Novel That Quotes & Sayings

It's very important to set your place in a concrete environment. I think Chekhov said that the important thing when you have a play or any kind of novel is to set the roots in a concrete place. — Roman Polanski

Then he smiles because he knows deep in his bones that his dad has gone and said something really funny probably. He kicks off his sheet and slides his feet into his slippers. Bunny sits in the living room, slumped low on the sofa, full of Geoffrey's Scotch and Poodle's cocaine. — Nick Cave

The book that made a lasting impression was the one my mother gave each of us when she decided we were ready for our first 'adult novel,' Lucy Maud Montgomery's 'The Blue Castle.' — Hallie Ephron

I've always enjoyed that kind of thing - thinking about the production of narrative and why it is that when we read a novel, we don't notice the fact that someone who might be very close-mouthed or tight-lipped is perfectly willing to tell us a story in 600 or 700 pages. — Matthew Tobin Anderson

I think that when people read fiction, they're really reading for wisdom. I am. That's what most of us really love. If we read a novel that rocks our world, it's because there's something in it that we didn't know already. Not just information but really wisdom - sort of what to do with our information. And wisdom comes from experience. — Barbara Kingsolver

I absolutely fell in love with David Cristofanos writing. THE GIRL SHE USED TO BE is that rare novel
its the one youve been looking for when you wander the bookstore aisles, hoping to find something that will grab hold of you and not let go. Eloquent, haunting, and totally enthralling, I was swept in from page one. — Johanna Edwards

The thing I have learned through the years is that one idea 'doth' not a novel make. A novel must be several seemingly unrelated ideas that somehow magically come together to create the fabric of the story. — Katherine Paterson

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

Ah, there's nothing like tea in the afternoon. When the British Empire collapses, historians will find that it had made but two invaluable contributions to civilization - this tea ritual and the detective novel. — Ayn Rand

I hadn't seen any novel make the statement that entering the workforce was like entering the grave. That from then on, nothing happens and you have to pretend to be interested in your work. And, furthermore, that some people have a sex life and others don't just because some are more attractive than others. I wanted to acknowledge that if people don't have a sex life, it's not for some moral reason, it's just because they're ugly. Once you've said it,
it sounds obvious, but I wanted to say it. — Michel Houellebecq

Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest. — Michael Cunningham

Not a lot of contemporary fiction is written about brothers and sisters. Salinger's Franny and Zooey was an inspiration for me. In Franny and Zooey, the sister gets in trouble and the brother comes to help her out. But I wanted to make sure that in my novel the sister had more to do than lie around on a sofa muttering, which is what Franny does for two-thirds of Salinger's novel. — K.M. Soehnlein

I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views. — Edith Wharton

Imitation both unconscious and conscious is par excellence the educational method of the family. It is plain that a considerable part of the adaptation of living beings to their environment, i.e., of beings that are born plastic, is passed on from generation to generation through imitation. Were this not so, much if not all of the road traversed by one generation would have to be travelled by the next generation from the very beginning and without short-cuts. Consequently there would be little chance for the novel adaptation, the propitious individual variation, that constitutes progress. — Elsie Clews Parsons

Somehow, the pain and rage and confusion of the past eighteen years dissolves until all that is left is this one perfect moment; unscripted, unedited, it's ours and ours alone. — Heather Demetrios

I was once a graduate student in Victorian literature, and I believe as the Victorian novelists did, that a novel isn't simply a vehicle for private expression, but that it also exists for social examination. I firmly believe this. — Margaret Atwood

Irving Wallace wrote a bestselling novel, The Man, in the 1960s about a black man becoming president of the United States. We thought that such a possibility was thousands of years in the future. Some people may still have some difficulty with the idea, but that's a major cultural meme shift. — Wayne Dyer

And he absolutely had to find her at once to tell her that he adored her, but the large audience before him separated him from the door, and the notes reaching him through a succession of hands said that she was not available; that she was inaugurating a fire; that she had married an american businessman; that she had become a character in a novel; that she was dead. — Vladimir Nabokov

Cormoran Strike is an amazing creation and I can't wait for his next outing. Strike is so instantly compelling that it's hard to believe this is a debut novel. I hope there are plenty more Cormoran Strike adventures to come. A beautifully written debut novel introducing one of the most unique and compelling detectives I've come across in years. — Mark Billingham

You know," Kavita begins, "I think I can pick out my own furniture. I am an artist after all. I do have some taste."
"No you don't." Nick plainly states. "No man has taste. Besides, I didn't pick it out, she did. Wives are good for things like that. — Carroll Bryant

