On Writing Fiction On Writing Quotes & Sayings

One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries. — Robert Greene

I mean that certain fictions, chiefly Conan Doyle, Stevenson, but many others also, laid out a template that was more powerful than any local documentary account - the presences that they created, or "figures" if you prefer it, like Rabbi Loew's Golem, became too much and too fast to be contained within the conventional limits of that fiction. They got out into the stream of time, the ether; they escaped into the labyrinth. They achieved an independent existence.
The writers were mediums; they articulated, they gave a shape to some pattern of energy that was already present. They got in on the curve of time, so that by writing, by holding off the inhibiting reflex of the rational mind, they were able to propose a text that was prophetic. — Iain Sinclair

Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn't lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don't describe what I do as simply fiction, I'll go with mythic fiction. — Charles De Lint

Remember William Blake who said: "Improvement makes straight, straight roads, but the crooked roads without improvement are roads of genius."
The truth is, life itself, is always startling, strange, unexpected. But when the truth is told about it everybody knows at once that it is life itself and not made up.
But in ordinary fiction, movies, etc, everything is smoothed out to seem plausible
villains made bad, heroes splendid, heroines glamorous, and so on, so that no one believes a word — Brenda Ueland

I started seriously applying myself to writing fiction immediately after I finished graduate school. By 'seriously,' I mean that, instead of noodling along on a story, finishing it or not as the mood struck me, I set out to complete what I started, to polish it to the best of my ability, and to send out the finished story. — Jane Lindskold

We say, "Well, the only answer is ... " or, "If you would just ... " Whatever follows these two statements narrows the choices right there. It gets the vision right down close to the ground so that you don't see anything happening outside. Humans tend not to see over a long range. Now we are required, in these generations, to have a longer range view of what we inflict on the world around us. This is where, I think, science fiction is helping. I don't think that the mere writing of such a book as Brave New World or 1984 prevents those things which are portrayed in those books from happening. But I do think they alert us to that possibility and make that possibility less likely. They make us aware that we may be going in that direction. — Frank Herbert

Mr. Franzen said he and Mr. Wallace, over years of letters and conversations about the ethical role of the novelist, had come to the joint conclusion that the purpose of writing fiction was "a way out of loneliness."
(NY Times article on the memorial service of David Foster Wallace.) — Jonathan Franzen

Prediction is the business of prophets, clairvoyants, and futurologists. It is not the business of novelists. A novelist's business is lying.
The weather bureau will tell you what next Tuesday will be like, and the Rand Corporation will tell you what the twenty-first century will be like. I don't recommend that you turn to the writers of fiction for such information. It's none of their business. All they're trying to do is tell you what they're like, and what you're like
what's going on
what the weather is now, today, this moment, the rain, the sunlight, look! Open your eyes; listen, listen. That is what the novelists say. But they don't tell you what you will see and hear. All they can tell you is what they have seen and heard, in their time in this world, a third of it spent in sleep and dreaming another third of it spent in telling lies. [Introduction to The Left Hand of Darkness] — Ursula K. Le Guin

I teach a non-fiction writing class at New York University, and one of my great pleasures is deciding on the syllabus. — Susan Orlean

When I first started drawing the earliest incarnation of 'Optic Nerve,' I hadn't even been on a date; I hadn't had a romantic relationship of any kind yet, so in a way, I was almost writing science fiction. — Adrian Tomine

Fiction should be in its way subversive. I don't think books should be neat or gentle or genteel or comforting. I think they should be raw. They should be written as perfectly as possible, but what they do is to stir up, to lance the reader. — Edna O'Brien

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

A good book isn't written, it's rewritten. — Phyllis A. Whitney

If there's another writer, like Ross McDonald or Raymond Chandler, and all they're writing are mysteries, they won't be accepted," he said. "And that's problematic. A lot of so-called literary novels are just not very good. They're not well-written, they're not well-thought-out. They have pyrotechnics of intelligence.
"On the other hand, some of the best writers and speculative ideas are in science-fiction. The science-fiction genre is completely, completely segregated. And these people are writing good stuff. They're writing about where you're going, which means they're talking about where you are. — Walter Mosley

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

Authors of so-called 'literary' fiction insist that action, like plot, is vulgar and unworthy of a true artist. Don't pay any attention to misguided advice of that sort. If you do, you will very likely starve trying to live on your writing income. Besides, the only writers who survive the ages are those who understand the need for action in a novel. — Dean Koontz

