Quotes & Sayings About Oak Leaves
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Top Oak Leaves Quotes

When I was asked to do something good, I often say yes, I'll try, yes, I'll do my best. And part of that is believing, if God loves me, if God made everything from leaves to seals and oak trees, then what is it I can't do? — Maya Angelou

Had the Battle of Franklin ever really ended? Carrie walked her cemetery, and around her the wounds closed up and scarred over, but only in that way that an oak struck by lightning heals itself by twisting and bending around the wound: it is still recognizably a tree, it still lives as a tree, it still puts out its leaves and acorns, but its center, hidden deep within the curtain of green, remains empty and splintered where it hasn't been grotesquely scarred over. We are happy the tree hasn't died, and from the proper angle we can look on it and suppose that it is the same tree as it ever was, but it is not and never will be. — Robert Hicks

At the south end of the inn, away from the stream, stretched the remains of a much larger stone foundation, once part of the inn - or so it was said. A huge oak grew in the middle of it now, with a bole thirty paces around and spreading branches as thick as a man. In the summer, Bran al'Vere set tables and benches under those branches, shady with leaves then, where people could enjoy a cup and a cooling breeze while they talked or perhaps set out a board for a game of stones. — Robert Jordan

Alas for America as I must so often say, the ungirt, the diffuse, the profuse, procumbent, one wide ground juniper, out of which no cedar, no oak will rear up a mast to the clouds! It all runs to leaves, to suckers, to tendrils, to miscellany. The air is loaded with poppy, with imbecility, with dispersion, & sloth. — Ralph Waldo Emerson

I could lecture on dry oak leaves; I could, but who would hear me? If I were to try it on any large audience, I fear it would be no gain to them, and a positive loss to me. I should have behaved rudely toward my rustling friends. — Henry David Thoreau

The sun danced through the small leaves of the oak, turning them saffron and dappling the blankets with the ghosts of baby leaves. Ewan very seriously filled all the glasses with bluebells, and gave them water from the stream, so the picnic turned from a very formal affair, all heavy silver and starched linen, to a child's tea party. — Eloisa James

The Oak
Live thy Life,
Young and old,
Like yon oak,
Bright in spring,
Living gold;
Summer-rich
Then; and then
Autumn-changed
Soberer-hued
Gold again.
All his leaves
Fall'n at length,
Look, he stands,
Trunk and bough
Naked strength. — Alfred Tennyson

Have no fear," the voice told her, "for in thee lies the hope of all. Only thou can deliver the land from darkness."
"How can I?" she asked. "I am just one against so many."
The eyes gleamed behind the dappling leaves. "Yet the smallest acorn may become the tallest oak," came the answer. — Robin Jarvis

Lord, thy children are jaded, and their ears go flat with sound. Marveling in the thunder rumbling of thy voice no longer - they hear not, and the omens of the white gull and the flayed oak are as naught to their purblind sight. The prophecy in the thunder, the foreshadowings of the leaves quivering white, the dismay of the grass bent in the merciless wind are naught, lord. — Sylvia Plath

Sigh for me, night-wind, in the noisy leaves of the oak. / I am tired. Sleep for me, heaven over the hill. / Shout for me, loudly and loudly, joyful sun, when you rise. — Wallace Stevens

The old oak, utterly transformed, draped in a tent of sappy dark green, basked faintly, undulating in the rays of the evening sun. Of the knotted fingers, the gnarled excrecenses, the aged grief and mistrust- nothing was to be seen. Through the rough, century-old bark, where there were no twigs, leaves had burst out so sappy, so young, that is was hard to believe that the aged creature had borne them. "Yes, that is the same tree," thought Prince Andrey, and all at once there came upon him an irrational, spring feeling of joy and renewal. All the best moments of his life rose to his memory at once. Austerlitz, with that lofty sky, and the dead, reproachful face of his wife, and Pierre on the ferry, and the girl, thrilled by the beauty of the night, and that night and that moon- it all rushed at once into his mind. — Leo Tolstoy

