Quotes & Sayings About Old Windows

I love to watch the fine mist of the night come on,
The windows and the stars illumined, one by one,
The rivers of dark smoke pour upward lazily,
And the moon rise and turn them silver. I shall see
The springs, the summers, and the autumns slowly pass;
And when old Winter puts his blank face to the glass,
I shall close all my shutters, pull the curtains tight,
And build me stately palaces by candlelight. — Charles Baudelaire

Parents raise children then grow old, and their children forget the things their old parents did for them, because their brains don't remember before they grew selfish.
There are buildings all over the world full of old people sitting around looking out of windows, full of hate for their selfish sons and daughters.
And meanwhile, the selfish sons and daughters look out of their windows at their children playing and think how wonderful their unbreakable bond of love is between them and their children. — Craig Stone

These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago ... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me. — Ansel Adams

He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman.
This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story. — Christopher Moore

The reality is that old houses that were built a hundred years ago were built by actual craftsmen, people who were the best in the world at what they did. The little nuances in the woodwork, the framing of the doors, the built-in nooks, the windows - all had been done by smart, talented people, and I quickly found that uncovering those details and all of that character made the house more inviting and more attractive and more alive. — Joanna Gaines

If I promised you a new car, would you say, "If it's new, it probably won't have an engine, a transmission, doors, wheels, or windows"? No, you'd never make such assumptions. Why? Because if a new car didn't have these things, it wouldn't be a car. Likewise, when Scripture speaks of a new Earth (2 Peter 3, and Revelation 21), we can expect that it will be a far better version of the old Earth, but it will truly be Earth. — Randy Alcorn

Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer. — Tom Bailey

But beyond the bright searchlights of science,
Out of sight of the windows of sense,
Old riddles still bid us defiance,
Old questions of Why and of Whence. — William Cecil Dampier

If upon this earth we ever have a glimpse of heaven,it is when we pass a home in winter, at night,and through the windows, the curtains drawn aside,we see the family about the pleasant hearth; the old lady knitting; the cat playing with the yarn;the children wishing they had as many dolls or dollars or knivesor somethings, as there are sparks going out to join the roaring blast;the father reading and smoking, and the clouds rising like incense from the altar of domestic joy.I never passed such a house without feeling thatI had received a benediction. — Robert Green Ingersoll

The library door is already open when I dash in, but the room is empty. Books line shelves three floors high, and windows just as tall let in rays of dying sunlight. Three balconies wrap above me and a grand piano stands in the center of the bottom level, but there are no people, not even a servant dusting old books in a corner. — Sara Raasch

A wilderness of gilt, gleaming in the slant from the dust-furred windows: gilded cupids, gilded commodes and torchieres, and
undercutting the old-wood smell
the reek of turpentine, oil paint, and varnish. — Donna Tartt

There used to be trees in the untended park below the old married couple of windows in my living room. — Kristen Henderson

It's an old song that's been played on all the jukeboxes in America. The song has been around so long that it's been recorded on the very dust of America and it has settled on everything and changed chairs and cars and toys and lamps and windows into billions of phonographs to play that song back into the ear of our broken heart. — Richard Brautigan

Pedro Teixeira, the great Portuguese merchant-adventurer, wrote a beautiful description of a coffeehouse with windows overlooking the Tigris and the ruins of old Baghdad. That was in 1604, and he's visiting the same street that I write about in the book, named after Abu Nuwas, though it wasn't called that back then. — Annia Ciezadlo

The Eliots found it a queer sort of evening - a transition evening. Hitherto the Herb of Grace had been to them a summer home; they had known it only permeated with sun and light, flower-scented, windows and doors open wide. But now doors were shut, curtains drawn to hide the sad, grey dusk. Instead of the lap of the water against the river wall they heard the whisper of the flames, and instead of the flowers in the garden they smelt the roasting chestnuts, burning apple logs, the oil lamps, polish - all the home smells. This intimacy with the house was deepening; when winter came it would be deeper still. Nadine glanced over her shoulder at the firelight gleaming upon the dark wood of the panelling, at the shadows gathering in the corners, and marvelled to see how the old place seemed to have shrunk in size with the shutting out of the daylight. It seemed gathering them in, holding them close. — Elizabeth Goudge

It had a small park, with a fine old oak here and there, and an avenue of limes towards the southwest front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. — George Eliot

And so they sat in silence. Sipping cold tea. Smoking. The windows of the house across the street shone molten gold, the silver sickle of the new moon hung in the dark blue sky, and there was a sharp crackling sound coming through the window - they must have been burning old crates again on the street. — Arkady Strugatsky

