Once Around Movie Quotes & Sayings

Coordination' occurred with astonishing speed, even in sectors of life not directly targeted by specific laws, as Germans willingly placed themselves under the sway of Nazi rule, a phenomenon that became known as Selbtsgleichschaltung, or 'self-coordination.' Change came to Germany so quickly and across such a wide front that German citizens who left the country for business or travel returned to find everything around them altered, as if they were characters in a horror movie who come back to find that people who once were their friends, clients, patients, and customers have become different in ways hard to discern. — Erik Larson

And you? What brings you here? I shrugged my shoulders. No idea? Hm, you're still young. Eighteen? I froze. Nineteen? Twenty? Incredible, so young. You have everything before you. No past. He sighed. Incredible, to have been so young once myself. Although what does that mean? There is only one age for anyone. I was and am, will always be fifty-eight. But you. Be careful what age you end up. It sticks to you. It seals you shut. The age you choose is like glue, it sets around you. This wisdom is not mine, you know. I got it from a book. A movie. I'm not sure. You notice things. It's incredible. Your whole life you notice things. — Milena Michiko Flasar

I rode to the fourth floor, poked around until I found the stairway, and walked down a flight. I almost always do this and I sometimes wonder why. I think someone must have done it in a movie once and I was evidently impressed, but it's really a waste of time, especially when the elevator in question is self-service. — Lawrence Block

In a straight up movie montage scene, ten things happened around me at once: someone pulled the broom from my hand, another person ripped the shirt off my head, a measuring tape appeared around my boobs, and two women crouched down in front of my legs. HEYO. "Nice tits," one assistant said as she finished measuring my chest. "Uhh, thanks," I replied as she ran in the opposite direction, having acquired the measurement she needed. "Is this your natural color?" a hairstylist asked as she ripped the hat and ponytail from my head. — R.S. Grey

One other thing I just thought of. One time, in this movie, Jane did something that just about knocked me out. The newsreel was on or something, and all of a sudden I felt this hand on the back of my neck, and it was Jane's. It was a funny thing to do. I mean she was quite young and all, and most girls if you see them putting their hand on the back of somebody's neck, they're around twenty-five or thirty and usually they're doing it to their husband or their little kid
I do it to my kid sister Phoebe once in a while, for instance. But if a girl's quite young and all and she does it, it's so pretty it just about kills you. — J.D. Salinger

The town was sunk in a kind of crystal ball; everyone seemed to be asleep (transcendentally asleep!) no matter if they were walking or sitting outside. Around five the sky clouded over and at six it began to rain. The streets cleared all at once. I had the thought that if it was as if autumn had unsheathed a claw and scratched: everything was coming apart. The tourists running on the sidewalks in search of shelter, the shopkeepers pulling tarps over the merchandise displayed in the street, the increasing number of shop windows closed until next summer. Whether I felt pity or scorn when I saw this, I don't know. Detached from any external stimulus, the only thing I could see or feel with any clarity was myself. Everything else had been bombarded by something dark; movie sets consigned to dust and oblivion, as if for good. — Roberto Bolano

The space behind me in the frame was not so much a space in the conventional sense as a perfectly composed harmony, a wider, more real-seeming reality with a deep silence around it, beyond sound and speech; where all was stillness and clarity, and at the same time, as in a backward-run movie, you could also imagine spilled milk leaping back into the pitcher, a jumping cat flying backward to land silently upon a table, a waystation where time didn't exist or, more accurately, existed all at once in every direction, all histories and movements occurring simultaneously. — Donna Tartt

Ninety-nine percent of the time, when it comes down to it, if I have the choice between a great role and seeing a new guy, I would probably go for the great role because I figure if the guy's really that great that he'll be around once I'm done with the movie. — Madeline Zima

Plus, I can't look at him the same since I ran into Mrs. Marino at our family reunion. It's not comforting to learn you've made out with your cousin."
"Third cousin once removed," I argued. "It's hardly incest."
"Life is like a box of chocolates, Lisa," Katie noted around a half-chewed carrot stick. "You never know what you're going to get."
Lisa narrowed her eyes, confused. "Did she just quote Forrest Gump at me?"
"It's Matt's fault," I said. "She lost a bet and now anytime his name gets mentioned, she has sixty seconds to drop a relevant movie quote."
"That's insane."
"Yup," Katie piped in, "insanity tuns in my family. Its practically gallops."
"Classic." I high-fived her. — Cecily White

The zombie is in a lot of ways the perfect horror movie bad guy. It plays on so many fears all at once. The fear of predators, the fear of disease and the fear of loved ones betraying us - the ones we care about are turning around and trying to eat us. — James Gunn

Because she looks to the sky so often, people think that her life is sweet, that her eyes are dotted with dreamy stars. But quite the opposite is true and I wish they could see - she looks up so much because all around her it's hard to see without breaking her heart. She once saw in a movie a window sign that said "We're all in the gutter; but some of us are looking at the stars." From that movie onwards, she decided to look up! Doesn't mean her life is sweet, doesn't mean her eyes are dotted with dreamy stars. — C. JoyBell C.

So there was one point I thought I was gonna lose it, but once I get on something I have to finish it; I just kept persuading them and they turned around. One good thing was the international guys really stood behind this movie, they thought they could support this film. So these guys step up and that's really good, and then they turned around. — Ang Lee