One Side Street Quotes & Sayings

Hey, Pedro, could you get your shopping cart out of my faculty parking space? Yes, I know you live on the street. But you know how hard it is to find a parking spot on the Upper West Side. After all, you used to be one of my best students! So how's that Columbia degree working out for you? Not so good, huh? Sorry about that. Really! But you know, a college degree isn't like some cheap used car. There's no warantee. Right, there's no Lemon Law either. Buyer beware! Look, Pedro, I don't want to call security again. Yes, I know they're your cousins. What's that? You'll wash my car for a dollar? Well, I guess that's a good deal. Where's your sponge bucket? What's that? You've got a hose? What do you mean, it's tucked in your pants? Hey Pedro
no, no, no don't
aw, Pedro! — Eric Foner

The old frame house down near the waterfront had never held so many people since the day it was put up. It must have been a pleasant place fifty years before: trees overhanging the limpid water, cows grazing in the meadows on both sides of the river, little frame houses like this one dotting the banks here and there.
It wasn't a pleasant place any more: garbage scows, coal yards, the river a greasy gray soup. Dead-end blocks of decrepit tenements on one side of it, lumberyards and ice-plants and tall stacks on the other.
The house was set far back from the street, hemmed in by the blank walls that rose around it.
("I Wouldn't Be In Your Shoes") — Cornell Woolrich

'The Taxi Ride,' from my second album, is one people want to hear a lot. I'm consciously trying to walk on the sunny side of the street, to really lift myself into a place of greater positivity, and that's a sad song. — Jane Siberry

He weighs the volume in his hand; this one has been the center of the whirlwind. Then DRUMMOND notices the Bible on the JUDGE's bench. He picks up the Bible in his other hand; he looks from one volume to the other, balancing them thoughtfully, as if his hands were scales. He half-smiles, half-shrugs. Then DRUMMOND slaps the two books together and jams them in his brief case, side by side. Slowly, he climbs to the street level and crosses the empty square. — Jerome Lawrence

You're quiet." Bodie issued that statement with no small amount of suspicion. "I'm always quiet." As Bodie pulled the car past the gates and out onto the street, he glanced at me just long enough to smirk. "And I'm always perceptive. This quiet is a different quiet." My mind was awash in the day's events. Georgia's visit. Vivvie and the article on Pierce. The two names from Henry's list. Adam's father being the one who had arranged the get-together in that photograph. "I'm fluent in all varieties of Kendrick silences," Bodie declared. "And you and your sister both stare very intently at absolutely nothing when the wheels are turning in here." He lazily reached over and tapped the side of my head. I swatted his hand away. "I have a lot to think about. — Jennifer Lynn Barnes

The Congo is not just blood and gore. It also has an incandescent, raw energy to it, a dogged hustle that can be seen in street-side hawkers and besuited ministers alike. This charm is not unlike that of America's mythical Wild West, full of gunslingers, Bible-thumpers, prostitutes, street urchins, and rogue businessmen. This is the paradox of the Congo: Despite its tragic past, and probably in part due to the self-reliance and ingenuity resulting from state decay, it is one of the most alive places I know.
- Jason Stearns, Dancing in the Glory of Monsters — Jason Stearns

One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way. — Orhan Pamuk

Shadows stretched from one side of the street to the other, reaching up the walls like fingers as the street lamps came on. In the north, a bank of dark clouds was building above the ridge of mountains, the tops of Buchanan and Crandell already fading into misty half-light. The last pigmented bands of sunset gilded the sides of buildings in orange light, but the rattle of wind against the panes of glass brought with it a promise of rain.
Autumn was coming, but no one save Hunter Slate seemed to notice the change. — Danika Stone

Truth or Dare?" she asks. I hesitate. "Truth," I say finally. "I can imagine one of your dares, and I don't fancy running down Oxford Street naked tonight."
"Truth," Alice says slowly, drawing out the vowel sound as if she's savouring the word. "Are you sure? Are you sure you can be completely honest?"
"I think so. Try me."
"Okay" And then she looks at me curiously. "So. Were you glad, deep down? Were you glad to be rid of her? Your perfect sister? Were you secretly glad when she died?"
Katherine has moved away from her shattered family to start afresh in Sydney. There she keeps her head down until she is befriended by the charismatic, party-loving Alice, who brings her out of her shell. But there is a dark side to Alice, something seductive yet threatening. And as Katherine learns the truth about Alice, their tangled destinies spiral to an explosive and devastating finale. — Rebecca James

