Non Historical Story Quotes & Sayings

It's really the story of a young woman, or two women, growing up in Naples in a poor neighborhood. The way that they get out of it - or don't get out of it - that's part of it. But it's also the story of the mid-20th century in Italy so it's really like a social, historical and personal novel. I think that even though I didn't live in Italy in those years, it did cover that same type of generational upbringing that someone like me might've had in America. — Ann Goldstein

It doesn't matter whether a sequence of words is called a history or a story: that is, whether it is intended to follow a sequence of actual events or not. As far as its verbal shape is concerned, it will be equally mythical in either case. But we notice that any emphasis on shape or structure or pattern or form always throws a verbal narrative in the direction we call mythical rather than historical.(p.21) — Northrop Frye

I think that even though The German Doctor (Wakolda) is placed in a historical context , it is a very intimate story. The film has been extremely well received around the world. It keeps on going around, opening in different markets, and connecting with the audience. In Argentina it was seen by over 450, 000 spectators, which is way more than anything we could have imagined. — Lucia Puenzo

Romantic fiction, in the broader sense, can be any novel that has a love story somewhere in it. It can be a mystery or a historical novel, as long as it has this very strong romantic thread running through it. — Susanna Kearsley

The art in photography is literary art before it is anything else: its triumphs and monuments are historical, anecdotal, reportorial, observational before they are purely pictorial ... The photograph has to tell a story if it is to work as art. — Clement Greenberg

Ring the bells that still can ring. Forget your perfect offering. There is a crack in everything. That's how the light gets in.-Leonard Cohen — Bailey Bristol

Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference. — Chang-rae Lee

If all, or almost all, the plays that are popular now, imaginative works as well as historical ones, are known to be nonsense and without rhyme or reason, and despite this the mob hears them with pleasure and thinks of them and approves of them as good, when they are very far from being so, and the authors who compose them and the actors who perform them say they must be like this because that is just how the mob wants them, and no other way; the plays that have a design and follow the story as art demands appeal to a handful of discerning persons who understand them, while everyone else is incapable of comprehending their artistry; and since, as far as the authors and actors are concerned, it is better to earn a living with the crowd than a reputation with the elite, this is what would happen to my book after I had singed my eyebrows trying to keep the precepts I have mentioned and had become the tailor who wasn't paid. — Miguel De Cervantes Saavedra

Jodi Byrd writes: "The story of the new world is horror, the story of America a crime." It is necessary, she argues, to start with the origin of the United States as a settler-state and its explicit intention to occupy the continent. These origins contain the historical seeds of genocide. Any true history of the United States must focus on what has happened to (and with) Indigenous peoples - and what still happens. — Roxanne Dunbar-Ortiz

There are filmmakers like me in different parts of the world that have a story they want to tell, and it's a story that comes out of a certain historical reality within their own life. Then you get committed all the way and however long it takes, stay very committed. — Haile Gerima

No matter how many romantic poems you recite, no matter how many glorious tales of love you read, how can you really understand the condition if you've never found yourself in it? — Sherry D. Ficklin

Any book, any story, is a piece of history. Be it fiction and fable or historical fact, history is a very important part of our lives. And one thing I have learned is that history is important to us as a people, we can learn from it and we can find hope within it. We can live and laugh in ways that may not be found in our current lives and we can find solace in those times of heartache and pain. There is so much that a book can do for an individual person. That is why if there is but a single person willing to lose themselves to that history that we hold in our own hearts, than it is up to us as authors to make it available to them. — A.W.Chrystalis

The story in that particular spot was an ancient history story, and we wanted to give it a historical feeling, which was why we used a historical calligraphy scroll come to life. — Jennifer Yuh Nelson

I've managed to include only enough historical detail to give the "flavor" of the time period while keeping the characters and story focal. — Julie Klassen

Unlike the hard, iron skeleton of war, the Izzy Doll is soft and cuddly.
Not forced upon, it is given freely and accepted easily. It cannot be bought or sold therefore has no monetary power. It is created in the spirit of love and given in the same. A gesture of kindness, it brings hope to those who have lost hope. It is created by and distributed by volunteers, all who are in the mood for peace. In a world full of woes and wrongs, it is cheerful and right. And it is a gift of peace.
from In the Mood for Peace: the Story of the Izzy Doll — Phyllis Wheaton

Listening to him tell the story now, it was clear to Adam that Glendower was more than a historical figure to Gansey. He was everything Gansey wished he could be: wise and brave, sure of his path, touched by the supernatural, respected by all, survived by his legacy. — Maggie Stiefvater

It's really important in any historical fiction, I think, to anchor the story in its time. And you do that by weaving in those details, by, believe it or not, by the plumbing. — Jacqueline Winspear

'Believing' cannot tip the scales in making a historical judgement about whether something really happened. I can choose to believe that George Washington threw a silver dollar across the Rappahannock, but my believing that he did it has nothing to do with whether or not he really did do it. So also with the story of Jesus walking on water: Believing that he did it has nothing to do with whether he really did do it. 'Belief' cannot be the basis for historical conclusions; it has no direct relevance. — Marcus Borg

History is about the untold story, and writing historical fiction is a wonderful way to present the past in a compelling and entertaining way. — Paul W. Feenstra

