Quotes & Sayings About Ordinary Objects
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Top Ordinary Objects Quotes

Imagine that we are sitting in an ordinary room. Suddenly we are told that there is a corpse behind the door. In an instant the room we are sitting in is completely altered; everything in it has taken on another look; the light, the atmosphere have changed, though they are physically the same. This is because we have changed and the objects are as we conceive them. That is the effect I want to get in my film. — Carl Theodor Dreyer

Poems come from ordinary experiences and objects, I think. Out of memory - a dress I lent my daughter on her way back to college; a newspaper photograph of war; a breast self-exam; the tooth fairy; Calvinist parents who beat up their children; a gesture of love; seeing oneself naked over age 50 in a set of bright hotel bathroom mirrors. — Sharon Olds

The powers delegated by the proposed Constitution to the federal government are few and defined. Those which are to remain in the State governments are numerous and indefinite. The former will be exercised principally on external objects, as war, peace, negotiation and foreign commerce ... The powers reserved to the several States will extend to all the objects which in the ordinary course of affairs, concern the lives and liberties, and properties of the people, and the internal order, improvement and prosperity of the State. — James Madison

Ordinary Muslims in Europe, who suffer from the demoralisation caused by living as perennial objects of suspicion and contempt, are far from thinking of themselves as a politically powerful, or even cohesive, community, not to speak of conquerors of Europe. — Pankaj Mishra

A border
the perimeter of a single massive or stretched-out use of territory
forms the edge of an area of 'ordinary' city. Often borders are thought of as passive objects, or matter-of-factly just as edges. However, a border exerts an active influence. — Jane Jacobs

Ordinary men live among marvels and feel no wonder, grow familiar with objects and learn nothing new about them. — George Henry Lewes

I started using contact microphones that you can place on common, ordinary objects, like a rake. I put a microphone on it and it picked up the tines vibrating and turned it into a horrible din. What attracted me to it was the horrible din - that's what I really liked. — Eugene Chadbourne

I reject what I see as flat-footed accounts of the fundamental structure of the world, where we somehow assume that, because ordinary experience involves middle-sized objects in space and time, that fundamental reality must be essentially like that. — L.A. Paul

It is more than probable that I am not understood; but I fear, indeed, that it is in no manner possible to convey to the mind of the merely general reader, an adequate idea of that nervous intensity of interest with which, in my case, the powers of meditation (not to speak technically) busied and buried themselves, in the contemplation of even the most ordinary objects of the universe. — Edgar Allan Poe

Theory may be deliberate, as in a chapter on chemistry, or it may be second nature, as in the immemorial doctrine of ordinary enduring middle-sized physical objects. — Willard Van Orman Quine

With the death of my father, it wasn't just the objects of everyday life that had changed; even the most ordinary street scenes had become irreplaceable mementos of a lost world whose every detail figured in the meaning of the whole. — Orhan Pamuk

In order to have original, uncommon, and perhaps even immortal thoughts, it is enough to estrange oneself so fully from the world of things for a few moments, that the most ordinary objects and events appear quite new and unfamiliar. In this way their true nature is disclosed. What is here demanded cannot, perhaps, be said to be difficult; it is not in our power at all, but is just the province of genius. — Arthur Schopenhauer

"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects." — Sam Abell

We do not need definite beliefs because their objects are necessarily true. We need them because they enable us to stand on steady spots from which the truth may be glimpsed. And not simply glimpsed - because certainly revelation is available outside of dogma; indeed all dogma, if it's alive at all, is the result of revelation at one time or another - but gathered in. Definite beliefs are what make the radical mystery - those moments when we suddenly know there is a God, about whom we "know" absolutely nothing - accessible to us and our ordinary, unmysterious lives. And more crucially: definite beliefs enable us to withstand the storms of suffering that come into every life, and that tend to destroy any spiritual disposition that does not have deep roots. — Christian Wiman

I look to everyday magic in art to remember how to live: how to estrange and vivify ordinary objects and beings. So little, really, is ordinary, but to remember this I need the brain chemical of painting and film and reading I had a thrummy doomed oracular feeling when I wrote blackened baby teeth into my little blind boy story: I saw teeth and in an instant they were becoming something else. They were buckshot. They were food. They were tiny flightless corvids. — Noy Holland

I look at ordinary objects, and I see things that other people don't see. That's why I'm a photographer. — Ruth Bernhard

Those blanked-out eternities at the airport. Getting there, waiting there, standing shoeless in long lines. Think about it. We take off our shoes and remove our metal objects and then enter a stall and raise our arms and get body-scanned and sprayed with radiation and reduced to nakedness on a screen somewhere and then how totally helpless we are all over again as we wait on the tarmac, belted in, our plane eighteenth in line, and it's all ordinary, it's routine, we make ourselves forget it. That's the thing."
She said, "What thing?"
"What thing. Everything. It's the things we forget about that tell us who we are. — Don DeLillo