Outside the gates the spectacle seemed tame in comparison; for the road bent toward Pontesordo, and Odo was familiar enough with the look of the bare fields, set here and there with oak-copses to which the leaves still clung. As the carriage skirted the marsh his mother raised the windows, exclaiming that they must not expose themselves to the pestilent air; and though Odo was not yet addicted to general reflections, he could not but wonder that she should display such dread of an atmosphere she had let him breathe since his birth. He knew of course that the sunset vapours on the marsh were unhealthy: everybody on the farm had a touch of the ague, and it was a saying in the village that no one lived at Pontesordo who could buy an ass to carry him away; but that Donna Laura, in skirting the place on a clear morning of frost, should show such fear of infection, gave a sinister emphasis to the ill-repute of the region. — Edith Wharton

Perfection"
Every oak will lose a leaf to the wind.
Every star-thistle has a thorn.
Every flower has a blemish.
Every wave washes back upon itself.
Every ocean embraces a storm.
Every raindrop falls with precision.
Every slithering snail leaves its silver trail.
Every butterfly flies until its wings are torn.
Every tree-frog is obligated to sing.
Every sound has an echo in the canyon.
Every pine drops its needles to the forest floor.
Creation's whispered breath at dusk comes
with a frost and leaves within dawn's faint mist,
for all of existence remains perfect, adorned,
with a dead sparrow on the ground.
(Poem titled : 'Perfection' by R.H.Peat) — R.H. Peat

Consider the many special delights a lawn affords: soft mattress for a creeping baby; worm hatchery for a robin; croquet or badminton court; baseball diamond; restful green perspectives leading the eye to a background of flower beds, shrubs, or hedge; green shadows - This lawn, a carpet all alive/With shadows flung from leaves' - as changing and as spellbinding as the waves of the sea, whether flecked with sunlight under trees of light foliage, like elm and locust, or deep, dark, solid shade, moving slowly as the tide, under maple and oak. This carpet! — Katharine Sergeant Angell White

Village life is like an ivy vine climbing a great oak. You cut off the vine at the root, and all the way up the tree, the leaves wither. We're all connected." For — Julie Klassen

The year was dying early, the leaves were falling fast, it was a raw cold day when we took possession, and the gloom of the house was most depressing. The cook (an amiable woman, but of a weak turn of intellect) burst into tears on beholding the kitchen, and requested that her silver watch might be delivered over to her sister (2 Tuppintock's Gardens, Liggs's Walk, Clapham Rise), in the event of anything happening to her from the damp. Streaker, the housemaid, feigned cheerfulness, but was the greater martyr. The Odd Girl, who had never been in the country, alone was pleased, and made arrangements for sowing an acorn in the garden outside the scullery window, and rearing an oak. — Charles Dickens

I made it when I was young, by my standards, after years of playing on various harps. I shaped its pieces out of Ymris oak beside night fires in far, lonely places where I heard no man's voice but my own. I carved on each piece the shapes of leaves, flowers, birds I saw in my wanderings. In An, I searched three months for strings for it. I found them finally; sold my horse for them. They were strung to the broken harp of Ustin of Aum, who died of sorrow over the conquering of Aum. Its strings were tuned to his sorrow, and its wood was split like his heart. I strung my harp with them, matching note for note in the restringing. And then I returned them to my joy." Morgon — Patricia A. McKillip

What are we doing?" I asked, feeling restless. "Taking comfort." That made me smile, so I peered up at him. "You're taking comfort in me?" "Yes." My smile grew and I closed my eyes, giving myself over to the moment. Gradually, I heard a symphony of sounds rise around us. Wind played through the grass, rustled the small but plentiful leaves of a nearby lonely oak. Crickets and other insects chirped and hummed. I felt the beat of Jethro's heart in his fingertips and where I gripped his wrists. My heart slowed until it matched the rhythm of his. My restlessness eased until it faded away, eclipsed by the stillness, the comfort of being close, yet barely touching. And I took comfort in him. — Penny Reid

Above us hung a tapestry of silver and gold and palest green that in my world had faded into white: a great oak so entwined with ivy it had died, its bare branches pushing through the leaves like bone. I stared at the roses, wanting to hold my hands to such red, but like the light, they burned cold. — Patricia A. McKillip