Captain Tervitt had been a real captain, for many years, on the lake boats. Now he had a job as a special constable. He stopped the cars to let the children cross the street in front of the school and kept them from sledding down the side street in winter. He blew his whistle and held up one big hand, which looked like a clown's hand, in a white glove. He was still tall and straight and broad-shouldered, though old and white-haired. Cars would do what he said, and the children, too. — Alice Munro

I played a game when I did the shopping. I thought about the children's games where the board is marked into little spaces and each player moves according to a throw of the dice; there were always dangers, like "lose one turn" and "go back four spaces" and "return to start," and little helps, like "advance three spaces" and "take an extra turn." The library was my start and the black rock was my goal. I had to move down one side of Main Street, cross, and then move up the other side until I reached the black rock, when I would win. — Shirley Jackson

One side of the street is a Church; across the road is a liquor store. Both of 'em keepin us poor. — Chuck D

As I was getting interviewed by the Wall Street Journal, or some big pub guy, all I remember was that he went off to the bathroom for a second, and they brought out my omelet. The next thing I remember, I woke up, and I was on the side of my own omelet, and there was no one at Buck's. Everyone was gone. They just let me sleep. — Max Levchin

We are far from liking London well enough till we like its defects: the dense darkness of much of its winter, the soot on the chimney-pots and everywhere else, the early lamplight, the brown blur of the houses, the splashing of hansoms in Oxford Street or the Strand on December afternoons.
There is still something that recalls to me the enchantment of children - the anticipation of Christmas, the delight of a holiday walk - in the way the shop-fronts shine into the fog. It makes each of them seem a little world of light and warmth, and I can still waste time in looking at them with dirty Bloomsbury on one side and dirtier Soho on the other. — Henry James

Quentin found himself staring at the end of his Brakebills careers across the perilously slender gap of only two months of time. It was like he'd been wending his way though a vast, glittering city, zig-zagging through side streets and wandering through buildings and haunted de Chrico arcades and little hidden piazzas, the whole time thinking that he'd barely scratched the surface, that he was just seeing a tiny sliver of one little neighborhood. And then suddenly he turned a corner and it turned out that he'd been through the whole city, it was all behind him, and all that was left was one short street leading straight out of town. — Lev Grossman

Right now there's a man on the street outside my door
with outstretched hands full of heartbeats no one can hear.
He has cheeks like torn sheet music
every tear-broken crescendo falling on deaf ears.
At his side there's a boy with eyes like an anthem
no one stands up for. — Andrea Gibson

Most people think life sucks, and then you die. Not me. I beg to differ. I think life sucks, then you get cancer, then your dog dies, your wife leaves you, the cancer goes into remission, you get a new dog, you get remarried, you owe ten million dollars in medical bills but you work hard for thirty five years and you pay it back and then one day you have a massive stroke, your whole right side is paralyzed, you have to limp along the streets and speak out of the left side of your mouth and drool but you go into rehabilitation and regain the power to walk and the power to talk and then one day you step off a curb at Sixty-seventh Street, and BANG you get hit by a city bus and then you die. Maybe — Denis Leary

She was neither widow nor mother: she only yearned for the dignity of a woman who had once belonged, somewhere, to somebody. She had belonged to no one, for she had never wanted chick nor child. Her idea of home had been any side-alley entrance and a pint of tinted gin. All she had ever striven for was small change left lying by strangers on North Clark Street bars; and any man's bottle at all. — Nelson Algren

Thanks to my mother, I was raised to have a morbid imagination. When I was a child, she often talked about death as warning, as an unavoidable matter of fact. Little Debbie's mom down the block might say, 'Honey, look both ways before crossing the street.' My mother's version: 'You don't look, you get smash flat like sand dab.' (Sand dabs were the cheap fish we bought live in the market, distinguished in my mind by their two eyes affixed on one side of their woebegone cartoon faces.)
The warnings grew worse, depending on the danger at hand. Sex education, for example, consisted of the following advice: 'Don't ever let boy kiss you. You do, you can't stop. Then you have baby. You put baby in garbage can. Police find you, put you in jail, then you life over, better just kill youself. — Amy Tan

