No Author Quotes & Sayings
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She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle. She was so much finer than I, so much more honest, that I was sick of myself and I could not look at her warm eyes, I suppressed the shiver brought on by her brown arms around my neck and the long fingers in my hair. I did not kiss her. She kissed me, author of The Little Dog Laughed. — John Fante

The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story - that is to say, thirty or forty years ago. Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in. THE AUTHOR. HARTFORD, 1876. CHAPTER I "TOM!" No answer. "TOM!" No answer. "What's gone with that boy, I wonder? You TOM! — Mark Twain

Everytime I write, it's a catharsis. Even if I never got paid for it, I'd feel compelled to do it. And that's what makes a true writer. It's not how many readers you have or how many publishing contracts. Do you love to write? Then you're an author. No one can take that away from you. — Piper Vaughn

Life is not a paragraph, and death is no parenthesis.
(This is a reference to an E.E. Cummings poem within the author's work) — Paula Hawkins

At whatever point one opens Gift from the Sea, to any chapter or page, the author's words offer a chance to breathe and to live more slowly. The book makes it possible to quiet down and rest in the present, no matter what the circumstances may be. Just to read it - a little of it or in its entirety - is to exist for a while in a different and more peaceful tempo. Even the sway and flow of language and cadence seem to me to make reference to the easy, inevitable movements of the sea. — Anne Morrow Lindbergh

Clearly, Channing had not taught her young charges that the Declaration and Constitution, while two of the noblest documents in the history of humankind, were also, naturally, products of their time that reflected the limitations of their time (which, needless to say, is why the Constitution has been amended so many times since its ratification); no, she had taught them to revile the founding fathers - men whose vision, courage, and sacrifice made possible the freedom these students have known (and taken for granted) all their lives. These young women were incapable of grasping that the very criteria by which they presumed to judge the author of the Declaration and Constitution would not be available to them if not for those men's efforts. To say this, of course, is not to blame these students for their ignorance, but to underscore just how profoundly ill-served they are by courses of this sort. — Bruce Bawer

It's hard, because when you talk about process or your characters ruling your narrative, it sounds like you have no control, but obviously you're ultimately the author, so you do have control. — Alice Sebold

There is no theory of a God, of an author of Nature, of an origin of the Universe, which is not utterly repugnant to my faculties ... — Harriet Martineau

A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density. — Sergio Chejfec

I'm pretty sure I can say that no one in my family ever asked Demetrie what it felt like to be black in Mississippi, working for our white family. It never occurred to us to ask. It was everyday life. It wasn't something people felt compelled to examine.
I have wished, for many years, that I'd been old enough and thoughtful enough to ask Demetrie that question. She died when I was sixteen. I've spent years imagining what her answer would be. And that is why I wrote this book. — Kathryn Stockett

And a keen jealousy invades me, not of other people, but of that me made of ink and periods and commas, who wrote the novels I will write no more, the author who continues to enter the privacy of this young woman, while I, I here and now, with the physical energy I feel surging, much more reliable than the creative impulse, I am separated from her by the immense distance of a keyboard and a white page on the roller. — Italo Calvino

They were completely alone on the long stretch of country road and there was no one else to share the moment with them. — S.A. Tawks

No one likes to feel helpless. We find it psychologically unbearable and inside ourselves we may try to make ourselves part author of our misfortune rather than simply the recipient of it. — Susie Orbach

I started reading SF when I was about twelve and I read all I could, so any author who was writing about that time, I read. But there's no doubt who got me off originally and that was A. E.
van Vogt. — Philip K. Dick

a true relantionship is when you can tell each other anything & everything no secrey no lies... — The Gentle Author

A page of a book is like a human face. Look at a page by Hemingway and compare it with Sterne and Marcel Proust. They are different typographical beings. But force upon them those ragged edges, and the influence of the author's style on the physical aspect of the page, their typographical physiognomy will disappear. No, unjustified setting is a sort of gleichschaltung [enforced conformity] through diversity, a very phoney diversity. Produced methodically by chance. For the comfort of the keyboard, and not for the comfort of the eye. — Stefan Themerson