When the first light dawned on the earth, and the birds awoke, and the brave river was heard rippling confidently seaward, and the nimble early rising wind rustled the oak leaves about our tent, all people, having reinforced their bodies and their souls with sleep, and cast aside doubt and fear, were invited to unattempted adventures. — Henry David Thoreau

And she could play the Beethoven symphony any time she wanted to. It was a queer thing about this music she had heard last autumn. The symphony stayed inside her always and grew little by little. The reason was this: the whole symphony was in her mind. It had to be. She had heard every note, and somewhere in the back of her mind the whole of the music was still there just as it had been played. But she could do nothing to bring it all out again. Except wait and be ready for the times when suddenly a new part came to her. Wait for it to grow like leaves grow slowly on the branches of a spring oak tree. — Carson McCullers

She had lived among those oak and pine trees when their roots grew deep beneath her and their leaves thick above. Now he lived among them, too, only he lived among them cut and dead. — Louise Erdrich

Long cold nights mark November's return, grey rains fall, wind walks in the bronze oak leaves. — Gladys Taber

My depression had grown on me as that vine had conquered the oak; it had been a sucking thing that had wrapped itself around me, ugly and more alive than I. It had had a life of its own that bit by bit asphyxiated all of my life out of me. At the worst stage of major depression, I had moods that I knew were not my moods: they belonged to the depression, as surely as the leaves on that tree's high branches belonged to the vine. When I tried to think clearly about this, I felt that my mind was immured, that it couldn't expand in any direction. I knew that the sun was rising and setting, but little of its light reached me. I felt myself sagging under what was much stronger than I; first I could not use my ankles, and then I could not control my knees, and then my waist began to break under the strain, and then my shoulders turned in, and in the end I was compacted and fetal, depleted by this thing that was crushing me without holding me. — Andrew Solomon

Coda
Perhaps to love is to learn
to walk through this world.
To learn to be silent
like the oak and the linden of the fable.
To learn to see.
Your glance scattered seeds.
It planted a tree.
I talk
because you shake its leaves. — Octavio Paz

When I closed the door Grandmother was already seated at her spinning wheel. Her foot was on the treadle but her eyes were thoughtfully on me. The spinner was beautifully carved of dark oak with leaves twining their way round and round the outer rim. It must have been very old, as the designs were too fanciful to have been made i the new England. She called to me and asked me if I could spin. I told her yes, well enough, but that I could sew better, which was a statement only half true. A camp surgeon would have a better hand with a cleaver to a limb than I with a needle on the cloth. She spun the wool through knotted fingers glistening with sheep's oil and wrapped the threads neatly around the bobbin. Gently probing, she teased out the story of our days in Billerica just as she teased out the fine thread from the mix and jumble of the coarse wool in her hands. — Kathleen Kent

Thinking about such things soothed the creature as it dug at the base of a tall oak tree, deep into the ground, covering itself with dirt and leaves and moss; hiding, healing, waiting. — Joe DeRouen

Everything is strange. Things are huge and very small. The stalks of flowers are thick as oak trees. Leaves are high as the domes of vast cathedrals. We are giants, lying here, who can make forests quiver. — Virginia Woolf

Luna moths have no mouths or stomachs. They do not eat, and only live about one week.
Where to Find It
As soon as the female comes out of the cocoon in April or June, she searches for a tree with leaves her offspring can eat. Many different trees could be food for her caterpillars. So you may find her on walnut, hickory, oak, birch, alder, sweet gum or persimmon trees. — Mel Boring

Since my stroke, I have begun to see so many miracles all around me. I look out of the window in my room: verdant grass, silver-tipped oak leaves, tall palm trees gentle swaying as they reach to the sky, masses and masses of roses. All colors, so many shapes, exquisite fragrances. — Kirk Douglas

