Not To Write A Novel Quotes & Sayings

Readers would email me and say, 'Please write a novel about so-and-so,' but it has to come from yourself and not so much from your readership. — Susan Vreeland

But I'm not a small-literary-novel kind of guy, and once I'd developed the world in the first couple of hundred pages, I felt that there was potential here to go on and write an engaging story set in that world. So that's what I did. This probably ruins things both for the people who want small literary novels and for those who want action-packed epics, but anyway, it's what I wrote. — Neal Stephenson

I could spell it," I say. "Write it down." He hesitates at this novel idea. Possibly he doesn't remember I can. I've never held a pen or a pencil, in this room, not even to add up the scores. Women can't add, he once said, jokingly. When I asked him what he meant, he said, For them, one and one and one and one don't make four. What — Margaret Atwood

I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story. — Mario Vargas-Llosa

Writing a novel is not at all like riding a bike. Writing a novel is like having to redesign a bike, based on laws of physics that you don't understand, in a new universe. So having written one novel does nothing for you when you have to write the second one. — Daniel Alarcon

I sometimes feel that my goal as a novelist would be to write a novel in which the language was so transparent that the reader would forget that language was the medium of understanding. Of course that's not possible, but it's some sort of idealized goal. — Paul Auster

No writer, I believe, should attempt a novel before he is thirty, and not then unless he has been hopelessly and helplessly involved in life. For the writer who goes out to find material for a novel, as a fishermen goes out to sea to fish, will certainly not write a good novel. Life has to be lived thoughtlessly, unconsciously, at full tilt and for no purpose except its own sake before it becomes, eventually, good material for a novel. — Pearl S. Buck

To be shockingly original with your first novel, you don't have to discover a new technique: Simply write about people as they are and not as the predominantly liberal and humanist literary establishment believes that they ought to be. — John Braine

I'm not the protagonist of a novel or anything...
I'm just a normal college student who likes to read...
But...
If I were to write a book with me as tge main character...
It would be...
...A tragedy. — Sui Ishida

I believe that the main thing in beginning a novel is to feel, not that you can write it, but that it exists on the far side of a gulf, which words can't cross; that its to be pulled through only in a breathless anguish. [VW] — Vita Sackville-West

To be motivated to write a novel, I need to be unable not to write. — Johnny Rich

I never conceived of not writing a novel. I believed - oh, God, I believed, it was an article of faith! - I was born to write a novel. — Cynthia Ozick

The most celebrated American author of the twentieth century, Bellow objected during the first part of his career to being designated a "Jewish writer, " but it was he who demonstrated how a Jewish voice could speak for an integrated America. With Bellow, Jewishness moved in from the immigrant margins to become a new form of American regionalism. Yet he did not have to write about Jews in order to write as a Jew. Bellow's curious mingling of laughter and trembling is particularly manifest in his novel Henderson the Rain King, that follows an archetypal Protestant American into mythic Africa. Bellow not only influenced and paved the way for other American Jewish writers like Philip Roth and Cynthia Ozick, but naturalized the immigrant voice: the American novel came to seem freshly authentic when it spoke in the voice of one of its discernible minorities. — Hana Wirth-Nesher

To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing. — Sam Shepard

My work is less violent because we tend to write what we want to read ... and I'm not that interested in gruesome books. Any violence, to fit in well with a crime novel, has to have compassion. — Ann Cleeves

Listen closely. There's a remote possibility that you might learn something: First, I don't give a damn if my work is commercial or not ... I'm the writer. If what I write is good, then people will read it. That's why literature exists. An author puts his heart and guts on the page. For your information, a good novel can change the world. Keep that in mind before you attempt to sit down at a typewriter. Never waste time on something you don't believe in yourself. — John Fante

I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel. — Alan Rickman

You may be able to write a novel, you may not. You will never know until you have worked very hard indeed and written at least part of it. You will never really know until you have written the whole of it and submitted it for publication. — Ngaio Marsh

I don't recall that when I was in high school or college, any novel was ever presented to me to study as a novel. In fact, I was well on the way to getting a Master's degree in English before I really knew what fiction was, and I doubt if I would ever have learned then, had I not been trying to write it. I believe that it's perfectly possible to run a course of academic degrees in English and to emerge a seemingly respectable Ph.D. and still not know how to read fiction. — Flannery O'Connor

I did not set out to write another novel. One day I sat down with the thought of trying my hand at a piece of nonfiction, a personal memoir of youth, but over the next several weeks, without intending it, the work began evolving into what has become 'Tomcat in Love.' — Tim O'Brien

