Nouns In Quotes & Sayings

Even if, at the moment, you can't sit down and do the gruntwork of stringing verbs and nouns together, you are writing. It is a way of seeing, a way of being. The world is not only the world, but your personal filing cabinet. You lodge details of the world in your sparkling nerve-library that spirals through your brain and coils down your arms and legs, collects in your belly and your sex. You write, even if you can't always "write."
However, writers write. Active, not passive. — Luis Alberto Urrea

For example, from nouns to verbs to aspects of grammar, we each store language in different areas, recruiting different regions for different components. — John Medina

A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction
besides unexpected interludes
has finally, with a surprisingly quiet full stop, come to an end. — Yann Martel

There's nothing wrong with possessions; it's just that they have value to us only when we use them, engage them, and enjoy them. They're nouns that mean something only in conjunction with verbs. That's why wealth is so dangerous: if you're not careful you can easily end up with a garage full of nouns. — Rob Bell

Both of our memories were deteriorating, and in recent years the effort required to recall a name or incident felt almost wearyingly physical, like clearing out an attic. Proper nouns were particularly elusive. Adverbs and adjectives would go next, until we were left with pronouns and imperative verbs. Eat! Walk! Sleep now! — David Nicholls

The authors of the four passages share a number of practices: an insistence on fresh wording and concrete imagery over familiar verbiage and abstract summary; an attention to the readers' vantage point and the target of their gaze; the judicious placement of an uncommon word or idiom against a backdrop of simple nouns and verbs; the use of parallel syntax; the occasional planned surprise; the presentation of a telling detail that obviates an explicit pronouncement; the use of meter and sound that resonate with the meaning and mood.
The authors also share an attitude: they do not hide the passion and relish that drive them to tell us about their subjects. They write as if they have something important to say. But no, that doesn't capture it. They write as if they have something important to show. And that, we shall see, is a key ingredient in the sense of style. — Steven Pinker

There are many, many nouns for the act of looking - a glance, a glimpse, a peep - but there's no noun for the act of listening. In general, we don't think primarily about sound. So I have a different perspective on the world; I can construct soundscapes that have an effect on people, but they don't know why. It's a sort of subterfuge. — Walter Murch

Rincewind switched to High Borogravian, to Vanglemesht, Sumtri and even Black Oroogu, the language with no nouns and only one adjective, which is obscene. Each was met with polite incomprehension. In desperation he tried heathen Trob, and the little man's face split into a delighted grin. — Terry Pratchett

Jazz is musical humor. The noun jazz describes a modern American technique for the playing of any music, accompanied by noise called harmony, and interpolated instrumental effects. It also describes music exhibiting influence of that technique which has as its traditional object to secure the effects of surprise, or in the broadest sense, humor. — Bix Beiderbecke

English has so many words that do not exist in Sharchhop, but they are mostly nouns, mostly things: machine, airplane, wristwatch. Sharchhop, on the other hand, reveals a culture of material economy but abundant, intricate familial ties and social relations. People cannot afford to make a distinction between need and desire, but they have separate words for older brother, younger sister, father's brother's sons, mother's sister's daughters. And there are 2 sets of words: a common set for everyday use and an honorific one to show respect. There are three words for gift: a gift given to a person higher in rank, a gift to someone lower, and a gift between equals. — Jamie Zeppa

I actually have a thing about proper nouns. They clang on my ear in a weird way when I hear them dropped into movies. — Josh Radnor

It indicates possession for plural nouns, between the end of the plural word and the s that follows, as in children's. Except when the word ends in an s, in which case it should come at the end of the word, with no additional s added ("the books' covers"). — Ammon Shea

The process of unlearning in order to relearn demands a new concept of knowledge not as thing but as a process, not as a noun but as a verb. — Cathy Davidson

Indian nouns are extremely connotive; that is, the name does more than simply denote the thing to which it belongs - in denoting the object, it also assigns to it some quality or characteristic. — John Wesley Powell

Why, they took nouns that were signs of things which gave evidence of wealth, - housekeepers, under-gardeners, extent of glass, valuable lace, diamonds, and all such things; and each one formed her speech so as to bring them all in, in the prettiest accidental manner possible. — Elizabeth Gaskell

The ladies egged him on; in Eve's name, they dared him; so he made love with discreet verbs and light nouns, delicate conjunctions. They begged; they defied him to define ... define everything. They could not be scandalized - impossible, they said. Indecent prepositions such as in, on, up, merely made them smile, and the roundest exclamation broke upon them like a bubble's kiss, a butterfly's. Smooth and creamy adjectives enabled them to lick their lips upon the crudest story. How charmingly you speak, Reverend Furber, how much you've seen of this wicked world, and how alive you are to it, they said. — William H Gass

