfiladed drawing-rooms (the sea-green, the crimson and the bouton d'or), seeing from afar the many-candled lustres reflected in the polished parquetry, and beyond that the depths of a conservatory where camellias and tree-ferns arched their costly foliage over seats of black and gold bamboo. — Edith Wharton

He dresses himself in tight black jeans, Amoco shirt, and polished cowboy boots. His profile sharp as a jackknife, mirror shades throwing back the world, Ben walks hard into town. No one sees him pass. The sky over his head seems to hide the man. He is New Harmony's secret messiah. A small apocalypse lives in his limbs. — Paul Jaskunas

Most of us live our lives desperately trying to conceal the anguishing gap between our polished, aspirational, representational selves and our real, human, deeply flawed selves. Dunham lives hers in that gap, welcomes the rest of the world into it with boundless openheartedness, and writes about it with the kind of profound self-awareness and self-compassion that invite us to inhabit our own gaps and maybe even embrace them a little bit more, anguish over them a little bit less. — Maria Popova

Long friendships are like jewels, polished over time to become beautiful and enduring. — Celia Brayfield

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks 'modern'; ergo, Japan is supremely modern. — Alex Kerr

JACKSON'S DARK BROWN HAIR curled up on his shirt collar. Black lashes and heavy brows framed his blue eyes. A few crow's-feet around his eyes were the only sign that he'd just passed his fortieth birthday and they were minimized in the dim restaurant lights. His jeans were creased and stacked up over his highly polished black boots just the right way. Waitresses stopped what they were doing and gazed at him over their shoulders as he passed. Their — Carolyn Brown

To honour its first creation, no sound was permitted within the home of Muse for a full year, no sound save that of its Art: the slow, crisp, click of polished brass gears, the sensual hiss of pneumatic release, the insidious sibilance and decisive thud of a withdrawing and thrusting piston, and the soft groan of the boy held within the cube as each rod ran him through, over and over and over.
Powered by this action, the music box played.
Ashes, ashes, we all fall down...
And another piston rammed home.
A mechanism of intricate complexity exchanging great pain for a little beauty. This, here, then, was Life.
Muse was fulfilled. — Cameron Rogers

The second episode of any new show can be tough. You have about a week to top the well-crafted and polished pilot episode that was written over six months. — Michael Patrick King

The Albion was a spacious pub, built in the days when a public house with any pretensions to gentility had to have fourteen foot ceilings, brass taps and a polished wooden bar you skate down ... Bert, in his reflective moments, considered that if heaven didn't have a well-appointed pub where a man could sit down over a beer for a yarn with the other angels, then he didn't want to go there. — Kerry Greenwood

Often we can achieve an even better result when we stumble yet are willing to start over, when we don't give up after a mistake, when something doesn't come easily but we throw ourselves into trying, when we're not afraid to appear less than perfectly polished. — Sharon Salzberg

Perfectly coiffed, every seam pressed, and just the right break of the trousers over his freshly polished wingtips. But it's the tilt of his head and the purpose in his stride that makes him look like he belongs. — LeAnne Burnett Morse

Sebastian tapped his index finger on the polished wood thoughtfully. Yes, it was a universal truth: some things once broken were broken forever - like trust. It might be patched up and smoothed over, but it would always be the thing that had once been shattered. — Carol Oates

Unix is not so much a product as it is a painstakingly compiled oral history of the hacker subculture. It is our Gilgamesh epic: a living body of narrative that many people know by heart, and tell over and over again - making their own personal embellishments whenever it strikes their fancy. The bad embellishments are shouted down, the good ones picked up by others, polished, improved, and, over time, incorporated into the story. [ ... ] Thus Unix has slowly accreted around a simple kernel and acquired a kind of complexity and asymmetry about it that is organic, like the roots of a tree, or the branchings of a coronary artery. Understanding it is more like anatomy than physics. — Neal Stephenson

I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean. — William Hjortsberg

Oh, yes, Alice did know that she forgot things, but not how badly, or how often. When her mind started to dazzle and to puzzle, frantically trying to lay hold of something stable, then she always at once allowed herself
as she did now
to slide back into her childhood, where she dwelt pleasurably on some scene or other that she had smoothed and polished and painted over and over again with fresh colour until it was like walking into a story that began, 'Once upon a time there was a little girl called Alice, with her mother, Dorothy. One morning Alice was in the kitchen with Dorothy, who was making her favourite pudding, apple with cinnamon and brown sugar and sour cream, and little Alice said, 'Mummy, I am a good girl, aren't I? — Doris Lessing

