Novel Of The Imagination Quotes & Sayings

O matter how much research you do, or invention you do, whether it's a character from a novel, a completely invented character or someone who actually existed, it's a work of faction. By the very fact you only have an hour and a half or two hours to tell a story, you're telescoping events and it is, in the end, a work of imagination. — Cate Blanchett

By appealing to his imagination, a pornographic novel brings the reader's body into play; libertine fiction appeals only to his mind. The goal of the former is erotic pleasure, or rather the desire to experience erotic pleasure, which the pornographic novel, obviously, cannot satisfy by itself. It is in this regard merely an intermediary, a stimulant, a kind of literary pimp.

With libertine fiction, the goal is that of overcoming the prejudices of some of the characters, which are assumed to be the same as those of the reader. The reader is somewhat the equivalent of the fictional object of seduction. — Jean-Marie Goulemot

There is a brilliant novel in all of us. Some imagine it ... others live it. Authors dwell in an auspicious life by having the ability to fuse the two. — Carl Henegan

All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it has rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on the black stuff that used to be a life, takes its energy for its own. It germinates,. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel ... Readers are fools. They believe all writing is autobiographical. And so it is, but not in the way they think. The writer's life needs time to rot away before it can be used to nourish a work of fiction. It must be allowed to decay. — Diane Setterfield

All those who love thrillers will find in Michael Alexiades's first novel a source of great pleasure and satisfaction. It combines suspense and knowledge, experience and imagination. His grateful readers will now wait for the next. — Elie Wiesel

ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are. In the novel the writer's thought is tethered to probability, but in romance it ranges at will over the entire region of the imagination ... — Ambrose Bierce

A novel, or so-called "fiction," if deeply researched and conscientiously written, might well contain as much truth as a high-school history textbook approved by a state board of education. But having been designated "historical fiction" by its publisher, it is presumed to be less reliably true than that textbook. If fiction were defined as "the opposite of truth," then much of the content of many approved historical textbooks could be called "historical fiction."
But fiction is not the opposite of truth. Fiction means "created by imagination." And there is plenty of evidence everywhere in literature and art that imagination can get as close to truth as studious fact-finding can. — James Alexander Thom

The places and people in the following stories have been represented accurately to the best of my ability; yet my writing is supposed to be a tale, and as in any historical novel, my own imagination has blended with fact to create poetical reality. — Eric Sloane

But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended. — John Green

A novel can enlarge the empathy and imagination of both its author and its reader, and my experience, that sense of enlargement is most intense when I'm transported beyond the narrow limits of my daily life. — Anthony Marra

For the last fifty years or so, The Novel's demise has been broadcast on an almost weekly basis. Yet it strikes me that whatever happens, however else the geography of the imagination might modify in the future in, say, the digital ether, The Novel will continue to survive for some long time to come because it is able to investigate and cherish two things that film, music, painting, dance, architecture, drama, podcasts, cellphone exchanges, and even poetry can't in a lush, protracted mode. The first is the intricacy and beauty of language - especially the polyphonic qualities of it to which Bakhtin first drew our attention. And the second is human consciousness. What other art form allows one to feel we are entering and inhabiting another mind for hundreds of pages and several weeks on end? — Lance Olsen

Imagination, which is the Eldorado of the poet and of the novel-writer, often proves the most pernicious gift to the individuals who compose the talkers instead of the writers in society. — Marguerite Gardiner, Countess Of Blessington

The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world ofits own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited. — Walter Pater

When I was a boy of seven or eight I read a novel untitled "Abafi" - The Son of Aba - a Servian translation from the Hungarian of Josika, a writer of renown. The lessons it teaches are much like those of "Ben Hur," and in this respect it might be viewed as anticipatory of the work of Wallace. The possibilities of will-power and self-control appealed tremendously to my vivid imagination, and I began to discipline myself. Had I a sweet cake or a juicy apple which I was dying to eat I would give it to another boy and go through the tortures of Tantalus, pained but satisfied. Had I some difficult task before me which was exhausting I would attack it again and again until it was done. So I practiced day by day from morning till night. At first it called for a vigorous mental effort directed against disposition and desire, but as years went by the conflict lessened and finally my will and wish became identical. — Nikola Tesla