Fiction ought to announce the problems, dramatize the problems, display them. Yet offer no set answer. An answer would solve the mystery. Writing fiction, for me, is about putting on paper my obsessive interest in something mysterious. I may figure out the source of the mystery, the things that brought some action or image to my mind, but to make an equation of it would ruin the story. — Antonya Nelson

I distracted Herbert by pretending to trip and break a bone. Ethan darted around to the red golf cart with a cocky smile on his face. He put the key in ignition, and the vehicle roared to life. "Hey," Herbert shouted, snapping his attention to Ethan.
I sprang up and ran up to Ethan. He pulled me in the cart and stomped on the gas pedal. We shot through the automatic doors with Herbert on our tail.
"Go faster!" I cheered.
My brother smacked the steering wheel. "I can't; it's a golf cart. — Erica Sehyun Song

One reason I've hung on to book selling is that it's progressive - the opposite of writing, pretty much. Eventually all novelists, if they persist too long, get worse. No reason to name names, since no one is spared. Writing great fiction involves some combination of energy and imagination that cannot be energized or realized forever. Strong talents can simply exhaust their gift, and they do. — Larry McMurtry

While writing the first draft is an exercise in shutting down all of the things we think we know so that the story features come tumbling out, the revision is the end of the joy ride. We pull on the gloves and sort of poke around inside the body. Is that a tumor? Will that limb need amputation? I nearly second-guessed myself into heart failure while learning to self-edit. — Patricia Hickman

I seek to take my audience on an emotional roller-coaster ride, a journey of laughter and tears and every sentiment in between. — Marc Royston

Fiction is art and art is the triumph over chaos ... to celebrate a world that lies spread out around us like a bewildering and stupendous dream. — John Cheever

Hammett wrote at first (and almost to the end) for people with a sharp, aggressive attitude to life. They were not afraid of the seamy side of things; they lived there. Violence did not dismay them; it was right down their street. Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse; and with the means at hand, not hand-wrought dueling pistols, curare and tropical fish. He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes — Raymond Chandler

Writing is an act of faith. One must believe and see people who are invisible to others and be faithful to tell half formed stories. It's like being on the trail of an apparition who's repeatedly just out of reach.
K. Youngblood — Katherine Imogene Youngblood

...I've been ripped off, lied to, slandered, gossiped about slapped, falsely accused, and had my truths not believed. I've had my heart broken, had my pride stomped on, witnessed unforgivable acts, and heard words that hurt so much I withed that they would not replay in my head, but they did. In all these moments--some tear-soaked, some life-defining, but all character-building moments--I have felt vulnerable.
And I believe these feelings of vulnerability--when a person feels scared and alone and overwhelmed and pissed off, wen the sting of unfairness bites deep--while miserable to live through, are the basis for writing compelling fiction. — Jessica Page Morrell

Ben Karlin is a friend of mine and was a writer on 'The Daily Show.' He's just put out a book and asked a bunch of writers from various disciplines to contribute. It was called 'Things I've Learned from Women Who've Dumped Me,' and of course I agreed, and then I actually had to sit down and write it. God, writing fiction is terrifying. — Tom McCarthy

I think of poetry as a very inclusive term. Still, it's interesting that people want to make the distinction. I love the magazine Double Room for that reason (contributors have to write about their ideas on the prose poem/flash fiction). — Matthea Harvey

I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing. — Megan Abbott

Writing fiction, especially a long work of fiction can be difficult, lonely job; it's like crossing the Atlantic Ocean in a bathtub. There's plenty of opportunity for self-doubt. — Stephen King

You bet I write disaster fiction. We have compiled a disastrous record on this planet, a record of stupidity and absurdity and self-abuse and self-aggrandizement and self-deception and pompousness and self-righteousness and cruelty and indifference beyond what any other species has demonstrated the capacity for, which is the capacity for all the above. — John Irving

If I could turn my thoughts into spoken words and share them with someone, they'd become real and mean something. Now, they were only lines that could be erased when I didn't feel them anymore or hopeful thoughts that, like shadows, would disappear when the sun went away. - Rebecca Meyer, Crooked Lines — Holly Michael