In my light-headedness and fatigue, which made me feel drastically cut off from myself and as if I were observing it all at a remove, I walked past candy shops and coffee shops and shops with antique toys and Delft tiles from the 1800s, old mirrors and silver glinting in the rich, cognac-colored light, inlaid French cabinets and tables in the French court style with garlanded carvings and veneerwork that would have made Hobie gasp with admiration - in fact the entire foggy, friendly, cultivated city with its florists and bakeries and antiekhandels reminded me of Hobie, not just for its antique-crowded richness but because there was a Hobie-like wholesomeness to the place, like a children's picture book where aproned tradespeople swept the floors and tabby cats napped in sunny windows. But there was much too much to see, and — Donna Tartt

The windows in the soup kitchen are never opened, and for that reason the aroma of old meals lingers in corners and rises from the table tops - which are never washed - when the steam from the freshly cooked food brings them back to life. — Joseph Roth

Despite being what would now be called a deprived child in a one parent family, I did not grow up with an urge to smash windows or to bash old ladies over the head in order to steal handbags. — Eva Hart

Maybe my homesickness was a form of prescience because when I look back, it's the circumstances of this very car ride that I recognize as irretrievable: the experience of driving nowhere in particular with my sister, both of us seventeen years old, the open windows causing our hair to blow wildly; that feeling of being unencumbered; that confidence that our futures would inform the way we wanted them to and our real lives were just beginning. — Curtis Sittenfeld

You want to earn respect in your old age. You want to walk into a restaurant and have people say: 'There's Mickey Rourke. He was great in 'The Wrestler.' You don't want them jumping out of windows. — Mickey Rourke

In the courtyard there was an angel of black stone, and its angel head rose above giant elephant leaves; the stark glass angel eyes, bright as the bleached blue of sailor eyes, stared upward. One observed the angel from an intricate green balcony - mine, this balcony, for I lived beyond in three old white rooms, rooms with elaborate wedding-cake ceilings, wide sliding doors, tall French windows. On warm evenings, with these windows open, conversation was pleasant there, tuneful, for wind rustled the interior like fan-breeze made by ancient ladies. And on such warm evenings this town is quiet. Only voices: family talk weaving on an ivy-curtained porch; a barefoot woman humming as she rocks a sidewalk chair, lulling to sleep a baby she nurses quite publicly; the complaining foreign tongue of an irritated lady who, sitting on her balcony, plucks a fryer, the loosened feathers floating from her hands, slipping into air, sliding lazily downward. — Truman Capote

Her eyes popped open in time to see flames shoot up behind the first-floor windows of Angie's Books. Angie! Where was Angie? Where were her children? The bookstore owner lived in the apartment above her shop with sixteen-year-old Beth and twelve-year-old Bradley.
The Moosetookalook Fire Department was located right next door, housed in part of the town's redbrick municipal building. The overhead door had already been raised. As Liss watched, unable to move, unable to look away, the truck pulled out, maneuvering so that it could get closer to the burning building. — Kaitlyn Dunnett

It was a common complaint amongst the Arts students that their library was in dire need of refurbishment. To call the old building shabby chic was being kind. It didn't have automated stacks or self-service machines like the Management and Sciences library the other side of campus and the carpets and bookcases looked like they were probably the Victorian originals.
But on days like this one, where the springtime sunshine streamed in through the high windows and set the dust motes dancing, Harriet sincerely felt that those BSc lot could stuff their vending machines and state of the art study pods. The Old Library was clearly suited for those who had poetry in their souls, rather than numbers in their heads. — Erin Lawless

Well, when I was a kid I used to hide behind the curtains at home at Christmas and I used to try and be Elvis. There was a certain ambience between the curtains and the French windows, there was a certain sound there for a ten year old. That was all the ambience I got at ten years old ... I think! And I always wanted to be a certain, a bit similar to that. But I didn't want to sell pizza. — Robert Plant

Sunlight 's a thing that needs a window Before it enter a dark room. Windows don't happen. So two old poets, Hunched at their beer in the low haze Of an inn parlour, while the talk ran Noisily by them, glib with prose. — R.S. Thomas

I lie down on many a station platform; I stand before many a soup kitchen; I squat on many a bench;
then at last the landscape becomes disturbing, mysterious, and familiar. It glides past the western windows with its villages, their thatched roofs like caps, pulled over the white-washed, half-timbered houses, its corn-fields, gleaming like mother-of-pearl in the slanting light, its orchards, its barns and old lime trees.
The names of the stations begin to take on meaning and my heart trembles. The train stamps and stamps onward. I stand at the window and hold on to the frame. These names mark the boundaries of my youth. — Erich Maria Remarque

How beautiful the old Glen was, in its August ripeness, with its chain of bowery old homesteads, tilled meadows and quiet gardens. The western sky was like a great golden pearl. Far down the harbour was frosted with a dawning moonlight. The air was full of exquisite sounds - sleepy robin whistles, wonderful, mournful, soft murmurs of wind in the twilit trees, rustle of aspen poplars talking in silvery whispers and shaking their dainty, heart-shaped leaves, lilting young laughter from the windows of rooms where the girls were making ready for the dance. The world was steeped in maddening loveliness of sound and colour. He would think only of these things and of the deep, subtle joy they gave him. — L.M. Montgomery