IN THE HOURS OF MEDITATION You must keep the mind fixed on one object, like an unbroken stream of oil. The ordinary man's mind is scattered on different objects, and at the time of meditation, too, the mind is at first apt to wander. But let any desire whatever arise in the mind, you must sit calmly and watch what sort of ideas are coming. By continuing to watch in that way, the mind becomes calm, and there are no more thought-waves in it. Those things that you have previously thought deeply, have transformed themselves into a subconscious current, and therefore these come up in the mind in meditation. — Swami Vivekananda

In the late 70's I started to make drawings of the ordinary objects I had been using in my work. Initially I wanted them to be ready-made drawings of the kind of common objects I had always used in my work. I was surprised to discover I couldn't find the simple, neutral drawings I had assumed existed, so I started to make them myself. — Michael Craig-Martin

The Book of Army Management says: On the field of battle, the spoken word does not carry far enough: hence the institution of gongs and drums. Nor can ordinary objects be seen clearly enough: hence the institution of banners and flags. — Sun Tzu

I think that modern physics has definitely decided in favor of Plato. In fact the smallest units of matter are not physical objects in the ordinary sense; they are forms, ideas which can be expressed unambiguously only in mathematical language. — Werner Heisenberg

Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it. — Morley Baer

The sublime only paints the true, and that too in noble objects; it paints it in all its phases, its cause and its effect; it is the most worthy expression or image of this truth. Ordinary minds cannot find out the exact expression, and use synonymes. — Jean De La Bruyere

I am intrigued with combining the remnant of memories, fragments of relics and ordinary objects, with the components of technology. It's a way of delving into the past and reaching into the future simultaneously. — Betye Saar

For the ordinary man, whose mind is a checkerboard of crisscrossing reflections, opinions, and prejudices, bare attention is virtually impossible; his life is thus centered not in reality itself but in his ideas of it. By focusing the mind wholly on each objects and every action, zazen strips it of extraneous thoughts and allows us to enter into a full rapport with life. — Philip Kapleau

In ordinary life, we are not aware of the unity of all things, but divide the world into separate objects and events. This division is useful and necessary to cope with our everyday environment, but it is not a fundamental feature of reality. It is an abstraction devised by our discriminating and categorising intellect. To believe that our abstract concepts of separate 'things' and 'events' are realities of nature is an illusion. — Fritjof Capra

In my mind, President Snow should be viewed in front of marble pillars hung with oversized flags. It's jarring to see him surrounded by the ordinary objects in the room. Like taking the lid off a pot and finding a fanged viper instead of stew. — Suzanne Collins

Modernism isn't a design ethos any more, it's an economy of scale, and a marketing tool to sell the ordinary as something special, the sexless as erotic. A technological device without a specific, personalized identity has a subtext: it asserts the value of instrumentality. Its design is a reflection of its role ... The anonymity of these objects is part of what they are: interchangeable commodities whose uniqueness in so far as they possess any is created by what is done with them. Function is an identity. And that identity is something we are encouraged to incorporate into our perception of self, that anonymity is proposed as something to emulate. Whimsy and uniqueness are indulgences. — Nick Harkaway

Here lies the sense of literary creation to portray ordinary objects as they will be reflected in kindly mirrors of future times ... To find in objects around us the fragrant tenderness that only posterity will discern ... — Vladimir Nabokov

You can purchase the mind of Pascal for a crown. Pleasures even cheaper are sold to those who give themselves up to them. It is only luxuries and objects of caprice that are rare and difficult to obtain; unfortunately they are the only things that touch the curiosity and taste of ordinary men. — Luc De Clapiers

I have always directed my attempts at the figurative representation of objects by way of summary and not very descriptive brushstrokes, diverging greatly from the real objective measurements of things, and this has led many people to talk about childish drawing ... this position of seeing them (the objects, fh) without looking at them too much, without focussing more attention on them than any ordinary man would in normal everyday life.. — Jean Dubuffet

The most ordinary things are to philosophy a source of insoluble puzzles. With infinite ingenuity it constructs a concept of space or time and then finds it absolutely impossible that there be objects in this space or that processes occur during this time ... the source of this kind of logic lies in excessive confidence in the so-called laws of thought. — Ludwig Boltzmann

My work involves the physical manifestation of emotional reality. Thus, the invisible becomes visible; the normal, abnormal; and the familiar, unfamiliar. Ordinary life is an endless source of fascination to me in its ritualistic objects and behavior. — Sandy Skoglund

Sorcery: the systematic cultivation of enhanced consciousness or non-ordinary awareness & its deployment in the world of deeds & objects to bring about desired results. — Hakim Bey

Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture. — N.K. Jemisin

In her extraordinary book, Ordinarily Sacred, Lynda Sexson teaches us how to catch the appearance of the sacred in the most ordinary objects and circumstances. — Thomas Moore

Common objects become strangely uncommon when removed from their context and ordinary ways of being seen. — Wayne Thiebaud

It is easy to think that the Church has a lot of different objects - education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects - military, political, economic, and what not. But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden - that is what the State is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time. In the same way the Church exists for nothing else but to draw men into Christ, to make them little Christs. If they are not doing that, all the cathedrals, clergy, missions, sermons, even the Bible itself, are simply a waste of time. — C.S. Lewis

