Old Love Picture Quotes & Sayings

One day, I went to a soba restaurant outside town, and while I was waiting for the zarusoba I opened an old graph magazine. There was a picture of an exhausted, lonely kneeling woman who wore a checked patterned yukata after the tradegy of a large earthquake. With the intensity of my chest ready to burn up, I fell in love with that poor woman. I also felt a horrifying desire for her. Maybe tragedy and desire are back to back to one another. — Osamu Dazai

One of the things I love about bound books is their sheer physicality. Electronic books live out of sight and out of mind. But printed books have body, presence. Sure, sometimes they'll elude you by hiding in improbable places: in a box full of old picture frames, say, or in the laundry basket, wrapped in a sweatshirt. But at other times they'll confront you, and you'll literally stumble over some tomes you hadn't thought about in weeks or years. I often seek electronic books, but they never come after me. The may make me feel, but I can't' feel them. They are all soul with no flesh, no texture and no weight. They can get in your head but can't whack you upside it. — Will Schwalbe

And she imagined how things could be later. It was stupid, but the picture just appeared in her mind. Abel and Magnus shoveling snow together ... in twenty years, in thirty. Magnus had grown old, his broad back still strong but bent from time, his hair nearly white at the temples. And Abel ... Abel was a different Abel, an adult one, one who was absolutely self-confident and didn't let his eyes dart around the room at lunch, as if he were caught in trap.
"Nonsense," she whispered. "Thirty years? You don't stay with the person you meet at seventeen ... what kind of fairy tale are you living in, Anna Leemann?"
And still the picture seemed right. — Antonia Michaelis

But against sandfly fever one could be inoculated, and I have another, hideously vivid picture of a great menacing brute of a doctor sticking a Thing that ended in a vicious needle into my mother's arm. Mad to defend my own, I scrambled off my father's knee, and flew to her rescue. I fixed my teeth in the doctor's horrible hairy wrist and hung on like a terrier, until my father succeeded in prising me away. Afterwards, everybody said how wonderful the doctor had been, because he continued calmly giving the inoculation while I was prised off him, instead of breaking the needle in my mother's arm. But nobody said how brave it was of me, only three years old, when all is said and done, and gone in the legs at that, to take on such fearful odds for the sake of love. — Rosemary Sutcliff

I'm no crazier than anyone else. I love life the same as most people - what else have we got that's real? I like to take a good picture; I like to wake up in love; I like to read a good book; I like to travel without many plans; I like a shifting mix of the expected and the unexpected; I like to swim in rivers and oceans; I like to walk; I like to see sunlight coming through trees; I like old cites and snow and live music and all the kooky things I've been doing these last few days. All of it, the good and the bad and the stuff in between. I'm not saying I haven't made mistakes. I'm not saying I haven't been rude or cavalier or predictable. I'm only saying that if you asked me, I'd say, Yeah, I'm too young to die. — Michael Jarvis

At the college where I teach, I'm surrounded by circus people. We aren't tightrope walkers or acrobats. We don't breathe fire or swallow swords. We're gypsies, moving wherever there's work to be found. Our scrapbooks and photo albums bear witness to our vagabond lives: college years, grad-school years, instructor-mill years, first-job years. In between each stage is a picture of old friends helping to fill a truck with boxes and furniture. We pitch our tents, and that place becomes home for a while. We make families from colleagues and students, lovers and neighbors. And when that place is no longer working, we don't just make do. We move on to the place that's next. No place is home. Every place is home. Home is our stuff. As much as I love the Cumberland Valley at twilight, I probably won't live there forever, and this doesn't really scare me. That's how I know I'm circus people. — Cathy Day

On no account would I do a picture which I should be unwilling to show to all the world - or at least all the artistic world. If I did not believe I could take pictures of all children without any lower motive than a pure love of Art, I would not ask it: and if I thought there was any fear of its lessening their beautiful simplicity of character, I would not ask it. I print all such pictures myself, and of course would not let any one see them without your permission. I fear you will reply that the one insuperable objection is "Mrs. Grundy"
that people will be sure to hear that such pictures have been done, and that they will talk. As to their hearing of it, I say "of course. All the world are welcome to hear of it, and I would not an any account suggest to the children to mention it - which would at once introduce an objectionable element" - but as to people talking about it, I will only quote the grand old monkish legend: They say: Quhat do they say? Lat them say! — Lewis Carroll

Before you either turn away in disgust or wink knowingly at one another, you should know that the artist insists that this is a picture about love. Filial love. The old man has been condemned by the Roman senate to die of hunger, and his daughter has come to his prison cell and offered her breast to feed him. This has nothing to do with with the decorous love or amorous passions one is more accustomed to seeing in a painting. It is raw and wretched and demeaning. In the end, we are physical bodies and every abstract notion about love sinks beneath this fact. — Debra Dean