For his lunch break, Alex decided to sit outside for a smoke. There was no break room to speak of, just a backdoor that led to a neglected parking lot and an old payphone. There was an upturned crate by the door used to hold the door open or to sit on if one so desired. But Alex couldn't sit down, even though he had been standing for the past four hours, his anxious mind kept his feet moving.
He paced back and forth, smoking his cigarette with the speed of an anxious drug addict. The cool but faint breeze pushed the smoke away from him and dissipated it into nothing. He still felt angry about the run-in with Gonzalez. It had consistently poked at him like a curious sadist with a pointed stick ever since he walked away from the door slammed in his face. — J.C. Joranco

I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line. It's a weird way to move forward. It's kind of like a way to caterpillar your way through these great woods. The best ones, whatever I feel like I'm writing about, some other secret thing will begin to come into focus. — Karen Russell

To write a novel is to dream while awake, then express the dream to the reader in an absorbing way. The road leading from the writer's inner world to the readers' is paved with prose. — Alan Joshua

For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research. — Andrew Sean Greer

It's very hard to be a screenwriter. I remember getting a couple of awards. I got a PEN West award a million years ago when I did Running on Empty, and I sat in the room with all these writers. They wrote everything from novels to non-fiction to children's books to journalism - any kind of writing - and I realized that there was no one in the room who would ever read anything I'd written. — Naomi Foner Gyllenhaal

After the Tiananmen Massacre, I felt compelled not only to continue writing but to actively resist the restrictions placed on freedom of speech. I set up the publishing company in Hong Kong, with offices in Shenzhen in mainland China, and managed to publish works of fiction, philosophy, and politics by unapproved authors. — Ma Jian

The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much he must get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the 'Ode on a Grecian Urn' is worth any number of old ladies. — William Faulkner

To my mind, the most important thing in any form of fiction is the human element, but only if it takes us beyond the everyday, into situations that examine the complexities that may fascinate or puzzle us. To dwell on the mundane as some kind of a writing exeercise is useless. — Graham Worthington

The brain of the modern human is no longer capable of understanding reality directly. It used to be that a person lived, looked toward the horizon, howled at the moon, and formed his conceptions, however biased, based on his own experiences and observations. There used to be this thing called independent learning. Not anymore. They crystallize our brains like ice from water. Imagine how slowly, starting in childhood, your brain is crystallized for you, forming your conception of reality. We could even determine a unit of currency for all humanity, 'the value of one concept.' Everyone would have their own change purse, so to speak, and the coins in it, though of various values, quantities, styles, and metals, would all be from a single mint. — Elizaveta Mikhailichenko

I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources. — Thomas Mallon

Fantasy writing must be grounded in both truth and life experience if it is to work. It can be as inventive and creative as the writer can make it, a whirlwind of images and plot twists, but it cannot be built on a foundation of air. The world must be identifiable with our own, must offer us a frame of reference we can recognize."
"Fantasy stories work because the writer has interwoven bits and pieces of reality with imagination to form a personal vision. — Terry Brooks

On the other hand, now that I'm not dependent on fiction for my income, I've been writing more short stories despite the fact that there's no real paying market for short horror other than Cemetery Dance. — George Stephen

As long as you have ideas, you can keep going. That's why writing fiction is so much fun: because you're moving people about, and making settings for them to move in, so there's always something there to keep working on. — Guy Davenport

I've always thought of myself as a realist. I can remember fighting with my professors about it in grad school. The world that I live in consists of 250 advertisements a day and any number of unbelievably entertaining options, most of which are subsidized by corporations that want to sell me things. The whole way that the world acts on my nerve endings is bound up with stuff that the guys with the leather patches on their elbows would consider pop or trivial or ephemeral. I use a fair amount of pop stuff in my fiction, but what I mean by it is nothing different than what other people mean in writing about trees and parks and having to walk to the river to get water 100 years ago. It's just the texture of the world I live in. — David Foster Wallace

[T]he incomparable Diana Wynne Jones, one of the finest mythic fiction writers of our age, who left us too early (due to cancer) two days ago. I'm so grateful to her for the extraordinary books she has left behind, which have inspired a whole generation of younger writers. She was writing brilliant YA fantasy before the genre (as we know it now) even existed; she was writing enchanting "wizard school" books long before Harry Potter was a gleam in Rowling's eye; and her knowledge of how to weave mythic/folkloric themes into contemporary fiction was second to no one's. Diana will be terribly missed, but through her magical stories, her light will stay on. — Terri Windling

In older science fiction stories, they had to rely on storytelling as opposed to spectacle. The old run of the 'Twilight Zone,' the star was the writing and the storytelling, and the characters and the twists and the cleverness in the setup and payoff and execution. — Josh Trank