I have no favourite genre or style but treat each novel with the same care, imagination and craftsmanship. It's as difficult to write a crime or a children's novel with a touch of style and grace as it is a literary novel. — Garry Disher

The techno-political thriller and the romance novel serve as antidotes to the imagination rather than stimulants to it. For this reason they make for ideal reading in airports and airplanes. They effectively shut down the imagination by doing all its work for it. They leave the spirit or the soul - and ambiguity, for that matter - out of the equation. By shutting down the imagination, genre novels perform a useful service to the anxious air traveler by reducing his or her ability to speculate. For the most part, people on airplanes, and here I include myself, would rather not use their speculative imaginations at all; one consequence of this situation is that great poetry is virtually unreadable during turbulence, when the snack cart has been put away and the seat belts fastened. Enough anxiety is associated with air travel without Rainer Maria Rilke's Sonnets to Orpheus making it worse. — Charles Baxter

Novels aren't pedagogical instruments, or instructions in law or physics or any other discipline. A novel has to be an emotional experience, a trip of the imagination, and because science has raised so many issues that concern and affect humans, it's a good starting place for me. — Alan Lightman

Merrick belonged to that class of reader who was able to forget with amazing ease the hand moving the characters behind the scenes of the novel. — Felix J. Palma

I'm asked all the time, 'Doesn't it feel great to finish the novel?' And the answer to that is, 'No.' It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination. — Bob Shacochis

One of the biggest mistakes people make is to think that what you need to write a novel is imagination, creativity and a facility with words. Yes, you need all those things, but a novel is a highly complex organism that needs to be dealt with in quite a logical manner. — Kate Forsyth

Special qualities are required of the essayist. A poem or a novel may spring from the inner consciousness of an author.. reasoning poers must be brought to reinforce imagination. — Flora Thompson

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else's snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It's world-creating.

It's raw, exposed dreaming. It's humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next.

It's what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience. — Laurie Perez

The business of writing a novel is a long, meandering road into the self, into the imagination. And it's a road the writer travels alone. — Lisa Unger

There are many ways to read a novel. We read sometimes logically, sometimes with our eyes, sometimes with our imagination, sometimes with a small part of our mind, sometimes the way we want to, sometimes the way the book wants us to, and sometimes with every fiber of our being. — Orhan Pamuk

I had never known the pleasure of reading, of exploring the recesses of the soul, of letting myself be carried away by imagination, beauty, and the mystery of fiction and language. For me all those things were born with that novel. — Carlos Ruiz Zafon

Life is compost. You think that a strange thing to say, but it's true. All my life and all my experience, the events that have befallen me, the people I have known, all my memories, dreams, fantasies, everything I have ever read, all of that has been chucked onto the compost heap, where over time it had rotted down to a dark, rich, organic mulch. The process of cellular breakdown makes it unrecognizable. Other people call it the imagination. I think of it as a compost heap. Every so often I take an idea, plant it in the compost, and wait. It feeds on that black stuff that used to be a life, takes its energy for its own. It germinates. Takes root. Produces shoots. And so on and so forth, until one fine day I have a story, or a novel. — Diane Setterfield

Like the moon, the novel is a symbol and a necessary reality. Ideally it serves neither gods nor masters. Philosopher's stone, it sublimates, precipitates, and quickens. House of Keys, it opens all our darkest doors. May the Pol Pot Persons of all genders and denominations take heed: to create a fictional world with rigor and passion, to imagine a character of any sex, place, time, or color and make it palpitate and quiver, to catapult it into the deepest forests of our most luminous reveries, is to commit an act of empathy. To write a novel of the imagination is a gesture of tenderness; to enter the body of a book is a fearless act and generous. — Rikki Ducornet

