Novel Line Quotes & Sayings

I really like the "two is better than three" line. People ask me is this drama or comedy? I just think the more colors you have to a film the better. The more genres, the more people will like it. I like relating to the whole general speaking public. The script itself is 99 pages but the novel it is based on is 600. I had to leave a lot of stuff out of the script. I had a limitation of what I could present on the big screen. — Tommy Wiseau

The hardest thing in a novel is time. You've got [a line like] "two weeks later, he woke up with a headache," and you've got to add up that entire two weeks and what the date is and whether it works. That kind of stuff drives me crazy and if I don't have it exactly right, I can't move forward because I don't feel confident. — T.C. Boyle

The plot is not very important to me, though a novel must have one, of course. It's just a line to hang the washing on. — Ivy Compton-Burnett

My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted. — Edward Abbey

I'm serious,' he said, though aware of how odd it was that he should choose to inform his wife of a personal crisis by comparing it to the experiences of a mystery novel heroine whom he had created. Was the dividing line between life and fiction as hazy for other people as it sometimes was for a writer? And if so ... was there a book in that idea? — Dean Koontz

There is a fine line between a genius and an idiot and that line is possibility. — Ni Mao

As the chapters took shape, a change came over her. It was the double-sided recognition that this book, the last that she would write, might achieve esteem and success equal to her great novel, but that its emotional heart would lie in her own unhappiness for having failed to find the one thing she wanted. For the first time she was a character in her own writing, and her frailties and mistakes were trapped on the page by the beauty and unsparing focus of her prose. Towards the end it was a battle to finish a page. The story was the story she had told herself for decades, deep within her own mind, and now as it grew, line by line, on the paper before her, she wrestled with each turn in the path all over again, as if it were still possible to change its course with the power of her words. — Frederick Weisel

They shoot the white girl first. — Toni Morrison

If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan's request? Couldn't Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion.
Mario Vargas Llosa had not used the term "fire" exactly, but rather had discussed the presence of "seditious roots" that could "dynamite the world" the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling - out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies. — L.L. Barkat

We were written for one another, and I wouldn't change one line in our romance novel. The good, the bad, the in between. It's ours. We own it. — Gail McHugh

I think about entrance and exits. I think about dialogue. But most of all I think about voice - all character development in theatre is done through voice. And as I wrote my debut novel "The Big Fear", I thought about narrative voice with every line. — Andrew Case

Poetry seems to sink into us the way prose doesn't. I can still quote verses I learned when I was very young, but I have trouble remembering one line of a novel I just finished reading. — Jack Prelutsky

A gaping chasm separates what we try to be aware of and what we actually are aware of. And I don't care how long your yardstick is, there's no measuring that drop. What I can set down here in writing only amounts to a catalog. Not a novel, not literature, not even art. Just a notebook with a line ruled down the center. And maybe a lesson or two in it somewhere. — Haruki Murakami

There is a fine line I have to walk throughout the writing process in a novel. It is this line between drama and melodrama, and it is this line between evoking genuine emotional power and being manipulative. — Nicholas Sparks

I know California isn't a real destination. You can't get there from New Jersey, not simply by following a line drawn on a map. The process of arrival is more subtle and complex. It involves acts of contrition. You must appease the gods. You must find novel forms of penance. You must tattoo your children and look at the wonder. It's about conjuring and awakening and intuitions you wish you never had. — Kate Braverman

Grossman, perhaps tiring slightly of journalism, seems to have longed to convey his thoughts and feelings about the war in fictional form. At this stage, when the Soviet Union was fighting for its life, his ideas were very close to that of the Party line. It was only at Stalingrad, a year later, that his view of the Stalinist regime began to change. This outline, may well have formed part of the idea for The People Immortal, his novel written and published the following year ... — Vasily Grossman

It began with a perfect plan. Shape-wise we had a circle, a simple uncomplicated curve to guide us comfortably from one thing to another, an easy predictable ride promising a natural progression from A to B, C and D, and so on until we reached our destination. But somewhere down that smooth line, I think around F, it all went pear-shaped. — Ivana Hruba

The novel was born with the Modern Era, which made man, to quote Heidegger, the "only real subject," the ground for everything. It is largely through the novel that man as an individual was established on the European scene. Away from the novel, in our real lives, we know very little about our parents as they were before our birth; we have only fragmentary knowledge of the people close to us: we see them come and go and scarcely have they vanished than their place is taken over by others: they form a long line of replaceable beings. Only the novel separates out an individual, trains a light on his biography, his ideas, his feelings, makes him irreplaceable: makes him the center of everything. — Milan Kundera

Remember that a good football novel has to have the same ingredients as any other good novel: drama, convincing and interesting characters, a strong story-line, and some kind of magic in the writing. — Mal Peet

