Novel In A Novel Quotes & Sayings

It's very important to set your place in a concrete environment. I think Chekhov said that the important thing when you have a play or any kind of novel is to set the roots in a concrete place. — Roman Polanski

For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life. — Haruki Murakami

Few novels truly deserve the description 'rollicking' in the way Mary Novik's Conceit does. A hearty, boiling stew of a novel, served up in rich old-fashioned story-telling. Novik lures her readers into the streets of a bawdy seventeenth-century London with a nudge and a wink and keeps them there with her infectious love of detail and character. A raunchy, hugely entertaining read that will leave you at once satiated and hungry for more. — Gail Anderson-Dargatz

We did photograph albums, best dresses, favourite novels, and once someone's own novel. It was about a week in a telephone box with a pair of pyjamas called Adolf Hitler. The heroine was a piece of string with a knot in it. — Jeanette Winterson

It is not mysterious to be home on a Saturday night, reading a novel in a pile of smelly golden retrievers. — E. Lockhart

I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate. — Adam Ross

Being a novelist and being a mother have exactly coincided in my life: the call from my agent saying that I had a contract for my first novel - that was on my answering phone message when I got back from the hospital with my first child. — Barbara Kingsolver

I write a ridiculous number of drafts. The characters change and grow through the drafting, and my understanding of them deepens. Creating characters in a novel is like shooting at clay pigeons and missing, and then missing more productively as the narrative continues. — Robert Boswell

Newton's three laws of motion are less a product of novel experiments than of the attempt to reinterpret well-known observations in terms of motions and interactions of primary neutral corpuscles — Thomas S. Kuhn

The idea that one will die is more painful than dying, but less painful than the idea that another person is dead, that, becoming once more a still, plane surface after having engulfed a person, a reality extends, without even a ripple at the point of disappearance from which that person is excluded, in which there no longer exists any will, any knowledge, and from which it is as difficult to reascend to the idea that that person has lived as, from the still recent memory of his life, it is to think that he is comparable with the insubstantial images, the memories, left us by the characters in a novel we have been reading. — Marcel Proust

I've always enjoyed that kind of thing - thinking about the production of narrative and why it is that when we read a novel, we don't notice the fact that someone who might be very close-mouthed or tight-lipped is perfectly willing to tell us a story in 600 or 700 pages. — Matthew Tobin Anderson

I think that when people read fiction, they're really reading for wisdom. I am. That's what most of us really love. If we read a novel that rocks our world, it's because there's something in it that we didn't know already. Not just information but really wisdom - sort of what to do with our information. And wisdom comes from experience. — Barbara Kingsolver

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

Publishing is not, of course, dependent on the individual taste of the publisher," Perkins replied to one reader of Hemingway's novel. "He is under an obligation to his profession which binds him to bring out a work which in the judgment of the literary world is significant in its literary qualities and is a pertinent criticism of the civilization of the time. — A. Scott Berg

I hadn't seen any novel make the statement that entering the workforce was like entering the grave. That from then on, nothing happens and you have to pretend to be interested in your work. And, furthermore, that some people have a sex life and others don't just because some are more attractive than others. I wanted to acknowledge that if people don't have a sex life, it's not for some moral reason, it's just because they're ugly. Once you've said it,
it sounds obvious, but I wanted to say it. — Michel Houellebecq

Like my hero Virginia Woolf, I do lack confidence. I always find that the novel I'm finishing, even if it's turned out fairly well, is not the novel I had in my mind. I think a lot of writers must negotiate this, and if they don't admit it, they're not being honest. — Michael Cunningham

Embrace the fear, use it, but don't become a victim of it. — Brandy Nacole

Not a lot of contemporary fiction is written about brothers and sisters. Salinger's Franny and Zooey was an inspiration for me. In Franny and Zooey, the sister gets in trouble and the brother comes to help her out. But I wanted to make sure that in my novel the sister had more to do than lie around on a sofa muttering, which is what Franny does for two-thirds of Salinger's novel. — K.M. Soehnlein

