Original Poem Quotes & Sayings

Unforgettable
Poets should not be loyal to poets,
but to poems.
Even less enamored of the poem
than of the line.
Pledge their fealty not as much to a line
as to its original image,
For it is that indelible image
makes the line,
which makes poem,
which makes the poet
unforgettable. — Beryl Dov

What is the use of being exquisite if you are not seen by the best judges? — George Eliot

All the translations of a poem in all possible languages may add nuance to nuance and, by a kind of mutual retouching, by correcting one another, may give an increasingly faithful picture of the poem they translate, yet they will never give the inner meaning of the original. — Henri Bergson

They questioned us but they were polite because we had passports and money. I do not think they believed a word of the story and I thought it was silly but it was like a law-court. You did not want something reasonable, you wanted something technical and then stuck to it without explanations. — Ernest Hemingway,

The poem is a form of texting ... it's the original text. It's a perfecting of a feeling in language - it's a way of saying more with less, just as texting is. — Carol Ann Duffy

Two opposing forces inhabit the poem: one of elevation or up-rooting, which pulls the word from the language: the other of gravity, which makes it return. The poem is an original and unique creation, but it is also reading and recitation: participation. The poet creates it; the people, by recitation, re-create it. Poet and reader are two moments of a single reality. — Octavio Paz

The Odyssey is, indeed, one of the greatest of all stories, it is the original romance of the West; but the Iliad, though a magnificent poem, is not much of a story. — George Saintsbury

In the original novel [ Anthem], the story unfolds in the mind of a single character. Maybe that's why Ayn Rand called the work a poem. — Jeff Britting

Solitude favors the original, the daringly and otherworldly beautiful, the poem. But it also favors the wrongful, the extreme, the absurd, and the forbidden. — Thomas Mann

The art of poetry consists in taking the poem through draft after draft, without losing its inspirational magic: he removes everything irrelevant or distracting, and tightens up what is left. Lazy poets never carry their early drafts far enough: some even believe that virtue lies in the original doodle scrawled on the back of an envelope. — Robert Graves

In the infancy of society every author is necessarily a poet, because language itself is poetry; and to be a poet is to apprehend the true and the beautiful, in a word, the good which exists in the relation, subsisting, first between existence and perception, and secondly between perception and expression. Every original language near to its source is in itself the chaos of a cyclic poem: the copiousness of lexicography and the distinctions of grammar are the works of a later age, and are merely the catalogue and the form of the creations of poetry. — Percy Bysshe Shelley

Take a newspaper.
Take some scissors.
Choose from this paper an article of the length you want to make your poem.
Cut out the article.
Next carefully cut out each of the words that makes up this article and put them all in a bag.
Shake gently.
Next take out each cutting one after the other.
Copy conscientiously in the order in which they left the bag.
The poem will resemble you.
And there you are -- an infinitely original author of charming sensibility, even though unappreciated by the vulgar herd. — Tristan Tzara

What a poem means is as much what it means to others as what it means to the author; and indeed, in the course of time a poet may become merely reader in respect to his own works, forgetting his original meaning. — T. S. Eliot

Heaven, we were all going direct the other way - in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. — Charles Dickens

The good news that Jesus announced, like the good news that his first followers announced about him, was not a piece of advice, however good. It was about something that had happened, about something that would happen as a result, and about the new moment between those two, the moment in which people were in fact living, whether they realized it or not. — N. T. Wright

Often the best gifts we can give each other cost nothing. — Russ Ramsey

Pearl introduces an original story, in a form which was to become one of the most frequent in mediaeval literature, the dream-vision. Authors like Chaucer and Langland use this form, in which the narrator describes another world - usually a heavenly paradise - which is compared with the earthly human world. In Pearl, the narrator sees his daughter who died in infancy, 'the ground of all my bliss'. She now has a kind of perfect knowledge, which her father can never comprehend. The whole poem underlines the divide between human comprehension and perfection; these lines show the gap between possible perfection and fallen humanity which, thematically, anticipate many literary examinations of man's fall, the most well known being Milton's late Renaissance epic, Paradise Lost. — Ronald Carter

If the black vote does not come out in big numbers in the age of Ferguson and voter ID, it will empower our adversaries and enhance our marginalization. — Al Sharpton

After she had gone through most of the songs she knew, she sang an old one that she said she had written herself. I'd love to cook a stew for you But I have no pot. I'd love to knit a scarf for you But I have no wool. I'd love to write a poem for you But I have no pen. "It's called 'I Have Nothing,'" Midori announced. It was a truly terrible song, both words and music. I listened to this musical mess with thoughts of how the house would blow apart in the explosion if the gas station caught fire. Tired of singing, Midori put her guitar down and slumped against my shoulder like a cat in the sun. "How did you like my song?" she asked. I answered cautiously, "It was unique and original and very expressive of your personality." "Thanks," she said. "The theme is that I have nothing." "Yeah, I kinda thought so. — Haruki Murakami

