Non Literary Means Quotes & Sayings

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye

The word 'God' is used in most cases as by no means a term of science or exact knowledge, but a term of poetry and eloquence, a term thrown out, so to speak, as a not fully grasped object of the speaker's consciousness - a literary term, in short; and mankind mean different things by it as their consciousness differs. — Matthew Arnold

As recently as the grunge era, there remained a bohemian cachet in casually mentioning that you didn't own a TV. But nobody thinks like that anymore. Today, claiming you don't own a TV simply means you're poor (or maybe depressed). In one ten-year span, high-end television usurped the cultural positions of film, rock, and literary fiction. — Chuck Klosterman

For me, the term "literary fiction" means there's always attention paid to language, and linguistic experimentation, sophistication. — Karen Russell

I had been reading children's books all my life and saw them not as minor amusements but as part of the whole literary mainstream; not as "juveniles" or "kiddie lit," one of the most demeaning terms in the scholastic jargon.
My belief was, and is, that the child's book is a unique and valid art form; a means of dealing with things which cannot be dealt with quite as well in any other way. There is, I'm convinced, no inner, qualitative difference between writing for adults and writing for children. The raw materials are the same for both: the human condition and our response to it. — Lloyd Alexander

If there's another writer, like Ross McDonald or Raymond Chandler, and all they're writing are mysteries, they won't be accepted," he said. "And that's problematic. A lot of so-called literary novels are just not very good. They're not well-written, they're not well-thought-out. They have pyrotechnics of intelligence.
"On the other hand, some of the best writers and speculative ideas are in science-fiction. The science-fiction genre is completely, completely segregated. And these people are writing good stuff. They're writing about where you're going, which means they're talking about where you are. — Walter Mosley

Me having a stalker is like Donald Trump having a sense of humility. It's not a match.
~From LIBERTY & MEANS — Kristin Dow

Nor did it go unnoticed by the latest litter of Archimboldians, recent graduates, boys and girls, their doctorates tucked still warm under their arms, who planned, by any means necessary, to impose their particular readings of Archimboldi, like missionaries ready to instill faith in God, even if to do so meant signing a pact with the devil, for most were what you might call rationalists, not in the philosophical sense but in the pejorative literal sense, denoting people less interested in literature than in literary criticism, the one field, according to them - some of them, anyway - where revolution was still possible, and in some way they behaved not like youths but like nouveaux youths, in the sense that there are the rich and the nouveaux riches, all of them generally rational thinkers, let us repeat, although often incapable of telling their asses from their elbows, — Roberto Bolano

I used to do miserably in English literature, which I thought was a sign of moral turpitude. As I look back on it, I think it was rather to my credit. The notion of actually putting writers' words into other words is quite ridiculous because why bother if writers mean what they mean, and if they don't, why read them? There is, I suppose, a case for studying literary works in depth, but I don't quite know what 'in depth' means unless you read a paragraph over and over again. — Patricia Wentworth

The idea of a poem as a message in a bottle means that it's sent out towards some future reader, and the reader who opens that bottle becomes the addressee of the literary text. — Edward Hirsch

The party at the bar was for an Internet literary journal that prints a hard copy version that was famous in the world of Internet literary journals that prints hard copy versions. What that means, I do not know. — Noah Cicero

Neither black/red/yellow nor woman but poet or writer. For many of us, the question of priorities remains a crucial issue. Being merely "a writer" without a doubt ensures one a status of far greater weight than being "a woman of color who writes" ever does. Imputing race or sex to the creative act has long been a means by which the literary establishment cheapens and discredits the achievements of non-mainstream women writers. She who "happens to be" a (non-white) Third World member, a woman, and a writer is bound to go through the ordeal of exposing her work to the abuse and praises and criticisms that either ignore, dispense with, or overemphasize her racial and sexual attributes. Yet the time has passed when she can confidently identify herself with a profession or artistic vocation without questioning and relating it to her color-woman condition. — Trinh T. Minh-ha

Cubism is ... a picture for its own sake.
Literary Cubism does the same thing in literature, using reality merely as a means and not as an end. — Max Jacob

The development of objective thinking by the Greeks appears to have required a number of specific cultural factors. First was the assembly, where men first learned to persuade one another by means of rational debate. Second was a maritime economy that prevented isolation and parochialism. Third was the existence of a widespread Greek-speaking world around which travelers and scholars could wander. Fourth was the existence of an independent merchant class that could hire its own teachers. Fifth was the Iliad and the Odyssey, literary masterpieces that are themselves the epitome of liberal rational thinking. Sixth was a literary religion not dominated by priests. And seventh was the persistence of these factors for 1,000 years. — Carl Sagan

Scholars of the East and West have heroically consecrated their whole working lives to making available, by means of their own disciplines, Sufi literary and philosophical material to the world at large. In many cases they have faithfully recorded the Sufis' own reiteration that the Way of the Sufis cannot be understood by means of the intellect or by ordinary book learning. — Idries Shah