I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views. — Edith Wharton

I was once a graduate student in Victorian literature, and I believe as the Victorian novelists did, that a novel isn't simply a vehicle for private expression, but that it also exists for social examination. I firmly believe this. — Margaret Atwood

Irving Wallace wrote a bestselling novel, The Man, in the 1960s about a black man becoming president of the United States. We thought that such a possibility was thousands of years in the future. Some people may still have some difficulty with the idea, but that's a major cultural meme shift. — Wayne Dyer

And he absolutely had to find her at once to tell her that he adored her, but the large audience before him separated him from the door, and the notes reaching him through a succession of hands said that she was not available; that she was inaugurating a fire; that she had married an american businessman; that she had become a character in a novel; that she was dead. — Vladimir Nabokov

Cormoran Strike is an amazing creation and I can't wait for his next outing. Strike is so instantly compelling that it's hard to believe this is a debut novel. I hope there are plenty more Cormoran Strike adventures to come. A beautifully written debut novel introducing one of the most unique and compelling detectives I've come across in years. — Mark Billingham

If I'm going to invest the time in a novel, I want something more than the entertainment you get out of most genre fiction. — Glen Duncan

FOAM OF THE DAZE is a novel like no other, a sexy, innocent, smart and sweet cartoon of a world which then begins, little by little, to bleed real blood until, in the end, the blood turns out to be our own. I read it nearly thirty years ago in its previous incarnation as Mood Indigo and I loved it then; it's still one of my favorite books in the whole world — Jim Krusoe

Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders. — William Golding

Identify the moral dilemma driving the novel. the successful novel will haunt a reader because it deals with some ethical or moral dilemma that makes the reader wonder what he or she would do in the protagonist's place. — Rick Riordan

I'm asked all the time, 'Doesn't it feel great to finish the novel?' And the answer to that is, 'No.' It's sort of a loss to stop a 10-year project, which is an imaginary project in the sense that it's a work of my imagination. — Bob Shacochis

In terms of age, I think I've covered about as wide a range as is possible, having written everything from picture books to early chapter books to middle grade novels to YA to one adult novel - and having been editor and lead writer for a magazine for retired people! — Bruce Coville

The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point. — Karan Bajaj

I did not set out to write another novel. One day I sat down with the thought of trying my hand at a piece of nonfiction, a personal memoir of youth, but over the next several weeks, without intending it, the work began evolving into what has become 'Tomcat in Love.' — Tim O'Brien

One of the biggest mistakes people make is to think that what you need to write a novel is imagination, creativity and a facility with words. Yes, you need all those things, but a novel is a highly complex organism that needs to be dealt with in quite a logical manner. — Kate Forsyth

As I get older, my childhood self becomes more accessible to me, but selectively, in images as stylized and suspect as moments remembered from a novel read years ago. — John Updike

A Conrad student informed me in Scotland that Africa is merely a setting for the disintegration of the mind of Mr. Kurtz.
Which is partly the point. Africa as setting and backdrop which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognizable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind? But that is not even the point. The real question is the dehumanization of Africa and Africans which this age-long attitude has fostered and continues to foster in the world. And the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art. — Chinua Achebe

Wrote my first "novel" when I was six. Studied a bit in college, but then pursued history ... But when I started writing professionally, it was mostly learn as you go. — David B. Coe

History is made not simply with events, but by remembering those events, a double drumbeat like a heartbeat. History can be written not only with books but with ceremonies. Yet a real event read about in a newspaper is not always more important than a fictional one in a novel or play or poem. — Christopher Bram

I'm not a sociologist, and the novel has often concerned itself with sociology. It's one of the generating forces that's made fiction interesting to people. But that's not my concern. I'm interested in psychology. And also certain philosophical questions about the world. — Jonathan Lethem

In these modes, energy is at best regarded by architects as a set of necessary quantifications, bureaucratic mandates, and checklists rather than as a fundamental agent in novel formations of architecture. — William W. Braham

Writing in a near frenzy is wonderful and freeing, but for me, it did not result in a nice, shiny novel. Instead, what I have is a mess. — Erin Morgenstern

