On Writing Story Reader Quotes & Sayings

Question marks are shaped like hooks for a reason: they will hook the reader and drag them deeper into the story — Chuck Wendig

When you were born, did your parents shove a book of world history in your face? No, absolutely not. They gave you what you could handle, and that's exactly how you need to treat the reader. — A.J. Flowers

The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into
if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes. — Charles De Lint

With a novel, you have to have a story. It's much more important to have it matter to the reader what happens to people, and it has to make sense and end in a way that is satisfying. So I spend a lot more time thinking about that. Then the writing itself usually is easier for me, because I know where it's going. — Dave Barry

I think of writing as a partnership with the reader. My goal is to feed their imagination, but only partially. If you give them everything, you limit their ability. It's borderline insulting. The key with description is to give the reader just enough so they experience what's going on, but leave a little out so they're encouraged to fill in the blanks. This is where the magic happens. Let them breathe life into your story in a way only they can. — S.J. Pierce

If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life. — Raymond Carver

For every work of fiction, the author inserts a bit of themself to make the story seem more real. For every work of nonfiction, the edges of reality must be blurred creatively to keep the reader's interest. — A.K. Wallace

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

What is your suggestion for someone who wants to start writing? Be a reader. It's the only real way to learn how to tell a story. — Natalie Babbitt

A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it. — Ian McEwan

Why are murder mysteries so popular? There's a 3-part "formula" (if you want to call it that) for a genre novel: (1) Someone the reader likes and relates to (2) overcomes increasingly difficult obstacles (3) to reach an important goal. The more important the goal, the stronger the novel. And the most important goal that any of us have is survival. That's why murder mysteries are more gripping than a story titled "Who Stole My TV Set. — Lois Duncan

It's my attempt to remain invisible, not distract the reader from the story with obvious writing. — Elmore Leonard

Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason
if the worlds are in any way blurred
the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'. — Raymond Carver

When I write, I am gossiping. Writing to whisper the story, whether good or bad to my listener. — Sonia Rumzi

I always strive to create a setting that leaves the readers' imagination room to roam. That way, every reader sees the story through their own eyes. — P.S. Bartlett

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

I've always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There's no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word. — Shannon Hale

The art of sports writing always amazed me. Nine out of ten times the reader already knows the outcome of your story before reading it. They know who won, they probably even watched the game. But they read about it anyway and you have to find a way to write with an insight and angle that makes it seem fresh. — Michael Connelly

Writing for children isn't easy. Kids will abandon a story that doesn't interest, enchant, delight, thrill, or terrify them. But when you can find a way into a young reader's imagination through something as simple as words on paper, well, there's nothing more satisfying. — Kate Klise

I love writing picture books and story books because of the exciting, visual life that artists and illustrators give to them. And most of all, I love writing novels because of the inner, emotional journeys that they take me on. Hopefully, the reader comes with me! — Berlie Doherty

What I try to do is write a story about a detective rather than a detective story. Keeping the reader fooled until the last, possible moment is a good trick and I usually try to play it, but I can't attach more than secondary importance to it. The puzzle isn't so interesting to me as the behavior of the detective attacking it. — Dashiell Hammett

To write a novel is to dream a story and write it down on the page. That's why the power of a really good story is one of true magic. Good stories engage the reader utterly in the writer's dream so the dream becomes theirs, too. — Wendy J. Dunn

Suspense doesn't always have to be about physical danger. Making the reader worry is a universal concept that can be applied to any story. — Sandy Vaile

In many cases when a reader puts a story aside because it 'got boring,' the boredom arose because the writer grew enchanted with his powers of description and lost sight of his priority, which is to keep the ball rolling. — Stephen King

Each kind of story has its own problems in writing, but my main concern really is to keep the reader on his toes, or to keep the strip unpredictable. I try to achieve some sort of balance between the two that keeps the reader wondering what's going to happen next and be surprised. — Bill Watterson

The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story. — Randy Pausch

Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done so, suffering, killing themselves, dressing, perfuming themselves, writing as if they were Werther (songs, poems, candy boxes, belt buckles, fans, colognes a' la Werther). A long chain of equivalences links all the lovers in the world. In the theory of literature, "projection" (of the reader into the character) no longer has any currency: yet it is the appropriate tonality of imaginative readings: reading a love story, it is scarcely adequate to say I project myself; I cling to the image of the lover, shut up with his image in the very enclosure of the book (everyone knows that such stories are read in a state of secession, of retirement, of voluptuous absence: in the toilet). — Roland Barthes

I decided that a story was anything that I made up that kept the reader turning the pages or watching, and did not leave the reader or the viewer feeling cheated at the end. — Neil Gaiman

Sensory experience should not be draped on top of the story as sort of a last-minute decoration. Done right, it is woven into the fabric of the story, and as this happens, the reader is woven in, right alongside the description. In giving advice to writers, E. L. Doctorow once said that good writing should communicate more than the mere fact that it is raining. The reader should feel rained on. A — Douglas Wilson

I'm sure it's like you writing a story. If you don't care, how can the reader? — Cecelia Ahern