The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders.
("The Candy Skull") — Ray Bradbury

Lucy preferred gin and tonics during the summer and switched over to whiskey sours in the winter. At dinner, a sit-down affair with the family, Lucy drank whatever the Temerlins drank, including expensive French wines. "She never gets obnoxious, even when smashed to the brink of unconsciousness," wrote Maurice, revealing more about the chimp's alcoholism than perhaps he intended. At one point, he tried to wean Lucy off the good stuff and onto Boone's Farm apple wine. Assuming she would delight in the fruity swill, he purchased a case and filled her glass one night at dinner. Lucy took a sip of the apple wine, noticed her parents were drinking something else, and put her glass down. She then graabbed Maurice's glass of Chablis and polished it off. She finished Jane's next. Not another sip of Boone's farm ever touched her lips. — Elizabeth Hess

The chief advantage which these fictions have over real life is, that their authors are at liberty, though not to invent, yet to select objects, and to cull from the mass of mankind, those individuals upon which the attention ought most to be employed; as a diamond, though it cannot be made, may be polished by art, and placed in such a situation, as to display that luster which before was buried among common stones. — Samuel Johnson

Sometimes after dinner, he would walk into the woods that began behind the house. He would stretch down on the ground on his stomach, his elbows, planted before him, his hands propping his chin and he would watch the patterns of veins on the green blades of grass under his face, he would blow at them and watch the blades tremble then stop again. He would roll over on his back and lie still, feeling the warmth of the earth under him. Far above, the leaves were still green as if the color were condensed in the last effort before the dusk coming to dissolve it. The leaves hung without motion against a sky of polished lemon yellow, its luminous pallor emphasized that its light was failing. He pressed his hips, his back into the earth under him, the earth resisted, but it gave way; it was a silent victory; he felt a dim, sensuous pleasure in the muscles of his legs. — Ayn Rand

God gives us these raw, little people, and we have to form them and mold them and teach them how to operate in society. And if we get a glimpse of all the ugliness that lies right beneath our own polished surface? Well, then, there's a humbling lesson too. It's those moments when I realize I have to extend grace to Caroline as she figures these things out by trial and error in the same way God lavishes me with mercy, even as I make the same mistakes over and over again. — Melanie Shankle

The sunlight slipped over the polished leaves. — Oscar Wilde

Then the old man got to cussing, and cussed everything and everybody he could think of, and then cussed them all over again to make sure he hadn't skipped any, and after that he polished off with a kind of a general cuss all round, including a considerable parcel of people which he didn't know the names of, and so called them what's-his-name, when he got to them, and went right along with his cussing. — Mark Twain

Hi, Dean," Allie says breathlessly.
"Hey, Allie." His voice is like hot water sliding over a polished floor. "How's that boyfriend of yours treating you?"
Allie smiles, her face getting a little pink. "Really well, thanks."
"Good." Dean reaches out to give my long ponytail a gentle tug. "And how's that husband of yours treating you, Liv?"
I meet his gaze, my heart thumping at the potent combi- nation of heat and tenderness in his eyes. "He does all right."
"Guess he'd better work harder, huh?"
"Couldn't hurt."
"God, you two. Get a room." Allie fans herself with a magazine and rolls her eyes. — Nina Lane

It came as a gift. A large gray bird flew up with a loud alarm call as he approached. As it gained height and wheeled away over the valley, it gave out a piping sound on three notes, which he recognized as the inversion of a line he had already scored for a piccolo. How elegant, how simple. Turning the sequence round opened up the idea of a plain and beautiful song in common time, which he could almost hear. But not quite. An image came to him of a set of unfolding steps, sliding and descending-from the trap door of a loft, or from the door of a light plane. One note lay over and suggested the next. He heard it, he had it, and then it was gone. There was a glow of a tantalizing afterimage and the fading call of a sad little tune ... These notes were perfectly interdependent, little polished hinges swinging the melody through its perfect arc. He could almost hear it again as he reached the top of the angled rock slab and paused to reach into his pocket for notebook and pencil. — Steven Pinker

Bill was buying shoe-shines for Mike. Bootblacks opened the street door and each one Bill called over and started to work on Mike. "This is the eleventh time my boots have been polished," Mike said. "I say, Bill is an ass. — Ernest Hemingway,