All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought. — Paolo Bacigalupi

A couple of pieces of advice for the kids who are serious about writing are: first of all, to read everything you can get your hands on so you can become familiar with different forms of writing: fiction, non-fiction, poetry, journalism. That's very important. And also keep a journal. Not so much, because it's good writing practice. Although it is, but more because it's a wonderful source of story starters. — Ann M. Martin

Fiction operates through the senses, and I think one reason that people find it so difficult to write stories is that they forget how much time and patience is required to convince through the senses. No reader who doesn't actually experience, who isn't made to feel, the story is going to believe anything the fiction writer merely tells him. The first and most obvious characteristic of fiction is that it deals with reality through what can be seen, heard, smelt, tasted, and touched. — Flannery O'Connor

Many fiction writers have used novels to promote social change. Why couldn't I? No matter that I had no experience whatsoever writing fiction. I could learn. I decided on mysteries because I love the genre and could envisage a story featuring climate change researchers hounded by climate change doubters. — Charlene D'Avanzo

I usually start writing stories from tone and not from content - kind of like people who create music and invent the lyrics later on. I often give this metaphor where I say that writing short fiction is like surfing, while writing a novel is like navigating with your car. So when you navigate with your car, you want to get somewhere. When you surf, you don't want to get somewhere, you just don't want to fall off your board. I think the equivalent of balance is tone, so I think tone gives birth to the story. — Etgar Keret

Required for good fiction: character, conflict, change through time. And if you're really blessed, you get resolution. But life doesn't usually work out that way. — Ted Conover

Some people read to be entertained, as an escape. Others read to be intellectually challenged. Again, both commercial and literary fiction can accomplish these things. Neither has a sole claim over these goals. But as a generalization, commercial fiction tends to focus on entertaining, while literary fiction is more likely to present a challenge. Literary novelists rarely seek to satisfy the reader but to discomfort them. — Jane Friedman

You have a great deal of yourself on the line, writing - your vanity is at stake. You discover a tricky thing about fiction writing; a certain amount of vanity is necessary to be able to do it all, but any vanity above that certain amount is lethal. — David Foster Wallace

Fiction is a careful combination of observation, inspiration, and imagination. — Luke Taylor

I have claimed that Escape is one of the main functions of fairy-stories, and since I do not disapprove of them, it is plain that I do not accept the tone of scorn or pity with which 'Escape' is now so often used. Why should a man be scorned if, finding himself in prison, he tries to get out and go home? Or if he cannot do so, he thinks and talks about other topics than jailers and prison-walls? — J.R.R. Tolkien

Biographies are best when written chronologically. Boring people don't make for good biographies. — Deana J. Driver

There's always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won't reflect the storyteller's true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he's been persuaded of.
But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that you don't even think to question, that you don't even notice
those will show up. And that tells much more truth about what you believe than your deliberate moral machinations. — Orson Scott Card

I think what happens is you write how you grew up. And I was born on the prairie, and so everything is kind of spare on the prairie. And so I'm just used to writing in that way. 'Sarah, Plain and Tall' was that way. And most of my fiction is. I like writing small pieces. Somehow it just suits me. — Patricia MacLachlan

Science fiction is a dialogue, a tennis match, in which the Idea is volleyed from one side of the net to the other. Ridiculous to say that someone 'stole' an idea: no, no, a thousand times no. The point is the volley, and how it's carried, and what statement is made by the answering 'statement.' In other words - if Burroughs initiates a time-gate and says it works randomly, and then Norton has time gates confounded with the Perilous Seat, the Siege Perilous of the Round Table, and locates it in a bar on a rainy night - do you see both the humor and the volley in the tennis match? — C.J. Cherryh

Mortmain is an old French word that should be tattooed on the inside of any historical novelist's skull. This wonderful and terrible word means "dead hand." Its definition is: "The influence of the past regarded as controlling the present." (It is also used as a legal term with the same basic meaning. — James Alexander Thom

Most historical accounts were written by fallible scholars, using incomplete or biased resource materials; written through the scholars' own conscious or unconscious predilections; published by textbook or printing companies that have a stake in maintaining a certain set of beliefs; subtly influenced by entities of government and society - national administrations, state education departments, local school boards, etcetera - that also wish to maintain certain sets of beliefs. To be blunt about it, much of the history of many countries and states is based on delusion, propaganda, misinformation, and omission. — James Alexander Thom

A woman must have money and a room of her own if she is to write fiction. — Virginia Woolf

The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ... and it's magic and wonderful and strange. — Neil Gaiman

This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space. — Mario Vargas-Llosa

In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet."