I laughed on the way home, and I laughed again for sheer satisfaction when we reached the garden and drove between the quiet trees to the pretty old house; for when I went into the library, with its four windows open to the moonlight and the scent, and looked round at the familiar bookshelves, and could hear no sounds but sounds of peace, and knew that here I might read or dream or idle exactly as I chose with never a creature to disturb me, how grateful I felt to the kindly Fate that has brought me here and given me a heart to understand my own blessedness, and rescued me from a life like that I had just seen -- a life spent with the odours of other people's dinners in one's nostrils, and the noise of their wrangling servants in one's years, and parties and tattle for all amusement. — Elizabeth Von Arnim

I meant the house behind him clutching his chest, Parker gasped. Gage! you pervert! That's Mrs. Falconi-she's ninety-six years old! Clearing her throat,Miss Dupree struggled to keep her own amusement in check. Thank you Roo,for that fascinating bit of information. And should any of us a pervert lurking outside our windows tonight, We can all rest easily now,Knowing it's only Gage. — Richie Tankersley Cusick

Trying to remember old dreams. A voice. Who came in.
And meanwhile the rain, all day, all evening,
quiet steady sound. Before it grew too dark
watched the blue iris leaning under the rain,
the flame of the poppies guttered and went out.
A voice. Almost recalled. There have been times
the gods entered. Entered a room, a cave?
A long enclosure where I was, the fourth wall of it
too distant or too dark to see. The birds are silent,
no moths at the lit windows. Only a swaying rosebush
pierces the table's reflection, raindrops gazing from it.
There have been hands laid on my shoulders.
What has been said to me,
how has my life replied?
The rain, the rain ... — Denise Levertov

Contentedly sat the old woman. Soon now, the sea would hold no terrors, and the blinds wouldn't have to be down, nor the windows shut; she would even be able to walk along the shore at midnight as of old; and they, whom she had deserted so long ago, would once more shrink from the irresistable energy aura of her new, young body.
The sound of the sea came to her, where she sat so quietly; calm sound at first, almost gentle in the soft sibilation of each wave thrust. Farther out, the voices of the water were louder, more raucous, blatantly confident, but the meaning of what they said was blurred by the distance, a dim, clamorous confusion that rustled discordantly out of the gathering night.
Night!
She shouldn't be aware of night falling, when the blinds were drawn.
("The Witch") — A.E. Van Vogt

Vadim smiled. "I'm not meeting him. We'll be friends."
Dan still didn't say anything, just nodded, the smile still there, then turned and walked through the living room and onto the patio, all the way through the French windows. Looking out over the old orchard and the mountains when Vadim got to his side, reaching over to take Dan's hand. Worth it. A thousand times. Any sacrifice, from the small ones to the big ones, and Dan turns his head, looking fully at him, while the smile grew. He didn't need to say anything, didn't have to voice the "I love you". It was there, unsaid, yet outspoken.
Fourteen years, they didn't come cheap. — Aleksandr Voinov

Our inner dialogue is frequently composed of old tape loops that we run again and again ... The normal personality marshals sufficient defense mechanisms to exclude dangerous and unknown stimuli and just enough windows to let in an occasional wandering minstrel. Neurotic identity crises come when our defense mechanisms have been too successful and we're encapsulated in the fortress we have constructed with nothing to refresh us in our solitary confinement. So we play the old movies with their stale fears and their unrealistic hopes until we become bored enough to risk disarmament and engagement. — Sam Keen

Turn up the radio. Turn up the tape machine. Look into the sunset up ahead. Roll the windows down for a better taste of the cool desert wind. Ah yes. This is what it's all about. Total control now. Tooling along the main drag on a Saturday night in Las Vegas, two good old boys in a fireapple-red convertible ... stoned, ripped, twisted ... Good People. — Hunter S. Thompson

Three centuries had flowed past the old Manor House, centuries of births and of homecomings, of country dances and of the meetings of fox hunters. Strange that now in its old age this dark business should have cast its shadow upon the venerable walls! And yet those strange, peaked roofs and quaint, overhung gables were a fitting covering to grim and terrible intrigue. As I looked at the deep-set windows and the long sweep of the dull-coloured, water-lapped front, I felt that no more fitting scene could be set for such a tragedy. — Arthur Conan Doyle

It was the way the autumn day looked into the high windows as it waned; the way the red light, breaking at the close from under a low sombre sky, reached out in a long shaft and played over old wainscots, old tapestry, old gold, old colour. — Henry James