In my brief writing life, it means I am still lucky that I have at least one more novel to complete. I do not expect that a story will arrive just because it is time to write another novel. It doesn't happen that way. — David Bergen

It seems to me that the novel is very much alive as a form. Without any question, every epoch has its own forms, and the novel nowadays cannot resemble that of the nineteenth century. In this domain all experiments are justified, and it is better to write something new clumsily than to repeat the old brilliantly. In the nineteenth century, novels dealt with the fate of a person or of a family; this was linked to life in that period. In our time the destinies of people are interwoven. Whether man recognizes it or not, his fate is much more linked to that of many other people than it used to be. — Ilya Ehrenburg

Don't force yourself to write. Some people can write a novel in a few months, whereas for others it can take over a year. I'm lucky to be one of the former - but, even so, if I'm not in the mood to write, I won't. I'll go off, do something else and come back to it when I'm ready. — Cecelia Ahern

Somedays you have to write even when you think you're putting out crap. You just need to tell yourself that you'll fix the problems later, and by then, they might not even be "problems" anymore. The challenge of writing a novel has always been to let loose with a beautifully flawed first draft, and to constantly fight belief you're chiseling words in stone each time you type. — Christopher Rice

The serious writer has always taken the flaw in human nature for his starting point, usually the flaw in an otherwise admirable character. Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn't write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, the total experience of human nature at any time. For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. — Flannery O'Connor

I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury. — Zadie Smith

A lot of people who read my novel 'Smog City' ask me why I never killed off either of the two main characters. To be honest, it's because I've given them life. Not literally of course, but since I spent so much time developing and creating my characters, they've ended up with complex personalities, in fact they're almost sentient in a way, and to write them off as dead would be like killing a close friend to me. — Rebecca McNutt

You are afraid to write your first novel because you say " I am not a talented great writer " But you forget that nobody was born a talented great writer. — Bangambiki Habyarimana

I'm not a 'long writer' and have never wanted to write a novel or even a novella. Poetry, like flash fiction, provides a readily accessible canvas to play with. Whether to express an emotion or share a vignette, these forms are often interchangeable. — Marge Simon

I attempt to write a good novel. Whether it is literature or not is something that will be decided by the ages, not by me and not by a pack of critics around the globe. — Elizabeth George

Before Arthur, I'd dismissed altogether writing fiction. You only have so many semi-sharp arrows in your quiver, I'd told myself, and I was not going to be able to write a novel. — Kevin Crossley-Holland

But it was not what I wanted to do! I wanted to star in a silent movie and vamp the sheik, take a trip to the South Seas ... walk naked in the sand and surf ... write a novel about it. Be the Empress of the Galaxy, be discovered by a hero that would ravish me, and take me away on high adventure! Take a interminable motor home trip across the US and find out how the past had become the present. Journey to Europe, speak flawless French, and become the courtesan in the country chalet where all the real people came to party." She laughed again. "Mostly I did not want be confined to routine ... endless routine. — William C. Samples

Any man living in complete luxury and security who chooses to write a play or a novel which causes a flutter and exchange of compliments in Chelsea and Chiswick and a faint thrill in Streatham and Surbiton, is described as "daring," though nobody on earth knows what danger it is that he dares. I speak, of course, of terrestrial dangers; or the only sort of dangers he believes in. To be extravagantly flattered by everybody he considers enlightened, and rather feebly rebuked by everybody he considers dated and dead, does not seem so appalling a peril that a man should be stared at as a heroic warrior and militant martyr because he has had the strength to endure it. — G.K. Chesterton

A novel must be judged on its merits, not on how hard the journey was to write it. — Johnny Rich

This is, if not a lifetime process, it's awfully close to it. The writer broadens, becomes deeper, becomes more observant, becomes more tempered, becomes much wiser over a period time passing. It is not something that is injected into him by a needle. It is not something that comes on a wave of flashing, explosive light one night and say, 'Huzzah! Eureka! I've got it!' and then proceeds to write the great American novel in eleven days. It doesn't work that way. It's a long, tedious, tough, frustrating process, but never, ever be put aside by the fact that it's hard. — Rod Serling

Is it not superfluous to write more than one novel if the writer has not become, say, a new man? Obviously, all the novels of an author not infrequently belong together and are to a certain degree only one novel. — Karl Wilhelm Friedrich Schlegel