Today
Today I am not in my skin. My body cannot contain me. I am spilling out and over, like a rogue wave on the shore. Today I can't keep myself from feeling like I don't have a friend in the world. And no matter how hard I try, I can't seem to pick myself up off the floor. My demons are lying in wait, they are grinning in the shadows, their polished fangs glinting, knowing today, it will be an easy kill. But tomorrow, tomorrow could be different, and that is what keeps me going today. — Lang Leav

Ronan wasn't exactly sure why he was angry. Although Gansey had done nothing to invoke his ire, he was definitely part of the problem. Currently, he propped his cell between ear and shoulder as he eyed a pair of plastic plates printed with smiling tomatoes. His unbuttoned collar revealed a good bit of his collarbone. No one could deny that Gansey was a glorious portrait of youth, the well-tended product of a fortunate and moneyed pairing. Ordinarily, he was so polished that it was bearable, though, because he was clearly not the same species as Ronan's rough-and-ready family. But tonight, under the fluorescent lights of Dollar City, Gansey's hair was scuffed and his cargo shorts were a greasy ruin from mucking over the Pig. He was barelegged and sockless in his Top-Siders and very clearly a real human, an attainable human, and this, somehow, made Ronan want to smash his fist through a wall. — Maggie Stiefvater

I though about what death is, what a loss is. A sharp pain that lessens with time, but can never quite heal over. A scar. The idea occurred to me there on the site. Take a knife and cut open the earth, and with time the grass would heal it. As if you cut open the rock and polished it. — Maya Lin

There is this certain rawness of soul that puts the polished ones on edge. Some of us just step out and the sunlight illuminates our bones, nerves, veins, cells! And that's just it, we're just like that! Then the others are tinted, polished, honed and well-contemplated; when they see you walk in and they can see all of your bones, even the tiniest ones, illuminated and outlined by the sunlight, it makes them feel shaded-in, it makes them feel hidden, it makes them turn their faces away. The way you bleed yourself all over the lines just makes it too uncomfortable for them, I guess. — C. JoyBell C.

She raises her arms in an effort to hook at the nape of her neck a gown of black veiling. She cannot: no, she cannot. She moves backwards towards me mutely. I raise my arms to help her: her arms fall. I hold the websoft edges of her gown and drawing them out to hook them I see through the opening of the black veil her lithe body sheathed in an orange shift. It slips its ribbons of moorings at her shoulders and falls slowly: a lithe smooth naked body shimmering with silvery scales. It slips slowly over the slender buttocks of smooth polished silver and over their furrow, a tarnished silver shadow.... Fingers, cold and calm and moving.... A touch, a touch. — James Joyce

One weekend it rained for 48 hours without stopping. The rain beat like bony fingers against the window panes. Tap. Tap. Tap. Tap. Tap. Fungus was growing on the walls. I polished off a bottle of gin sitting huddled over the two-bar electric fire and wrote a poem, one of the few that has lasted through the moves and the years. It is called 'Where Can I Go?'
If this is not the place where tears are understood where do I go to cry?
If this is not the place where my spirits can take wing where do I go to fly?
If this is not the place where my feelings can be heard where do I go to speak?
If this is not the place where you'll accept me as I am where can I go to be me?
If this is not the place where I can try and learn and grow where can I go to laugh and cry? — Alice Jamieson

Perhaps, after all, our best thoughts come when we are alone. It is good to listen, not to voices but to the wind blowing, to the brook running cool over polished stones, to bees drowsy with the weight of pollen. If we attend to the music of the earth, we reach serenity. And then, in some unexplained way, we share it with others. — Gladys Taber

When people hurt you over and over, think of them like sand paper. They may scratch and hurt you a bit, but in the end, you end up polished and they end up useless. — Chris Colfer

Other priests, he knew, found an intense pleasure in the raw, salty dialect of peasant conversation. They picked up pearls of wisdom and experience over a farmhouse table or a cup of wine in a workingman's kitchen. They talked with equal familiarity to the rough-tongued whores of Trastevere and the polished signori of Parioli. They enjoyed the ribald humor of the fish market as much as the wit of a Cardinal's dinner table. They were good priests too, and they did much good for their people, with a singular satisfaction to themselves. — Morris L. West