If you believe that that the one opportunity you missed is the last one you'll ever get, then that is exactly what will happen: no more opportunities ever. — Stephen Richards

Even Pushkin, who could understand everything, did not grasp the real significance of Dead Souls. He thought that the author was grieving for Russia, ignorant, savage, and outdistanced by the other nations. But it is not only in Russia that Gogol discovers "dead souls." All men, great and small, seem to him lunatics, lifeless, automata which obediently and mechanically carry out commandments imposed on them from without. They eat, they drink, they sin, they multiply; with stammering tongue they pronounce meaningless words. No trace of free will, no sparkle of understanding, not the slightest wish to awake from their thousand-year sleep. — Lev Shestov

The interior drama, therefore, is always the important one. The "story of your life" is written by you, by each reader of this book. You are the author. There is no reason, therefore, for you to view the drama and feel trapped by it. The power to change your own condition is your own. You have only to exercise it. — Jane Roberts

I've always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There's no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word. — Shannon Hale

In reading, one should notice and fondle details. There is nothing wrong about the moonshine of generalization when it comes after the sunny trifles of the book have been lovingly collected. If one begins with a readymade generalization, one begins at the wrong end and travels away from the book before one has started to understand it. Nothing is more boring or more unfair to the author than starting to read, say, Madame Bovary, with the preconceived notion that it is a denunciation of the bourgeoisie. We should always remember that the work of art is invariably the creation of a new world, so that the first thing we should do is to study that new world as closely as possible, approaching it as something brand new, having no obvious connection with the worlds we already know. When this new world has been closely studied, then and only then let us examine its links with other worlds, other branches of knowledge. — Vladimir Nabokov

The Transformation of the World is lavishly reinforced with critical apparatus (that, too, must have been a labor of Hercules to translate
I honestly never expected to see this book in English), but by far its greatest attraction is the intelligence and more important the wisdom of its author. It's a towering achievement no serious reader should miss. — Steve Donoghue

We read and read and read, and we forget and forget and forget. So why do we bother? Michel de Montaigne expressed the dilemma of extensive reading in the sixteenth century: "I leaf through books, I do not study them," he wrote. "What I retain of them is something I no longer recognize as anyone else's. It is only the material from which my judgment has profited, and the thoughts and ideas with which it has become imbued; the author, the place, the words, and other circumstances, I immediately forget. — Joshua Foer

People always try to make self-published authors feel insignificant. I have more respect for self-published authors, because I know the adversity they faced. They didn't just write a manuscript, query letter, and blam book deal. These authors had to do it the difficult way. There is no publisher, or agents, investing time, and money into making their book. Just the indie author's manuscript, own currency, and persistence. — Mary Sage Nguyen

The author says that one of the difficulties of modern parenting is the uncertainty of what parents are preparing children for. In traditional societies this was clear, as parents prepared children for a society and for roles much like their own. She writes, There is no folk wisdom. — Jennifer Senior

The walking delegates of a higher civilization, who have nothing to divide, look upon the notion of property as a purely artificial creation of human society. According to these advanced philosophers, the time will come when no man shall be allowed to call anything his. The beneficent law which takes away an author's rights in his own books just at the period when old age is creeping upon him seems to me a handsome stride toward the longed-for millennium. — Thomas Bailey Aldrich

Resilience is based on the ability to embrace the extremes
while no becoming an extremist ... **Most companies don't do paradox very well.**
(emphasis by author)
[2002] p.25f — Gary Hamel

In order that life should be a story or romance to us, it is necessary that a great part of it, at any rate, should be settled for us without our permission. If we wish life to be a system, this may be a nuiseance; but if we wish it to be a drama, it is an essential. It may often happen, no doubt, that a drama may be written by somebody else which we like very little. But we should like it still less if the author came before the curtain every hour or so, and forced on us the whole trouble of inventing the next act. A man has control over many things in his life; he has control over enough things to be the hero of a novel. But if he had control over everything, there would be so much hero that there would be no novel. — G.K. Chesterton