Heaven preserve us! what a hotch-potch!" cried Hubert. "Is that what they are doing nowadays? I very seldom read a novel, but when I glance into one, I'm sure to find some such stuff as that! Nothing irritates me so as the flatness of people's imagination. Common life - I don't say it's a vision of bliss, but it's better than that! Their stories are like the underside of a carpet, - nothing but the stringy grain of the tissue - a muddle of figures without shape and flowers without color. When I read a novel my imagination starts off at a gallop and leaves the narrator hidden in a cloud of dust; I have to come jogging twenty miles back to the denouement. Your clergyman here with his Romish sweetheart must be a very pretty fellow. Why didn't he marry her first and convert her afterwards? Isn't a clergyman after all, before all, a man? I — Henry James

This may not be art as art commonly goes; the lack of discipline, of control, would seem to rule it out of that category. And yet Woolrich's lack of control over emotions is a crucial element in his work, not only because it intensifies the fragility and momentariness of love but also because it tears away the comfortable belief, evident in some of the greatest works of the human imagination such as Oedipus Rex, that nobility in the face of nothingness is possible. And if Woolrich's work is not art as commonly understood, there is an art beyond art, whose form is not the novel or story but the scream; and of this art Woolrich is beyond doubt a master. ("Introduction") — Francis M. Nevins Jr.

Most new ideas come to us not through pure logic, but through a fusion of memory and imagination. If new ideas were purely a product of rationality, other people would quickly grasp and embrace novel solutions. People's lack of imagination prevents them from comprehending the significance of an innovative idea. — Kilroy J. Oldster

With The Good Lieutenant, Whitney Terrell has unwound the myths of one of our most encrusted literary forms - the war novel - and remade it to be humane and honest, glowingly new and true. Terrell knows his facts on the ground, but this is emphatically, triumphantly a work of imagination and literary ingenuity. It opens in conflagration - everything having gone wrong for Lieutenant Emma Fowler in one explosive instant - and from there the mystery of how we got to this disastrous moment unfolds backwards, Memento-like, as we watch Emma become more innocent, her life more full of hope and possibility, with each day less of war that she has experienced. This is brilliant, bold, heartbreaking storytelling for material that demands nothing less. — Adam Johnson

A deeply felt novel ... The Story of Forgetting offers us both solace and illumination. Stefan Merrill Block possesses a singular mix of imagination, compassion, and scientific understanding; he is equally gifted at spinning fantastic tales as he is at bringing genetic histories to vivid life. — Sarah Shun-lien Bynum

In a novel, the only budgetary limitations are that of your imagination. — Howard Gordon

Novel reading tends to inflame the passions, pollute the imagination, and corrupt the heart. It frequently becomes an inveterate habit, strong and fatal as that of a drunkard. In this state of intoxication, great waywardness of conduct is always sure to follow. Even when the habit is renounced, and genuine reformation takes place, the individual always suffers the cravings of former excitement. — Robin Paige

Undoubtedly the novel has means of its own - language not the image is its material, its intimate effect on the isolated reader is not the same as that of a film on the crowd in a darkened cinema - but precisely for these reasons the differences in aesthetic structure make the search for equivalents an even more delicate matter, and thus they require all the more power of invention and imagination from the film-maker who is truly attempting a resemblance. One — Andre Bazin

I'm a relatively disciplined writer who composes the whole book before beginning to execute and write it. Of course, you can't hold - you cannot imagine a whole novel before you write it; there are limits to human memory and imagination. Lots of things come to your mind as you write a book, but again, I make a plan, chapter, know the plot. — Orhan Pamuk

This was not a novel. It was a force of nature. Here, in my hands, was the collective imagination of a million teenage girls. Jane Eyre was one of the most famous novels ever written . . . It was the reason that women today secretly fantasized about mystery, danger, and brooding men. Jane Eyre was a twisted Cinderella story . . . — Catherine Lowell