With a click, my novel would be born; it would come out into the light suddenly transformed from the hypothetical text composed in my imagination into finished, tangible thing with a real and independent existence. The moment of clicking on the print button always gave rise to strange and powerful ambivalence
a combination of self-satisfaction, gloom and anxiety. Self-satisfaction for having finished writing the book. Gloom because taking my leave of the characters has the same effect on me as when a group of friends have to depart. And anxiety, perhaps because I am on the verge of delivering up into other people's hands something that I treasure. — Alaa Al Aswany

I've seen it all in Nevada, Kansas before that, and the War of Northern Aggression before that. People do all sorts of nasty things. And while I used to believe that there was something profoundly wrong about the human condition - sin passed on from the first man and that only the grace of God in Jesus Christ could make everything right, the standard explanation in churches Mormon to Methodist - it didn't take me long to learn that Christians and non-Christians, women and men, young and old were all capable of doing the worse things a human being might imagine, and then some.

From my upcoming novel, BATHHOUSE ROW, (available this fall). — Gregg Edwards Townsley

You stupid fool, you know very well it's not a short novel, but something longer ... A piece of work you've got to buckle down to, that needs peace and concentration. Being able to wake up in the morning and lie in bed for a while. — Ivan Mandy

I grew up in a working-class Catholic family in south Louisiana. I went to a state university. I taught literature, wrote a novel that was the novel I wanted to write, and got a couple of good reviews but no real traction. I had no idea how to get a job in TV. — Nic Pizzolatto

The rise of the buffered identity has been accompanied by an interiorization; that is, not only the Inner/Outer distinction, that between Mind and World as separate loci, which is central to the buffer itself; and not only the development of this Inner/Outer distinction in a whole range of epistemological theories of a mediational type from Descartes to Rorty;' but also the growth of a rich vocabulary of interiority, an inner realm of thought and feeling to be explored. This frontier of self-exploration has grown, through various spiritual disciplines of self-examination, through Montaigne, the development of the modern novel, the rise of Romanticism, the ethic of authenticity, to the point where we now conceive of ourselves as
having inner depths. — Charles Taylor

I write all of my novels and stories, as you have seen, in a great surge of delightful passion. Only recently, glancing at the novel, I realized that Montag is named after a paper manufacturing company. And Faber, of course, is a maker of pencils! What a sly thing my subconscious was, to name them thus. And not tell me! — Ray Bradbury

He was too young to know that, in any novel with a reasonable amount of forethought, there were no coincidences. — John Irving

The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus. — Stacey D'Erasmo

In a novel you always knew the moment when something Happened, when someone Changed. But real life was full of gradual, piecemeal, continuous transformation. It was full of accidents and undefineables, and things that just happened on their own. The only certainty was 'It's complicated,' whether or not unicorns tolerated your touch. — Scott Westerfeld

[My novel] took up the sweetest part of my mind and the rarest part of my imagination; it was like being in love and better. All day long when I was busy [ ... ], I had my unfinished novel personified almost as a secret companion and accomplice following me like a shadow wherever I went, whatever I did. — Muriel Spark

When ambition enters, creativity disappears - because an ambitious man cannot be creative, because an ambitious man cannot love any activity for its own sake. While he is painting he is looking ahead; he is thinking, 'When am I going to get a Nobel Prize?' When he is writing a novel, he is looking ahead. He is always in the future - and a creative person is always in the present. — Rajneesh

Software is definitely engineering. It's different in that we take on novel tasks every time. It's not like building a certain bridge that is virtually identical to some previous bridge or some previous building. — Bill Gates

When I sit down with a novel in my hand I want to enjoy the experience. That means having fun. Too many books take themselves too seriously and even a drama needs to have it's lighter moments to make the dark parts more intense. — Clayton J. Callahan

Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel. — Jeffrey Archer

What could there be in this document written by a young girl in 1917? — Peter J. Tanous