Picture to yourself, O fair young reader, a worldly, selfish, graceless, thankless, religionless old woman, writhing in pain and fear, and without her wig. Picture her to yourself, and ere you be old, learn to love and pray. — William Makepeace Thackeray

O! I must tell you that I have fallen in love with a gentleman whom I have lately come acquainted with: he is about 60 or 70 - has ... O! I must tell you that I have fallen in love with a gentleman whom I have lately come acquainted with: he is about 60 or 70 - has the misfortune to be humpbacked, crooked legged, and rather deformed in his face. - But, in sober sadness, I am delighted with the Dean of Coleraine, whose picture this is, and which I have very lately read. The piety, the zeal, the humanity, goodness and humility of this charming old man have won my heart. Ah! who will not envy him the invaluable treasure! — Fanny Burney

Looking at a human being or even a picture of a human being is different from looking at an object. Newborn babies, only hours old, copy the expressions of adults. They pucker up, try to grin, look surprised, and stick out their tongues. The photographs of imitating infants are both funny and touching. They do not know they are doing it; this response is in them from the beginning. Later, people learn to suppress the imitation mechanism; it would not be good if we went on forever copying every facial expression we saw. Nevertheless, we human beings love to look at faces because we find ourselves there. When you smile at me, I feel a smile form on my own face before I am aware it is happening, and I smile because I am seeing me in your eyes and know that you like what you see. — Siri Hustvedt

Right now, I love the fact that I have so many opportunities, but I know this privileged position cannot last. That doesn't mean that I'll stop working. I picture myself as an old actress doing cameos in films with people saying: 'Isn't that that Bening woman?' — Annette Bening

And then there's the truth beyond that, sitting like an old rock under green creek water: none of these things matter. Right now, in this moment, we have love. We have it in the sound of my daughter's laugher, in Mom's and Georgia's locked fingers, in the warm pressure of J.T.'s hand. It will leave, and it will come again, and when it does I'll give up everything and take it. Just like an addict. Like dry grass in new rain. It's not something I'm proud of necessarily. Then again, maybe I am. — Katie Crouch

Don't expect me to be sane anymore. Don't let's be sensible. It was a marriage at Louveciennes - you can't dispute it. I came away with pieces of you sticking to me; I am walking about, swimming, in an ocean of blood, your Andalusian blood, distilled and poisonous ... I can't see how I can go on living away from you - these intermissions are death. How did it seem to you when Hugo came back? Was I still there? I can't picture you moving about with him as you did with me. Legs closed. Frailty. Sweet, treacherous acquiescence. Bird docility. You became a woman with me. I was almost terrified by it. You are not just thirty years old - you are a thousand years old.
Here I am back and still smouldering with passion, like wine smoking. Not a passion any longer for flesh, but a complete hunger for you, a devouring hunger. — Henry Miller

Goodnight, child. This is a damn shame. Let's drop it out of the picture." He gave her two lines of hospital patter to go to sleep on. "So many people are going to love you and it might be nice to meet your first love all intact, emotionally too. That's an old-fashioned idea, isn't it? — F Scott Fitzgerald

Underneath the picture of a really old guy, Lisa read, "Chess, like music and love, has the power to make men happy. — Jesse Kraai

Though a new picture gives you a picture of how old you are, when you see the old pictures, you remember the young you! — Ernest Agyemang Yeboah

I always gave her a book. An old hardback from the same section in the used bookstore where you'd find Hardy Boys and Nancy Drew, and musty scrawled-in Hobbits, the painted paper covers often ripped or gone ...
My favorite was a sort of illustrated guidebook of pond creatures on which a very young child had written in pencil on each page under the picture of an otter
I love otter
Under a muskrat:
I love muskrat
Beaver:
I love beaver — Peter Heller

I was feeling like an old puzzle that someone put away, the kind that's missing pieces so it never gets looked at. It isn't until I came across the woman that now holds my last name that I see it clearly. She's the collection of pieces that are missing from my box. She completes it and turns it into the most beautiful picture. — Melyssa Winchester

If you look at old pictures, Irene Casey is so pretty. Not just young, but pretty the way you look when your face goes smooth, the skin around your eyes and lips relaxed, the pretty you only look when you love the person taking the picture. — Chuck Palahniuk

Guenever never cared for God. She was a good theologian, but that was all. The truth was that she was old and wise: she knew that Lancelot did care for God most passionately, that it was essential he should turn in that direction. So, for his sake, to make it easier for him, the great queen now renounced what she had fought for all her life, now set the example, and stood to her choice. She had stepped out of the picture.
Lancelot guessed a good deal of this, and, when she refused to see him, he climbed the convent wall with Gallic, ageing gallantry. He waylaid her to expostulate, but she was adamant and brave. Something about Mordred seems to have broken her lust for life. They parted, never to meet on earth. — T.H. White