Novel writing is mostly triage (this now, that later) and obstinacy. Trying something, and when that doesn't work, trying something else. Welcoming clutter Surrendering a good idea for a better one. Knowing you won't find the finish line for a year or two, or five ... — Richard Russo

When my cousin Anil-da started telling us what he'd heard at the market about the groom's family, at my aunt Moina-pehi's wedding in January 2002, his eyes shone like inky marbles reflecting sunlight. — Aruni Kashyap

The single most important technique for making progress is to write ten words. Doesn't matter if you're badly stuck, or your day is completely jam-packed, or you're away from your computer - carry a small paper notebook and write a sentence of description while you're waiting on line at a coffee shop. I think of this as baiting a hook. Even if you have a few days in a row where nothing comes except those ten words, I find that as long as you have to think about the novel enough to write ten words, the chances are that more will come. — Naomi Novik

The artist Paul Klee described drawing a picture as taking a line for a walk. I have borrowed his words to explain my approach to writing; when I write a novel it is like I am taking a thought for a walk. — Aminatta Forna

All good writing is built one good line at a time. You build a novel the same way you do a pyramid. One word, one stone at a time, underneath a full moon while the fingers bleed. — Kate Braverman

When she got back from taking Cassie to school Fancy knew that she ought to be working on her wilderness romance. She had promised thirty thousand words to her editor by tomorrow, and she had only written eleven. Specifically:
His rhinoceros smelled like a poppadom: sweaty, salty, strange and strong.
Her editor would cut that line. — Jaclyn Moriarty

I can be really silly when I'm not actually writing silliness, and I have to rein that in. Pynchon, in my opinion, sometimes tells elaborate shaggy dog stories just to work up to a pun or punch line. My challenge is to use humor and wordplay to reinforce the emotional core of the novel. — Mary Kay Zuravleff

When I write, I feel that I'm writing with my intellect. When I paint, I think it's some other force making me paint. I - as I wrote in my novel 'My Name is Red' - watch with amazement what my hand is doing on the paper, what kind of line, what kind of strange, beautiful thing it's doing in spite of my will, so to speak. — Orhan Pamuk

Blurring the line between possible and impossible, linear and non-linear time, fiction and reality, fate and free will, 1Q84 is both a metaphysical mind-teaser and a fast-paced thriller where the stakes for Tengo and Aomame couldn't be any higher. Murakami's most ambitious novel to date, 1Q84 is also an extraordinary love story, a story about the power of a single moment of deep connection to transcend time and space - and justify even the greatest of risks. — Haruki Murakami

About novel Imperfect Birds by Anne Lamott.
Q: What does the title "Imperfect Birds" mean?
It's a line from a poem by Rumi. The line is "Each must enter the nest made by the other imperfect birds", and it's really about how these kind of scraggly, raggedy nests that are our lives are the sanctuary for other people to step into, and that if you want to see the divine, you really step into the absolute ordinary. When you're at your absolutely most lost and dejected ... where do you go? You go to the nests left by other imperfect birds, you find other people who've gone through it. You find the few people you can talk to about it.
from Writer's Digest May/June 2010 — Anne Lamott

It's disingenous for me to say that I wasn't trying to write a moral novel. By its very nature as a novel about the Iraq War, Fobbit steps into the political conversation. There's no way to avoid that. I can appreciate that readers are probably going to line up on one side of the novel or the other. I hope they go to those polar extremes, actually. — Dave Abrams

Writing my novel 'The Narrow Road to the Deep North,' I came to conclude that great crimes like the Death Railway did not begin with the first beating or murder on that grim line of horror in 1943. — Richard Flanagan

Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present. — Leslie Fiedler

Everything has already begun before, the first line of the first page of every novel refers to something that has already happened outside the book. — Italo Calvino

Ida was a natural historian who knew how to throw in enough fiction to keep up dramtic tension. And she was replete with details, like a big fat colorful nineteenth-century historical novel, inching forward slowly ... Ida's narrative line, like her waistline, was ample. — Marissa Piesman

One word at a time, makes a novel at the finish line."
- Vik Tory Arch — Vik Tory Arch

On a pitch black, starless night, a solitary man was trudging along the main road from Marchiennes to Montsou, ten kilometres of cobblestones running straight as a die across the bare plain between fields of beet. — Emile Zola

I lack the skill to hold a story line for the length required for a novel or even a short story. I have never had an idea that could withstand a hundred thousand words, or even ten thousand words of rubber meeting the road. — Henry Rollins

It's said that there's three sides to a story: yours, mine, and the truth. Check out God in Wingtip Shoes and The Prison Plumb Line to explore all three. — Yvonne J. Medley

