Non Writers House Quotes & Sayings

Even when we stop typing and leave the house, we remain writers. — Larry Brooks

Kennedy was a man who liked writers and even I got invited to the White House. — Irwin Shaw

There was something to be learned about writing from watching boxing matches or going to the racetrack. The message wasn't clear but it helped me. That was the important part: the message wasn't clear. It was wordless, like a house burning, or an earthquake or a flood, or a woman getting out of a car, showing her legs. I didn't know what other writers needed; I didn't care, I couldn't read them anyway. I was locked into my own habits, — Charles Bukowski

It's worth pointing out that [Herman Melville] worked in [the New York Custom House] as a deputy customs inspector between 1866 and 1885. Nineteen years, and he never got a raise - four dollars a day, six days a week. He was by then a washed-up writer, forgotten and poor. I used to find this subject heartbreaking, a waste: the greatest living American author was forced to spend his days writing tariff reports instead of novels. But now, knowing what I know about the sleaze of the New York Custom House, and the honorable if bitter decency with which Melville did his job, I have come to regard literature's loss as the republic's gain. Great writers are a dime a dozen in New York. But an honest customs inspector in the Gilded Age? Unheard of. — Sarah Vowell

For instance, with "Ragtime" I was so desperate to write something, I was facing the wall of my study in my house in New Rochelle and so I started to write about the wall. That's the kind of day we sometimes have, as writers. Then I wrote about the house that was attached to the wall. It was built in 1906, you see, so I thought about the era and what Braodviw Avenue looked like then: trolley cars ran along the avenue down at the bottom of the hill; people wore white clothes in summer to stay cool. Teddy Roosevelt was president. One thing led to another and that's the way that book began: through desperation to those few images ... - 92nd Street YMHA Interview — E.L. Doctorow

You're writing, you're coasting, and you're thinking, 'This is the best thing I've ever written, and it's coming so easily, and these characters are so great.' You put it aside for whatever reason, and you open it up a week later and the characters have turned to cardboard and the book has completely fallen apart," she says. "That's the moment of truth for every writer: Can I go on from here and make this book into something? I think it separates the writers from the nonwriters. And I think it's the reason a lot of people have that unfinished manuscript around the house, that albatross. — Jacqueline Woodson

My parents were both writers - they would type their manuscripts sitting side by side on the veranda of our house near Watford - so I wanted to do something different. I wanted to be a bluegrass singer, an architect, a landscape gardener, or to do something with animals. — Deborah Moggach

Capote I truly loathed. The way you might loathe an animal. A filthy animal that has found its way into the house. — Gore Vidal

It's all chaos and the house is occasionally filthy but I get to stand at the school gates. Writers are so lucky to have that flexibility. — Denise Mina

Tin House magazine is a port in the storm for people who love language. It is unfailingly excellent, and committed to publishing new voices in addition to delivering freaky-fresh work from established writers. — Karen Russell

I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect. — George R R Martin

I'm one of those writers who can't talk about what they're working on. The entire four years I was writing 'House of Sand and Fog,' my wife never saw a word of it. I just have to keep it in the womb, and then everyone can have a crack at it. — Andre Dubus III

God help me, he thought. God help all us poor wretches who could create and find we must lose our hearts for it because we cannot afford to spend our time at it. ("Mad House") — Richard Matheson

The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. — Toni Morrison

When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there. — Miranda July

People meet writers and are bowled over when the writer is friendly to them and invites them to his house for a glass of wine or to shoot up heroin or whatever they do, and they talk their heads off, and a year later it comes out in a book, and there follow years of bitter and fruitless litigation, and that is why you should always keep a writer at arm's length. — Garrison Keillor

In a word, and bluntly: as they walked around Sankt Pauli, it came to Pelletier and Espinoza that the search for Archimboldi could never fill their lives. They could read him, they could study him, they could pick him apart, but they couldn't laugh or be sad with him, partly because Archimboldi was always far away, partly because the deeper they went into his work, the more it devoured its explorers. In a word: in Sankt Pauli and later at Mrs. Bubis's house, hung with photographs of the late Mr. Bubis and his writers, Pelletier and Espinoza understood that what they wanted to make was love, not war. — Roberto Bolano

I directed the next-to-last episode of 'Parenthood.' I wrote three of the four last episodes. I had the cast to my house. Had a champagne toast with the writers. Had a huge cast and crew party. Drank eggnog in the camera truck after we wrapped the final day. All that, and I don't really feel like I've said good-bye to 'Parenthood.' — Jason Katims