Writing a novel is always complicated, it's not like you snap your fingers and go, 'Ah, I know what I'll write'. For me, a lot of the time, I have to write and as I write, I learn about the story. — Reif Larsen

Nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do. — Lev Grossman

Moral philosophy is very largely a branch of fiction. Despite this, a philosopher has yet to write a great novel. The fact should not be surprising. In philosophy the truth about human life is of no interest — John N. Gray

In many ways, it's easier to write a book. You have more latitude with structure, and you have the freedom to luxuriate within the internal lives and musings of your characters. But where a screenplay does not always demand great prose, a novel lives or dies by it. — John Fusco

I don't think you should write something as long as a novel around anything that is not of the gravest concern to you and everybody else and for me this is always the conflict between an attraction for the Holy and the disbelief in it that we breathe in with the air of the times. — Flannery O'Connor

Bringing a novel to light - revealing the form and cadence, shadows and demeanor of a protagonist constructed from thin air - linking scenes and synchronicity across translucent time - holding up a glass brimming with chilled, never-tasted liquid, then sipping from it with intoxicated focus - allowing lovers to make a perilous mess of things, fall apart and nakedly come back together again - looking through conjured windows deep into someone else's snow-bound solitude, feeling utterly alone yet being all-connected: this is not writing. It's world-creating.

It's raw, exposed dreaming. It's humbling. At first too personal and intimate to share, it evolves like a child into a life of its own until I have no say in what comes next.

It's what I wake at 4am to say Yes to, the spinning possibility of a new story relentlessly commanding me to write it down so it can whirl in your experience. — Laurie Perez

My goal from the outset was to write a novel that perfectly balanced crime and romance. It's not unusual to see detectives or legal personnel fall for each other in literature, but it often stops before it gets exciting. I really hit hard with the romance and erotica; sex is a natural part of any relationship and hence something I didn't want to shy away from. — C.R. Lemons

I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good. — Kelly Link

I saved letters from my boss. There are things in there that are directly transcribed. I was so glad I did that. Sometimes when I was writing the book I wondered if some little writer hobbit part of my brain was back there puppeteering that action. But it really never, on any conscious level, occurred to me that I would write about it. I will say, I thought probably some day there would be an ancillary character in some novel - not in the one I was currently writing - that would be a dominatrix or something. — Melissa Febos

In the context of novel writing, this means you should lower the bar from "best-seller" to "would not make someone vomit." Exuberant imperfection encourages you to write uncritically, to experiment, to break your time-honored rules of writing just to see what happens. In a first draft, nothing is permanent, and everything is fixable. So stay loose and flexible, and keep your expectations very, very low. — Chris Baty

Before you can write a novel you have to have a number of ideas that come together. One idea is not enough. — Joyce Carol Oates

I'm not looking to write the great American novel, win a Pulitzer or teach history. I write to entertain my readers. — Dorothy Garlock

A man who is not born with the novel-writing gift has a troublesome time of it when he tries to build a novel. I know this from experience. He has no clear idea of his story; in fact he has no story. He merely has some people in his mind, and an incident or two, also a locality, and he trusts he can plunge those people into those incidents with interesting results. So he goes to work. To write a novel? No
that is a thought which comes later; in the beginning he is only proposing to tell a little tale, a very little tale, a six-page tale. But as it is a tale which he is not acquainted with, and can only find out what it is by listening as it goes along telling itself, it is more than apt to go on and on and on till it spreads itself into a book. I know about this, because it has happened to me so many times. — Mark Twain

Eventually, I decided that if I was going to really write a novel, I couldn't do it in New York City while holding down a job. You need a constant money source to live in New York City unless you're independently wealthy, which I'm not. — Rachel Kushner

At one point I would read nothing that was not by the great American Jews - Saul Bellow, Philip Roth - which had a disastrous effect of making me think I needed to write the next great Jewish American novel. As a ginger-haired child in the West of Ireland, that didn't work out very well, as you can imagine. — Kevin Barry

A painter," he said, as though the word were an insult. "I'm a writer."
"You're a writer? I'm a writer."
"What do you write?"
"Stories. Books. A book. Fiction."
"Fiction. Pfft. That's not writing."
"What do you write?"
"I write the truth."
"Fiction is true. It doesn't have to be factual to be true."
"Says you. Have you been published?"
"As a matter of fact I have. My novel sold over 65,000 copies."
"All to your mom."
"My mom didn't even know about it. — Ben Monopoli