Adjectives are used as nouns ("greats," "notables"). Nouns are used as verbs ("to host"), or they are chopped off to form verbs ("enthuse," "emote"), or they are padded to form verbs ("beef up," "put teeth into"). This is a world where eminent people are "famed" and their associates are "staffers," where the future is always "upcoming" and someone is forever "firing off" a note. Nobody in America has sent a note or a memo or a telegram in years. Famed diplomat Condoleezza Rice, who hosts foreign notables to beef up the morale of top State Department staffers, sits down and fires off a lot of notes. Notes that are fired off are always fired in anger and from a sitting position. What the weapon is I've never found out. — William Zinsser

I was doing a terrible thing in using the very books you clung to, to rebut you on every hand, on every point! What traitors books can be! You think they're backing you up, and then they turn on you. Others can use them, too, and there you are, lost in the middle of the moor, in a great welter of nouns and verbs and adjectives. — Ray Bradbury

So what you're saying is you can't explain it."
"I did explain it."
"No, you used nouns and verbs together in a pleasing but illogical format. — Maggie Stiefvater

Writing's in the nouns. — Lori Roy

I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too. — Joe Biden

What of Thought? The Crew had developed a kind of shorthand whereby they could set forth any visions that might come their way. Conversations at the Spoon had become little more than proper nouns, literary allusions, critical or philosophical terms linked in certain ways. Depending on how you arranged the building blocks at your disposal, you were smart or stupid. Depending on how others reacted they were In or Out. The number of blocks, however, was finite.
"Mathematically, boy," he told himself, "if nobody else original comes along, they're bound to run out of arrangements someday. What then?" What indeed. This sort of arranging and rearranging was Decadence, but the exhaustion of all possible permutations and combinations was death.
It scared Eigenvalue, sometimes. He would go in back and look at the set of dentures. Teeth and metals endure. — Thomas Pynchon

I watched the enormity of the clouds for several minutes. What I wanted to experience in the water, I realized, was how life of the reef was layered and intertwined. I now had many individual pieces at hand: named images, nouns. How were they related? What were the verbs? Which syntaxes were indigenous to the place? I asked a dozen knowledgeable people. No one was inclined to elaborate- or they didn't know. "Did you see the octopus?" Someone shouted after the dive. Yes, I thought, but who among us knows what it was doing? What else was THERE, just then? WHY? — Barry Lopez

Contrary to what I thought, being a college grad and fluent in English doesn't make one a good English teacher. I was surprised to learn that all the stuff I didn't know about the language was more than I knew - by a multiple of ten. I knew my nouns, verbs and adjectives. I could speak intelligently about the past, present and future tenses. No problem. But my students were asking me about aspects of English way out in the hinterlands of my understanding. Holy hell! When did English get more than three tenses? Turns out a world existed beyond verbs and nouns. A big world that, for me at the time, seemed as deep and incomprehensible as quantum physics. Tenses like the past perfect, the subjunctive, the pluperfect, the present perfect, the future perfect continuous. Often — Mary Williams

Just being able to get paid to do something you love is a wonderful thing. That said, a writer's daily routine, unless you're Dominick Dunne, isn't exactly glamorous. Much of it amounts to drudgery, staring at a computer screen all day in a room by yourself, juggling nouns and verbs to make a demanding editor happy. — Bryan Burrough

And there was never a better time to delve for pleasure in language than the sixteenth century, when novelty blew through English like a spring breeze. Some twelve thousand words, a phenomenal number, entered the language between 1500 and 1650, about half of them still in use today, and old words were employed in ways not tried before. Nouns became verbs and adverbs; adverbs became adjectives. Expressions that could not have grammatically existed before - such as 'breathing one's last' and 'backing a horse', both coined by Shakespeare - were suddenly popping up everywhere. — Bill Bryson

The Hebrews have a saying that God is more delighted in adverbs than in nouns; it is not so much the matter that is done, but the matter how it is done, that God minds. Not how much, but how well! It is the well-doing that meets with a well-done. Let us therefore serve God, not nominally or verbally, but adverbially. — Ralph Venning

Place yourself in the background; write in a way that comes naturally; work from a suitable design; write with nouns and verbs; do not overwrite; do not overstate; avoid the use of qualifiers; do not affect a breezy style; use orthodox spelling; do not explain too much; avoid fancy words; do not take shortcuts as the cost of clarity; prefer the standard to the offbeat; make sure the reader knows who is speaking; do not use dialect; revise and rewrite. — E.B. White