Nowadays we are fond of literal translations ... That would have seemed a crime to translators in ages past ... They wanted to prove that the vernacular was as capable of a great poem as the original. — Jorge Luis Borges

I am more touched, still, that you are trying to understand - through rational thought - that which cannot be understood at all. The divine, as Boehme said, is unground, unfathomable, something outside the world as we experience it. But this is a difference of our minds, dearest one. I wish to arrive on wings, while you advance steadily on foot, magnifying glass in hand. I am a smattering wanderer, seeking God within the outer contours, searching for a new way of knowing. You stand upon the ground, and consider the evidence inch by inch. Your way is more rational and more methodical, but I cannot change my way. — Elizabeth Gilbert

His poem is like a play in a room through the windows of which a distant view can be seen over a large part of the English traditions about the world of their original home. (Tolkien on the author of Beowulf) — J.R.R. Tolkien

I wanted to say, with as much sarcasm as I could put into my voice, "Sir, your poem is both original and interesting, but the part that is interesting is not original, and the part that is original is not interesting." But all I said was, "Not bad, you need to work on it some more. — Helon Habila

What do you think of when you think of mourning?' Jenny asks.
The question snaps me back to attention. I answer without really thinking. "I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.'
'I don't know it.'
'It's a poem.'
'I gathered.'
'I'm just clarifying. It's not a blues album.'
Jenny ignores my swipe at her intelligence.
'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'
I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?
'Why do you thin of that poem in particular?'
"Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.'
I learned the poem in college and it stuck. — Steven Rowley

The Bible says, "We are God's workmanship, created in Christ Jesus to do good works."1 Our English word poem comes from the Greek word translated "workmanship." You are God's handcrafted work of art. You are not an assembly-line product, mass produced without thought. You are a custom-designed, one-of-a-kind, original masterpiece. — Rick Warren

One must face the fact that all the talk about His
love for men, and His service being perfect freedom, is not (as one would gladly believe) mere propaganda,
but an appalling truth. He really does want to fill the universe with a lot of loathsome little replicas of
Himself - creatures, whose life, on its miniature scale, will be qualitatively like His own, not because He has
absorbed them but because their wills freely conform to His. We want cattle who can finally become food;
(2) He wants servants who can finally become sons. We want to suck in, He wants to give out. We are
empty and would be filled; He is full and flows over. Our war aim is a world in which Our Father Below has
drawn all other beings into himself: the Enemy wants a world full of beings united to Him but still distinct. — C.S. Lewis

Yoko [Ono] was showing me some of these Haiku in the original. The difference between them and Long fellow is immense. Instead of a long flowery poem the Haiku would say 'Yellow flower in white bowl on wooden table' which gives you the whole picture. — John Lennon

In a poem, melody, or picture, we are forced with a mystery: quality in the metaphysical sense of the word. How could the difference between an original painting and its copy be explained by means of quantity? The original possesses the quality of beauty and 'every copy is ugly'. The difference does not arise from the fact that something has been added or taken away from the copy in the quantitative sense of the word; it lies in the personal touch between the artist and the work of art. Quality can only be 'in touch' with a personality. — Alija Izetbegovic

Somebody needs to be in charge! They may not always like what you're doing,
but press on! — Deborah L. Parker

That is the substance of remembering - sense, sight, smell: the muscles with which we see and hear and feel not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less; and its resultant sum is usually incorrect and false and worthy only of the name of dream. — William Faulkner

My love has eyes blue as the sky.
Her warm, bright smile makes me want to try
To give her the world,
And when she's curled
Up in my arms where I can feel her touch,
I realize again that I love her so much.
My world has turned from black to white.
Kissing in starlight, basking in sunlight, dancing at midnight.'
~John's poem for Belle — Julia Quinn

I love playing with a full band, but there's just like a different feeling up on stage when you're playing with a smaller group. It's easier to play off each other. — Kris Allen

Edwards's stark presentation of the immanent consciousness of Separation enters the structure of her poems. Each word is a cipher, through its sensible sign another sign hidden. The recipient of a letter, or combination of letter and poem from Emily Dickinson, was forced much like Edwards' listening congregation, through shock and through subtraction of the ordinary, to a new way of perceiving. Subject and object were fused at that moment, into the immediate feeling of understanding. This re-ordering of the forward process of reading is what makes her poetry and the prose of her letters among the most original writing of her century. — Susan Howe

Thus Dante's motto over Inferno applies with equal force to marriage. Ye who enter here leave all hope behind. — Emma Goldman

The term 'epitaph' itself means 'something to be spoken at a burial or engraved upon a tomb.' When an epitaph is a poem written for a tomb, and appears in a book, we are aware that we are not reading it in its proper form: we are reading a reproduction. The original of the epitaph is the tomb itself, with its words cut into the stone. — James Fenton

Sidney remembered how strikingly original the poem was. For George Herbert, the time we spend on earth is not all too brief and transient but too long: because it detains human beings from a life outside time and with God. — James Runcie