I pledge to set out to live a thousand lives between printed pages.
I pledge to use books as doors to other minds, old and young, girl and boy, man and animal.
I pledge to use books to open windows to a thousand different worlds and to the thousand different faces of my own world.
I pledge to use books to make my universe spread much wider than the world I live in every day.
I pledge to treat my books like friends, visiting them all from time to time and keeping them close. — Cornelia Funke

She looks out the window and notices the sections of Cleveland Street gone to rot, the filigreed metal balconies of the shambling terraces like rusted lacework, the grimy tiled pub facades, the windows of the Lebanese restaurants filmed with grease. This is old Sydney, her father's town of grit and mildew. The — Dominic Smith

The house I grew up in had large plate-glass windows, which birds frequently crashed into headfirst. My father helped me assemble a bird hospital, consisting of a few shoe boxes, some old rags, and tiny dishes for water and food. — Patti Davis

Traditional homes of our old world have been abandoned, windows shattered, roofs collapsing, red and green and blue paint scrubbed into muted shades to better match our bright future. — Tahereh Mafi

Out past the weekly glimpsed windows, out past the street, lived the world, which had, Old Mrs. Karafilis knew, been dying for years. — Jeffrey Eugenides

Bolick. "Mrs. Finnemore was sound asleep in the downstairs bedroom, she heard nothing, and at some point she got up to check on April. That's when she realized she was gone." Theo looked at Mrs. Finnemore, who again shot him a fierce look. He knew the truth, and she knew he knew the truth. Trouble was, Theo couldn't tell the truth because he'd made a promise to April. The truth was that Mrs. Finnemore had not been home for the past two nights. April had been living alone, terrified, with all the doors and windows locked as tightly as possible; with a chair jammed against her bedroom door; with an old baseball bat across the end of her — John Grisham

Windows 10 on both an old 2011 upgraded computer and a new 2016 computer was an excruciating experience — Steven Magee

The living room was still dark, because of the heavy growth of the shrubbery the owner had allowed to mask the windows. I put a lamp on and mooched a cigarette. I lit it. I stared down at him. I rumpled my hair which was already rumpled. I put the old tired grin on my face. — Raymond Chandler

Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought.
Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies. — Francesca Lia Block

A tall, gaunt man with small narrow eyes set deep in his skull like two old sisters trying to spy out of the windows of their house without being noticed themselves. — Ned Beauman

There's something about evening service in a country church that makes a fellow feel drowsy and peaceful. Sort of end-of-a-perfect-day feeling. Old Heppenstall was up in the pulpit, and he has a kind of regular, bleating delivery that assists thought. They had left the door open, and the air was full of a mixed scent of trees and honeysuckle and mildew and villagers' Sunday clothes. As far as the eye could reach, you could see farmers propped up in restful attitudes, breathing heavily; and the children in the congregation who had fidgeted during the earlier part of the proceedings were now lying back in a surfeited sort of coma. The last rays of the setting sun shone through the stained-glass windows, birds were twittering in the trees, the women's dresses crackled gently in the stillness. Peaceful. That's what I'm driving at. I felt peaceful. Everybody felt peaceful. — P.G. Wodehouse

The embassy's front door was of bulletproof steel lined with a veneer of English oak. You attained it by touching a button in a silent lift. The royal crest, in this air-conditioned stillness, suggested silicone and funeral parlours. The windows, like the doors, had been toughened to frustrate the Irish and tinted to frustrate the sun. Not a whisper of the real world penetrated. The silent traffic, cranes, shipping, old town and new town, the brigade of women in orange tunics gathering leaves along the central reservation of the Avenida Balboa, were mere specimens in Her Majesty's inspection chamber. From the moment you set foot in British extraterritorial airspace, you were looking in, not out. - — John Le Carre

We attended church Sunday as a family, and it was an even balance as to who was harder to keep still, the four Elliot children or Captain Elliot himself. Jack kept up a stream of secretive winks at me in a most suggestive fashion, which made me blush despite the fact that I desperately tried to maintain my composure. Two year old Suzanne squirmed in my lap but was still for him, so he bounced her quietly on his knee. The boys, true to their deeply spiritual natures, snored softly through the entire sermon, and April sat still but looked out the windows, bored and restlessly shifting in her seat.
(pg 326) — Nancy E. Turner

Martin thought of the iron El trestles winding and stretching across the city, of department store windows and hotel lobbies, of electric elevators and street-car ads, of the city pressing its way north on both sides of the great park, of dynamos and electric lights, of ten-story hotels, of the old iron tower near the depot at West Brighton with its two steam-driven elevators rising and falling in the sky
and in his blood he felt a surge of restlessness, as if he were a steam train spewing fiery coal smoke into the black night sky as he roared along a trembling El track, high above the dark storefronts, the gaslit saloons, the red-lit doorways, the cheap beer dives, the dance halls, the gambling joints, the face in the doorway, the sudden cry in the night. — Steven Millhauser