Sci-Fi is the genre that explored both possibilities: the end of our existential crisis and the end of our existence. My novel, 'The 5th Wave,' explores the latter scenario, because, frankly, I believe it represents the likeliest outcome of an extraterrestrial encounter. In short, if they're out there, we better hope they never find us. — Rick Yancey

What I complain of is that life is not like a novel where there are hard-hearted fathers, and goblins and trolls to fight with, enchanted princesses to free. What are all such enemies taken together compared to the pallid, bloodless, glutinous nocturnal shapes with which I fight and to which I myself give life and being. — Soren Kierkegaard

Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders. — William Golding

There are some short essays that are very grave, and most contemporary novels are lighter than air. — Fran Lebowitz

Identify the moral dilemma driving the novel. the successful novel will haunt a reader because it deals with some ethical or moral dilemma that makes the reader wonder what he or she would do in the protagonist's place. — Rick Riordan

I'm asked all the time, 'Doesn't it feel great to finish the novel?' And the answer to that is, 'No.' It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination. — Bob Shacochis

I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story. — Jhumpa Lahiri

Readers understand that the books celebrate female power. In the romance novel, the woman always wins. With courage, intelligence and gentleness she brings the most dangerous creature on the earth, the human male, to his knees. — Jayne Ann Krentz

Take a table and I'll join you in a second.'
When he walked away I did something I couldn't be scolded for doing.
I checked out his ass in his jeans and ... that looked good. — Stephanie Witter

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude. In a world built on sacrosanct certainties the novel is dead. — Milan Kundera

Someone once told me that we move when it becomes less painful than staying where we are. — Anne Hines

You hate the very source of your life, it's ultimate basis - for there's no denying it, 'sex is fundamental. And you hate it, hate it.' 'Me?' It was a novel accusation. Spandrell was accustomed to hearing himself blamed for his excessive love of women and the sensual pleasures. 'Not only you. All these people.' With a jerk of his head he indicated the other diners. 'And all the respectable ones too. Practically everyone. It's the disease of modern man. I call it Jesus's disease on the analogy of Bright's disease. Or rather Jesus's and Newton's disease; for the scientists are as much responsible as the Christians. So are the big business men, for that matter. It's Jesus's and Newton's and Henry Ford's disease. Between them, the three have pretty well killed us. Ripped the life out of our bodies and stuffed us with hatred.' Rampion — Aldous Huxley

I don't mind being called a "feminist," as I certainly embrace the tenets of feminism, though it does feel a little sad to me that we need to call a novel "feminist" simply because the female characters are interesting and strong. — Laurie Foos

If someone had told me in high school that one day I'd write an historical novel, I would have rolled my eyes. — Nancy Horan

It is perfectly legitimate to write novels which are essentially prose poems, but in the end, I think, a novel is like a car, and if you buy a car and grow flowers in it, you're forgetting that the car is designed to take you somewhere else. — Robert Harris

The North Korean state was born at about the same time that Nineteen Eighty-Four was published, and one could almost believe that the holy father of the state, Kim Il Sung, was given a copy of the novel and asked if he could make it work in practice. Yet even Orwell did not dare to have it said that "Big Brother's" birth was attended by miraculous signs and portents - such as birds hailing the glorious event by singing in human words. — Christopher Hitchens

I'm not a sociologist, and the novel has often concerned itself with sociology. It's one of the generating forces that's made fiction interesting to people. But that's not my concern. I'm interested in psychology. And also certain philosophical questions about the world. — Jonathan Lethem

I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually. — Pirjo Honkasalo

Software is definitely engineering. It's different in that we take on novel tasks every time. It's not like building a certain bridge that is virtually identical to some previous bridge or some previous building. — Bill Gates

I write all of my novels and stories, as you have seen, in a great surge of delightful passion. Only recently, glancing at the novel, I realized that Montag is named after a paper manufacturing company. And Faber, of course, is a maker of pencils! What a sly thing my subconscious was, to name them thus. And not tell me! — Ray Bradbury

In a novel you always knew the moment when something Happened, when someone Changed. But real life was full of gradual, piecemeal, continuous transformation. It was full of accidents and undefineables, and things that just happened on their own. The only certainty was 'It's complicated,' whether or not unicorns tolerated your touch. — Scott Westerfeld

Reading Proust nearly silenced Virginia Woolf. She loved his novel, but loved it rather too much. There wasn't enough wrong with it - a crushing recognition when one considers Walter Benjamin's assessment of why people become writers: because they are unable to find a book already written that they are completely happy with. And — Alain De Botton