As Brother Francis readily admitted, his mastery of pre-Deluge English was far from masterful yet. The way nouns could sometimes modify other nouns in that tongue had always been one of his weak points. In Latin, as in most simple dialects of the region, a construction like servus puer meant about the same thing as puer servus, and even in English slave boy meant boy slave. But there the similarity ended. He had finally learned that house cat did not mean cat house, and that a dative of purpose or possession, as in mihi amicus, was somehow conveyed by dog food or sentry box even without inflection. But what of a triple appositive like fallout survival shelter? Brother Francis shook his head. The Warning on Inner Hatch mentioned food, water, and air; and yet surely these were not necessities for the fiends of Hell. At times, the novice found pre-Deluge English more perplexing than either Intermediate Angelology or Saint Leslie's theological calculus. — Walter M. Miller Jr.

Beautiful thing, the destruction of words. Of course the great wastage is in the verbs and adjectives, but there are hundreds of nouns that can be got rid of as well. It isn't — George Orwell

Language is a theme in the whole book, no? I mean it ends with the title poem about words are all we have. I guess midrash makes sense. How does it change in the course of the sequence? Well, God is into No and into Stasis/Nouns. Adam and Eve, in order to be in this world (and get this world going) must choose verbs. Which is to gain sex but also to choose death and all else that goes with change. To choose becoming over being. — Gregory Orr

What action could bodies and substances have if they were not named in a further increase of dignity where common nouns become proper nouns? — Gaston Bachelard

One day the Nouns were clustered in the street.
An Adjective walked by, with her dark beauty.
The Nouns were struck, moved, changed.
The next day a Verb drove up, and created the Sentence. — Kenneth Koch

In light of this evidence, Bryan suggests that we should embrace nouns more thoughtfully. "Don't Drink and Drive" could be rephrased as: "Don't Be a Drunk Driver." The same thinking can be applied to originality. When a child draws a picture, instead of calling the artwork creative, we can say "You are creative." After a teenager resists the temptation to follow the crowd, we can commend her for being a non-conformist. When we shift our emphasis from behavior to character, people evaluate choices differently. Instead of asking whether this behavior will achieve the results they want, they take action because it is the right thing to do. In the poignant words of one Holocaust rescuer, "It's like saving somebody who is drowning. You don't ask them what God they pray to. You just go and save them. — Adam M. Grant

There are objects made up of two sense elements, one visual, the other auditory - the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements - the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them. — Jorge Luis Borges

But oh! the Latin!-Madame, you can really have no idea of what a mess it is. The Romans would never have found time to conquer the world if they had been obliged first to learn Latin. Lucky dogs! they already knew in their cradles the nouns ending in im. I on the contrary had to learn it by heart, in the sweat of my brow ... — Heinrich Heine

The secret of force in writing lies not so much in the pedigree of nouns and adjectives and verbs, as in having something that you believe in to say, and making the parts of speech vividly conscious of it. — James Russell Lowell

I always enjoyed studying languages and I learned from my Master that He wanted humans to be called Human Beings to continually remind them that they are really verbs and that their soul purpose is to BE. I think they tend to forget about this, they are so busy being nouns doing things that won't matter tomorrow. — Kate McGahan

I am still studying verbs and the mystery of how they connect nouns. I am more suspicious of adjectives than at any other time in all my born days. — Carl Sandburg

I smiled at my champion, but he just shook his head and muttered more words in Spanish. I was pretty sure he either called me a beautiful tropical flower or a raving lunatic. Sometimes I get my nouns mixed up. — Jenny B. Jones

All the words in the English language are divided into nine great classes. These classes are called the Parts of Speech. They are Article, Noun, Adjective, Pronoun, Verb, Adverb, Preposition, Conjunction and Interjection. — Joseph Devlin

All of our faith and practice arise out of the drama of Scripture, the "big story" that traces the plot of history from creation to consummation, with Christ as its Alpha and Omega, beginning and end. And out of the throbbing verbs of this unfolding drama God reveals stable nouns - doctrines. From what God does in history we are taught certain things about who he is and what it means to be created in his image, fallen, and redeemed, renewed, and glorified in union with Christ. As the Father creates his church, in his Son and by his Spirit, we come to realize what this covenant community is and what it means to belong to it; what kind of future is promised to us in Christ, and how we are to live here and now in the light of it all. The drama and the doctrine provoke us to praise and worship - doxology - and together these three coordinates give us a new way of living in the world as disciples. — Michael S. Horton