Many of you remember The Scarlet Letter, the novel that wardrobed its protagonist in a stigma or sign of reproach. But "A" is not the only letter a person can feel she is wearing. Some of us have looked like we spilled alphabet soup on our sweaters. Beloved, if you are wearing any kind of reproach from your past - especially if victimization has placed a letter there that never belonged on you - may God remind you of the cross of Christ and memorialize the victory it brought you. Let Him cut that old piece of fabric from your life, roll it in the blood of Jesus, and cast it away forever. — Beth Moore

I don't think I ever intended specifically to write for the young adult market. It's just that when the idea for City of Bones came to me, I knew the main characters were teenagers. In my mind they were just very clearly the ages they were, which turned out to mean it was a YA novel. — Cassandra Clare

I remembered reading in a hard-boiled detective novel that if you drink in the same place two nights in a row, the bartender and waiters will remember your face. — Ryu Murakami

When I'm writing a novel, I'm dealing with a double life. I live in the present at the same time that I live in the past with my characters. It is this that makes a novelist so eccentric and unpleasant. — John Phillips Marquand

In order to make the novel into a polyhistorical illumination of existence, you need to master the technique of ellipsis, the art of condensation. Otherwise, you fall into the trap of endless length. — Milan Kundera

People often need to describe things quickly and so they use a shorthand. The problem is that after they use a label, they begin to think only in terms of the label instead of the totality of the experience a novel provides. — Akhil Sharma

I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way. — William Monahan

for the first time, there burst upon me the idea that there might be real marvels all about us, that the visible world might be only a curtain to conceal huge realms uncharted by my very simple theology. And that started in me something with which, on and off, I have had plenty of trouble since - the desire for the preternatural, simply as such, the passion for the Occult. Not everyone has this disease; those who have will know what I mean. I once tried to describe it in a novel. It is a spiritual lust; and like the lust of the body it has the fatal power of making everything else in the world seem uninteresting while it lasts. It is probably this passion, more even than the desire for power, which makes magicians. — C.S. Lewis

The Sugar Frosted Nutsack is fantastic. It's volcanic and sexy and utterly unlike anything I've read before. It feels like the future in a dazzling way that has nothing to do with looking backward. It's been a long wait for a new novel from Mark Leyner, but worth it. Ten out of ten from me. — Douglas Coupland

I was planning to stay in the Army all my life, but I ended up being posted to a training camp in Wales and was so bored there, I wrote a novel. — Antony Beevor

I never know what's going to happen in a novel. I don't have a plan or an outline. — Donna Leon

It's hard being a hostage in somebody else's mouth - or a character in somebody else's novel. — David Antin

I don't see myself as a very important person. But I was the second woman to write a novel in Iran, and I have written most of the novels about Iranian women. In this way, maybe I have a good place in Iranian literature. — Shahrnush Parsipur

Every client presents a practitioner with a novel and unique problem to solve. A therapist has to be a general problem-solver, and part of this expertise is grounded in an experimental style of reasoning originally developed for scientific purposes. — Richard S. Hallam

The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel. — William Monahan

Even Proust - there's a famous passage where Odette opens the door with a cold, she's sulky, her hair is loose and undone, her skin is patchy, and Swann, who has never cared about her until that moment, falls in love with her because she looks like a Botticelli girl from a slightly damaged fresco. Which Proust himself only knew from a reproduction. He never saw the original, in the Sistine Chapel. But even so - the whole novel is in some ways about that moment. And the damage is part of the attraction, the painting's blotchy cheeks. Even through a copy Proust was able to re-dream that image, re-shape reality with it, pull something all his own from it into the world. Because - the line of beauty is the line of beauty. It doesn't matter if it's been through the Xerox machine a hundred times. — Donna Tartt

Okay, the question is, 'What enormously popular novel by William Peter Blatty, set in the posh Washington D.C. suburb of Georgetown, concerned the demonic possesion of a young girl?' '
'Johnny Cash', Henry replied.
'Jesus Christ!' Tricks Postino yelled. 'That's what you say to everythin! Johnny Cash, that's what you say to fuckin everythin!'
'Johnny Cash is everything,' Heny replied gravely... — Stephen King