Responding to Wright's critique, Hurston claimed that she had wanted at long last to write a black novel, and "not a treatise on sociology." It is this urge that resonates in Toni Morrison's Song of Solomon and Beloved, and in Walker's depiction of Hurston as our prime symbol of "racial health - a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature." In a tradition in which male authors have ardently denied black literary paternity, this is a major development, one that heralds the refinement of our notion of tradition: Zora and her daughters are a tradition-within-the-tradition, a black woman's voice. — Zora Neale Hurston

The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool. And that works all the way from the external trappings to the level of metaphor, subtext, and the way one uses words. In other words, I happen not to think that full-plate armor and great big honking greatswords are cool. I don't like 'em. I like cloaks and rapiers. So I write stories with a lot of cloaks and rapiers in 'em, 'cause that's cool. Guys who like military hardware, who think advanced military hardware is cool, are not gonna jump all over my books, because they have other ideas about what's cool.
The novel should be understood as a structure built to accommodate the greatest possible amount of cool stuff. — Steven Brust

If you set out to write an adjective novel, you're setting out to write a mediocre novel; your allegiance is to the adjective, not to the story, and then that just sucks all the joy right out of it. — Patrick Ness

The field of the novel is very rich. If you're a composer, you're well aware of the history of composition, and you are trying to make your music part of that history. You're not ahistorical. In the same way, I think, if you write now, you are writing in the historical context of what the novel has been and what possibilities it has revealed. — Salman Rushdie

I've never known a writer who didn't feel ill at ease in the world. We all feel unhoused in some sense. That's part of why we write. We feel we don't fit in, that this world is not our world, that though we may move in it, we're not of it. You don't need to write a novel if you feel at home in the world. — Andrea Barrett

There's no really other way to learn writing than by writing. So accelerate that as much as you can. The more you write, the better you'll get. What also helps, though, is walking away from broken stuff. Not everything's going to work. Killing two years of your life trying to resuscitate a dying novel, I don't know. Why not just write a different one? You'll have more ideas. You can't help having ideas. — Stephen Graham Jones

To write a novel is fundamentally an act of impudence. To comb one's hair is also an act of impudence, especially when it's done to try to cover a scar running across the top of one's forehead. But combing one's hair is an act of minor impudence, whereas writing is a more serious affair. We mask reality, we hide our fears, we reinvent things that have been said, and above all, the people who said them. Writing a novel implies a certain perversity. It's not something one can do with a tortoiseshell comb. It is perhaps for that reason that they take away my pen at night. Not, as they pretend, to prevent me from accidentally stabbing myself in the throat with it- but to prevent me from killing anyone else. — Paco Ignacio Taibo II

Video games are a waste of time for men with nothing else to do. Real brains don't do that. On occasion? Sure. As relaxation? Great. But not full time - And a lot of people are doing that. And while they're doing that, I'll go ahead and write another novel. — Ray Bradbury

The fact is that if the writer's attention is on producing a work of art, a work that is good in itself, he is going to take great pains to control every excess, everything that does not contribute to this central meaning and design. He cannot indulge in sentimentality, in propagandizing, or in pornography and create a work of art, for all these things are excesses. They call attention to themselves and distract from the work as a whole. — Flannery O'Connor

It's not as though I decided to sit down and write a mystery novel so I could capitalize on my parents' success. — Jesse Kellerman

It's just the garbage in/garbage out trick. If you're not taking any fiction in, good or bad, then how can you be spitting any back out (good or bad)? I can't even imagine trying to write without reading. Really, I can hardly write a novel at all if I'm not reading just book after book. — Stephen Graham Jones

Time will solve all the problems Chinese school graduates face. In our bilingual society, there are no more Chinese school graduates, only English school graduates who can speak Mandarin. These English school graduates probably can also read and write Chinese, but they did not go to a Chinese school, and they act and think differently from us. Drawing a line between us, they would never say they graduated from a Chinese school, because former Chinese school graduates, that is, the vanishing group of people that includes us, are second-class citizens. They, on the other hand, belong to the first class, the Chinese elite, English school graduates who are fluent in Chinese. — Yeng Pway Ngon

I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say. — Vikram Seth

It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political. — Jonathan Coe

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

I think most writers ... write about episodes meaningful to them in terms of their own imaginations. Now that would include a great deal of what they experience, but I'm not sure there's an autobiographical intention. ... I believe I'm telling the truth when I say that, when I wrote Catch-22, I was not particularly interested in war; I was mainly interested in writing a novel, and that was a subject for it. That's been true of all my books. Now what goes into these books does reflect a great deal of my more morbid nature - the fear of dying, a great deal of social awareness and social protest, which is part of my personality. None of that is the objective of writing. Take five writers who have experienced the same thing, and they will be completely different as people, and they'd be completely different in what they do write, what they're able to write. — Joseph Heller