Although all new talkers say names, use similar sounds, and prefer nouns more
than other parts of speech, the ratio of nouns to verbs and adjectives varies
from place to place (Waxman et al., 2013). For example, by 18 months, Englishspeaking infants speak far more nouns than verbs compared to Chinese or Korean
infants. Why?
One explanation goes back to the language itself. The Chinese and Korean
languages are "verb-friendly" in that verbs are placed at the beginning or end of
sentences. That facilitates learning. By contrast, English verbs occur anywhere in
a sentence, and their forms change in illogical ways (e.g., go, gone, will go, went).
This irregularity may make English verbs harder to learn, although the fact that
English verbs often have distinctive suffixes (-ing, -ed) and helper words (was, did,
had) may make it easier (Waxman et al., 2013). — Kathleen Stassen Berger

And then he has nothing to do. After three weeks-or is it a lifetime?-of ceaseless activity, he has nothing to do. A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction-besides unexpected interludes-has finally, with a surprisingly quiet full stop, come to an end. For an hour or so, sitting outside on the landing at the top of the stairs, nursing a coffee, tired, a little relieved, a little worried, he contemplates that full stop. What will the next sentence bring? — Yann Martel

The worst of this sorry bunch of semi-educated losers are those who seem to glory in being irritated by nouns becoming verbs. How dense and deaf to language development do you have to be? If you don't like nouns becoming verbs, then for heaven's sake avoid Shakespeare who made a doing-word out of a thing-word every chance he got. He TABLED the motion and CHAIRED the meeting in which nouns were made verbs — Stephen Fry

What really alarms me about President Bush's 'War on Terrorism' is the grammar. How do you wage war on an abstract noun? How is 'Terrorism' going to surrender? It's well known, in philological circles, that it's very hard for abstract nouns to surrender. — Terry Jones

Speech baffled my machine. Helen made all well-formed sentences. But they were hollow and stuffed
linguistic training bras. She sorted nouns from verbs, but, disembodied, she did not know the difference between thing and process, except as they functioned in clauses. Her predications were all shotgun weddings. Her ideas were as decorative as half-timber beams that bore no building load.
She balked at metaphor. I felt the annoyance of her weighted vectors as they readjusted themselves, trying to accommodate my latest caprice. You're hungry enough to eat a horse. A word from a friend ties your stomach in knots. Embarrassment shrinks you, amazement strikes you dead. Wasn't the miracle enough? Why do humans need to say everything in speech's stockhouse except what they mean? — Richard Powers

The keeping of lists was for November an exercise kin to repeating of a rosary. She considered it neither obsessive nor compulsive, but a ritual, an essential ordering of the world into tall, thin jars containing perfect nouns. Enough nouns connected one to the other create a verb, and verbs had created everything, had skittered across the face of the void like pebbles across a frozen pond. She had not created a verb herself, but the cherry-wood cabinet in the hall contained book after book, jar after jar, vessel upon vessel, all brown as branches, and she had faith. — Catherynne M Valente

You think - I dare say that our chief job is inventing new words. But not a bit of it We're destroying words - scores of them hundreds of them every day. It's a beautiful thing the destruction of words. Of course the great wastage is in the verbs and adjectives but there are hundreds of nouns that can be got rid of as well. It isn't only the synonyms there are also the antonyms. — George Orwell

I want language to help us live in a world of wonder/terror/change. I want it to be about "becoming" rather than "being." I think that being and nouns are part of our hopeless dream that time will stop and we will not die. but it's not that way. So, why not celebrate verbs and the beloved's metamorphosis into other people or creatures or places - the same spirit but moving through things, not static. — Gregory Orr

The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out ... Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions. — E.L. Doctorow

Continuing up Rennes. Dodging little Saabs and Renaults. Loving walking here. Sun alternately streaming. Obliterating physiognomies. No longer nouns. But movement. Disappearing. Now heavily raining. Sitting out anyway. Over drain smelling of beer. Metro. Sewers. Fetid breath of Paris. Two cold coffees. Watching shadows lengthening. On la Gaite opposite. Where Colette once performing. Having walked in old boots across city. Drawing mole above lip. Rice-powdering delicious arms. Paris a drug. P saying on phone. Yes Paris a drug. A woman. And I waking this a.m. Thinking there must be some way. Of staying. Now my love's silhouette of rooftops eclipsing. Into night. Cold heinous breath. Blowing on privates. Through grille underneath. — Gail Scott

The breakdown of our language, evident in the misuse, i.e., the misunderstanding of nouns and adjectives, is most grave, though perhaps not so conspicuous, in the handling of prepositions, those modest little connectives that hold the parts of a phrase or a sentence together. They are the joints of any language, what make it, literally, articulate. — Mary McCarthy