It feels as though there is a gaping hole in the middle of everything. The decades of my mother's life here with Thalia, they are dark, vast spaces to me. I have been absent. Absent for all the meals Thalia and Mama have shared at this table, the laughs, the quarrels, the stretches of boredom, the illnesses, the long string of simple rituals that make up a lifetime. Entering my child-hood home is a little disorienting, like reading the end of a novel that I'd started, then abandoned, long ago. — Khaled Hosseini

Thanks to the comic book publishers. Batman and Captain Marvel were responsible for my learning to read at least a year before I showed up at school. They got me interested in writing. Started my first novel at about eight. The title: 'The Canals of Mars.' — Jack McDevitt

Our lives are a novel being written. We are its author. Every action we encounter and every person we meet has a role and a place in our ultimate story. It is in our control to decide the level of how, who and what impacts us and how large a role we decide to assign each. — Mark W. Boyer

The hero in this novel lives a life by his own code with no apologies. — Kristen Ashley

I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege. — Ben Barnes

I remember the language of the people I grew up with. Language was so important to them. All that power was in it. And grace and metaphor. Some of it was very formal and Biblical, because the habit is that when you have something important to say you go into parable, if you're from Africa, or you go into another level of language. I wanted to use language that way, because my feeling was that a black novel was not black because I wrote it, or because there were black people in it, or because it was about black things. It was the style. It had a certain style. It was inevitable. I couldn't describe it, but I could produce it. — William Zinsser

I started the first drafts of the book during my sophomore year of college. I wasn't thinking at all about kids at the time. But I was thinking. A lot. About everything. I wish I could capture that head-space again; everything meant something to me in college. Every leaf, every sound, every lecture, every textbook. It's like I was on drugs, 24/7. I am glad I was able to pair that ceaseless pondering with plenty of time to write. What came of that time was the first draft of the novel, a lengthy, unnecessarily angst-driven pile of crap. Years later, with Zoloft, I approached the novel with a more level head, and came away with a much, much better novel. My advice to writers, I suppose, is write your novel when you feel like shit; edit when you feel great. — Caleb J. Ross

She described how Camus's aphorism "One must imagine Sisyphus happy" helps her fight back against unproductive feelings of meaninglessness.
If we consider, like Camus, Sisyphus at the foot of his mountain, we can see that he is smiling. He is content in his task of defying the Gods, the journey more important than the goal. To achieve a beginning, a middle, an end, a meaning to the chaos of creation - that's more than any deity seems to manage: But it's what writers do. So I tidy the desk, even polish it up a bit, stick some flowers in a vase and start.
As I begin a novel I remind myself as ever of Camus's admonition that the purpose of a writer is to keep civilization from destroying itself. And even while thinking, well, fat chance! I find courage, reach for the heights, and if the rock keeps rolling down again so it does. What the hell, start again. Rewrite. Be of good cheer. Smile on, Sisyphus! — Fay Weldon

Hi, I have just added my new novel, "Incessant Expectations" for your reading enjoyment. It is about commercial salmon fishing on the Oregon coast circa 1976. It is fiction. The industry doesn't exist anymore. A young farmer from the dry country in Southwestern Colorado visits the wet Northwestern Oregon coast, seeking a summer job after his dad's farm is sold in the spring. He has spent his first 22 years in isolation, doing hard labor on the family farm. He knows hard work but has little social experience. During his summer of 1976 he learns about the ocean, fishing, and women. — Kenneth Fenter

The mighty steam-engine has its germ in the simple boiler in which the peasant prepares his food. The huge ship is but the expansion of the floating leaf freighted with its cargo of atmospheric dust; and the flying balloon is but the infant's soap-bubble lightly laden and overgrown. But the Telescope, even in its most elementary form, embodies a novel and gigantic idea, without an analogue in nature, and without a prototype in experience — John Timbs

There is a safety mechanism in place [to ensure the perambulator doesn't turn back into a purse with a baby in it] : if anything weighing more than a pound and a half-about the weight of a three-volume novel-is in the carriage of the perambulator, it will not transform. — Lev A.C. Rosen

