One Line Story Quotes & Sayings

Fox News gets to the heart of the Zombie Reagan story:
Well, Jeremy, of course on line polls are not at all scientific, in fact they're pretty much completely bogus and in this case it's one that was made up on the spot by a high school student, but we all know that misleading non-information is always better than dead air, so here goes. The earliest survey taken since the rather startling resurrection of the former president is looking awfully good for the challenger and awfully not good for President Obama. — John Barnes

Dad himself used to tell a story about one time when Mother went off to fill a lecture engagement and left him in charge at home. When Mother returned, she asked him if everything had run smoothly.
Didn't have any trouble except with that one over there,' he replied. 'But a spanking brought him into line.'
Mother could handle any crisis without losing her composure.
That's not one of ours, dear,' she said. 'He belongs next door. — Frank B. Gilbreth Jr.

As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words. — Frederick Weisel

We both were there, but alone. "Bye," she said and left; I was alone; again, one more time. — Vikrmn

The whole Haley-Nathan marriage deal was a pretty good twist huh? I hope we got all of you with it. That particular story line even suprised me when I read it, it's a good one and it'll provide for some good stories to come. — James Lafferty

Among all the complaints you hear these days about the crimes of the media, it seems to me the critics miss the big one. It is that especially TV, but also we of the print press, tend to reduce mess and complexity and ambiguity to a simple story line that doesn't reflect reality so much as it distorts it ... What bothers me about the journalistic tendency to reduce unmanageable reality to self-contained, movielike little dramas is not just that we falsify when we do this. It is also that we really miss the good story. — Meg Greenfield

I have only one life story to tell, but Gerda must have several, for although by and large I know her past and know enough people who have known her from a child, when she talks about herself there are an infinite number of deviations, indeed not even deviations, because there is no line from which she could deviate, there are simply a large number of versions and interpretations of her life. When she is in a good mood and becomes talkative, she no sooner thinks of a detail than her life story takes a different turn. — Ingeborg Bachmann

Economics is really about two stories. One is the story of the old economist and younger economist walking down the street, and the younger economist says, 'Look, there's a hundred-dollar bill,' and the older one says, 'Nonsense, if it was there somebody would have picked it up already.' So sometimes you do find hundred-dollar bills lying on the street, but not often - generally people respond to opportunities. The other is the Yogi Berra line 'Nobody goes to Coney Island anymore; it's too crowded.' That's the idea that things tend to settle into some kind of equilibrium where what people expect is in line with what they actually encounter. — Paul Krugman

I think the feature reporter often walks a very thin line between a truly human story and one that slops over into mushiness or sentimentality. — Charles Kuralt

I took many notes, more than usual before I sat down and wrote Act One, Scene One. I had perhaps eighty pages of notes ... I was so prepared that the script seemed inevitable. It was almost all there. I could almost collate it from my notes. The story line, the rather tenuous plot we have, seemed to work out itself. It was a very helpful way to write, and it wasn't so scary. I wasn't starting with a completely blank page. — Charles Busch

Confidence don't mean jack shit in the real world, sis," she once said. I feel myself finding the courage to trust those words more and more with every twist of the knife. Coincidentally, last Tuesday afternoon I was involuntarily exposed to the punch line of an old wise tale that goes something like: "There's beauty that can be found in everything." But why can't the insensitive cunt who said that ever find the courage to look in the mirror? Because poopycock, one might say. — Dave Matthes

Subplot is not one of the twenty-two steps because it's not usually present and because it is really a plot of its own with its own structure. But it's a great technique. It improves the character, theme, and texture of your story. On the other hand, it slows the desire line - the narrative drive. So you have to decide what is most important to you. — John Truby

There's something about Betty, like she's a great big empty space waiting to suck in trouble. There'll always be a story.... One of these days Betty's going to get up and find a line of starving Africans outside her door. You can depend on it. — Laurie Graham

Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me
I swear
"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved. — Stan Lee

Peeta, you said at the interview you'd had a crush on me forever. When did forever start?

Oh, let's see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."

Your father? Why?"

He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"

What? You're making that up!"