It was a small tortoise with Julia's initials set in diamonds in the living shell, and this slightly obscene object, now slipping impotently on the polished boards, now striding across the card-table, now lumbering over a rug, now withdrawn at a touch, now stretching its neck and swaying its withered, antediluvian head, became a memorable part of the evening, one of those needlehooks of experience which catch the attention when larger matters are at stake. — Evelyn Waugh

Does it hurt here?" he asked, his fingers slipping over the swollen entrance of her sex.
"A little." She leaned back against his arm, her head lolling on the polished wooden rim of the huge porcelain bathtub.
Nick kneaded lightly with his fingertips, as if he could heal her with his touch. "I tried to be gentle."
"You were," she managed to say, her thighs floating apart.
Nick's thick lashes lowered as he stared at the shimmering blur of her body beneath the water. His handsome features were carved with such severity that his face could have been molded from bronze. The edge of his rolled-up sleeve dragged in the water, the velvet turning hot and sodden.
"I won't ever hurt you again," he said. "That's a promise. — Lisa Kleypas

O Light Invisible, we praise Thee!
Too bright for mortal vision.
O Greater Light, we praise Thee for the less;
The eastern light our spires touch at morning,
The light that slants upon our western doors at evening,
The twilight over stagnant pools at batflight,
Moon light and star light, owl and moth light,
Glow-worm glowlight on a grassblade.
O Light Invisible, we worship Thee!
We thank Thee for the light that we have kindled,
The light of altar and of sanctuary;
Small lights of those who meditate at midnight
And lights directed through the coloured panes of windows
And light reflected from the polished stone,
The gilded carven wood, the coloured fresco.
Our gaze is submarine, our eyes look upward
And see the light that fractures through unquiet water.
We see the light but see not whence it comes.
O Light Invisible, we glorify Thee! — T. S. Eliot

All political power is primarily an illusion. Illusion. Mirrors and blue smoke, beautiful blue smoke rolling over the surface of highly polished mirrors, first a thin veil of blue smoke, then a thick cloud that suddenly dissolves into wisps of blue smoke, the mirrors catching it all, bouncing it back and forth. — Jimmy Breslin

In the meantime the strike is over, with a remarkably low loss of life. All is quiet, they report, all is quiet.
In the deserted harbour there is yet water that laps against the quays. In the dark and silent forest there is a leaf that falls. Behind the polished panelling the white ant eats away the wood. Nothing is ever quiet, except for fools. — Alan Paton

He turned his back on his mother, but the dead battlefield surrounded him on everyside. Deliberately scuffing his polished shoes, he kicked the cartridge cases at the sleeping soldiers.
I cupped my hands over my ears, trying to catch the sound that would wake them. — J.G. Ballard

It's better to consider someone as Sandpaper who has hurt you over and over.. In spite of all the scratches and pain, you'll be all shiny and polished while they'll end up useless.. — Anonymous

I came all prepared for a lapis show-and-tell, but you know more about it than I do." ...
Lindsey gave him a pleading look and brushed her fingertips over the back of his hand, sending tingles up his arm. "Show me." ...
"When it's cut and polished like this, it practically glows. Golden specks of pyrite dance across the blue, like stars in a denim sky. — Tracy March

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

A thin, polished woman walks in. She sticks out immediately in her expensive looking navy dress, shiny bag and shoes that probably cost more than I make in a month. My breath leaves me when I see that her arm is draped around a younger version of herself. That hair, it's pulled back way too tight now, but I'd run my hands through it a thousand times before. That face, now in layer of makeup that makes her look older than I remember, I'd held it in my calloused hands and kissed those lips goodbye over a year ago. She said she'd never see me again and I learned to accept that. She destroyed me, and I'd moved on.
No. Not her. She's not from here anymore. I don't know who that person is anymore. — Jolene Perry

As the sky behind the Eddy Match Factory across the river filled with light, the steady timbre of the water and rapids became sentences spoken in a soft female voice and Eileen accepted, without surprise, the presence of her mother's lost words. So this is what it is to be away, her mother's voice told her. You are never present where you stand. You see the polished dishes in your kitchen cupboard throwing back the hearth light, but they know neither you nor the meals you have taken from their surfaces. Your flagstones are a series of dark lakes that you scour, and the light that touches and alters them sends you unspeakable messages. Waves arch like mantles over everything that burns. Each corner is a secret and your history is a lie. — Jane Urquhart