At one point in the story, following a brazen daytime bank robbery, Electro is shown escaping from the authorities by climbing up the side of a building, as easily as Spider-Man . . . we see one observer exclaim, "Look!! That strangely-garbed man is racing up the side of the building!" A second man on the street picks up the narrative: "He's holding on to the iron beams in the building by means of electric rays - using them like a magnet!! Incredible!"

There are three feelings inspired by this scene. The first is wonder as to why people rarely use the phrase "strangely-garbed" anymore. The second is nostalgia for the bygone era when pedestrians would routinely narrate events occurring in front of them, providing exposition for any casual bystander. And the third is pleasure at the realization that Electro's climbing this building is actually a physically plausible use of his powers. — James Kakalios

Alecto, have you noticed how downhill this little island is becoming?" Mandy questioned sadly. "All these organic food stores and yoga studios and cellular phone towers ... Cape Breton was one of the only places left where it still had that nostalgic small town atmosphere but now ... I've only been away for a year, how could things have changed so quickly? I mean, how can the world accept it?"
"C'est la vie," said Alecto, looking extremely tired as he stared out the window at the late November maple keys fluttering down from vibrantly red trees lining the streets on either side of the windshield. — Rebecca McNutt

Cities have often been compared to language: you can read a city, it's said, as you read a book. But the metaphor can be inverted. The journeys we make during the reading of a book trace out, in some way, the private spaces we inhabit. There are texts that will always be our dead-end streets; fragments that will be bridges; words that will be like the scaffolding that protects fragile constructions. T.S. Eliot: a plant growing in the debris of a ruined building; Salvador Novo: a tree-lined street transformed into an expressway; Tomas Segovia: a boulevard, a breath of air; Roberto Bolano: a rooftop terrace; Isabel Allende: a (magically real) shopping mall; Gilles Deleuze: a summit; and Jacques Derrida: a pothole. Robert Walser: a chink in the wall, for looking through to the other side; Charles Baudelaire: a waiting room; Hannah Arendt: a tower, an Archimedean point; Martin Heidegger: a cul-de-sac; Walter Benjamin: a one-way street walked down against the flow. — Valeria Luiselli

I usually don't get too bogged down with my personal problems because that's a one-way street if you get yourself into a negative frame of mind and only see the dark side of life. — Jack Nicholson

People, if you pay attention to them, change the direction of one another's conversations constantly. It's like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. — Garth Stein

I am used to going to and fro without much thought. Walking alone, I am used to never having a conversation about the whys, when's, and how's of getting from one side of a strett to the other.



But walking in twosome is different. It seems to require an ungodly amount of conversation. Because, it seems, James (my new husband) has a strategy for crossing roads, and a need to teach it to me. I did not know that; I did not know that my street-crossing skills were so in need of improvement. — Vivian Swift

...it is indeed a street of so impertinent a nature, so unfortunately connected with the great London and Oxford roads, and the principal inn of the city, that a day never passes in which parties of ladies, however important their business, whether in quest of pastry, millinery, or even (as in the present case) of young men, are not detained on one side or other by carriages, horsemen, or carts. This evil had been felt and lamented, at least three times a day, by Isabella since her residence in Bath... — Jane Austen

The bus made its way slowly through Sydney traffic and out to the electorate of Reid. It was a hat-trick of medical centres: three in three days. Outside we waited as rain fell. A large truck with the huge face of Labor's local candidate Angelo Tsirekas plastered on the side, honked as it drove past the national media. Minutes later a bigger truck, bearing the face of the Liberal candidate Craig Laundy, drove slowly past, mugging it up for the cameras. There were a few giggles. Then, as if the whole thing had been co-ordinated, both trucks returned driving past the medical centre, up the street and around the corner, one after the other. A staff member of the medical centre leant over to his friend and spoke out of the side of his mouth: "Well isn't this the lamest dick-measuring contest you've ever seen. — Mark Di Stefano