Now, as a reader, you shouldn't feel the decisions the writer makes about this DNA, or it would be boring beyond belief. But, as a writer, you're struggling to make these decisions. What should the title be? What's the first line? The point of view? And the struggle with the decisions is because you're trying to figure out WHAT IS THE NOVEL, WHAT IS THE NOVEL? — Mary Kay Zuravleff

You can throw a novel into focus with one overheard line. — Joan Didion

I remember being little and wondering if I smoothed this line away would I be able to see inside you, like it was a door or some kind of opening to your insides. Dumb, huh?"
"Sweet," he said, softly. "Little girl sweet. Never dumb."
Her eyes traveled up to his and locked there.
"When I got older I wondered what it would be like to kiss it. — Peggy Jaeger

I want to give just a slight indication of the influence the book has had. I knew that George Orwell, in his second novel, A Clergyman's Daughter , published in 1935, had borrowed from Joyce for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of Ulysses did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too. — Christopher Hitchens

I'd read a book called A Reliable Wife not too long before leaving on the world's strangest trip, and as I climbed into bed, a line from the novel crossed my mind: 'He had lost the habit of romance. — Stephen King

Every novel is brand-new. It's never been written before in the history of the world. At the same time, it's merely the latest in a long line of narratives - not just novels, but narratives generally - since humans began telling stories to themselves and each other. — Thomas C. Foster

Writing does not exist unless there is someone to read it, and each reader will take something different from a novel, from a chapter, from a line. — Claire Fuller

If a poem is concentrated, a closed fist, then a novel is relaxed and expansive, an open hand: it has roads, detours, destinations; a heart line, a head line; morals and money come into it. Where the fist excludes and stuns, the open hand can touch and encompass a great deal in its travels. — Sylvia Plath

Even Proust - there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so - the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because - the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times. — Donna Tartt

The terror, which would not end for another 28 years-if it ever did end-began, so far as I know or can tell, with a boat made from a sheet of newspaper floating down a gutter swollen with rain. — Stephen King

First, I'll tell about the robbery our parents committed. Then about the murders, which happened later. — Richard Ford

Once in every few publishing seasons there is an Event. For no apparent reason, the great heart of the Public gives a startled jump, and the public's great purse is emptied to secure copies of some novel which has stolen into the world without advance advertising and whose only claim to recognition is that The Licensed Victuallers' Gazette has stated in a two-line review that it is 'readable'. — P.G. Wodehouse

For me, a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity. — Paul Auster

By running longer it's like I can physically exhaust that portion of my discontent. It also makes me realize again how weak I am, how limited my abilities are. I become aware, physically, of these low points. And one of the results of running a little farther than usual is that I become that much stronger. If I'm angry, I direct that anger toward myself. If I have a frustrating experience, I use that to improve myself. That's the way I've always lived. I quietly absorb the things I'm able to, releasing them later, and in as changed a form as possible, as part of the story line in a novel. — Haruki Murakami

My generation was obsessed with scoliosis. Judy Blume dedicated an entire novel to it. At least once a month we would line up in the gym, lift our shirts, and bend over, while some creepy old doctor ran his finger up and down our spines. Nuclear war was a high-concept threat, two words that often rang out in political speeches or on the six o-clock news. Our spines. Lice. Nuclear war. The Big Three. — Amy Poehler

It was only after five years in the army, when I was having to do a very boring job in a very boring place, that I thought: 'Why not try writing a novel?' partly out of youthful arrogance and partly because there had been a long line of writers in my mother's family. — Antony Beevor

It's the opening line of a football game returned for a touchdown. Or fumbled.

It's what orange juice is to breakfast, the first minutes of a blind date, a salesman's opening remarks.

It sets the tone, lights the stage, greases the skids for everything to follow.

It's the most important part of everything you'll ever write because if it doesn't work, whatever follows won't matter. It won't get read.

It's your opening paragraph. And enough can't be said about its importance.

Seduction. That's basically what leads are all about--enticing the reader across the threshold of your book, novel or article--because nothing happens until you get 'em inside.

And you literally have only seconds to do it because surveys show that eight out of ten people quit reading whatever it is they've started after the first fifty words. — Lionel Fisher

I am, as it were, the created creating - a paradox, for all its rhetorical trappings, at the beating heart of our shared human journey, and one I invite you to struggle with just as I have while, day in and day out, word by word and line by line, constructing a fictitious autobiography for myself in these pages. — Sol Luckman

To be born again," sang Gibreel Farishta tumbling from the heavens, "first you have to die. — Salman Rushdie

Time will solve all the problems Chinese school graduates face. In our bilingual society, there are no more Chinese school graduates, only English school graduates who can speak Mandarin. These English school graduates probably can also read and write Chinese, but they did not go to a Chinese school, and they act and think differently from us. Drawing a line between us, they would never say they graduated from a Chinese school, because former Chinese school graduates, that is, the vanishing group of people that includes us, are second-class citizens. They, on the other hand, belong to the first class, the Chinese elite, English school graduates who are fluent in Chinese. — Yeng Pway Ngon

I swear to Vishnu, if this doesn't work, I'm going to stab you in the throat with a Pipette. — Kyoko M.