Of course, if I write a first-person novel about a woman writer, I am inviting every book reviewer to apply the autobiographical label
to conclude that I am writing about myself. But one must never not write a certain kind of novel out of fear of what the reaction to it will be. — John Irving

You could say I'd rewritten the same novel three times and I thought I had to move on. The success of the book, and then the movie, had by then also created a commercial expectation and I remember touring America and seeing people in the audiences who I thought might not want to read the books I wanted to write next. My constituency had become broader, but more mysterious to me. — Kazuo Ishiguro

A novel is not born of a single idea. The stories I've tried to write from one idea, no matter how terrific an idea, have sputtered out and died by chapter three. For me, novels have invariably come from a complex of ideas that in the beginning seemed to bear no relation to each other, but in the unconscious began mysteriously to merge and grow. Ideas for a novel are like the strong guy lines of a spider web. Without them the silken web cannot be spun. — Katherine Paterson

Daemonic compulsiveness can kill as easily as it can save.
The true novelist must be at once driven and indifferent. Van
Gogh never sold a painting in his life. Poe came close with
poetry and fiction, selling very little. Drivenness only helps if
it forces the writer not to suicide but to the making of splendid
works of art, allowing him indifference to whether or not the
novel sells, whether or not it's appreciated. Drivenness is trouble
for both the novelist and his friends; but no novelist, I
think, can succeed without it. Along with the peasant in the
novelist, there must be a man with a whip. — John Gardner

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. — Barbara Kingsolver

If you always dreamed of writing a novel or a memoir, and you used to love to write, and were pretty good at it, will it break your heart if it turns out you never got around to it? If you wake up one day at eighty, will you feel nonchalant that something always took precedence over a daily commitment to discovering your creative spirit? If not
if this very thought fills you with regret
then what are you waiting for? — Anne Lamott

I would say I'm a storyteller first, but game making is very wrapped up in how I think of story. If I were to have a story idea, and I decided to write a novel with it instead, I'd have to very consciously de-couple it from gamedom - for example, deliberately add in things that could not be represented in a game scene. — Jane Jensen

Do not think us as traffic cops, or even driving instructors. Think of us instead as your onboard navigation system, available day or night, a friendly voice to turn to whenever you look up, lost and afraid, and think How the fuck did I end up here? — Howard Mittelmark

I write all of my novels and stories, as you have seen, in a great surge of delightful passion. Only recently, glancing at the novel, I realized that Montag is named after a paper manufacturing company. And Faber, of course, is a maker of pencils! What a sly thing my subconscious was, to name them thus. And not tell me! — Ray Bradbury

One of the marks of true genius is a quality of abundance. A rich, rollicking abundance, enough to give indigestion to ordinary people. Great artists turn it out in rolls, in swatches. They cover whole ceilings with paintings, they chip out a mountainside in stone, they write not one novel but a shelf full. It follows that some of their work is better than other. As much as a third of it may be pretty bad. Shall we say this unevenness is the mark of their humanity - of their proud mortality as well as of their immortality? — Catherine Drinker Bowen

It's important to write a mystery novel where the takeaway is not a giveaway - where something could be read over and over. — Jimenez Lai

Remember this: a simple pen is much more swift and much more precise than a camera. That's my advice to both beginning and experienced authors: don't write with a camera. A camera is slow. All these modern writers usually make the same mistake - they write books with a film in mind. When you read their works, you don't hear the voice of a real author, you hear that horribly cheesy Hollywood voice-over. Frankly, that's not a novel, it's a movie script. If you write books, use a pen. A pen is swift, it has tempo, you can kill people with it. You cannot kill people with a camera, you can only perhaps bore them to death with it. — Martijn Benders

When I sit down to write a novel I do not at all know, and I do not very much care, how it is to end. — Anthony Trollope

The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it. — Kevin Canty

I do not believe that I will ever write an adult novel from an animal's point of view unless someday it becomes suddenly appealing to me to make a narrator a mentally ill pet. Never say never. — Andrea Seigel

When I was 30 or so - by that time I had become an assistant D.A. - I decided I would try to write a novel. To be clear: I did not decide to become a novelist. Honestly, it never crossed my mind that I could actually earn a living as a professional novelist. — William Landay