The extent to which perception and, consequently, vision are dependent upon memory and imagination is a matter of every day experience. We see familiar things more clearly then when we see objects about which we have no stock of memories. The old seamstress, who cannot read without glasses, can see to thread needle with the naked eye. Why? Because she is more familiar with needles then with print. In man who can work all day at the office without undue fatigue of the eyes is worn out by an hour at the museum and comes home with a splitting headache. Why? Because in the office he is following a regular routine and looking at words and figures, the bike of which he looks at every day; whereas in the museum everything is strange novel, and outlandish. — Aldous Huxley

All that's needed now is a great novel that will capture the imagination of the public - move them, enrage them, thrill them, terrify them, scandalize them. A story that will seize them by the hand and lead them into the streets where they've never dared set foot, a tale that throws back the sheets from acts never shown and voices never heard. A tale that fearlessly points the finger at those who are to blame ... — Michael Farber

With a click, my novel would be born; it would come out into the light suddenly transformed from the hypothetical text composed in my imagination into finished, tangible thing with a real and independent existence. The moment of clicking on the print button always gave rise to strange and powerful ambivalence
a combination of self-satisfaction, gloom and anxiety. Self-satisfaction for having finished writing the book. Gloom because taking my leave of the characters has the same effect on me as when a group of friends have to depart. And anxiety, perhaps because I am on the verge of delivering up into other people's hands something that I treasure. — Alaa Al Aswany

[My novel] took up the sweetest part of my mind and the rarest part of my imagination; it was like being in love and better. All day long when I was busy [ ... ], I had my unfinished novel personified almost as a secret companion and accomplice following me like a shadow wherever I went, whatever I did. — Muriel Spark

Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination. — Janet Frame

I find in most novels no imagination at all. They seem to think the highest form of the novel is to write about marriage, because that's the most important thing there is for middle-class people. — Gore Vidal

Travel is useful, it exercises the imagination. All the rest is disappointment and fatigue. Our journey is entirely imaginary. That is its strength.
It goes from life to death. People, animals, cities, things, all are imagined. It's a novel, just a fictitious narrative. Littre says so and he's never wrong.
And besides, in the first place, anyone can do as much. You just have to close your eyes.
It's on the other side of life. — Louis-Ferdinand Celine

I am, as it were, the created creating - a paradox, for all its rhetorical trappings, at the beating heart of our shared human journey, and one I invite you to struggle with just as I have while, day in and day out, word by word and line by line, constructing a fictitious autobiography for myself in these pages. — Sol Luckman

A novel is designed to stimulate our minds and imagination without any visuals, other than the constructed text."

"An author's job is to breath life into words for the reader. That is the core essence of what we do. — Efthalia

The task of writing a novel is to imagine a world
a world that first exists as a picture before it eventually takes the form of words. Only later do we express through words the picture we imagine, so that readers can share this product of the imagination. — Orhan Pamuk

This fact was something I also learned from this first novel that I needed personal experience to invent, to fantasize, to create fiction, but at the same time I needed some distance, some perspective on this experience in order to feel free enough to manipulate it and to transform it into fiction. If the experience is very close, I feel inhibited. I have never been able to write fiction about something that has happened to me recently. If the closeness of the real reality, of living reality, is to have a persuasive effect on my imagination, I need a distance, a distance in time and in space. — Mario Vargas-Llosa

I certainly incorporate facts into my fiction. I take the basic facts from the life of my subject and I pick and choose what to use to construct a really interesting novel. I don't let facts get in the way of my imagination and my exploration of the subject's emotions and relationships. — Melanie Benjamin

I'm working on different fields. One of my next books Insha'Allah will be a novel because it's important to explore the heart and imagination, the spiritual side. I've been working for twenty five years in the legal field and now I'm reaching what I want, which is an Islamic applied ethics and I'm also dealing with Muslims in the West. — Tariq Ramadan

If this were a proper world, beautiful faces would belong to beautiful people. Good people with kind hearts and clever minds would always have bright eyes and dazzling smiles, and bad people would have scraggly hair and warty noses. That way if you saw one of them coming, you could cross to the other side of the street and avoid them altogether.
But this is not a proper world. In our world, many bad people look quite nice, and many good people are not beautiful at all. Many good people aren't pretty or cute or even interesting-looking. — Brit Trogen

