Not Being A Good Writer Quotes & Sayings
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Top Not Being A Good Writer Quotes

I think there's a lot of really good programming on television. What I've noticed, through the years of being a professional writer, is the watering down process of story. You have to market to the masses and not offend anybody. — Lauren Iungerich

I'm more interested in becoming a commercial writer, and unfortunately, commentary on my writing from a bunch of other unpublished writers is of little utility in that regard. Being a better writer is something of a moot point, since if you're not a commercial writer to some extent, very few people will know whether your writing is any good or not. — John Scalzi

If I behave like a good boy and take my Prozac ... then I won't be able to write anymore.
I'll have Writer's block from not being able to communicate with the characters in my mind. — Timothy Pina

The artistic bend is a sell-out. It's all truth, or it's no good. EIther write what's in the heart, all of it, the good, the bad, the ugly, the uglier, the privat and even more private and it's a book worth reading. Not willing to go there? Do yourself and the world a favor: Don't write it until you're ready to do so. Only then is it your truest artist being heard. And only then will the world want to hear what you have to say."
-Wendy K. Williamson 9/25/14 — Wendy K. Williamson

Writing for the sake of writing, writing that draws its credibility from its very existence, is a foreign idea to most Americans. As a culture, we want cash on the barrel head. We want writing to earn dollars and sense so that it makes sense to us. We have a conviction - which is naive and misplaced - that being published has to do with being "good" while not being published has to do with being "amateur." ...
"Did you write today?"
"Yes."
"Then you're a writer today."
It would be lovely if being a writer were a permanent state that we could attain to. It's not, or if it is, the permanence comes posthumously.
A page at a time, a day at a time, is the way we must live our writing lives. Credibility lies in the act of writing. That is where the dignity is. That is where the final "credit" must come from. — Julia Cameron

I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader's mind so that the mind, like the author's, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness. — Philip K. Dick

Much advice on writing has the tone of moral counsel, as if being a good writer will make you a better person. Unfortunately for cosmic justice, many gifted writers are scoundrels, and many inept ones are the salt of the earth. But the imperative to overcome the curse of knowledge may be the bit of writerly advice that comes closest to being sound moral advice: always try to lift yourself out of your parochial mindset and find out how other people think and feel. It may not make you a better person in all spheres of life, but it will be a source of continuing kindness to your readers. — Steven Pinker

Josie thinks that the problem with being a writer is that you miss a lot of your life wondering if the things that happen to you are good enough to use in a story, and most of the time they're not and you have to make shit up anyway. — Katherine Heiny

The good thing about being a writer is that you don't need anything except for a laptop. You can really do your own work and if you're not manically compelled to write all the time before you do it professionally, it's probably not a business for you anyway. — Thomas Lennon

In the context of the autism world (and my outlook in general) this is were I stand equality is for everyone, everybody in the world - I look at both sides of the the coin and take into account peoples realities (that makes me neutral/moderate/in the middle).
That means that you look in a more three dimensional perspective of peoples diverse realities you cannot speak for all but one can learn from EACH OTHER through listening and experiencing.
I also try my best to live with the good cards I was given not over-investing in my autism being the defining factor of my being (but having a healthy acknowledgement of it) that it's there but also thinking about other qualities I have such as being a writer, poet and artist.
I do have disability, I do have autism and I have a "mild" learning disability that is true but I a human being first and foremost. And for someone to be seen as person equal to everyone else is a basic human right. — Paul Isaacs

A good writer does not receive anywhere near the number of poison-pen letters that is commonly assumed. Among a hundred jackassesthere are not ten who will admit to being jackasses, and at most one who will put it in writing. — Karl Kraus

Time mellows people as it mellows wine, as long as the grapes are good. You may set out to be a businesswoman or businessman but in the course of time end up caring for a dying parent, orphaned niece, or disabled brother. You may encounter illness yourself and end up being a writer, touching the heartstrings, not the purse strings of other people. That's why it's best to always be true to yourself and God and to be flexible within His will. He will use you. — Barbara Johnson

There is no one like you on this planet. Not everyone may have the gift of being a good writer, but each one of us has a story to tell. — K.J. Kilton

I'm a writer! If you work in an office, it dampens you. It makes you fit a routine. The effect of being a writer is not dissimilar to being long-term unemployed. And everyone knows that is not good for you. — Mark Haddon

I think you get most of the most interesting work done in fields where people don't think they're doing art but are merely practicing a craft and working as good craftsmen. Being literate as a writer is good craft, is knowing your job, is knowing how to use your tools properly and not to damage the tools as you use them. — Douglas Adams