No, true story. And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings...even the birds stop to listen. — Suzanne Collins

Even one word, or certainly one sentence, should be able to describe the basic characteristic that the scene has, or the character has, or the story has. And then you begin to detail that one spine, and you have offshoots from that spine, and it becomes more and more complex, but all of it stems from that one-word, one-line theme, which can give the character, the scene, or the play its uniqueness. — William Shatner

When we look at the whole scope of this story line, we see clearly that Christianity is not only about getting one's individual sins forgiven so we can go to heaven. That is an important means of God's salvation, but not the final end or purpose of it. The purpose of Jesus's coming is to put the whole world right, to renew and restore the creation, not to escape it. It is not just to bring personal forgiveness and peace, but also justice and shalom to the world. God created both the body and soul, and the resurrection of Jesus shows that he is going to redeem both body and soul. The work of the Spirit of God is not only to save souls but also to care and cultivate the face of the earth, the material world. — Timothy Keller

Towards orthodox religion, father's own attitude remained one of tolerance. He looked upon the New Testament as the noble story of a human being which, because of ignorance and the lack of printing presses, had become exaggerated. He maintained that religions served their purpose; some people depended on them all their lives to make them honest. Others did not need to be so held in line. But subjection to any church was a reflection on strength and character. You should be able to get from yourself what you had to go go church for. — Margaret Sanger

A booby woos his mate with a story of abundance; a bee dances out a story of food. Whatever line we draw between instinct and awareness does not change that the story is there from the outset, long before there are poets to recite it or scribes to record it. So it is that what we still think of as our unique heritage, the thing that sets us apart, what the gods have given us, the magic moment of "Let there be light," is perhaps only a passage on a much longer journey, one that is primal beyond reckoning and that goes back to the very beginnings of life itself. — Nino Ricci

I'll always wait for you. Bye! Gotta go. — Vikrmn

Following the story line becomes easy when one realizes that the book of Acts is structured on a cyclic principle in which a common pattern keeps getting repeated: (1) Christian leaders arise and preach the gospel; (2) listeners are converted and added to the church; (3) opponents (often Jewish but sometimes Gentile) begin to persecute the Christian leaders; and (4) God intervenes to rescue the leaders or otherwise protect the church. While this pattern is most obvious in the first half of the book, it extends in modified form to the journeys of Paul, whose repeated buffetings are followed by the expansion of the church. — Anonymous

If one wants to go on living, one must evolve. Before, when we composed, we would start by a series of music themes. Once created, we would hire writers and lyricists to make up the text and the story line. I was the first to do this backwards with 'Man of La Mancha.' — Mitch Leigh

Sometimes, I'll read a news story and there will be one line about something else, and I'll find it interesting and look into it. That can often turn into an entire story on its own. — Joshuah Bearman

The problem may be a literary one: we are given a single story line about what makes a good life, even though not a few who follow that story line have bad lives. We speak as though there is one good plot with one happy outcome, while the myriad forms a life can take flower - and wither - all around us.
Even those who live out the best version of the familiar story line might not find happiness as their reward. This is not necessarily a bad thing. I know a woman who was lovingly married for seventy years. She has had a long, meaningful life that she has lived according to her principles. But I wouldn't call her happy; her compassion for the vulnerable and concern for the future have given her a despondent worldview. What she has had instead of happiness requires better language to describe. There are entirely different criteria for a good life that might matter more to a person - honor, meaning, depth, engagement, hope. — Rebecca Solnit

Hundreds of people began to care in a personal way about the suffering of farm workers because they care about you and learned that you were willing to go to jail with striking farm workers," Chris wrote the delegates from the Jesuit spirituality conference. He apologized profusely for having misled them into thinking they would be out in a few days. But no one complained. They told Chris the two weeks ranked among the most moving times of their lives. The gripes came from those who had opted for the picket line that obeyed the injunctions. They had been forced to make the decision too fast, they grumbled to Chris.