Language does not always have to wear a tie and lace-up shoes. The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story ... to make him/her forget, whenever possible, that he/she is reading a story at all. — Stephen King

In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain. — Alan Moore

The proverb, "Where there's a will.." sums it up for a writer who had just started in his writing life; for himself, the fictional characters and the audience of his works. It's a trinity of perspectives; one of his struggle, another of the story character which he writes about and the last one of the reader's expectation of his protagonists. — Lucas Michael

The object of fiction isn't grammatical correctness but to make the reader welcome and then tell a story ... Writing is seduction. Good talk is part of seduction. — Stephen King

Writing a story bends time and warps reality. It gives the writer prior knowledge in the reader's future... — RO Smit

When the reader has stopped to wonder at your delamificatious vocabulary, or, worse, when the reader has stopped because the word you've used has no more meaning to him than a random ptliijnbvc of letters, the reader is not involved in your story ... Generally, saying 'edifice' instead of 'building' doesn't tell your reader anything about the building; it tells the reader that you know that word edifice. — Howard Mittelmark

Work extra hard on the beginning of your story, so it snares reader's instantly. And know how you're going to end your story before you start writing. Without a sense of direction, you can get lost in the middle. — Joan Lowery Nixon

Never tell your reader what your story is about. Reading is a participatory sport. People do it because they are intelligent and enjoy figuring things out for themselves.
(advicetowriters) — George V. Higgins

Certainly, I want to capture the reader's attention from the beginning and hold it until the end: that is half the purpose of my art. The other half must be to tell my story in the most honest way that I can. — Edward Abbey

Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark. — Wallace Stegner

As I work on yet another draft of my story, I try to remember these lessons. A journal entry is for its writer; it helps its writer refine, perceive, and process the world. But a story - a finished piece of writing - is for its reader; it should help its reader refine, perceive, and process the world - the one particular world of the story, which — Anthony Doerr

When I began writing The Night Bookmobile, it was a story about a woman's secret life as a reader. As I worked it also became a story about the claims that books place on their readers, the imbalance between our inner and outer lives, a cautionary tale of the seductions of the written word. It became a vision of the afterlife as a library, of heaven as a funky old camper filled with everything you've ever read. What is this heaven? What is it we desire from the hours, weeks, lifetimes we devote to books? What would you sacrifice to sit in that comfy chair with perfect light for an afternoon in eternity, reading the perfect book, forever? — Audrey Niffenegger

Plotting is like sex. Plotting is about desire and satisfaction, anticipation and release. You have to arouse your reader's desire to know what happens, to unravel the mystery, to see good triumph. You have to sustain it, keep it warm, feed it, just a little bit, not too much at a time, as your story goes on. That's called suspense. It can bring desire to a frenzy, in which case you are in a good position to bring off a wonderful climax. — Colin Greenland

Sophisticated readers understand that writers work out their anger, their conflicts, their endless grief and rolling list of loss, through their stories. That however mean-spirited or diabolical, it's only a story. That the darkness in the soul is shaped into type and lies there, brooding and inert, black on the page, and active, dangerous, only in the reader's mind. Actually, harmless. I am not harmless. — Amy Bloom

Far and away the greatest menace to the writer - any writer, beginning or otherwise - is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer's only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or - kindest of all - goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer's mind. — Shirley Jackson

Good writing takes advantage of a reader's expectations of where to go next. It accompanies the reader on a journey, or arranges the material in a logical sequence (general to specific, big to small, early to late), or tells a story with a narrative arc. — Steven Pinker

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted. — Cyril Connolly

I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing. — Albert Goldbarth

One of the ways in which writers most show their inventiveness is in the things they tell us about how they write. Generally speaking, I don't like to make a plan before I've written a story. I find it kills the story - deadens it, makes it uninteresting. Unless I'm surprised by something in a story, the reader's not going to be surprised either. — Philip Pullman

When I write, I try to capture one of those pivotal moments. If I succeed, I have shifted the reader's view of the world, just a little. The character is not the only one to experience change. That is my job, shifting perceptions, one story at a time. The trouble is, I don't like writing. But I love having written. — Ellen Klages

For me, it's been a treat to interact with authors who were publishing when I was a young reader. Judy Blume once gave me a pep talk at a writing conference. I had a short story featured in the same anthology as Beverly Cleary. Magic. — Cynthia Leitich Smith

I am called to listen to the sound of my own heart
to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart. — Katherine Paterson

The one test of the really weird (story) is simply this
whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim. — H.P. Lovecraft

Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader. — David Gerrold

Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment. — Lynn Abbey

The reader has certain rights. He bought your story. Think of this as an implicit contract. He's entitled to be entertained, instructed, amused; maybe all three. If he quits in the middle, or puts the book down feeling his time has been wasted, you're in violation. — Larry Niven

As a reader you recognise that feeling when you're lost in a book? You know the one - when whatever's going on around you seems less real than what you're reading and all you want to do is keep going deeper into the story whether it's about being halfway up a mountain in Brazil in 1823 of in love with a man you aren't sure you can trust or fighting a war in the last human outpost, somewhere beyond the moon. Well, if you're writing that book it's real for you too. — Sara Sheridan