...the experience of reading a novel has certain qualities that remind us of the traditional apprehension of mythology. It can be seen as a form of meditation. Readers have to live with a novel for days or even weeks. It projects them into another world, parallel to but apart from their ordinary lives. They know perfectly well that this fictional realm is not 'real' and yet while they are reading it becomes compelling. A powerful novel becomes part of the backdrop of our lives, long after we have laid the book asie. It is an exercise of make-believe that, like yoga or a religious festival, breaks down barriers of space and time and extends our sympathies, so that we are able to empathise with others lives and sorrows. It teaches compassion, the ability to 'feel with' others. And, like mythology, an important novel is transformative. If we allow it to do so, it can change us forever. — Karen Armstrong

Novel writing seems an altogether less intimidating occupation when one considers that one only need produce a small tale. — Charlie Lovett

He was too young to know that, in any novel with a reasonable amount of forethought, there were no coincidences. — John Irving

I've seen it all in Nevada, Kansas before that, and the War of Northern Aggression before that. People do all sorts of nasty things. And while I used to believe that there was something profoundly wrong about the human condition - sin passed on from the first man and that only the grace of God in Jesus Christ could make everything right, the standard explanation in churches Mormon to Methodist - it didn't take me long to learn that Christians and non-Christians, women and men, young and old were all capable of doing the worse things a human being might imagine, and then some.

From my upcoming novel, BATHHOUSE ROW, (available this fall). — Gregg Edwards Townsley

With a click, my novel would be born; it would come out into the light suddenly transformed from the hypothetical text composed in my imagination into finished, tangible thing with a real and independent existence. The moment of clicking on the print button always gave rise to strange and powerful ambivalence
a combination of self-satisfaction, gloom and anxiety. Self-satisfaction for having finished writing the book. Gloom because taking my leave of the characters has the same effect on me as when a group of friends have to depart. And anxiety, perhaps because I am on the verge of delivering up into other people's hands something that I treasure. — Alaa Al Aswany

A novel is like a bow, and the violin that produces the sound is the reader's soul. — Stendhal

You stupid fool, you know very well it's not a short novel, but something longer ... A piece of work you've got to buckle down to, that needs peace and concentration. Being able to wake up in the morning and lie in bed for a while. — Ivan Mandy

The 'interactive fiction' format hasn't changed in any fundamental way since the early 1970s, in the same way that the format of the novel hasn't since 1700. — Graham Nelson

One of the things about writing a novel is you can do it any way you want. It's your voice that's important and I see absolutely no reason why a screenplay can't be the same. It makes it a hell of a lot easier when you're the writer and the director. — Quentin Tarantino

I grew up in a working-class Catholic family in south Louisiana. I went to a state university. I taught literature, wrote a novel that was the novel I wanted to write, and got a couple of good reviews but no real traction. I had no idea how to get a job in TV. — Nic Pizzolatto

The rise of the buffered identity has been accompanied by an interiorization; that is, not only the Inner/Outer distinction, that between Mind and World as separate loci, which is central to the buffer itself; and not only the development of this Inner/Outer distinction in a whole range of epistemological theories of a mediational type from Descartes to Rorty;' but also the growth of a rich vocabulary of interiority, an inner realm of thought and feeling to be explored. This frontier of self-exploration has grown, through various spiritual disciplines of self-examination, through Montaigne, the development of the modern novel, the rise of Romanticism, the ethic of authenticity, to the point where we now conceive of ourselves as
having inner depths. — Charles Taylor

. . . there was no possible way to deny that this girl probably felt emotions much deeper than most other people. If anyone was human, she was. — J. Kowallis

. . . communicate their desires. My book club is discussing a novel this month on this very subject. Fifty Shades of Grey. Would you like to borrow my copy, Matthew?" I take a long drink of water. "No, I'm already familiar with it, thanks." The fact that my dear, sweet mother is familiar with it, however, will definitely be giving me nightmares. — Emma Chase

For the girl without words, there is laughter for what is light, gesture for want, and tears for all that is dark. There is not much more. Names are nothing but extravagance. — Lois-Ann Yamanaka

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

I remember the language of the people I grew up with. Language was so important to them. All that power was in it. And grace and metaphor. Some of it was very formal and Biblical, because the habit is that when you have something important to say you go into parable, if you're from Africa, or you go into another level of language. I wanted to use language that way, because my feeling was that a black novel was not black because I wrote it, or because there were black people in it, or because it was about black things. It was the style. It had a certain style. It was inevitable. I couldn't describe it, but I could produce it. — William Zinsser