Sometimes people claim they don't need a crutch like Jesus, but he's not a crutch, he's a teacher. If you want to be a writer, you read the classics. If you want to make great music you listen to music that's been made by great musicians who have gone before. If you're studying to be a painter, it's a good idea to study the great masters. If Picasso came into your room while you were learning to draw and said 'Hi, I have a couple of hours would you like some hints?' would you say no? So it is with spiritual masters: Jesus, Buddha or any other enlightened being. They're geniuses in the way they used their minds and hearts just as Beethoven was a genius with music, or Shakespeare a genius with words. Why not learn from them, follow their lead, study what they were doing right. — Marianne Williamson

Literature is a place for generosity and affection and hunger for equals - not a prizefight ring. We are increased, confirmed in our medium, roused to do our best, by every good writer, every fine achievement. Would we want one good writer or fine book less? The sense of writers being pitted against each other is bred primarily by the workings of the commercial marketplace, and by critics lauding one writer at the expense of another while ignoring the existence of nearly all. — Tillie Olsen

I like writing that puts the needle right into the vein. I don't think, when I'm writing, "Tell a good story" or "find a meaning." I'm thinking phrase by phrase, make it tight, make it good. Get the idea out in language I can bear. I think there's something musical about being impatient with boring sentences - it's not that I don't have boring sentences, God knows I do, but I'm impatient with them. — Maggie Nelson

I was really bored, pretty antisocial, and not much of a joiner, and people thought that was a problem. I hated high school. In a way, it was good ... I think, for a writer, it's good to be comfortable with being on the outside. — Deborah Ellis

Being broke is not a crime, nor is it proof of one's inadequacy as a writer or as a human being. If you go around with an attitude of implicit apology for being temporarily without funds, it's going to do you more harm than good. — Lawrence Block

Real writers write. Period. No, the muse does not come to visit everyday. She's a lazy, precocious flirt. You cannot get into the habit of being "in the mood" to write. No writer on Earth is in the mood to write everyday, but the good ones do it anyway. They fight through their fatigue, their stress, their doubt, and they write. They get the words on the page. Period.
So stop waiting for your muse. Trust me, she sleeps around. — Darynda Jones

MAINTAINING DOCTRINAL PURITY IS good, but it is not the whole picture for a New Testament church. The apostles wanted to do much more than simply "hold the fort," as the old gospel song says. They asked God to empower them to move out and impact an entire culture. In too many places where the Bible is being thumped and doctrine is being argued until three in the morning, the Spirit of that doctrine is missing. William Law, an English devotional writer of the early 1700s, wrote, "Read whatever chapter of Scripture you will, and be ever so delighted with it - yet it will leave you as poor, as empty and unchanged as it found you unless it has turned you wholly and solely to the Spirit of God, and brought you into full union with and dependence upon him."1 — Jim Cymbala

Far and away the greatest menace to the writer - any writer, beginning or otherwise - is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer's only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or - kindest of all - goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer's mind. — Shirley Jackson

I read daily, not so much for the benefit of my writing, but because I am addicted to it. There is nothing in the world for me that compares to being lost in a really good novel. That said, reading is an absolute must if you want to write. It is a trite enough thing to say, but very true nonetheless. I cannot understand aspiring writers who email me for advice and freely admit that they read very little. I have learned something from every writer I have ever read. Sometimes I have done so consciously, picking up something about how to frame a scene, or seeing a new possibility with regards to structure, or interesting ways to write dialogue. Other times, I think, my collective reading experience affects my sensibilities and informs me in ways that I am not quite aware of, but in real ways that impact how I approach writing. The short of it is, as an aspiring writer, there is nothing as damaging to your credibility as saying that you don't like to read — Khaled Hosseini

When we forget ourselves, when we let go of being good and just settle into just being a writer, we begin to have the experience of writing through us. We retire as the self-conscious author and become something else - the vehicle for self-expression. When we are just the vehicle, the storyteller and not the point of the story, we often write very well - we certainly write more easily. — Julia Cameron

It's not that I liked lunacy for the sake of lunacy, but if a writer can truly surprise me without throwing logic completely out the window, then that writer has me for good. Most book surprises aren't surprising at all but follow a formula, like the dead body that's certain to lurch out of a wreck being explored by deep-sea divers in just about every book that involves wrecks and divers. — Will Schwalbe

Artists are not helper monkeys; they're not in it to visualize 'your' story, because it stopped being 'your' story the moment you engaged in a collaborative medium. From here on in, it's also the artist's story, and if you're working with an illustrator who's any good at all, you as a writer have to tamp down any control-freak tendencies you suffer under and relax into the process. — Mark Waid