Corrupted by wealth and power, your government is like a restaurant with only one dish. They've got a set of Republican waiters on one side and a set of Democratic waiters on the other side. But no matter which set of waiters brings you the dish, the legislative grub is all prepared in the same Wall Street kitchen. — Huey Long

I don't know what they are protesting at Occupy Wall Street but I'm on their side. But 10,000 protestors and one Porta Potty? — David Letterman

When a Catholic priest from across the street insulted one of our members, you demanded he apologize. When he did, you accepted, as his penance, a gesture. You waited until the Catholic schoolkids were in recess, playing in the schoolyard, then you and the priest strolled around the perimeter, arm in arm, showing that different faiths can indeed walk side by side, in harmony. — Mitch Albom

Wandering across a city - walking often quite alone, down dark alleys, through unfrequented districts and debouching suddenly onto main thoroughfares where for a spell one follows the main stream, is adopted by a group "he has come where we come from, wants to go where we want to go". For a while it is true but the side streets are there. Pause in one of them for a moment, and the stream has moved on. So, as there is no catching up with the group, there is no more reason to return to the main street than to wander away from it... more alleys... more thoroughfares... Where shall we be sleeping tonight? And those odd encounters of eyes in lonely alleys... — Nanamoli Thera

Golosh Street is an interesting locality. All the oddities of trade seemed to have found their way thither and made an eccentric mercantile settlement. There is a bird-shop at one corner. Immediately opposite is an establishment where they sell nothing but ornaments made out of the tinted leaves of autumn, varnished and gummed into various forms. Further down is a second-hand book-stall. There is a small chink between two ordinary-sized houses, in which a little Frenchman makes and sells artificial eyes, specimens of which, ranged on a black velvet cushion, stare at you unwinkingly through the window as you pass, until you shudder and hurry on, thinking how awful the world would be if everyone went about without eyelids. Madame Filomel, the fortune-teller, lives at No. 12 Golosh Street, second storey front, pull the bell on the left-hand side. Next door to Madame is the shop of Herr Hippe, commonly called the Wondersmith.
("The Wondersmith") — Fitz-James O'Brien

I've had a lazy career. Sometimes one film a year, sometimes none. I'm walking around in the street and doing this other thing, living, that I'm much more interested in. I just do some acting on the side. — James Spader

If this were a proper world, beautiful faces would belong to beautiful people. Good people with kind hearts and clever minds would always have bright eyes and dazzling smiles, and bad people would have scraggly hair and warty noses. That way if you saw one of them coming, you could cross to the other side of the street and avoid them altogether.
But this is not a proper world. In our world, many bad people look quite nice, and many good people are not beautiful at all. Many good people aren't pretty or cute or even interesting-looking. — Brit Trogen

God doesn't seem to talk to people like he used to. Who's he talking to now? I don't know. Then I'm walking down the street in Manhattan one day, and I realize maybe it's those guys you see walking down the street talking to themselves. You know, those guys that are like, 'I can't! No, I can't!' Maybe the other side of that conversation is God going, 'You're the new leader.' 'No I can't!' They're not crazy - they're reluctant prophets. — Marc Maron

I kicked off my shoes and pulled his hand away from the wheel so I could straddle his lap and hold him. His grip on me was excruciatingly tight, but I didn't complain. We were on an insanely busy street, with endless cars rumbling past on one side and a crush of pedestrians on the other, but neither of us cared. He was shaking violently, as if he were sobbing uncontrollably, but he made no sound and shed no tears.
The sky cried for him, the rain coming down hard and angry, steaming off the ground. — Sylvia Day

The Pension Dressler stood in a side street and had, at first glance, the air rather of a farm than of a hotel. Frau Dressler's pig, tethered by one hind trotter to the jamb of the front door, roamed the yard and disputed the kitchen scraps with the poultry. He was a prodigious beast. Frau Dressler's guests prodded him appreciatively on the way to the dining-room, speculating on how soon he would be ripe for killing. The milch-goat was allowed a narrower radius; those who kept strictly to the causeway were safe, but she never reconciled herself to this limitation and, day in, day out, essayed a series of meteoric onslaughts on the passers-by, ending, at the end of her rope, with a jerk which would have been death to an animal of any other species. One day the rope would break; she knew it, and so did Frau Dressler's guests. — Evelyn Waugh