The sun was prying up the clouds and lighting the brick front of the hospital rose red. A thin breeze worked at sawing what leaves were left from the oak trees, stacking them neatly agains the wire cyclone fence. There were little brown birds occasionally on the fence: when a puff of leaves would hit the fence the birds would fly off with the wind. It looked at first like the leaves were hitting the fence and turning into birds and flying away. — Ken Kesey

And when the rains were over and it was October and the birds were in song again, I could lie in the sun on sweet-smelling grass and gaze up through a pattern of oak leaves into a blind-blue heaven. And I would thank my God for leaves and grass and the smell of things, the smell of mint and myrtle and bruised clover, and the touch of things, the touch of grass and air and sky, the touch of the sky's blueness. — Ruskin Bond

Autumn flings her fiery cloak over the sumac, beech and oak. — Susan Lendroth

Connie went for walks in the park, and in the woods that joined the park, and enjoyed the solitude and the mystery, kicked the brown leaves of autumn, and picked the primroses of spring. But it was all a dream; or rather it was like the simulacrum of reality. The oak leaves were to her like oak-leaves seen ruffling in a mirror, she herself was a figure somebody had read about, picking primroses that were only shadows or memories, or words. No substance to her or anything ... no touch, no contact! — D.H. Lawrence

You, my friend, could be the smoke's daughter,
you who may not have known you were born of fire and rage,
lightning over flaming lava etched your violet mouth,
your sex in the scorched oak's moss like a ring in a nest,
your fingers there in the flames, your compact body
rose from leaves of fire that make me recall
there were bakers in your family tree,
you're still the rainforest's bread, ash from violent wheat, — Pablo Neruda

I shake my head. I pick up the rake and start making the dead-leaf pile neater. A blister pops and stains the rake handle like a tear. Dad nods and walks to the Jeep, keys jangling in his fingers. A mockingbird lands on a low oak branch and scolds me. I rake the leaves out of my throat.
Me: Can you buy some seeds? Flower seeds? — Laurie Halse Anderson

And beyond the timeless meadows and emerald pastures, the rabbit holes and moss-covered oak and rowan trees and the "slippy sloppy" houses of frogs, the woodland-scented wind rushed between the leaves and blew around the gray veil that dipped below the fells, swirling up in a mist, blurring the edges of the distant forest.
(View from Windermere in the Lake District) — Susan Branch

Here and there on the branch of an oak a congress of leaves still clung, rigid as flakes of bronze. — Martha Ostenso

Mortality
Oh, why should the spirit of mortal be proud?
Like a swift-fleeting meteor, a fast-flying cloud,
A flash of the lightning, a break of the wave,
He passes from life to his rest in the grave.
The leaves of the oak and the willow shall fade,
Be scattered around, and together be laid;
And the young and the old, the low and the high,
Shall molder to dust, and together shall lie.
Yea, hope and despondency, pleasure and pain,
Are mingled together in sunshine and rain;
And the smile and the tear, the song and the dirge,
Still follow each other, like surge upon surge.
'Tis the wink of an eye - 'tis the draught of a breath -
From the blossom of health to the paleness of death,
From the gilded saloon to the bier and the shroud
Oh, why should the spirit of mortal be proud? — William Knox

Wait a minute," he says, holding up one of his large handa. "A green bomb?"
"I'm not making this up."
"Why green, though?"
"Because green is the color of money, grass, oak leaves, and alien bombs. How the hell would I know why it was green? — Rick Yancey

The little girl skipped by under the wrinkled oak leaves and held fast to a replica of herself. — Anne Sexton

The embassy's front door was of bulletproof steel lined with a veneer of English oak. You attained it by touching a button in a silent lift. The royal crest, in this air-conditioned stillness, suggested silicone and funeral parlours. The windows, like the doors, had been toughened to frustrate the Irish and tinted to frustrate the sun. Not a whisper of the real world penetrated. The silent traffic, cranes, shipping, old town and new town, the brigade of women in orange tunics gathering leaves along the central reservation of the Avenida Balboa, were mere specimens in Her Majesty's inspection chamber. From the moment you set foot in British extraterritorial airspace, you were looking in, not out. - — John Le Carre