(The short story) is a form that has all the power of the novel - some would say more - but none of the self-importance. — Joseph O'Connor

You have started the book with this bubble over your head that contains a cathedral full of fire - that contains a novel so vast and great and penetrating and bright and dark that it will put all other novels ever written to shame. And then, as you get towards the end, you begin to realise, no, it's just this book. — Michael Cunningham

I believe that, in any novel of mine, the principal objective is the construction of the whole. — John Irving

It feels as though there is a gaping hole in the middle of everything. The decades of my mother's life here with Thalia, they are dark, vast spaces to me. I have been absent. Absent for all the meals Thalia and Mama have shared at this table, the laughs, the quarrels, the stretches of boredom, the illnesses, the long string of simple rituals that make up a lifetime. Entering my child-hood home is a little disorienting, like reading the end of a novel that I'd started, then abandoned, long ago. — Khaled Hosseini

It is so much hard work writing your first novel. You're not even sure that it is possible to do. — Asa Larsson

I'm like most women. I want a steamy romance novel, or something sweet and tender." "I knew the romance genre was big, especially with women, but I never really understood why." "Seriously? Let's just say that the next best thing to having sex, is reading about people having sex. If you're not able to snag any for yourself, you damn sure want to be reading about two people who have guaranteed odds at doing the deed. — Lustful Desires Bundle

I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege. — Ben Barnes

The Hollywood process is a living thing and you get used to that. — Paul T. Scheuring

Consider, too, that a man lifting his head from the very funeral pyre must need some novel vocabulary not drawn from ordinary everyday condolence to comfort his own dear ones. — Seneca.

See, I didn't turn into a monster. You're safe here with me, Daisy. I control that part because I don't allow it like he does. — Nancy Glynn

Even Proust - there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so - the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because - the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times. — Donna Tartt

Travelling is like a novel: it's what happens that counts. — George Sand

I started the first drafts of the book during my sophomore year of college. I wasn't thinking at all about kids at the time. But I was thinking. A lot. About everything. I wish I could capture that head-space again; everything meant something to me in college. Every leaf, every sound, every lecture, every textbook. It's like I was on drugs, 24/7. I am glad I was able to pair that ceaseless pondering with plenty of time to write. What came of that time was the first draft of the novel, a lengthy, unnecessarily angst-driven pile of crap. Years later, with Zoloft, I approached the novel with a more level head, and came away with a much, much better novel. My advice to writers, I suppose, is write your novel when you feel like shit; edit when you feel great. — Caleb J. Ross

She described how Camus's aphorism "One must imagine Sisyphus happy" helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creation - that's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus! — Fay Weldon

Good art can come out of thieves, bootleggers, or horse swipes. People really are afraid to find out just how much hardship and poverty they can stand. They are afraid to find out how tough they are. Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich. Success is feminine and like a woman; if you cringe before her, she will override you. So the way to treat her is to show her the back of your hand. Then maybe she will do the crawling. — William Faulkner

All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium. — John Banville

Cursed the crown that brought such grief to me — J. Leigh Bralick

People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides. — Akhil Sharma

I never really understood that massive collaboration involving hundreds of people is what makes movies possible, and it's also why I would agree that curiosity is not the most important human trait; the urge to collaborate is. Heck ... only we have the ability to cooperate to make like online communities and space telescopes and imaginariums and movies. So the great thrill of this whole experience [my novel being made into a movie] for me was ..seeing humanity do what it's best at, which ultimately is not competing but cooperating. — John Green

As adults we choose our own reading material. Depending on our moods and needs we might read the newspaper, a blockbuster novel, an academic article, a women's magazine, a comic, a children's book, or the latest book that just about everyone is reading. No one chastises us for our choice. No one says, 'That's too short for you to read.' No one says, 'That's too easy for you, put it back.' No one says 'You couldn't read that if you tried
it's much too difficult.'
Yet if we take a peek into classrooms, libraries, and bookshops we will notice that children's choices are often mocked, censured, and denied as valid by idiotic, interfering teachers, librarians, and parents. Choice is a personal matter that changes with experience, changes with mood, and changes with need. We should let it be. — Mem Fox

And then I realized that my sister was trying to LIVE a romance novel.
Man, that takes courage and imagination. Well, it also took some degree of mental illness, too, but I was suddenly happy for her.
And a little scared. Well, a lot scared. — Sherman Alexie