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

I'll write to you. A super-long letter, like in an old-fashioned novel — Haruki Murakami

The North Korean state was born at about the same time that Nineteen Eighty-Four was published, and one could almost believe that the holy father of the state, Kim Il Sung, was given a copy of the novel and asked if he could make it work in practice. Yet even Orwell did not dare to have it said that "Big Brother's" birth was attended by miraculous signs and portents - such as birds hailing the glorious event by singing in human words. — Christopher Hitchens

It is perfectly legitimate to write novels which are essentially prose poems, but in the end, I think, a novel is like a car, and if you buy a car and grow flowers in it, you're forgetting that the car is designed to take you somewhere else. — Robert Harris

I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times. — Vladimir Nabokov

Take a table and I'll join you in a second.'
When he walked away I did something I couldn't be scolded for doing.
I checked out his ass in his jeans and ... that looked good. — Stephanie Witter

The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude. In a world built on sacrosanct certainties the novel is dead. — Milan Kundera

The novel is a highly corrupt medium, after all - in the end the vast majority of them simply aren't that great, and are destined to be forgotten. — Lev Grossman

To me reading is an almost sacred activity and the great novel is its high mass.

The novel is so deeply powerful as an art form because of the investment of time and faith it demands.

A good novel can sweep you up, quarry you out, illuminate you and truly inhabit your life.

And, of course, although the writer composes the sentences of the novel the reader is a full participant in the imaginative process and far from a mere voyeur. — Gregory Day

Life seemed ideal to him right then, and he was happy for the first time in a long time, and it felt like the sun was shining from his heart. - from the novel Brainjob by David Sloma. — David Sloma

ANTHONY DOERR is the author of the story collections Memory Wall and The Shell Collector, the novel About Grace, and the memoir Four Seasons in Rome. He has won numerous prizes both in the United States and overseas, including four O. Henry Prizes, three Pushcart Prizes, the Rome Prize, the New York Public Library's Young Lions Fiction Award, the National Magazine Award for fiction, a Guggenheim Fellowship, and the Story Prize. Raised in Cleveland, Doerr lives in Boise, Idaho, with his wife and two sons. — Anthony Doerr

When I was a child, writing was the worst possible choice of a career in my family. My father had always identified himself as a writer to my mother when they met. When they met, he was writing this great novel, there was no doubt about it. — Nick Flynn

I am really interested in who owns ideas of religion. What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox. — Robert Montgomery

Memory retains some things and discards others. I remember every detail of some scenes from my childhood and adolescence, by no means the most important ones. I remember some people and have totally forgotten others. Memory is like the headlights of a car at night, which fall now on a tree, now on a hut, now on a man. People (usually writers) who tell the story of their lives as a continuous and detailed whole generally fill in the gaps with conjecture; it is hard to tell where genuine reminiscence ends and the novel begins. — Ilya Ehrenburg

It does no one any good to say their novel sucks if you don't have an idea how to make it better, how to approach it from different angles and make it work. It's obviously a subjective process, right? But the thing about subjectivity, at least in the classroom, is that you're banking on your professor's subjectivity to be both personal and professional - that he or she has some sense about the world outside the workshop. — Tod Goldberg

We have been created as recipients. I look at the stars, at the grass, at my fat-faced children, at my fingernails, and I am oppressed by gratitude
I have been given a belly so that I might hunger. I have been given hunger so that I might be fed.
I look in the atheist's mirror. I look at his faith in the nonexistence of meaning. I look at his preaching and painting. I see nothing but a shit-storm.
Why would I walk through that door? Why would I live in your novel? — N.D. Wilson

Critics who do the weekly recap, I find that kind of absurd. That's like reviewing chapters in a novel. — Terence Winter

This is the difference between an ordinary scribe and a literary writer. The highest level of literary creation is when the characters in a novel possess life in the mind of the writer. The writer is unable to control them, and might not even be able to predict the next action they will take. We can only follow them in wonder to observe and record the minute details of their lives like a voyeur. — Liu Cixin