Sometimes time can play tricks. One moment it idles by, an hour can seem a lifetime, such as when sitting by the river at dusk watching the bats snatching insects above the limpid waters; the breaching fish causing ringed ripples and a satisfying plop. Other times, time flashes by in an immodest fashion. So it is with the start of war. First time quivers with the last strum of a wonderful peace, the note holding in the air, mysterious and haunting, filling the listener with awe. Then, with a rising crescendo the terror starts with uncouth haste; with a boom the listener is shaken from their reverie and delivered into the servitude, of an ear-shattering cacophony. — M.A. Lossl

Such revolutions in formal learning and felt experience needed new modes to express their understanding, beyond sonorous Ciceronian periods and the rigid structure of heroic couplets. It needed something looser, longer, and above all historical, which could not only link events, data, ideas, and context through time, but in which history could itself serve as an informing principle. The age craved creation stories in which the logic and moral order were manifest in and through the unfolding of the story. — Lydia Pyne

Do you know who Samuel Langhorne Clemens is, Antonio?" Bessie asked.
"No, chood I?" he said.
"He is best known as Mark Twain, the author of The Adventures of Tom Sawyer," she said.
"I have herd of the story, but I hav not red the booc," he said.
"Well, you should read it," she said. "It is excellent reading. An American classic. Mark Twain worked in Schoharie for a while," she said.
"Is that so?" he said.
"Yes, he worked as a brakeman on the Schoharie railroad station on Depot Street the winter of 1879, three years after he wrote his famous book," Bessie said.
"Why would he do that, a famos author?" Antonio asked.
"A self-published author, I should add. — Yasmin Tirado-Chiodini

I have a fondness for historical fiction, something wondrous like 'Wolf Hall,' but I'll read most anything as long as the story grabs my mind or my heart, and preferably both. You would be hard pressed, however, to find science fiction on my shelves. — Sue Monk Kidd

Initial work is on period research where the historical markers are absolutely non-negotiable. Once that is established, a writer can take creative liberties in terms of chronology to suit the story. — Ashwin Sanghi

Fiction has consisted either of placing imaginary characters in a true story, which is the Iliad, or of presenting the story of an individual as having a general historical value, which is the Odyssey. — Raymond Queneau

It's my belief that all of the greatest tales ever told have been told in saloons. It was in such smoky, heathen-filled den of iniquity that I first heard the tale of the Bone Feud. As with all great tales, it was at its core one hundred percent true. In fact, much of it has long been a matter of historical record. But tales grow in the telling, and I therefore must apologize in advance for any inaccuracies, and beg your indulgence for any romanticized embellishments. I have decided to present the story here, just as it was told to me. I find it entirely too rich and too entertaining to alter, simply to curry favor with pedants and historians. — Wynne McLaughlin

The following is a fictionalized and utterly false account of the events that most definitely did not happen on June 9-10, 1967. And yet, while all the characters in this story are little green men and women running around inside my head, the events that served as inspiration, the historical facts, as it were, must be considered no less than a sibling of the tale contained in these pages: the story I didn't write, but could have written--the book this could have been, but isn't. — Montague Kobbe

I do not know where I can find a better place than just here, to make mention of one or two other things, which to me seem important, as in printed form establishing in all respects the reasonableness of the whole story of the White Whale, more especially the catastrophe. For this is one of those disheartening instances where truth requires full as much bolstering as error. So ignorant are most landsmen of some of the plainest and most palpable wonders of the world, that without some hints touching the plain facts, historical and otherwise, of the fishery, they might scout at Moby Dick as a monstrous fable, or still worse and more detestable, a hideous and intolerable allegory. — Herman Melville

The popular story is that America was built by immigrants and that, therefore, everything about immigration is good and leads to a more successful society. This narrative is so devoid of historical context that it should embarrass anyone beyond a second-grade education. — James Howard Kunstler

The enlightened rational man is not unlike the title character in Mozart's opera "Don Giovanni": a likeable rake, intelligent and enterprising, free to do as he pleases, outmaneuvering his honorable, tradition-bound adversaries at every step. One cannot begrudge him his liberty and pursuit of happiness, but looming large above him is his fatal flaw: his mind's maturity does not match his freedom. His pursuits are frivolous, tawdry and destructive. And this, we maintain, is the historical moment of our techno-scientific world: like some allegorical alien race in a science fiction story, we have placed broad freedoms and enormous power in the hands of a flawed creature: ourselves. Empirical reason has brought us here, and by its light we will have to find a way forward. — Danko Antolovic

There I was limited to what happened the same way I am with Riel. It doesn't feel like a great burden to have your story, to some degree, set. I am enjoying figuring out what I think is the most dramatic way of telling this set of historical facts. — Chester Brown

Women's liberation is one thing, but the permeation of anti-male sentiment in post-modern popular culture - from our mocking sitcom plots to degrading commercial story lines - stands testament to the ignorance of society. Fair or not, as the lead gender that never requested such a role, the historical male reputation is quite balanced.
For all of their perceived wrongs, over centuries they've moved entire civilizations forward, nurtured the human quest for discovery and industry, and led humankind from inconvenient darkness to convenient modernity. Navigating the chessboard that is human existence is quite a feat, yet one rarely acknowledged in modern academia or media. And yet for those monumental achievements, I love and admire the balanced creation that is man for all his strengths and weaknesses, his gifts and his curses. I would venture to say that most wise women do. — Tiffany Madison