But something about the interesting plot bothered me: one of the major rules that Wes had established on A Nightmare on Elm Street had been broken - Freddy was taken out of the dreams. In Nightmare 2, Freddy would be allowed to manifest outside of the dreamscape. It didn't hurt the quality of the script, but it messed up the continuity. On the plus side, I thought the bisexual-slash-homoerotic subtext was edgy and contemporary, and I appreciated how the plot investigated both the social-class system and the rise of suburban malaise. This may sound pretentious and over-analytical, but I believe that Freddy represented what looked to be a bad future for the post-boomer generation. It's possible that Wes believed the youth of America were about to fall into a pile of shit - virtually all the parents in the Nightmare movies were flawed, so how could these kids turn out safe and sane? - and he might have created Freddy to represent a less-than-bright future. — Robert Englund

Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens. — Maggie O'Farrell

We got a call from across the street that a black woman had broken into this house."
"And you were going to arrest her without even knocking on the door?"
"We had to secure her first. Um. Are you okay, ma'am?"
"Of course I am. Don't you see me?"
"Because we have her in custody. You don't have to be afraid."
"I'm not afraid of my daughter-in-law, Mrs. Theon Pinkney. She's the one who should be afraid. Four big men grabbing her and putting her in chains. What's wrong with you?"
The police stood there, slightly confused. I could see that they felt justified, even righteous, for grabbing me in Marcia's driveway. There was no question in their minds that I was a criminal and that they were on the side of the Law.
Marcia glanced at me then. We'd spent hours together but it was as if she hadn't really gotten a good look at me until seeing the tableau in her driveway. — Walter Mosley

And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.'
I'd like to, but how can I tell?' I asked.
O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away. — Haruki Murakami

I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten. — Frederick Buechner

Name me, if you can, a better feeling than the one you get when you've half a bottle of Chivas in the bag with a gram of coke up your nose and a teenage lovely pulling off her tube top in the next seat over while you're doing a hundred miles an hour in a suburban side street. — P. J. O'Rourke

sidewalk, passed out next to his friend. "Who are these guys?" her oversized companion asked. Abigail held up the arm of one of the men and showed it to Elliott. On the back of his hand was an image of two winged dragons on either side of a fleur-de-lis. "Does that answer your question?" she asked. Elliott said nothing but instinctively reached up and touched the tattoo on his large neckTogether, Abigail and Elliott, dragged the unconscious men away from the store and down a narrow side walkway. Inside the store, Uncle Al settled his transaction with the clerk, folded up the now empty blanket and placed it back in his satchel. He tucked the satchel under his arm and stepped out the door, carefully looking up and down the street before heading on his way. Back in the confines of the narrow walkway, — Mark Wullert

I was raised by my grandmother. She instilled everything into me. She taught me right from wrong from day one. I remembered everyday, being 4 or 5 years old, and walking to school, she would be like, Raise your right hand and stay on the right side of the street and make sure you do the right thing in school. — Nick Cannon

Lee Duffy was a man apart and someone who only comes around once in a lifetime, a total one off. There have been a lot of things written about him in the press and it's always been from the other side of the coin. There are always two sides to every story and Lee's family have never fully told us their side. They are very distrustful of the press after Lee was made out to be some kind of monster.
If Lee had been born and bred in London, he would have been an icon.
He was Robin Hood, Dick Turpin and Muhammad Ali rolled into one. — Stephen Richards

Would you not like to fill up a whole note-book at the street crossings when you see a forger borne along upon the necks of six porters, and exposed to view on this side and on that in his almost naked litter, and reminding you of the lounging Maecenas: one who by help of a scrap of paper and a moistened seal has converted himself into a fine and wealthy gentleman? — Juvenal

My ideal city would be one long main street with no cross streets or side streets to jam up traffic. Just a long one-way street. — Andy Warhol

There were two display windows, one on each side of the door, and in the windows were ... well, books. What this street really needed was a bar. — Nelson DeMille