(The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948) — W. H. Auden

I'm such a huge fan of fan fiction, to me it's a great way for readers to become writers. It's like putting the training wheels on for writing. — Hugh Howey

I maintain that cultural sensitivity should be replaced by cultural awareness. Awareness implies research, consideration, thought, and judiciousness ...
Sensitivity denies equal access to language. It segregates and censors based on the background of the writer rather than the content of the story. No society can embrace cultural sensitivity and retain full capacity for freedom of speech. — Scott M. Roberts

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy. — Sloane Crosley

Daniel, I was asked of a budding author, how do you know if your story is on track? My answer: I start by knowing my intention, my target. Then, with purpose, I write the scene that unfolds before me, as faithfully as is human. - Daniel LaMonte — Daniel LaMonte

Perhaps for many Japanese, autobiographical fiction writing is life. We are a people expected to complement, to harmonize, to anticipate one another's needs. All without a single spoken clue.

And the reason is that he's in training to be a writer. Observing detail, understanding irony, interpreting motivation. Hiro knows that acts are symbolic. The hard sour fruit offered too soon in its season carries a message. He has made an error in the timing of his visit. He has inconvenienced that family.

This is the Japanese way. Cogitating on inner meaning. Revealing ourselves and perceiving others through carefully crafted scenes.

Writing our endless I-stories. — Lydia Minatoya

you come to understand that history might be, as Thomas Carlyle put it, "a distillation of rumor," or, as Napoleon said, "a set of lies generally agreed upon — James Alexander Thom

Homo Americanus is going to go on speaking and writing the way he always has, no matter what dictionary he owns. — Kurt Vonnegut

It was the end of the October term of my sophomore year, and everything was petty normal, except for Social Studies, which was no big surprise. Mr. Dimas, who taught the class, had a reputation for unconventional teaching methods. For midterms he had blindfolded us, then had us each stick a pin in a map of the world and we got to write essays on wherever the pin stuck. I got Decatur, Illinois. Some of the guys complained because they drew places like Ulan Bator or Zimbabwe. They were lucky. YOU try writing ten thousand words on Decatur, Illinois. — Neil Gaiman

Truth? How can you get truth out of fiction?"
Kieler from Zotikas: Attraction and Repulsion
Episode 3 — Tom Bruno

You take people, you put them on a journey, you give them peril, you find out who they really are. — Joss Whedon

Writing fiction, there are no limits to what you write as long as it increases the value of the paper you are writing on. — Buddy Ebsen

Inside the room there sat a rocker, which she sat on, and which had rocked her while she sipped the beer, because in spite of herself she had become so giddy to have so quickly relieved her heart that she allowed herself to lean backwards while in the rocker, which had made it possible for the rocker to rock her, although it was not her intention to be so rocked. Also there stood an ironing board with a still hot iron on it that was burning a yellow shift, and there was, among several items that were not as noticeable to the woman, and yet were noticeable enough to at least bear mention, a fake man.
"I hope you don't mind me asking," said the woman who lived in the room, but then while in her chair she nodded off. — Justin Dobbs

There are people who think that things that happen in fiction do not really happen. These people are wrong. — Neil Gaiman

There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself. — Flannery O'Connor

If the writer believes that our life is and will remain essentially mysterious, if he looks upon us as beings existing in a created order to whose laws we freely respond, then what he sees on the surface will be of interest to him only as he can go through it into an experience of mystery itself. His kind of fiction will always be pushing its own limits outward toward the limits of mystery, because for this kind of writer, the meaning of a story does not begin except at a depth where adequate motivation and adequate psychology and the various determinations have been exhausted. Such a writer will be interested in what we don't understand rather than in what we do. He will be interested in possibility rather than probability. He will be interested in characters who are forced out to meet evil and grace and who act on a trust beyond themselves - whether they know clearly what it is they act upon or not. — Flannery O'Connor

Write in pictures. With your words, let the reader see not letters, but images. Be specific about every detail, but don't describe it
make it happen on the page, if you were writing fiction, or make it happen over again, if you were writing about history or some recent event. — A.A. Patawaran