Of all the nouns we use to disguise the hollowness of the human condition, none is more influential than "myself". It consists of a collage of still images - name, gender, nationality, profession, enthusiasms, relationships - which are renovated from time to time, but otherwise are each a relic from one particular experience or another. The defining teaching of the Buddhist tradition, that of non-self, is merely pointing out the limitations of this reflexive view we hold of ourselves. It's not that the self does not exist, but that it is as cobbled together and transient as everything else. [With] the practice of meditation, ... we can begin to see how each artifact of the mind is raised and lowered to view, like so many flashcards. But we can also glimpse, once in a while, the sleight-of-hand shuffling the card and pulling them off the deck. Behind the objects lies a process. Self is a process. Self is a verb. — Andrew Olendzki

I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense. — P. J. O'Rourke

Does it really matter if I choose the bus over a BMW, and generic over Gucci? Because the car, the wardrobe, the zip code-those are just nouns, things that are fun to have around, sure, but in the end, they have nothing to do with the real me. Nothing to do with who I really am. — Alyson Noel

What is an adjective? Nouns name the world. Verbs activate the names. Adjectives come from somewhere else. The word adjective (epitheton in Greek) is itself an adjective meaning 'placed on top', 'added', 'appended', 'foreign'. Adjectives seem fairly innocent additions, but look again. These small imported mechanisms are in charge of attaching everything in the world to its place in particularity. They are the latches of being. — Anne Carson

Another segment of society that has constructed a language of its own is business. People in business say that toner cartridges are in short supply, that they have updated the next shipment of these cartridges, and that they will finalize their recommendations at the next meeting of the board. They are speaking a language familiar and dear to them. Its portentous nouns and verbs invest ordinary events with high adventure; executives walk among toner cartridges, caparisoned like knights. We should tolerate them
every person of spirit wants to ride a white horse. — William Strunk Jr.

Reg coughed repressively.Habit had made of the standard nouns and adjectives in his own vocabulary something merely conventional,like italics or points of exclamation.He sometimes found Laurie's conversation highly obscene,and would have voiced his disapproval to anyone he had liked less. — Mary Renault

Eventually, after you have planned the whole thing, you will have many, many steps, but they will be organized into a hierarchy of sorts, as shown in Figure5-1. In this drawing, the three dots represent places where other steps go, but we chose to leave them off so that the diagram can fit on the page. This type of design is a top-down design. The idea is that you start at the uppermost step of your design (in this case, "Build flying saucer") and continue to break the steps into more and more detailed steps until you have something manageable. For many years, this was how computer programming was taught. Although this process works, people have found a slightly better way. First, before breaking the steps (which are the verbs), you divide the thing you're building into parts (the nouns). In this case, you kind of do that already, in the first two steps. But instead of calling them steps, you can call them objects — Anonymous

And everything soon must change. Men would set their watches by other suns than this. Or time would vanish. We would need no personal names of the old sort in the sidereal future, nothing being fixed. We would be designated by other nouns. Days and nights would belong to the museums. The earth a memorial park, a merry-go-round cemetery. The seas powdering our bones like quartz, making sand, grinding our peace for us by the aeon. Well, that would be good - a melancholy good. — Saul Bellow

The English language has been thrust upon Americans. And it is wrong. As static and immobile as are the English, just so ever-moving are Americans. Here is a huge country. Not a mere island. Naturally people move. And they need a moving language. A language that can interpret American life. Nouns and adjectives won't express American life. They are too weak, too immobile. But verbs, adverbs, prepositions and the like, ah, they are moving, just as Americans. Obviously we cannot suddenly junk the English language and adopt some other tongue. English is too connotative, too close to us. Our problem is to adapt the English language to American needs. To make it move with us Americans. That is the problem
to write things as they are, not as they seem. our aim must be not to explain things, but to write the thing itself, and thereby in itself be self explanatory. — Gertrude Stein

Most metaphysical words in Hopi are verbs, not nouns as in European languages. — Benjamin Whorf

Afro-Americans. Which is but a wedding, however, of two confusions, an arbitrary linking of two undefined and currently undefinable proper nouns. I mean that, in the case of Africa, Africa is still chained to Europe, and exploited by Europe, and Europe and America are chained together; and as long as this is so, it is hard to speak of Africa except as a cradle and a potential. Not until the many millions of people on the continent of Africa control their land and their resources will the African personality flower or genuinely African institutions flourish and reveal Africa as she is. — James Baldwin