It was a pretty sight, and a seasonable one, that met their eyes when they flung the door open. In the fore-court, lit by the dim rays of a horn lantern, some eight or ten little field-mice stood in a semicircle, red worsted comforters round their throats, their fore-paws thrust deep into their pockets, their feet jigging for warmth. With bright beady eyes they glanced shyly at each other, sniggering a little, sniffing and applying coat-sleeves a good deal. As the door opened, one of the elder ones that carried the lantern was just saying, "Now then, one, two, three!" and forthwith their shrill little voices uprose on the air, singing one of the old-time carols that their forefathers composed in fields that were fallow and held by frost, or when snow-bound in chimney corners, and handed down to be sung in the miry street to lamp-lit windows at Yule-time. — Kenneth Grahame

His unfinished book had become his obsession. He rarely left his room, which he insulated with sheaves of paper scribbled with beginnings and endings, nailing ideas to the walls and stretching long strips of sentences from the window to the door. Tall stacks of scenes and chapters sprouted from the floor, as if the papers had reincarnated themselves back into trees. The paper forest around him glimmered in the sun from the windows, weaving rays of light in yellow and purple and blue. Hunger squeezed his throat, but he turned his ravenousness toward writing. He almost never slept. During the shortages, he wrote between the columns of old newspapers, or on pieces of cardboard, or on bark pulled from trees. He traded potatoes for ink. — Dara Horn

An old house with its windows gone always makes me think of something dead with its eyes picked out. — Lucy Maud Montgomery

Steve looked through the scope. The house was quiet now. Thin trickles of smoke leaked from the windows. As he watched, Mrs McGillicutty staggered outside. She was bloody and dazed, but very much alive. "Hey, there's the old lady! What's that she's holding?"
Carolyn took the scope and looked for herself, then handed it back. "Muffins. She's got muffins. — Scott Hawkins

She felt some strange yearning, but she couldn't decide what it was for. Not for the city: it seemed like another country to her now, remembered, not felt. She knew if she were there, walking past the market with its glistening stacks of fruit that sometimes rolled onto the pavement, stepping into the pharmacy for overpriced shampoo and body cream, passing the windows full of nice clothes like the clothes she already has (once she got a linen blouse home only to discover that she owned one almost exactly like it), she would be convinced that she could no longer stand to be be away, that she missed it all terribly. But from here that life seemed unreal, like something she saw in a movie. She wondered if that's how her grandparents had managed to leave the old country behind, whether it had ceased to exist as a discernible thing once it was gone along the watery horizon, whether they had told themselves that some day they would come back to reclaim it. — Anna Quindlen

What in the seven levels of hell did my son see in this place?" Horace asks.
We're standing on the street on Thursday morning, staring up at the house, after taking inventory of the place. From here, I can see five different spots where the brick needs to be repaired and pick out where shingles are missing on the sloped roof. The porch sags, and the windows are dingy. But if I let my eyes go out of focus and ignore all that, I can kinda picture what the place might look like after a little - never mind - a lot of TLC.
"It has good bones?" I suggest.
"It's got old bones," he mutters.
I smirk. "Yeah? So do you. Doesn't mean they're all bad."
He smacks my arm, but he's grinning. "Just wait till you get to be my age, and then tell me how good old bones are. — Erica Cameron

Windows 95 had its 20th anniversary last year, so we got our hands on an old system and showed it to teenagers who were not even alive in 1995. The results were pretty great and also makes you feel quite old. — Benny Fine

But I say, really, you know, I am an old friend of the family. Why, by Jove, now I remember, there's a photograph of me in the drawing-room. Well, I mean, that shows you!"
"If there is," said the policeman.
"I've never seen it," said the parlourmaid.
I absolutely hated this girl.
"You would have seen it if you had done your dusting more conscientiously," I said severely. And I meant it to sting, by Jove!
"It is not a parlourmaid's place to dust the drawing-room," she sniffed haughtily.
"No," I said bitterly. "It seems to be a parlourmaid's place to lurk about and hang about and - er - waste her time fooling about in the garden with policemen who ought to be busy about their duties elsewhere."
"It's a parlourmaid's place to open the front door to visitors. Them that don't come in through windows."
I perceived that I was getting the loser's end of the thing. — P.G. Wodehouse

Windows were shakin' all night in my dreams/ Everything was exactly the way that it seems/ Woke up this morning and I looked at the same old page/ Same ol' rat race/ Life in the same ol' cage. — Bob Dylan