It's a shame publishers send rejection slips. Writers should get something more substantial than a slip that amounts to a pile of confetti. Publishers should send something heavier. Editors should send out rejection bricks, so at the end of a lot of years, you would have something to show besides a wheelbarrow of rejection slips. Instead you could have enough bricks to build a house. — Jerry Spinelli

Though I leave the house as little as possible, I have the impression that someone is disturbing my papers. More than once I have discovered that some pages were missing from my manuscripts. A few days afterward I would find the pages in their place again. But often I no longer recognize my manuscripts, as if I had forgotten what I had written, or as if overnight I were so changed that no longer recognized myself in the self of yesterday. — Italo Calvino

This is our goal as writers, I think; to help others have this sense of
please forgive me
wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds. When this happens, everything feels more spacious. Try walking around with a child who's going, "Wow, wow! Look at that dirty dog! Look at that burned-down house! Look at that red sky!" And the child points and you look, and you see, and you start going, "Wow! Look at that huge crazy hedge! Look at that teeny little baby! Look at the scary dark cloud!" I think this is how we are supposed to be in the world
present and in awe. — Anne Lamott

To be truthful, some writers stop you dead in your tracks by making you see your own work in the most unflattering light. Each of us will meet a different harbinger of personal failure, some innocent genius chosen by us for reasons having to do with what we see as our own inadequacies.
The only remedy to this I have found is to read a writer whose work is entirely different from another, though not necessarily more like your own - a difference that will remind you of how many rooms there are in the house of art. — Francine Prose

It's fascinating to imagine two successful writers in one house. But when you think about it, it isn't very unusual. In fact, so many writers have writer spouses. — Heidi Julavits

Writers like Aldous Huxley and George Orwell have imagined the sort of scientific utopia which is coming to pass, but already their nightmare fancies are hopelessly out of date. A vast, air-conditioned, neon-lighted, glass-and-chromium broiler-house begins to take shape, in which geneticists select the best stocks to fertilise, and watch over the developing embryo to ensure that all possibilities of error and distortion are eliminated. — Malcolm Muggeridge

It's not an accident that both my sister and I are writers. Our parents created an accidental Petri dish. My family has great storytellers, and I grew up in a very funny, conversational house and didn't have television. This small family farm was a bubble world that didn't have much to do with reality. — Elizabeth Gilbert

Writers must fortify themselves with pride and egotism as best they can. The process is analogous to using sandbags and loose timbers to protect a house against flood. Writers are vulnerable creatures like anyone else. For what do they have in reality? Not sandbags, not timbers. Just a flimsy reputation and a name. — Brian W. Aldiss

Jim was the one who told me that my emotional life made him dangle his stethoscope like a snake charmer: my moods weren't hard to see but they were hard to read, and even harder to diagnose. It was ostensibly a complaint, but I think he liked his metaphor, and liked that our moments of distance were subtle enough to require this kind of formulation. Meaning that I was a complex creature and so was he; that he became even more complex in his attempt to bridge the gap between our complexities; that he could create a complicated image to house this complex of complications. This is how writers fall in love: they feel complicated together and then they talk about it. — Leslie Jamison

Conrad,Nabokov, Naipaul - these are writers known for having managed to migrate between languages, cultures, countries, continents, even civilizations. Their imaginations were fed by exile, a nourishment drawn not through roots but through rootlessness. My imagination however, requires that I stay in the same street, in the same house, gazing at the same view. Istanbul's fate is my fate. I am attached to this city because it has made me who I am. — Orhan Pamuk

Which story do you want to hear my child?"he picked him up and made him sit on his lap.
"Tell us the story of that fairy who lived in a house of wafers,had a garden of chocolate trees and a pond full of goldfishes,"the child wrapped his arms around his shoulder. — Chitralekha Paul

I sometimes wish the trade unionists who work in the mass media, those who are writers and broadcasters and secretaries and printers and lift operators of Thomson House would remember that they too are members of our working class movement and have a responsibility to see that what is said about us is true. — Tony Benn

It's been so long since a talented writer last occupied the White House; no wonder, then, that American writers have been among the most prominent of all the demographic groups claiming a piece of Barack Obama for themselves. — Jonathan Raban

Don't panic. Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends' embarrassment, the failing career, the dwindling income, the repossessed house, the divorce ... Working doggedly on through crises like these, however, has always got me there in the end. Leaving the desk for a while can help. Talking the problem through can help me recall what I was trying to achieve before I got stuck. Going for a long walk almost always gets me thinking about my manuscript in a slightly new way. And if all else fails, there's prayer. St Francis de Sales, the patron saint of writers, has often helped me out in a crisis. If you want to spread your net more widely, you could try appealing to Calliope, the muse of epic poetry, too. — Sarah Waters