Organische Architectuur Quotes & Sayings

It takes courage, motivation, discipline, and persistence to get out of comfort zone. — Pearl Zhu

The tarantula scrambles faster, certain that he will make it across. Certain of his extraordinary speed. Crunch. — Nnedi Okorafor

I used to think masturbation was not really sex because it only involved me. That's a very limited view of human sexuality, and it isn't going to work for women. — Betty Dodson

I believe that mycelium is the neurological network of nature. Interlacing mosaics of mycelium infuse habitats with information-sharing membranes. These membranes are aware, react to change, and collectively have the long-term health of the host environment in mind. The mycelium stays in constant molecular communication with its environment, devising diverse enzymatic and chemical responses to complex challenges. — Paul Stamets

Did you know that many non-organic foods today have up to 50% fewer vitamins and minerals than the food your grandparents ate? — Lynda Goldman

Any effort that has self-glorification as its final endpoint is bound to end in disaster. — Robert M. Pirsig

There seems little or no hope for the adult writer who produces sentences like these: "Her cheeks were thick and smooth and held a healthy natural red color. The heavy lines under them, her jowls, extended to the intersection of her lips and gave her a thick-lipped frown most of the time." The phrase "Her cheeks were thick and smooth" is normal English, but "[Her cheeks] held a healthy natural red color" is elevated, pseudo-poetic. The word "held" faintly hints at personification of "cheeks," and "healthy natural red color" is clunky, stilted, slightly bookish. The second sentence contains similar mistakes. The diction level of "extended to the intersection of her lips" is high and formal, in ferocious conflict with the end of the sentence, which plunges to the colloquial "most of the time. — John Gardner

I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film. — Kim Longinotto