The town had a faint air of benign neglect that only added to its charm: a seaside village with white clapboard buildings, seagulls wheeling overhead, uneven brick sidewalks and local shops. They passed a gas station, several old storefronts with plate-glass windows, a diner, a funeral parlor, a movie theater turned into a bookstore, and an eighteenth-century sea captain's mansion, complete with widow's walk. A sign out front identified it as the Exmouth Historical Society and Museum. — Douglas Preston

I had stood outside of Poe's house on 3rd street, too, and had done the same thing, staring mournfully up at the windows. The city was like some uncarved block without any name or shape and it showed no favoritism. Everything was always new, always changing. It was never the same old crowd upon the streets. — Bob Dylan

I was cutting and threading pipe in the tunnels to get water into the shower rooms for athletics. I was repairing old metal windows, fixing cement walls where rain was coming through, and drying out the maple gym floors in hopes of removing the warping. — Tom Baker

Mathilde returned and strolled past the drawing-room windows; she saw him busily engaged in describing to Madame de Fervaques the old ruined castles that crown the steep banks of the Rhine and give them so distinctive a character. He was beginning to acquit himself none too badly in the use of the sentimental and picturesque language which is called wit in certain drawing-rooms. — Stendhal

I'm in the countryside outside of Paris, in a beautiful old manor house. The studio is in the basement, but we decided to set everything up in the old parlor and dining-room area so we can look at each other and (at) the sunshine coming through the stained-glass windows. It's pretty idyllic, and I think it's spoiling me. I'll have to go back to regular life after this. — Feist

way, and her old brownstone became very valuable property. Now she was the proud proprietor of six spacious, airy apartments with 12-foot ceilings, oak floors, huge windows and affluent tenants. The ground-level store became her own Isle of View Emporium. Misty had chosen one of the two first floor spaces, and — Rebecca Fox

One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones." — Daniel Clowes

out-of-doors there was quite a snow-storm. "It is the white bees that are swarming," said Kay's old grandmother. "Do the white bees choose a queen?" asked the little boy; for he knew that the honey-bees always have one. "Yes," said the grandmother, "she flies where the swarm hangs in the thickest clusters. She is the largest of all; and she can never remain quietly on the earth, but goes up again into the black clouds. Many a winter's night she flies through the streets of the town, and peeps in at the windows; and they then freeze in so wondrous a manner that they look like flowers. — Hans Christian Andersen

I was 9 years old when I had my first glimpse of wholeness. It was early Christmas morning and I was standing in my pajamas in the living room and looked out of the large windows. Outside the white snow flakes silently singled down toward a snowclad landscape. Suddenly I was filled with a feeling of being one with the slowly dancing snowflakes, one with the silent landscape.
I did not understand then that this was my first taste of meditation, but it created a deep thirst and a longing in my heart to return to this natural and effortless experience of being one with the Whole. — Swami Dhyan Giten

It's an old church and smells like a museum - in a good way, a survived-lots-of-shit-and-still-standing kind of way. Something about the stained-glass windows works for me too. If I were to get all deep on you, I could say the idea of all those broken pieces being made into something so damn pretty appeals to me. Good thing I'm not that profound. (54) — Chevy Stevens

People would have to learn to deal with old monsters again. Stay in their houses. Shutter their windows. — Erin Kellison

Last time I said something perhaps I shouldn't have, something that's been taken the wrong way: "The poor are always with you." At that moment, back then, I wanted my friends' attention. I meant I was going to die soon, but they would have the rest of their lives to care for the poor. But the rich have twisted my words to mean something quite different: that there's nothing you can do about the poor. That the poor are part of life, like disease or accidents or hurricanes or getting old. Poverty is natural. You'll never get rid of it, so forget about trying. Don't worry that the poor have so much less than you do. Go eat your big meal, go drive your big car, go sleep in your big house. Let the poor look in the windows. Jesus says it's OK. Well, Jesus doesn't say it's OK. OK? P — Tony Hendra

Within a quarter of an hour we came to Miss Havisham's house, which was of old brick, and dismal, and had a great many iron bars to it. Some of the windows had been walled up; of those that remained, all the lower were rustily barred. There was a courtyard in front, and that was barred; — Charles Dickens

I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ... ' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ... — David Mitchell

I am locked in a very expensive suit
old elegant and enduring
Only my hair has been able to get free
but someone has been leaving
their dandruff in it
Now I will tell you
all there is to know about optimism
Each day in hub cap mirror
in soup reflection
in other people's spectacles
I check my hair
for an army of alpinists
for Indian rope trick masters
for tangled aviators
for dove and albatross
for insect suicides
for abominable snowmen
I check my hair
for aerialists of every kind
Dedicated as an automatic elevator
I comb my hair for possibilities
I stick my neck out
I lean illegally from locomotive windows
and only for the barber
do I wear a hat — Leonard Cohen