An idea you have might not be original. But by creating a novel out of that idea you can make it original. — Umberto Eco

There are tales that rise like the early sun, breathe, and take on a life of their own. There are ones that flow quietly and effortlessly until time forsakes them, but there are others that fight until they find their way to the edge of reality, as if coming straight out of a dream. — Edwin Fontanez

St. Paul introduced an entirely novel view of marriage, that it existed primarily to prevent the sin of fornication. It is just as if one were to maintain that the sole reason for baking bread is to prevent people from stealing cake. — Bertrand Russell

Well, when I am fifty-three or so I would like to write a novel as good as Persuasion but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say, 'Collecting material'. No one can object to that. — Stella Gibbons

I started writing a novel from the monster's point of view. It has its own difficulties but, I'm ashamed to say, it's much easier writing from a psychopath's point of view than from that of their empathetic opposite. — Justine Larbalestier

I am really interested in who owns ideas of religion. What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox. — Robert Montgomery

The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating discovering. The journey is your narrative. Keep to it and there will be a tale told. — Walter Mosley

It does no one any good to say their novel sucks if you don't have an idea how to make it better, how to approach it from different angles and make it work. It's obviously a subjective process, right? But the thing about subjectivity, at least in the classroom, is that you're banking on your professor's subjectivity to be both personal and professional - that he or she has some sense about the world outside the workshop. — Tod Goldberg

We [Rodriguez and Frank Miller] wanted to take the movies and turn them into a graphic novel, so that people wouldn't even know what they were looking at. It's still visual storytelling, but it's approached completely different. The two mediums don't have to be separate mediums. They can be one and the same. — Robert Rodriguez

We have been created as recipients. I look at the stars, at the grass, at my fat-faced children, at my fingernails, and I am oppressed by gratitude
I have been given a belly so that I might hunger. I have been given hunger so that I might be fed.
I look in the atheist's mirror. I look at his faith in the nonexistence of meaning. I look at his preaching and painting. I see nothing but a shit-storm.
Why would I walk through that door? Why would I live in your novel? — N.D. Wilson

The novel is a highly corrupt medium, after all - in the end the vast majority of them simply aren't that great, and are destined to be forgotten. — Lev Grossman

You have this novel idea of the world, like it's made up of ladder hunting and test taking and framed plaques, all of which mean nothing to your current position. I know enough to know that you are dumb enough to believe in your ability, and that my friend is why you are given the opportunities to rise. — J.M. August

To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them. — Joyce Carol Oates

She lay on the bed to read a novel; she wanted to forget that bitter conversation and be carried along by the plot, but it was impossible, because the book was about parents who abandoned their children or children who abandoned their parents. Ultimately, that's what all books are about, she thought. — Alejandro Zambra

Critics who do the weekly recap, I find that kind of absurd. That's like reviewing chapters in a novel. — Terence Winter

Okay, the question is, 'What enormously popular novel by William Peter Blatty, set in the posh Washington D.C. suburb of Georgetown, concerned the demonic possesion of a young girl?' '
'Johnny Cash', Henry replied.
'Jesus Christ!' Tricks Postino yelled. 'That's what you say to everythin! Johnny Cash, that's what you say to fuckin everythin!'
'Johnny Cash is everything,' Heny replied gravely... — Stephen King

for the first time, there burst upon me the idea that there might be real marvels all about us, that the visible world might be only a curtain to conceal huge realms uncharted by my very simple theology. And that started in me something with which, on and off, I have had plenty of trouble since - the desire for the preternatural, simply as such, the passion for the Occult. Not everyone has this disease; those who have will know what I mean. I once tried to describe it in a novel. It is a spiritual lust; and like the lust of the body it has the fatal power of making everything else in the world seem uninteresting while it lasts. It is probably this passion, more even than the desire for power, which makes magicians. — C.S. Lewis

The Sugar Frosted Nutsack is fantastic. It's volcanic and sexy and utterly unlike anything I've read before. It feels like the future in a dazzling way that has nothing to do with looking backward. It's been a long wait for a new novel from Mark Leyner, but worth it. Ten out of ten from me. — Douglas Coupland

This isn't some romance novel or sappy movie. This is real life. We like you and we want you to like us. I guess we could have pretended to act all cool and shit. Maybe given you the runaround and kept you guessing, but frankly I'm not into playing juvenile games. I know what I want and that happens to be you. Don't melt. Don't melt. Don't melt. — Anonymous

The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel. — William Monahan