Chris saw the saga as a modern parable, and he loved to tell the story: The people who played it safe, unwilling to risk arrest, ended up feeling cheated and angry. Those willing to sacrifice emerged from the ordeal enriched, certain that the experience had changed their lives. — Miriam Pawel

By running longer it's like I can physically exhaust that portion of my discontent. It also makes me realize again how weak I am, how limited my abilities are. I become aware, physically, of these low points. And one of the results of running a little farther than usual is that I become that much stronger. If I'm angry, I direct that anger toward myself. If I have a frustrating experience, I use that to improve myself. That's the way I've always lived. I quietly absorb the things I'm able to, releasing them later, and in as changed a form as possible, as part of the story line in a novel. — Haruki Murakami

You ever hear about that experiment an American journalist did in Moscow in the 1970s? He just lined up at some building, nothing special about it, just a random door. Sure enough, someone got in line behind him, then a couple more, and before you knew it, they were backed up around the block. No one asked what the line was for. They just assumed it was worth it. I can't say if that story was true. Maybe it's an urban legend, or a cold war myth. Who knows? — Max Brooks

She came by ... I couldn't help but look ... only to look and she smiled back!Wheeew, she blown me away,to realize i made her my goal from the hands of the man he have at present ... A family of her own i never want to destroy laid on the line ... a story was made, a secret was solemnly shared by two ... Oh i loved her and she loved me too ... most of the time she got scared, i got scared too..for fighting aginst the odds and she stayed back ... i stood up to break ... flew just to fall ... only to realize a love i have no control of and no one can ... i am not to bid goodbye ... I can't ... only to keep a love unrequited like mine. — Bob Villarosa

If I have only one coin left in the world, I will buy a rose to propose to you. — Amit Kalantri

Maybe sometimes you have to tell a story crossways, because to tell it straight would ongly [sic] mean that it go straight by the person's ears who it intend for. For consider the words of Jesus when the blessed Savior go up on the mountain him did decide to speak in parables. He never just tell them that all of them was heathens, and that not a one of them could reach Heaven without him. Instead he talk bout hard ground and soft ground and ground that was full of macka and thorns; . . . him talk bout a lost sheep who finally make him way home. And maybe it afterwards, when you gather all of these crossway stories, and you put them together, that you finally see a line had been running through all of them. Sometimes you have to tell a story the way you dream a dream, and everyone know that dreams don't walk straight." (251) — Kei Miller

As Hamlet said to Ophelia, "God has given you one face, and you make yourself another." The battle between these two halves of identity...Who we are and who we pretend to be, is unwinnable. "Just as there are two sides to every story, there are two sides to every person. One that we reveal to the world and another we keep hidden inside. A duality governed by the balance of light and darkness, within each of us is the capacity for both good and evil. But those who are able to blur the moral dividing line hold the true power. — Emily Thorne

I have always been considered a bit of an outsider, and a general failure at everything I put my hand towards. In fact, you might even go so far as to say that I'm a lesser being of great insignificance! I state this because, when writing a story, you should always start the first line off with at least one basic truth.
-First lines from the novel Sukiyaki — Andrew James Pritchard

Stepping back and connecting reconciliation to God's story also helps us move away from dramatic visions of fixing the world, as if our job were to provide solutions to problems outside us. If Christians believe anything, it is that no one - including ourselves and the church - is separate from the brokenness as an untainted solution to the problems of our world. The new creation contends with the old. The dividing line between good and evil runs straight through each one of us. So the journey of reconciliation begins with a transformation of the human person. — Chris Rice

I won't go into detail but this animated one, the story line is very cool and the kids seem to love it. — Blair Underwood

It's all a lie. I said to myself. Romance. This notion that some guy is going to swoop and fall madly in love with me and change my life and make everything perfect. It's one big, horrible lie and I bought it. Hook, line, and a ten thousand-pound sinker. Or I guess I should say it's a lie for a girl like me. For Skye, that's another story. The first time Dakota kissed me, down at the hot tub, I remember thinking, this is too good to be true. But if something feels too good to be true, maybe it's not true. Maybe the truth is that Skye deserves him. She'll always be the winner. And I, pathetically, will always be me. — Carolyn Mackler

It was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories. — Margaret Atwood

And Meredith says that reminds her of a Camus novel, the one about the plague, and she tells the story of it, the tale holding you in thrall, and she ends her version with a line you'll write down in your notebook, the place where the atheist doctor hollers at a priest: All your certainties aren't worth one strand of a woman's hair. — Mary Karr

No one's personal life is in the public interest. It's gossip, bottom line. End of story. — Kevin Spacey

In your life you are William Wallace - who else could be? There is no other man who can replace you in your life, in the arena you've been called to. If you leave your place in the line, it will remain empty. No one else can be who you are meant to be. You are the hero in your story. Not a bit player, not an extra, but the main man. — John Eldredge