The small talk that sprang readily to their lips came to hers only with a tremendous effort. After an opportunity had come and gone, she often scolded herself for not saying this or doing that, for laughing too loud or smiling too little. Whenever she tried to re-create the moment of contact, she was easily rebuffed by the slightest gesture, withdrawing all too quickly if she thought she was in the way. The old stone-and-brick schoolhouse, with its four gabled roofs and round little windows, was the only thing that seemed steadfast to her, while the beings that populated its rooms and thundered down its corridors were unreal and unpredictable. It gripped her like a monstrous truth that she was condemned to lead life without belonging or feeling close to anyone. — Erick Setiawan

Gregory is a good boy, though all the Latin he has learned, all the sonorous periods of the great authors, have rolled through his head and out again, like stones. Still, you think of Thomas More's boy: offspring of a scholar all Europe admired, and poor young John can barely stumble through his Pater Noster. Gregory is a fine archer, a fine horseman, a shining star in the tilt yard, and his manners cannot be faulted. He speaks reverently to his superiors, not scuffling his feet or standing on one leg, and he is mild and polite with those below him. He knows how to bow to foreign diplomats in the manner of their own countries, sits at table without fidgeting or feeding spaniels, can neatly carve and joint any fowl if requested to serve his elders. He doesn't slouch around with his jacket off one shoulder, or look in windows to admire himself, or stare around in church, or interrupt old men, or finish their stories for them. If anyone sneezes, he says, 'Christ help you! — Hilary Mantel

The growth of the imagination demands windows-windows through which we can look out at the world and windows through which we can look into ourselves. The old stories were windows in just this way. — Katherine Paterson

The poverty of the villages is almost picturesque from the windows of a coach that is not stopping. — Andrew Miller

The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands. — Tana French

In a long life, said many an old man, this is but one more thing. Yet there were others who were young and knew nothing about the helplessness of life's condition. Did they glow with light? They did, but of course, it could not be seen. And all the while, the grinding of bones like machinery, and the light step of tightrope walkers out beyond the windows. — Jesse Ball

It was a very aged, ghostly place; the church had been built many hundreds of years ago, and had once had a convent or monastery attached; for arches in ruins, remains of oriel windows, and fragments of blackened walls, were yet standing-, while other portions of the old building, which had crumbled away and fallen down, were mingled with the churchyard earth and overgrown with grass, as if they too claimed a burying-place and sought to mix their ashes with the dust of men. — Charles Dickens

servants' part of the house, the half-clad domestics were talking in low whispers to each other. Old Mrs. Leaf was crying and wringing her hands. Francis was as pale as death. After about a quarter of an hour, he got the coachman and one of the footmen and crept upstairs. They knocked, but there was no reply. They called out. Everything was still. Finally, after vainly trying to force the door, they got on the roof and dropped down on to the balcony. The windows yielded easily--their bolts — Oscar Wilde

Well, the way you'd been, old lady
I could see the fear in your windows
Under your furry crawling brow
A silver bow rings up in inches
You were afraid you'd be the devil's red wife
But it's alright, God dug your dance
And would have you young and in his harum — Don Van Vliet

However mean your life is, meet and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man's abode; the snow melts before its doors as early in the spring. Cultivate property like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts ... Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul. — Henry David Thoreau

I would write:
"The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam."
Or:
"The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream."
"The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers."
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. — Richard Wright

I pushed her shiny blond hair away from her face and leaned down, our faces only inches apart. She inhaled softly, our lips so close I could feel her breath and the scent of her skin, like honeysuckle in springtime. She smelled like sweet tea and old books, like she had always been here.
I pulled my fingers through her hair and held it at the back of her neck. Her skin was soft and warm, like a Mortal girl's. There was no electric current, no shocks. We could kiss for as long as we wanted. If we had a fight, there wouldn't be a flood or a hurricane, or even a storm. I wouldn't find her on the ceiling of her bedroom. No windows would shatter. No exams would catch fire.
Liv held up her face to be kissed.
She wanted me. — Kami Garcia

I used to do my best thinking while staring out airplane windows. The seat-back video system put a stop to that. Now I sit and watch old' Friends' and 'Everybody Loves Raymond' episodes. Walking is good, but here again, technology has interfered. I like to listen to iTunes while I walk home. I guess I don't think anymore. — Mary Roach

I want to wash your hair with a shampoo that smells like fruit - mango, or strawberries. I want to walk on a beach with you, dragging a big stick behind us, making a message in the sand that we try to believe an airplane will really see. I want to kiss saltwater from your lips. I want us to listen to music with our eyes closed; I want to read musty books while lying next to you - books about fascinating things like mummies and eccentric artists and old shipwrecks in the Pacific. I want to have picnics on our bed and crawl into cotton sheets that smell like summer because we left the windows open when we were gone. I want to wake in the night with you and marvel at the stars and try to find the moon through the trees. I want all the sweet things in life. But only by your side. — Deb Caletti

As the glow of the cabin windows turned to flickers through the trees and then to black, her eyes adjusted and the starlight alone on the pure white snow was enough to light her way. The cold scorched her cheeks and her lungs, but she was warm in her fox hat and wool. An owl swooped through the spruce boughs, a slow-flying shadow, but she was not frightened. She felt old and strong, like the mountains and the river. She would find her way home. — Eowyn Ivey

O'er rivers, through woods,
With winding and weaves,
Their school bus sailed on
Through the new-fallen leaves.

