Noriyoshi Matsumura Quotes & Sayings

In this life, many things happen in which we play a shameful part. Those of us who are strong forgive ourselves and go on. The weak wallow in their shame and allow it to devour them. There is no one of us without sin, child. There ought to be some comfort in that. — Karleen Koen

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

I'm a working-class kid from a blue-collar New England family. — R.A. Salvatore

Omit a few of the most abstruse sciences, and mankind's study of man occupies nearly the whole field of literature. The burden of history is what man has been; of law, what he does; of physiology, what he is; of ethics, what he ought to be; of revelation, what he shall be. — George Finlayson

You can have very big local government. By big, I mean very engaged government. Do you measure it in terms of the number of laws? Number of employees? You could make arguments for either one. I tend to think the axis of the size of government is the wrong concern. But I do think that situating power more locally is a legitimate approach. — Zephyr Teachout

We must embrace our differences, even celebrate our diversity. We must glory in the fact that God created each of us as unique human beings. God created us different, but God did not create us for separation. God created us different that we might recognize our need for one another. We must reverence our uniqueness, reverence everything that makes us what we are: our language, our culture, our religious tradition. — Desmond Tutu

How do you get the happy ending? John Irving ought to know. One of my favorite authors, Irving writes these multigenerational epics of fiction that somehow work out in the end. How does he do it? He says, 'I always begin with the last sentence ; then I work my way backwards, through the plot, to where the story should begin.' Thst sounds like a lot of work, especially compared to the fantasy that great writers sit down and just go where the story takes them. Irving lets us know that good stories and happy endings are more intentional than that.
Most 20 something's can't write the last sentence of their lives. But when pressed, they usually can identify things they want in their 30s or 40s or 60s -or things they don't want- and work backward from there. This is how you have your own multigenerational epic with a happy ending. This is how you live your life in real time. — Meg Jay

Good authors, too, who once knew better words now only use four-letter words writing prose ... anything goes. — Cole Porter

You can't go back. I know that. But you can look back. — Jacob Collins

Make no mistake: if he rose at all
It was as His body;
If the cell's dissolution did not reverse, the molecule reknit,
The amino acids rekindle,
The Church will fall. — John Updike

Searching is not finding. — George R R Martin

Patronizing the Arts is a brilliantly nuanced assessment of why universities must become art patrons. Learning from the twentieth-century university's embrace of Big Science, Garber argues that twenty-first-century universities must rigorously devote their attention to Big Art. Provocative, witty, and layered, Patronizing the Arts cogently demonstrates the advantages for both art and the university in this new and radical alliance. — Peggy Phelan

Peace,love,empathy — Kurt Cobain