Quotes & Sayings About Outer Banks

Humans need each other for equilibrium and support. But writers must pull aside to take a quiet walk alone, not just for the sake of serenity but to hear the Voice inside. That is how the storyteller connects with with others--listen, write, share. — Patricia Hickman

To all the ships at sea, and all the ports of call. To my family and to all friends and strangers. This is a message, and a prayer. The message is that my travels taught me a great truth. I already had what everyone is searching for and few ever find. The one person in the world who I was born to love forever. A person, like me, of the outer banks and the blue Atlantic mystery. A person rich in simple treasures. Self-made. Self-taught. A harbor where I am forever home. And no wind, or trouble or even a little death can knock down this house. The prayer is that everyone in the world can know this kind of love and be healed by it. If my prayer is heard, there will be an erasing of all guilt and all regret and an end to all anger. Please, God. Amen. — Nicholas Sparks

Others as well had come to see them as more than mere eccentrics. Life on the Outer Banks was harsh. Making ends meet was a constant struggle. Hard workers were greatly admired and in the words of John T. Daniels, the Wrights were "two of the workingest boys" ever seen, "and when they worked, they worked. . . . They had their whole heart and soul in what they were doing. — David McCullough

While writing the first draft is an exercise in shutting down all of the things we think we know so that the story features come tumbling out, the revision is the end of the joy ride. We pull on the gloves and sort of poke around inside the body. Is that a tumor? Will that limb need amputation? I nearly second-guessed myself into heart failure while learning to self-edit. — Patricia Hickman

The confessional writer will treat her story like a wailing wall. She kneels, and her story spills out, messy, improper. It isn't a protest or even graffiti, but her story is an offering of things that she overlooked or notices that others have overlooked. She is in danger of exposure but she remembers when she lived in hiding and that was worse. She cannot turn back now because this is how life has spun out of her, part vexing passage and part prayer. — Patricia Hickman

The central character is an incomplete package of yearning that takes the length of the novel to complete. Completion, though, is not to be confused with perfection. — Patricia Hickman

Facing the sagging middle when writing a novel, while inevitable, may be
overcome by pre-planning. I divide my collection of proposed scenes into three acts, each scene inciting tension that builds toward the final crisis in Act Three. If by Act Two the emotional river isn't spilling over the banks, I reassess the plot so that once the writing is flowing I don't slide into a dry creek. The central character should be struggling to navigate life well into the end of Act One, even if her fiercest antagonist is only from within. — Patricia Hickman

The Graveyard of the Atlantic exhibit reflects the aquarium's proximity to the state's Outer Banks, where thousands of ships have run aground over the centuries. Divers in the exhibit carry on a conversation with visitors outside the tank. — John Grant

Because of sorrow, my awareness of life's pulse is strongly detectable. It is syncopation while I journey, a lap of ocean in the eyes of every person I meet. This awareness informs the flesh of my stories. Grief has been an odd companion, at first a terror, but now I am all the better having accepted it for its intrinsic worth. — Patricia Hickman

The change from the crowded, stifling hot, noisy confines of the workspace at Dayton to the open reaches of sea and sky on the Outer Banks could hardly have been greater or more welcome. They loved Kitty Hawk. "Every year adds to our comprehension of the wonders of this place," wrote Orville to Katharine soon after arrival. — David McCullough

And so I sit on the dunes in my carefully mismatched clothes, hour after hour, day after day, frozen in my looking back. 'Do not look behind you...lest you be swept away.' That is what scripture say. Only there is nowhere for me to look but back. No future. No redemption. Like Lot's wife, I am turned to salt, my tired eyes trained on the blue-gray horizon, where sea meets sky, where my yesterday's met my tomorrows, a ragtag eccentric, watching and waiting for something that never comes. — Barbara Davis

The Cop. She has a steel grid in front of her mind, and for anything in the outer world to reach her it first has to squeeze through the bars of that grid. Information has to be broken into small cubes; information and data packaged in two-dimensional squares are preferable to three-dimensional cubes however: they pass through the grid more quickly and once they reach the Cop's mind take up less space there. — Russell Banks

Yes. Kissing. Overrated."
"I could change your mind," Zach said, surprising the hell out of them both. Why would he take something as simple as this banter as a challenge? "I don't know that I want to, but I feel right sure I could."
"How arrogant. How typically male."
"I suppose." He shrugged and reached for the wine bottle. "More?"
She nodded, frowning now. "How do you know you could change my mind? It's been a long time since you ... well - "
"Over two years." The pain was there, an ache in his chest he imagined he would feel every time he thought of Hannah.
And he thought of her every day. Dreamed of her about as often. But lately, maybe only in the past week, he'd begun to realize that his life had not ended with his wife's.
He either had to die or start living again. — Tracy Sumner

Self-love has very little to do with how you feel about your outer self. It's about accepting all of yourself. — Tyra Banks

I started out hoping to remind people at some point in the novel that we should be loving and kind. But then the theme usurped my life, spilling over into my novels until love was no longer a small voice, but now my purpose as a writer. — Patricia Hickman

The conflict each day is whether to immerse in books or writing. I can't do one without the other, but I can't do both at the same time. It is the writer's paradox. — Patricia Hickman

Words had failed us that night, and I'd welcomed the silence. Words had escaped me the next morning as well but in a different way, when I came to realize that I was married to a fisherman for the rest of my days."--Abigail Whimble, Return to the Outer Banks House — Diann Ducharme

The tide, you see, is a fickle thing: stealing in, sliding away, always, always turning. She comes when you're not looking, a silent, liquid thief, only to rush away again, retreating from the shore like a coward. She gives sometimes too, though in fleeting, unexpected moments, yielding up her treasures and her dead--but never, ever her secrets. — Barbara Davis

What had transpired that day in 1903, in the stiff winds and cold of the Outer Banks in less than two hours time, was one of the turning points in history, the beginning of change for the world far greater than any of those present could possibly have imagined. With their homemade machine, Wilbur and Orville Wright had shown without a doubt that man could fly and if the world did not yet know it, they did. Their flights that morning were the first ever in which a piloted machine took off under its own power into the air in full flight, sailed forward with no loss of speed, and landed at a point as high as that from which it started. — David McCullough