When out on the road
There arose such a clatter,
They threw down their windows
To see what was the matter.

When what with their wondering eyes
Should they see,
But a miniature farm
And eight tiny turkey.

And a little old man
So lively and rugged,
They knew in a moment
It was Farmer Mack Nuggett.

He was dressed all in denim
From his head to his toe,
With a pinch of polyester
And a dash of Velcro.

And then in a twinkling
They heard in the straw
The prancing and pawing
Of each little claw.

More rapid than chickens
His cockerels they came.
He whistled and shouted
And called them by name:

"Now Ollie, now Stanley, now Larry and Moe,
On Wally, on Beaver, on Shemp and Groucho! — Dav Pilkey

He would never want to diminish that event, that blow. It was nothing less than a calamity. It has shrunk his world, turned him into a prisoner. But escaping death ought to have shaken him up, opened windows inside him, renewed his sense of the preciousness of life. It has done nothing of the sort. He is trapped with the same old self as before , only greyer and drearier. Enough to drive one to drink. — J.M. Coetzee

A six year old can probably do more on their iPad than you can do and access more. My daughter's swiping away windows and doing all these things that I don't know how to do. — Patricia Arquette

MOST CITIES ARE designed on grids that fill them with hard angles. Not Amsterdam, which has a softness about it imparted by the watery curves of the 16th-century canals that fan out through the city. Though its gabled canal houses and narrow medieval streets give it an undeniable old-world charm, Amsterdam's thoroughly contemporary takes on arts, architecture and design show that it has modernity in a firm embrace. It's a city that invites wandering, with a tram system and a plenitude of bicycles (about as many as there are residents) that make navigating as fun as it is easy. Thanks to the locals, most of whom speak English, you'll feel instantly welcome and will be spared the indignity of trying to pronounce Dutch (don't even try). Spend as much time as possible on foot, the better to enjoy the city's theatrical quality: The huge, unshaded windows of the canal homes allow you to peer right in, testimony to the Dutch ethos of having nothing to hide. — Anonymous

It was nearly eight before he returned to the office. This was the hour when he found London most lovable; the working day over, her pub windows were warm and jewel-like, her streets thrummed with life, and the indefatigable permanence of her aged buildings, softened by the street lights, became strangely reassuring. We have seen plenty like you, they seemed to murmur soothingly, as he limped along Oxford Street carrying a boxed-up camp bed. Seven and a half million hearts were beating in close proximity in this heaving old city, and many, after all, would be aching far worse than his. Walking wearily past closing shops, while the heavens turned indigo above him, Strike found solace in vastness and anonymity. — Robert Galbraith

Our house was an old Tudor mansion. My father was very particular in keeping the smallest peculiarities of his home unaltered. Thus the many peaks and gables, the numerous turrets, and the mullioned windows with their quaint lozenge panes set in lead, remained very nearly as they had been three centuries back. Over and above the quaint melancholy of our dwelling, with the deep woods of its park and the sullen waters of the mere, our neighborhood was thinly peopled and primitive, and the people round us were ignorant, and tenacious of ancient ideas and traditions. Thus it was a superstitious atmosphere that we children were reared in, and we heard, from our infancy, countless tales of horror, some mere fables doubtless, others legends of dark deeds of the olden time, exaggerated by credulity and the love of the marvelous. ("Horror: A True Tale") — John Berwick Harwood

I slept that night in the room I used to have when I was a little boy, with the summer wind blowing in at the windows, bringing the smell of the ripe fields. I lay awake and watched the moonlight shining over the barn and the stacks and the pond, and the windmill making its old dark shadow against the blue sky. — Willa Cather

[ ... ] without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she's dancing and she's bored.
He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows. — Milan Kundera

No guinea of earned money should go to rebuilding the college on the old plan just as certainly none could be spent upon building a college upon a new plan: therefore the guinea should be earmarked "Rags. Petrol. Matches." And this note should be attached to it. "Take this guinea and with it burn the college to the ground. Set fire to the old hypocrisies. Let the light of the burning building scare the nightingales and incarnadine the willows. And let the daughters of educated men dance round the fire and heap armful upon armful of dead leaves upon the flames. And let their mothers lean from the upper windows and cry, "Let it blaze! Let it blaze! For we have done with this 'education! — Virginia Woolf