This was a beautiful, old wood, all massive oak and ash trees finding footing among great slabs of cracked stone. Ferns sprang from rocks and verdant moss grew up the sides of the tree trunks. The air itself was scented with green and growing and water. The light was golden through the leaves. Everything was alive, alive. — Maggie Stiefvater

Some men are like oak leaves
they don't know when they're dead, but still hang right on; and there are others who let go before anything has really touched them. — George Horace Lorimer

Stories are a kind of thing, too. Stories and objects share something, a patina. I thought I had this clear, two years ago before I started, but I am no longer sure how this works. Perhaps a patina is a process of rubbing back so that the essential is revealed, the way that a striated stone tumbled in a river feels irreducible, the way that this netsuke of a fox has become little more than a memory of a nose and a tail. But it also seems additive, in the way that a piece of oak furniture gains over years and years of polishing, and the way the leaves of my medlar shine. — Edmund De Waal

They were ghosts, I suppose, the procession of the dead. They weren't pale kings and pale maidens, they were work-worn men and women - perfectly ordinary people, except for being dead. You'd never mistake them for living people. You couldn't quite see through them, but they were even more drained of colour than everything else, and they weren't quite as solid as they ought to be. One of the men I recognised. He had been sitting in Fedw Hir near Grampar making blubbing sounds with his mouth. Now he strode along easily with a spring in his step. His face was grave and composed, he was a man with dignity and purpose. He bent and picked up one of my oak leaves from the path and offered it like a ticket at the cinema as he passed between the two trees. I didn't see anyone take it. I couldn't see into the darkness at all. — Jo Walton

Only a few leaves of deep red remain on the otherwise bare limbs of the maples; the oak leaves are russet and wrinkled; briefly through the trees is the glimpse of the bay, flat and steel-gray today with the overcast November sky. — Elizabeth Strout

Though the live-oak glistens there in Louisiana solitary in a wide flat space,
Uttering joyous leaves all its life without a friend a lover near,
I know very well I could not."
- from "I Saw in Louisiana a Live-Oak Growing — Walt Whitman

We'd get out of it." She stared at the huge bell for a moment and then added, "I hate the sound of that bell." A gusty breeze rustled the leaves and threw a lock of hair in her face. She brushed it back and turned away from the oak and the bell. "Over there" - she pointed — Michael J. Sullivan

She came upon a bankside of lavender crocuses. The sun was on them for the moment, and they were opened flat, great five-pointed, seven-pointed lilac stars, with burning centres, burning with a strange lavender flame, as she had seen some metal burn lilac-flamed in the laboratory of the hospital at Islington. All down and oak-dry bankside they burned their great exposed stars. And she felt like going down on her knees and bending her forehead to the earth in an oriental submission, they were so royal, so lovely, so supreme. She came again to them in the morning, when the sky was grey, and they were closed, sharp clubs, wonderfully fragile on their stems of sap, among leaves and old grass and wild periwinkle. They had wonderful dark stripes running up their cheeks, the crocuses, like the clear proud stripes on a badger's face, or on some proud cat. She took a handful of the sappy, shut, striped flames. In her room they opened into a grand bowl of lilac fire. — D.H. Lawrence

Jack was too absorbed in his work to hear the bell. He was mesmerized by the challenge of making soft, round shapes of hard rock. The stone had a will of its own, and if he tried to make it do something it did not want to do, it would fight him, and his chisel would slip, or dig in too deeply, spoiling the shapes. But once he had got to know the lump of rock in front of him he could transform it. The more difficult the task, the more fascinated he was. He was beginning to feel that the decorative carving demanded by Tom was too easy. Zigzags, lozenges, dogtooth, spirals and plain roll moldings bored him, and even these leaves were rather stiff and repetitive. He wanted to curve natural-looking foliage, pliable and irregular, and copy the different shapes of real leaves, oak and ash and birch. — Ken Follett

Jenny threw back her head and laughed, laughter that rang out through the leaves if the oak tree above them. Jack pulled her to him, to kiss her and whisper her name again. And the oak tree above them whispered back, of love and sacrifice, of a king and a queen, and a future made anew. — Ruth Frances Long