I culled poetry from odors, sounds, faces, and ordinary events occurring around me. Breezes bulged me as if I were cloth; sounds nicked their marks on my nerves; objects made impressions on my sight as if in clay. There, in the soft language, life centered and ground itself in me and I was flowing with the grain of the universe. Language placed my life experiences in a new context, freeing me for the moment to become with air as air, with clouds as clouds, from which new associations arose to engage me in present life in a more purposeful way. — Jimmy Santiago Baca

The sense of literary creation is to portray ordinary objects as they will be reflected in the kindly mirrors of future times; to find in the objects around us the fragrant tenderness that only posterity will discern and appreciate in far-off times when every trifle of our plain everyday life will become exquisite and festive in its own right: the times when a man who might put on the most ordinary jacket of today will be dressed up for an elegant masquerade. — Vladimir Nabokov

All great shows, she told me when I was little (and still learning to flex the tiny muscles in my esophagus), depend on the most ordinary objects. We can be a weary, cynical lot - we grow old and see only what suits us, and what is marvelous can often pass us by. A kitchen knife. A bulb of glass. A human body. That something so common should be so surprising - why, we forget it. We take it for granted. We assume that our sight is reliable, that our deeds are straightforward, that our words have one meaning. But life is uncommon and strange; it is full of intricacies and odd, confounding turns. So onstage we remind them just how extraordinary the ordinary can be. This, she said, is the tiger in the grass. It's the wonder that hides in plain sight, the secret life that flourishes just beyond the screen. For you are not showing them a hoax or a trick, just a new way of seeing what's already in front of them. This, she told me, is your mark on the world. This is the story that you tell. — Leslie Parry

The Oswald shadings, the multiple images, the split perceptions - eye color, weapons caliber - these seem a foreboding of what is to come. The endless fact-rubble of the investigations. How many shots, how many gunmen, how many directions? Powerful events breed their own network of inconsistencies. The simple facts elude authentication. How many wounds on the President's body? What is the size and shape of the wounds? The multiple Oswald reappears. Isn't that him in a photograph of a crowd of people on the front steps of the Book Depository just as the shooting begins? A startling likeness, Branch concedes. He concedes everything. He questions everything, including the basic suppositions we make about our world of light and shadow, solid objects and ordinary sounds, and our ability to measure such things, to determine weight, mass and direction, to see things as they are, recall them clearly, be able to say what happened. — Don DeLillo

There's pathos in this familiar routine, in the sounds of homely objects touching surfaces. And in the little sigh she makes when she turns or slightly bends our unwieldy form. It's already clear to me how much of life is forgotten even as it happens. Most of it. The unregarded present spooling away from us, the soft tumble of unremarkable thoughts, the long-neglected miracle of existence. When she's no longer twenty-eight and pregnant and beautiful, or even free, she won't remember the way she set down the spoon and the sound it made on slate, the frock she wore today, the touch of her sandal's thong between her toes, the summer's warmth, the white noise of the city beyond the house walls, a short burst of birdsong by a closed window. All gone, already. — Ian McEwan

For example, John Law's Mississippi Company venture printed shares, and the money had gone up in smoke when it had been inscribed objects. The inscription made it magic and changed its meaning. That's how objects become charmed in The Arabian Nights, and they are often originally ordinary objects. The carpet is an ordinary, paltry object. The lamp is a rusty old lamp, and the bottles jinns are imprisoned within are old bottles. They are changed by the magic and the jinn's presence, and the jinn's presence is often embodied in the seal or inscription. — Marina Warner

From the moment they had left the Earth, their own weight, and that of the Projectile and the objects therein contained, had been undergoing a progressive diminution ... Of course, it is quite clear, that this decrease could not be indicated by an ordinary scales, as the weight to balance the object would have lost precisely as much as the object itself. But a spring balance, for instance, in which the tension of the coil is independent of attraction, would have readily given the exact equivalent of the loss. — Jules Verne

Reality is a very subjective affair. I can only define it as a kind of gradual accumulation of information; and as specialization. If we take a lily, for instance, or any other kind of natural object, a lily is more real to a naturalist than it is to an ordinary person. But it is still more real to a botanist. And yet another stage of reality is reached with that botanist who is a specialist in lilies. You can get nearer and nearer, so to speak, to reality; but you never get near enough because reality is an infinite succession of steps, levels of perception, false bottoms, and hence unquenchable, unattainable. You can know more and more about one thing but you can never know everything about one thing: it's hopeless. So that we live surrounded by more or less ghostly objects - that machine, there, for instance. It's a complete ghost to me - I don't understand a thing about it and, well, it's a mystery to me, as much of a mystery as it would be to Lord Byron. — Vladimir Nabokov

In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself? ... No ordinary object insists on being taken for an ordinary thing, but a work that does so betrays itself by this very effort. The function of art in such a case is to reproduce the difference of art. But the mere fact that art seeks to cancel this difference and fails in its effort to do so perhaps says more about art than could any excuse or critique. — Niklas Luhmann