A moment later the scowling face of Admiral Jellico appeared on the screen. He looked as ill-humored as ever. Privately, Calhoun felt that somebody should send an away team into Jellico's ass, to determine just what had crawled up there and died years ago. — Peter David

Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader. — David Gerrold

As a reader you recognise that feeling when you're lost in a book? You know the one - when whatever's going on around you seems less real than what you're reading and all you want to do is keep going deeper into the story whether it's about being halfway up a mountain in Brazil in 1823 of in love with a man you aren't sure you can trust or fighting a war in the last human outpost, somewhere beyond the moon. Well, if you're writing that book it's real for you too. — Sara Sheridan

If I had simply wanted to trade on an insult to Islam, I could have done it in a sentence rather than writing a 250,000-word novel, a work of fiction. — Salman Rushdie

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

The strangest thing about demons is that they come to love you. As much as they try to murder the very core of you when you first meet, they become your closest companions. I never asked for this devil on my shoulder. But my eyes are burning and I'm not alone. If you see a red gaze at midheaven, look away. It's exactly as they say: hell is a hungry place. — F.K. Preston

If one were to include one-tenth of the remarkable people one knows, in one's fiction, no one would accept it. Real life remains one's private menagerie. — Sylvia Townsend Warner

Movie. What's my favorite kind of movie?"
"Is there a point to this?"
"Please, Lucy. What's my favorite movie?"
"Horror. Why?"
"No reason," I sighed as I slouched back in the chair.
"And would you stop that! Please? It's distracting," she said as she
slammed her hand down on top of mine to stop me from twirling my ring.
I jerked my hand out from under hers so I could cross my arms over my
chest.
"What's with you today?" Her tone was saturated with distaste.
"Nothing."
"Well, you're being awfully annoying for nothing to be wrong," she
retorted. "Go ahead, Josh. I'm listening now."
I could feel the cold emanating from her and flowing in my direction. It
had been this way for a while I just didn't want to see it.
Danny and Josh looked at me and then awkwardly focused on other
things. — Kaitlin Scott

The best way to tell people about climate change is through non-fiction. There's a vast literature of outstanding writing on the subject. — Ian McEwan

The best thing that can happen to me when I'm writing fiction is to lose sight of the fact that I'm writing at all. It's as though I enter into a kind of trance. I know I'm writing, but I don't THINK about it. I just let my fingers type
it's as though the feeling comes out directly through them, bypassing the brain altogether. When that happens, I feel completely transported. There is nothing else like this feeling, very little else is more important to me. That intimacy I feel between myself and my work is what makes me feel at home on the earth. I am basically a shy person, basically a loner and an outsider; and I have been all my life. But when I achieve the kind of connection I can through writing, I feel I'm sitting in the lap of God. — Elizabeth Berg

Please do, however, allow me to deliver one very personal message. It is something that I always keep in mind while I am writing fiction. I have never gone so far as to write it on a piece of paper and paste it to the wall: Rather, it is carved into the wall of my mind, and it goes something like this:
"Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg."
Yes, no matter how right the wall may be and how wrong the egg, I will stand with the egg. Someone else will have to decide what is right and what is wrong; perhaps time or history will decide. If there were a novelist who, for whatever reason, wrote works standing with the wall, of what value would such works be? — Haruki Murakami

Novelists congratulate themselves on their creation of this kind of "character" or that kind of "character," and readers pretend to talk knowingly about "character," but all it amounts to is that the writers are enjoying themselves writing lies and the readers are enjoying themselves reading lies. In fact, there is no such thing as character, something fixed and final. The real thing is something that novelists don't know how to write about. Or, if they tried, the end result would never be a novel. Real people are strangely difficult to make sense out of. Even a god would have his hands full trying. — Soseki Natsume

The hardest part about writing fiction is finding long stretches of time to do it: for me, this means writing mostly on Saturdays and Sundays. But I am always thinking about my characters, jotting down ideas in stolen moments and hoping I'll be able to make sense of them when the weekend rolls around. — J. Courtney Sullivan

The growing social consciousness of the Industrial Revolution (1750-1850) can be found throughout the Austen Universe. While the Lady wrote about the gentry, she, none-the-less, was speaking to the human condition. Class is an imaginary distinction conferring no better manners on the "haves" and no lesser nobility on the "have-nots" and that the deepest human emotions are universal. — Don Jacobson

When I first started writing, I did mostly short fiction, and I'd work on a short story and get near to being done and have no idea what I'd work on next, and then I'd panic. — Ann Leckie