My books have all been very deeply felt. You don't spend eight years of your life working on a trendy knockoff. In that sense I've been serious. But I don't do lots of things that other serious writers do. I don't write book reviews. I don't sit on panels about the state of the novel. I don't go to writer conferences. I don't teach writing seminars. I don't hang out at Yaddo or MacDowell. I'm not concerned with my reputation as a writer and where I stand relative to other writers. I'm not competitive or professionally ambitious. I don't think about my work and my career in an overarching or systematic way. I don't think about myself, as I think most writers do, as progressing toward some ideal of greatness. There's no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me. — Bret Easton Ellis

The magic in writing is not so much using your imagination as it is allowing the reader to uses theirs. When I write a novel I'm not going to hand walk you through each scene. Avid readers tend to have very high IQ's so I'm constantly aware of, and respect that. I have a tendency to give my readers vivid descriptions of panoramic viewpoints, soft breezes, and the late evening as it scrapes against the emerging night and present this step by suspenseful step. Once I get them to the threshold of that unseen cliff, I shove them off and say, take it from there. — Carl Henegan

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. — Toni Morrison

The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel - one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about. — Steve Jobs

The writer's job is not to write a novel, hold it up and say, "Here I am," but to write a novel, hold it up and say, "Here YOU are. — Rita Mae Brown

Every novel is like this, desperation, a frustrated attempt to save something of the past. Except that it still has not been established whether it is the novel that prevents man from forgetting himself or the impossibility of forgetfulness that makes him write novels. — Jose Saramago

It is as difficult to suppose a person intending to write a modern English, as to suppose him writing an ancient English, novel; that is a label which begs the question. One writes the novel, one paints the picture, of one's language and of one's time, and calling it modern English will not, alas! make the difficult task any easier. — Henry James

My blackness is spreading, Alice. I've been seeing and hearing things that can't be there or anywhere. At night, when I'm not hallucinating mad women, I can feel depression starting to burn me around the edges. If I sink into it, I'll have to give this thing up and write a novel. — Hanif Kureishi

This book is so huge, that the mythology took many months to create. There are literally hundreds of characters , and many different worlds described in great detail. It's not the sort of thing that you can simply dash off. I hand-write everything. Now, I've done three drafts on Imajica, which comes to about 14,000 pages. When you're working on a novel, you really must give your life over to the project. This is my eleventh book, and I'm fortunate to know that the audience is there for it. I'm not just writing in the dark. — Clive Barker

Read non-fiction. History, biology, entomology, mineralogy, paleontology. Get a bodyguard and do fieldwork. Find your inner fish. Don't publish too soon. Not before you have read Thomas Mann in any case. Learn by copying, sentence by sentence some of the masters. Copy Coetzee's or Sebald's sentences and see what happens to your story. Consider creative non-fiction if you want to stay in South Africa. It might be the way to go. Never neglect back and hamstring exercises, otherwise you won't be able to write your novel. One needs one's buttocks to think. — Marlene Van Niekerk

Find a subject you care about and which you in your heart feel others should care about. It is this genuine caring, and not your games with language, which will be the most compelling and seductive element in your style. I am not urging you to write a novel, by the way
although I would not be sorry if you wrote one, provided you genuinely cared about something. A petition to the mayor about a pothole in front of your house or a love letter to the girl next door will do. — Kurt Vonnegut

I think politics is deadly to write about, frankly. If you have a political agenda and you set out to write a novel to prove that, say, capitalism should crumble, then it's going to be a really bad novel. Very few people have been able to deal with political fiction - Dickens, Dostoyevsky. But even Tolstoy got really tiresome when he was talking about the serfs. You have to let characters be characters, not [gruff voice] Mr Capitalism or [girlie voice] Miss Anti-Fur. — Donna Tartt

In my own life I studied music, not creative writing; I see a novel as music - an opening as an overture, themes and subplots as lines in a fugue. The chance to write a novel about a musician boxed in by all kinds of limitations but who plays out his ultimate struggle for freedom at the piano was irresistible. — Nicole Mones

One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone's thinking about their own problems and nobody wakes up in the morning thinking, 'Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.' Nobody does that. If you want to write, it has to come from you. If you don't want to write, that's great. Go do something else. That was a very liberating moment for me. — Sam Lipsyte

I tell writers not to think about writing short stories or novels. Just write one good scene. And then a novel becomes a bunch of good scenes stacked on top of each other. — Joe Hill