To be free means always leaving ... or returning to a place where leaves never fall. — Rich Shapero

A writer who takes political, social or literary positions must act only with the means that are his. These means are the written words. — Jean-Paul Sartre

She opened her eyes and looked into his rather intensely.
"What?" Alex asked.
"This cannot be."
"What can't be?" Alex asked her, more bafflement in his voice this time.
"I have been reading people all my life. I can even read cats and dogs. I've been doing it all my life and i've been here longer than the two of you put together."
"And?" Alex wanted to get to the point. Whatever the truth may be, he just wanted to hear it, wanted it on the table before them so he could get this over with and they can go home.
"AND ... you are the first person that has nothing for me to see."
"And here I was hoping you'd say I'd win the lottery or get married to a supermodel or something." Alex said, starting to laugh.
"You don't understand. I don't see anything, anything at all. There is nothing to you, nothing but what I see before me."
"So ... what does that mean?"
"It means you don't exist. — J.C. Joranco

The Press nowadays is not a literary press; classic diction and brilliancy of style do not distinguish it by any means. — Marie Corelli

The aim of great books is ethical: to teach what it means to be a man. Every major form of literary art has taken for its deeper themes what T.S. Eliot called "the permanent things"-the norms of human action. — Russell Kirk

The chances of achieving literary performance are, to the decimal point, the odds against becoming fully human.
That means one hundred and fifty million to one.
Which means one hundred and fifty million in one. — Allan Gurganus

To define his tendency in a word, I would say that Chekhov was the poet of hopelessness. Stubbornly, sadly, monotonously, during all the years of his literary activity, nearly a quarter of a century long, Chekhov was doing one alone: by one means or another he was killing human hopes. Herein, I hold, lies the essence of his creation. Hitherto it has been little spoken of. The reasons are quite intelligible. In ordinary language what Chekhov was doing is called crime, and is visited by condign punishment. But how can a man of talent be punished? — Lev Shestov

Kiana loved birds," Breena told him late one dusky evening. "When she was just a few summers old, she would run beneath them as they flew, her chubby arms stretched out as if tmo take flight alongside them." She sniffed and wrapped her arms around her stomach. "A few weeks before the attack, she told me that she was still going to fly one day. 'I look at the birds, and I see freedom,' she said. 'To soar above the hurt of the world, to be too high for the wars of men to touch you: that is what it means to fly. — Elizabeth Wilson

All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. — Ronald Carter

Sometimes sanity just means the ability to recognize the end of the road when you reach it. — Robert Dunbar

Never in her life had she seen such literary men. They were incredibly vain, but made no secret of it, as though they were so on principle. Some (though by no means all) turned up drunk, but they seemed to regard it as some new manifestation of grace they had discovered only the day before. They all appeared to be quite extraordinarily proud of something. On all faces was written that they had only just discovered some highly important secret. — Fyodor Dostoyevsky

For obvious reasons, the relationship between novelists, the reviewing establishment and critics in general is chronically, and often acutely, edgy. A kind of low-intensity warfare prevails, with outbreaks of savagery. It is partly an ownership issue. Who, other than its creator, is to say what a work of fiction means or is worth? It can take years to write a novel and only a few hours for a critic, or a reviewer rushing for a tight deadline, to trash it. — John Sutherland

literary fiction is fiction that examines the character of the people involved in the story, and that popular fiction is driven by plot. Whereas popular fiction, I tell them, is meant primarily as a means of escape, one way or another, from this present life, a kind of book equivalent of comfort food, literary fiction confronts us with who we are and makes us look deeply at the human condition. — Bret Lott

In Catcher in the Rye, the protagonist Holden Caulfield mentions reading books that make him wish he could be friends with the author and be able to call him on the phone and so forth. I would consider a literary work that made someone feel this way a success. Furthermore, it's the only kind of success in literature that means anything to me. — Thomas Ligotti

Seeking the Cave is part travelogue, part literary history, and part spiritual journey. James Lenfestey is a lively and entertaining tour guide. Modest, funny, curious, and wide open to the world, he gives us perceptive glimpses of Chinese culture, ancient to contemporary, and into what it means to be a poet, both now and twelve centuries ago. The account of his quest to find Han Shan's cave is a delight from beginning to end. — Chase Twichell

What the critic as a teacher of language tries to teach is not an elegant accomplishment, but the means of conscious life. Literary education should lead not merely to the admiration of great literature, but to some possession of its power of utterance. The ultimate aim is an ethical and participating aim, not an aesthetic or contemplative one, even though the latter may be the means of achieving the former. — Northrop Frye

To converse at the distance of the Indes by means of sympathetic contrivances may be as natural to future times as to us is a literary correspondence. — Joseph Glanvill