As sneakily addictive as a game of Pong (which was named, we're told, after the narrator's dad), this zany zip-line of a novel takes the piss out of the Asian-American 'good immigrant' story. Full of charming antiheroes making comically bad choices, the story dazzles us with its absurdity, which makes its eventual wisdom--about lineage, ethnicity, and the meaning of family--all the more wonderfully surprising. — Michael Lowenthal

Publishing has no onus to be representative, but a fourth of America lives in conditions close to or below the poverty line. Think about the last time you read a novel in which someone went to cash a benefit check or paid for food in food stamps, or got off a double-shift at a retail store and were having their home or car repossessed. These are the conditions in which much of this country lives and it is a dereliction of capability (not duty) to ignore it in literature. — John Freeman

An elegantly crafted novel, "The Reluctant First Lady" clearly documents author Venita Ellick as an exceptionally accomplished writer able to skillfully weave memorable characters into a riveting story line from beginning to end. As engaging as it is entertaining, "The Reluctant First Lady" is highly recommended for both personal reading lists and community library contemporary fiction collections. — Midwest Book Review August 2013

I think I was also afraid of the novel. I write line by line, proceeding at snail's pace, rewriting as I go and paring the excess away. This is against all the best advice for writing long form prose, and I have tried over the years to break myself of the habit, but I can't bear to leave anything ungainly on the page and half the fun for me is that tinkering. So the length of a novel was a daunting prospect. — Debra Dean

Everyone needs a place to let go and unwind from life, mine happens to be where pencil meets paper. — Brandy Nacole

And Meredith says that reminds her of a Camus novel, the one about the plague, and she tells the story of it, the tale holding you in thrall, and she ends her version with a line you'll write down in your notebook, the place where the atheist doctor hollers at a priest: All your certainties aren't worth one strand of a woman's hair. — Mary Karr

I guess if I was made responsible for every single line of dialogue in a game and every single piece of textual visual detail, every sign or piece of graffiti, then yes, I think that would be comparable to the time and effort required to write a very long novel, indeed. — Richard K. Morgan

The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel. — Mary Kay Zuravleff

I have always been considered a bit of an outsider, and a general failure at everything I put my hand towards. In fact, you might even go so far as to say that I'm a lesser being of great insignificance! I state this because, when writing a story, you should always start the first line off with at least one basic truth.
-First lines from the novel Sukiyaki — Andrew James Pritchard

In Gothic fiction, characters must contend with the dead, with active hauntings or with hallucinations of hauntings, as well as whatever other trying circumstances they might find themselves in: orphanhood, lunacy, imprisonment, inheritances that go astray, troubling romantic situations. The Gothic novel does not strive for subtlety, and it isn't to everyone's taste. It can seem adolescent, an immature version of the stately, measured, grown-up realist novel, except that the line between Gothic and the realist is never clear. A disdain for the Gothic is limiting, since this literature, in all its flagrancy, has something to say about emotional as well as physical death, and a tale of a haunting can have a narrative vitality that is far from conclusive. Gothic stories linger especially in the mind. — Brenda Walker

Who says only long tedious novels are good to read when all that can be summed up in one line — Priyansh Shah

Randy stared into the glass he held in his hand, gazing into its cobra eyes. A double shot of thirty-year-old single malt whisky. You can't be an alcoholic when you only drink top shelf. Right? — Ted Magnuson

[A novel by Henry James] is like a church lit but without a congregation to distract you, with every light and line focused on the high altar. And on the altar, very reverently place, intensely there, is a dead kitten, an egg-shell, a bit of string. — H.G.Wells

I don't mind my friends calling me "Thornes," but the fact of people calling me "Prickly Thornes" draws the line. — Simi Sunny

Collies, coffee and, murder most foul! — Stella St. Claire

If you read no other work of what's known as "cyberpunk" (which looks at the ever-thinner line between humans and machines), at least read the novel that began it all: William Gibson's Neuromancer, which won every major science fiction award (the Nebula, the Hugo, and the Philip K. Dick award) in 1984, the year it was published. Gibson introduced words (including "cyberpunk" itself), themes, and a dystopic vision of the future that have been liberally reworked in the writings of many other authors. — Nancy Pearl

I live intimately with my characters before starting a book. I cut out pictures of them for my wall. I do time lines for each major character and a time line for the entire novel: What is going on in the world as my characters struggle with their problems? — Walter Dean Myers