The family tree of Christ startlingly notes not one woman but four. Four broken women - women who felt like outsiders, like has-beens, like never-beens. Women who were weary of being taken advantage of, of being unnoticed and uncherished and unappreciated; women who didn't fit in, who didn't know how to keep going, what to believe, where to go - women who had thought about giving up. And Jesus claims exactly these who are wandering and wondering and wounded and worn out as His. He grafts you into His line and His story and His heart, and He gives you His name, His lineage, His righteousness. He graces you with plain grace. Is there a greater Gift you could want or need or have? Christ comes right to your Christmas tree and looks at your family tree and says, I am your God, and I am one of you, and I'll be the Gift, and I'll take you. Take Me? — Ann Voskamp

The story of my life doesn't exist. Does not exist. There's never any center to it. No path, no line. There are great spaces where you pretend there used to be someone, but it's not true, there was no one. — Marguerite Duras

In material things, there are seven wonders; in human beings there is only one wonder - and that's you. — Amit Kalantri

Some parents have taught their small children, "Go to the manager," but this poses the same problem of identification as with the policeman: That small name tag is several feet above the child's eye-line. I don't believe in teaching inflexible rules because it's not possible to know they'll apply in all situations. There is one, however, that reliably enhances safety: Teach children that if they are ever lost, Go to a Woman. Why? First, if your child selects a woman, it's highly unlikely that the woman will be a sexual predator. Next, as Jan's story illustrates, a woman approached by a lost child asking for help is likely to stop whatever she is doing, commit to that child, and not rest until the child is safe. A man approached by a small child might say, "Head over there to the manager's desk," whereas a woman will get involved and stay involved. — Gavin De Becker

The thing I was beginning to figure out about Sam and Grace, the thing about Sam not being able to function without her, was that that sort of love only worked when you were sure both people would always be around for each other. If one half of the equation left, or died, or was slightly less perfect in their love, it became the most tragic, pathetic story invented, laughable in its absurdity. Without Grace, Sam was a joke without a punch line. — Maggie Stiefvater

If I sing "you broke my heart, you left me flat," everyone knows exactly what that means - they know the story. But if I sing a line that's plaintive or wailing, people can experience their own set of emotions and their own story. Each of us might give that phrase a different meaning. It's open to interpretation, and one song becomes a thousand songs. I love that. — Bobby McFerrin

We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both. — Julian Barnes

We all love stories, even if they're not true. As we grow up, one of the ways we learn about the world is through the stories we hear. Some are about particular events and personalities within our personal circles of family and friends. Some are part of the larger cultures we belong to - the myths, fables, and fairy tales about our own ways of life that have captivated people for generations. In stories that are told often, the line between fact and myth can become so blurred that we easily mistake one for the other. This is true of a story that many people believe about education, even though it's not real and never really was. It goes like this: Young children go to elementary school mainly to learn the basic skills of reading, writing, and mathematics. These skills are essential so they can do well academically in high school. If they go on to higher education and graduate with a good degree, they'll find a well-paid job and the country will prosper too. — Ken Robinson

It's not about you, it's about the story. It's not about the folks who raise an eyebrow because you're not yet published or not yet J.K. Rowling. It's not about what that lady at church may think or, for that matter, the critics. It's not about the fact that you can't please everyone, and it's sure as heck not about the odds. In the immortal words of Gold Five, "Stay on target." You may or may not be the one who destroys the Death Star. But you're a hero if you get out of your own way, put it all on the line, and try. — Cynthia Leitich Smith

When we have a clear idea of who we are and why we live, our lives become a journey. A story is created about our lives. And when the end comes, even if the story adds up to only one line, the story reaches a settled conclusion. — Ilchi Lee

I was never one to run away from trouble - I intend to continue to fight my corner and try to redeem our reputation in some way. It's very difficult when you see the PR campaign that Anglo have built up against us. A lot of the media would be very anti-Quinn and have fallen hook, line and sinker for the Anglo story where they are the good guys. — Sean Quinn

So many people accuse and mistreat others just because of their present state of life, as if life is just a one day journey, and they forget that the story line can change tomorrow! — Ernest Agyemang Yeboah