Non Space Character Quotes & Sayings

I love being in space. I love being challenged by great roles that a company like Marvel creates amazing movies that no only give audiences an adventure but also give us as artists an opportunity for us to be challenged to embody amazing, multilayered characters. — Zoe Saldana

I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women. — Tatyana Fazlalizadeh

To give a character life in a short space of time, it helps if you arrive on screen with a past. — Jeanne Moreau

In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces.
Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me. — Barbara Ehrenreich

John Burroughs has stated that experimental study of animals in captivity is absolutely useless. Their character, their habits, their appetites undergo a complete transformation when torn from their soil in field and forest. With human nature caged in a narrow space, whipped daily into submission, how can we speak of its potentialities? — Emma Goldman

By fate, not option, frugal Nature gave One scent to hyson and to wall-flower, One sound to pine-groves and to water-falls, One aspect to the desert and the lake. It was her stern necessity : all things Are of one pattern made; bird, beast, and flower, Song, picture, form, space, thought, and character Deceive us, seeming to be many things, And are but one. — Ralph Waldo Emerson

This is utter crap!It's enough to put up big-character posters everywhere on the ground, but we should not send them into space. — Liu Cixin

You are not just here to fill space or be a background character in someone else's movie. Consider this: nothing would be the same if you did not exist. Every place you have ever been and everyone you have ever spoken to would be different without you. We are all connected, and we are all affected by the decisions and even the existence of those around us. — David Niven

Cable series have more time to focus on characters, and a structure that allows for a development in character as you go along. Network shows have a pressure of time and space that is completely different. — James Frain

My stuff is generally quite collage-y anyway. So it's sort-of suited to gathering raw materials like shooting actors, then making stills or animating characters, then just bringing them all together in a 3D space. That process is very close to my 2D work anyway. — Dave McKean

Character is the measure of our freedom from the tyranny of our instincts. It is the space we create between our urges and our actions. — Valson Thampu

One of the distinctive features of Christian Mindfulness is that it does have moral content. In other words, the moral content is not relativistic. It is based on an imitation of the character of Christ and the ways of God as revealed in Christian Scripture. Christian Mindfulness which is non-judgemental in its quality seeks to avoid harsh, critical and condemning approaches to self and to others. The accusing and condemning tongue can be destructive. Mindful awareness creates space where we can step back and step away from judgementalism. The new environment in which we are invited to relate to ourselves and others is one of kindness. — Richard H H Johnston

In the tale proper
where there is no space for development of character or for great profusion and variety of incident
mere construction is, of course, far more imperatively demanded than in the novel. — Edgar Allan Poe

Every crew brings its own small, tethered "g meter", a toy or figurine we hang in front of us so we know when we are weightless. Ours was Klyopa, a small knitted doll based on a character in a Russian children's television program, courtesy of Anastasia, Roman's 9-year-old daughter. When the string that was holding her suddenly slackened and she began to drift upward, I had a feeling I'd never felt before in space: I'd come home. — Chris Hadfield

A favorite film of mine is 'Office Space' and I love 'The Hangover.' That is a really good comedy from character in that film, and that is true of 'Office Space' too. — Seth Gordon

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

Being an animator, and I've directed tons of mo-cap, which really is about how do characters move through space. — Timothy Miller

Look at that," he said. "How the ink bleeds." He loved the way it looked, to write on a thick pillow of the pad, the way the thicker width of paper underneath was softer and allowed for a more cushiony interface between pen and surface, which meant more time the two would be in contact for any given point, allowing the fiber of the paper to pull, through capillary action, more ink from the pen, more ink, which meant more evenness of ink, a thicker, more even line, a line with character, with solidity. The pad, all those ninety-nine sheets underneath him, the hundred, the even number, ten to the second power, the exponent, the clean block of planes, the space-time, really, represented by that pad, all of the possible drawings, graphs, curves, relationships, all of the answers, questions, mysteries, all of the problems solvable in that space, in those sheets, in those squares. — Charles Yu

Though I did not have the statistics, just observing the number of women on the streets during peak hours dressed for work, it was obvious that a greater percentage of women in Vanni went to work outside the home. There were also more women in civilian clothes riding motorbikes on Vanni roads compared to the rest of the island. Women, both LTTE members as well as civilians, occupied the public space in large numbers. They were very visible on the roads and in the LTTE institutions. This gave Vanni a uniquely pro-woman character, which was absent elsewhere on the island. ...

It was a unique kind of feminism, created by connecting the majority of women living all over Vanni, from all walks of life, for public action regarding women and children in need of help — N. Malathy

It doesn't matter to me whether I go back to outer space or not [while acting]. The job's the same and I don't have any sort of genre preferences. I'm looking for a good story and a good character, whether earthbound or not. — Harrison Ford

In my mind what novels do best is that they immerse us deeply into our character's world - they truly transport us deep into these spaces - but the same way you know a Hollywood movie won't end after thirty minutes, you carry in yourself the implicit contract that the novel won't throw you out of itself 'til the very end. That bulk of pages is a form of consolation, of security. — Junot Diaz

I like exploring, especially being and getting more comfortable with a character and in the space a character is always in. — Emily Bett Rickards

In liberal society we claim that freedom of speech is sacred and therefore has an absolute character. But we know (or should know) that "free speech" inhabits a structured space: not only is "hate speech" legally forbidden in liberal societies, but there are also laws protecting the circulation of copyrighted material, and the reproduction of trademarks and patents without explicit permission. — Talal Asad

The character of the architectural forms and spaces which all people habitually encounter are powerful agencies in determining the nature of their thoughts, their emotions and their actions, however unconscious of this they may be. — Hugh Ferriss

I've always been attracted to characters with insurmountable odds and obstacles, because innately, however inarticulately I've always believed that my dreams and my desires can command and bend time and space to be the things that I want them to be. — Will Smith

Despite my vast interest in other universes and new ideas and space, travel and time travel, which by the way I think is impossible, the basic thing is human character, which is the main thing of most writers. — Philip Jose Farmer

When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image. — Eric Kripke

My prose can be dense. I love to pile on detail. I love to describe. I'm much more reluctant to give the reader entrance into a character's feeling than describe what's around him or her and have the reader intuit the internal life of a character. I know that's demanding, so this was a gesture of friendliness, maybe. It's like I'm saying to the reader, I know this is going to be more lyrical than maybe 70 percent of American readers want to see, but here's a bunch of white space for you to recover from that lyricism. — Anthony Doerr

As in the universe every atom has an effect, however miniscule, on every other atom, so that to pinch the fabric of Time and Space at any point is to shake the whole length and breadth of it, so that to change a character's name from Jane to Cynthia is to make the fictional ground shudder under her feet. — John Gardner

Names generate meaning in a short amount of space - they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level. — Joshua Ferris

Comics are expensive. Don't make me resent the money I spend buying yours. Every single moment in your script must either move the story along or demonstrate something important about the characters - preferably both - and every panel that does neither is a sloppy waste of space. — Mark Waid

Narrative and characters have always interested me. I never tried to alienate an audience. Of course, gradually, I wanted a bigger and bigger space to draw people in, so it's very organic. — Miranda July