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose. — Sol Stein

Storytelling is a business of unique snowflakes. Every writer is different; every book is different; every reader is different. This is why it's so hard to give writing advice, because what works for me might be poison to someone else. But if I could make one absolute assertion, it would be this: If you are not enjoying your writing, you're doing it wrong. A book is not a battle, nor is it a conquest. A book is a story, and telling it should be an enjoyable exercise. So the next time you don't want to write, don't waste time beating yourself up. Instead, stop and ask yourself why. Why do you not want to do this fundamentally enjoyable thing? What's really going on? — Rachel Aaron

But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have? — Ian McEwan

I read 'The Conspiracy Against the Human Race' and found it incredibly powerful writing. For me as a reader, it was less impactful as philosophy than as one writer's ultimate confessional: an absolute horror story, where the self is the monster. — Nic Pizzolatto

Two kinds of reading can be distinguished. I call them reading like a reader and reading like a writer ... when you read like a reader, you identify with the characters in the story. The story is what you learn about. When you read like a writer, you identify with the author and learn about writing. — Frank Smith

You can swap the message around, and whatever the particular norm is, or whatever the particular message is, when you put your pet-peeve message before story, odds are you are going to bore the shit out of your reader. — Larry Correia

Whether your characters journey daily to a distant moon or just down the street to the corner bar, what matters to the reader is the singular event that distinguishes one such voyage from all the others and makes for a story worth telling. — Peter Selgin

I want my stories to be something about life that causes people to say, not, oh, isn't that the truth, but to feel some kind of reward from the writing, and that doesn't mean that it has to be a happy ending or anything, but just that everything the story tells moves the reader in such a way that you feel you are a different person when you finish. — Alice Munro

You find when you're writing a detective story that you're actually not trying to solve anything. You're trying to stop the reader from solving the puzzle. — Christopher Bollen

The word story is intended to alert the reader to the fact that, however closely the narrative may fit the facts, the fictional process has been at work. — Bruce Chatwin

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.' — L.E. Modesitt Jr.

The writing can be its own reward, as you discover more things that you can do. It counts a lot, though, when a story connects with a reader and they take the time to tell me about it. — Nick Earls

A good story is a dream shared by the author and the reader. Anything that wakes the reader from the dream is a mortal sin. — Victor J. Banis

Tell a story! Don't try to impress your reader with style or vocabulary or neatly turned phrases. Tell the story first! — Anne McCaffrey

Skill alone cannot teach or produce a great short story, which condenses the obsession of the creature; it is a hallucinatory presence manifest from the first sentence to fascinate the reader, to make him lose contact with the dull reality that surrounds him, submerging him in another that is more intense and compelling. — Julio Cortazar

It's pretty easy to think of the idea of a story, and maybe even to write a scene or two, but understanding the ebb and flow of a narrative, where to leave the little clues your protagonist (and reader) need, while playing fair, takes a lot more skill and patience than you might think. — Dennis Green

Imbuing fiction with a life that extends beyond the last word is in some ways the goal: the ending that goes beyond the ending in the reader's mind, so invested are they in the story. — Jeff VanderMeer

Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched. — Flannery O'Connor

It seems that the Parisian Oulipo group has recently constructed a matrix of all possible murder-story situations and has found that there is still to be written a book in which the murderer is the reader.
Moral: there exist obsessive ideas, they are never personal; books talk among themselves, and any true detection should prove that we are the guilty party. — Umberto Eco

I have great respect for writers who are humble, whose language allows the reader to see the story but doesn't get in the way. Language is a window, and if the window is clean, you shouldn't be aware you're looking through glass. — Jennifer Haigh

The best endings resonate because they echo a word, phrase, or image from earlier in the story, and the reader is prompted to think back to that reference and speculate on a deeper meaning. — James Plath

Begin your writing, fiction or article, where the action begins. This action can be internal (e.g., an important insight or personal decision) or external (e.g., a murder or calamity). Begin too early, you lose your reader. Begin too late, you lose your story. — Walt Shiel

The thing that makes vivid writing is when the reader is in the body of the story, the body of the character. Things smell like something; there's weather, there's texture, there's light. — Janet Fitch

Mrs. Todds my English teacher gives an automatic F if anyone ever writes "I woke up and it was all a dream" at the end of a story. She says it violates the deal between reader and writer, that it's a cop-out, it's the Boy Who Cried Wolf. But every single morning we really do wake up and it really was all a dream. — David Mitchell

A few days after I began my short story, I returned to his desk and handed him my updates. He pushed his wire-rimmed reading glasses way down on his nose and focused on the two pages. "Okay, you got a beginning; you got yourself a middle and an end. You got a wing-dinger opening line. But you don't have an establishing paragraph. Do you know what that is?"
He didn't wait for me to answer.
"It's kinda like an outdated road map for the reader," he said. "It gives the reader a general idea of where you're taking him, but doesn't tell him exactly how you intend to get there, which is all he needs to know. — John William Tuohy

I was first a reader and without readers what would be the point in writing. For those of you who love a good story, thank you for being willing to read what we writerly folk create. — Michelle Dennis Evans