There's so much shame involved in not being like everyone else. But I learned that the things that made me unique were good. Dealing with problems can be awful. But in the end I got positive results. I don't think I would have been a writer if I didn't have anxiety. — Jenny Lawson

What is absolutely true is that any good [Television] series has a specific voice. And I think that voice is almost exclusively the domain of the executive producer ... As a staff writer you're not being called upon to be the great creative person. You're sort of called upon to understand the characters and their voices and put them through certain paces. — Howard Gordon

And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive. — Zadie Smith

The most defeatist thing I hear is, "I'm going to give it a couple of years." You can't set a clock for yourself. If you do, you are not a writer. You should want it so badly that you don't have a choice. You have to commit for the long haul. There's no shame in being a starving artist. Get a day job, but don't get too good at it. It will take you away from your writing. — Matthew Weiner

Hemingway was a jerk. I mean he was really a great jerk. He was a good writer, and he did all sorts of things that I would never have the courage to do, but I don't think I'd enjoy being in the same room with him. He's not my kind of person. — Joe Haldeman

He often said he had to be a writer because he wasn't good at anything else. He was not good at being an employee. Back in the mid-1950's, he was employed for Sports Illustrated, briefly. He reported back to work, was asked to write a short piece on a racehorse that jumped over a fence and tried to run away. Kurt stared at the blank piece of paper all morning and then typed, "The horse jumped over the fucking fence," and walked out, self-employed again. — Mark Vonnegut

Some writers might tell you that writing is like a piece of magic - a process of creating something out of nothing, and I guess I used to think about it that way too a long long time ago. But as I've lived my life and loved and lost friends and family, and seen dreams smashed and resurrected, and marveled at the pettiness, drear ambition and ignorance of the herd of which I am a part, I can no longer say that a poem or a story or a script comes from nothing. If it's any good, if it has any power, any potent emotional body, then it's something that a writer has paid for, not only in time, but in all the anxiety that accompanies living and those small fret-filled acts of becoming present that make it possible for us to see beyond our little patch of immediacy. It's not just a reaching out, but a reaching in, into the depths of our being from whence we've sprung. — Billy Marshall Stoneking

I'm not good at narrative; I'm really a gag writer, and that comes from being in the newspaper comic strip world for a while in college. What I do is I just write tons of jokes, then I sort them out in terms of quality and then pick the best of the jokes and then try to form them into a plot. If I get a good theme going, I feel lucky. — Jeff Kinney

There are students that are scattered, who need to see something through to the finish, but I would say there are possibly more who do not entertain the leaps of the mind that need to be nurtured, and this desire to finish becomes more about being a good student than about finishing something interesting. Where does work ethic fit in with writing? I think that's pretty complicated from one writer to the next. You need some kind of work ethic, but what does it look like for you? — Aimee Bender

Fantasy, an unflagging optimism is necessary for a writer at all stages of this rough game. A kind of madness is therefore necessary, when there is every logical reason for a state of depression and discouragement. Perhaps the fact that I can react with utter gloom to this is what keeps me from being psychotic and keeps me merely neurotic. I am doing quite a good day's work today. But I am also aware of the madness that actually sustains me, and I am not made more comfortable or happy by it. — Patricia Highsmith

Writing is such an industry now. In many ways, that's a good thing, in that it removes all the muse-like mystique and makes it a plain old job, accessible to everyone. But with industry comes jargon. I was aware that jargon was starting to fill those growing shelves of Writer's Self Help books, not to mention the blogosphere. Wherever I looked, the writing of a script was being reduced to A, B, C plots, Text and Subtext, Three Act Structure and blah, blah, blah. And I'd think, that's not what writing is! Writing's inside your head! It's thinking! It's every hour of the day, every day of your life, a constant storm of pictures and voices and sometimes, if you're very, very lucky, insight. — Russell T. Davies

My father was weaned on books. I'm halfway between being weaned on books and weaned on television. And if you're weaned on television, you're not as good a writer as if you were weaned on books. — James Burrows

One of my big revelations was that nobody cares whether you write your novel or not. They want you to be happy. Your parents want you to have health insurance. Your friends want you to be a good friend. But everyone's thinking about their own problems and nobody wakes up in the morning thinking, 'Boy, I sure hope Sam finishes that chapter and gets one step closer to his dream of being a working writer.' Nobody does that. If you want to write, it has to come from you. If you don't want to write, that's great. Go do something else. That was a very liberating moment for me. — Sam Lipsyte