That is the joy of reading fiction: when all is said and done, the novel belongs to the reader and his or her imagination. — Alice Hoffman

A fiction which is designed to inculcate an object wholly alien to the imagination sins against the first law of art; and if a writer of fiction narrow his scope to particulars so positive as polemical controversy in matters ecclesiastical, political or moral, his work may or may not be an able treatise, but it must be a very poor novel. — Edward Bulwer-Lytton, 1st Baron Lytton

Though sympathy tugged at her, Sophie's imagination made fearsome leaps. The grieving widower. The destitute governess. A motherless child. It had all the makings of a scintillating novel. — Laura Frantz

When I read a novel my imagination starts off at a gallop and leaves the narrator hidden in a cloud of dust; I have to come jogging twenty miles back to the denouement. — Henry James

The magic in writing is not so much using your imagination as it is allowing the reader to uses theirs. When I write a novel I'm not going to hand walk you through each scene. Avid readers tend to have very high IQ's so I'm constantly aware of, and respect that. I have a tendency to give my readers vivid descriptions of panoramic viewpoints, soft breezes, and the late evening as it scrapes against the emerging night and present this step by suspenseful step. Once I get them to the threshold of that unseen cliff, I shove them off and say, take it from there. — Carl Henegan

is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author's imagination or are used fictitiously. THE — Brandon Sanderson

The contract between the author and the reader is a game. And the game ... is one of the greatest invetions of Western civilization: the game of telling stories, inventing characters, and creating the imaginary paradise of the individual, from whence no one can be expelled because, in a novel, no one owns the truth and everyone has the right to be heard and understood. — Carlos Fuentes

The disgusting face of things alone was not enough for writing a novel: without imagination it would seem not a true face but a mask. — Elena Ferrante

Are there any mythical beasts which aren't simple pastiches of nature? Centaurs, minotaurs, unicorns, griffons, chimeras, sphinxes, manticores, and the like don't speak well for the human imagination. None is as novel as a kangaroo or starfish. — William Poundstone

How should a prospective writer go about becoming an author?
First of all, realise that it's very hard, and that writing is a grueling and lonely business and, unless you are extremely lucky, badly paid as well. You had better really, really, really want to do it. Next, you have to write something. Unless you are committed to novel writing exclusively, I suggest that you start out writing for radio. It's still a relatively easy medium to get into because it pays so badly. But it is a great medium for writers because it relies so much on the imagination. — Douglas Adams

We tend to think of imagination and foresight like we are prone to think of life (sometimes) -- as an inscrutable flash of something from the outside that magically takes us over some large boundary in one atomic step. We even call it a flash (of insight), a eureka moment, a light bulb in our heads that suddenly turns on. But if you reflect on this phenomenon for a moment, you know you don't go suddenly from a blank mind to a fully formed solution. You were already thinking about the problem, and other near solutions that don't work, when suddenly you see a new connection that enables you to reuse familiar things on a novel way. Insight comes in small increments, leveraging what was already there. — M..

It's like a nesting doll of imagination! It's like a painting of a painting! It's like the wind catching a chill from the wind, or a wave taking a dip in the ocean. It's like reading a novel that merely describes another novel. It's like music tapping its foot to a tune and saying 'Oh! I love this song! — Michelle Cuevas

We are tomorrow's past. Even now we slip away like those pictures painted on the moving dials of antique clocks - a ship, a cottage, sun and moon, a nosegay. The dial turns, the ship rides up and sinks again, the yellow painted sun has set, and we, that were the new thing, gather magic as we go. The whirr of the spinning wheels has ceased in our parlours, and we hear no more the treadles of the loom, the swift, silken noise of the flung shuttle, the intermittent thud of the batten. But the imagination hears them, and theirs is the melody of romance." ~ from Mary Webb's introduction to her novel Precious Bane. — Mary Webb