She wanted to know what American writers I liked. "Hawthorne, Henry James, Emily Dickinson ... " "No, living." Ah, well, hmm, let's see: how difficult, the rival factor being what it is, for a contemporary author, or would-be author, to confess admiration for another. At last I said, "Not Hemingway - a really dishonest man, the closet-everything. Not Thomas Wolfe - all that purple upchuck; of course, he isn't living. Faulkner, sometimes: Light in August. Fitzgerald, sometimes: Diamond as Big as the Ritz, Tender Is the Night. I really like Willa Cather. Have you read My Mortal Enemy?" With no particular expression, she said, "Actually, I wrote it. — Truman Capote

No wonder being a real Christian isn't popular. Who wants to suffer so they can find joy?" ~ Dianne Simmons — Michelle Sutton

I cannot forbear adding to these reasonings an observation, which may, perhaps, be found of some importance. In every system of morality, which I have hitherto met with, I have always remark'd, that the author proceeds for some time in the ordinary way of reasoning, and establishes the being of a God, or makes observations concerning human affairs; when of a sudden I am surpriz'd to find, that instead of the usual copulations of propositions, is, and is not, I meet with no proposition that is not connected with an ought, or an ought not. This change is imperceptible; but is, however, of the last consequence. — David Hume

I love bookshelves, and stacks of books, spines, typography, and the feel of pages between my fingertips. I love bookmarks, and old bindings, and stars in margins next to beautiful passages. I love exuberant underlinings that recall to me a swoon of language-love from a long-ago reading, something I hoped to remember. I love book plates, and inscriptions in gifts from loved ones, I love author signatures, and I love books sitting around reminding me of them, being present in my life, being. I love books. Not just for what they contain. I love them as objects too, as ever-present reminders of what they contain, and because they are beautiful. They are one of my favorite things in life, really at the tiptop of the list, easily my favorite inanimate things in existence, and ... I am just not cottoning on to this idea of making them ... not exist anymore. Making them cease to take up space in the world, in my life? No, please do not take away the physical reality of my books. — Laini Taylor

American consumers benefit from disparity & exploitation. I benefit from disparity & exploitation & so does my family. there is no way to be a consumer in this country without causing pain" --casey gray - author of Discount - & my New HERO — Casey Gray

Some that read this book will find its Libertarian and Constitutionalist slant a bit obtuse and maybe even off-putting. This author makes no apologies for viewing the history of the eugenics movement from this political perspective. It is the ethical and legal underpinnings of the American Revolution that remain as a guiding light while the eugenics movement continues to reemerge long after its alleged demise. Limited, or rather minimal government, goes a long way to curtail the disconnect that emerges when government grows so large that it no longer feels compelled to heed to the dictates of the governed. — A.E. Samaan

I have, and always will, respect people that keep it real no matter what. Most people say "Just keep it real with me," but the fact of the matter is this: Most people can't handle the truth, don't want to accept the truth, deny the truth, or simply aren't willing to face THEIR truth. The next time that you tell somebody to be honest with you, make sure that you mean what you say. Have the courage to pay more attention, listen, and observe. But have greater courage to acknowledge "what is" and face YOUR truth with boldness. The truth is better than a lie any day. Be fearless! — Stephanie Lahart

All persons, places, and events in this book are real. Certain speeches and thoughts are necessarily constructions by the author. No names have been changed to protect the innocent, since God Almighty protects the innocent as a matter of Heavenly routine. — Kurt Vonnegut

When there is no desire for fruit, there is no temptation for untruth or himsa (violence). Take any instance of untruth or violence, and it will be found that at its back was the desire to attain the cherished end. But it may be freely admitted that the Gita was not written to establish ahimsa. It was an accepted and primary duty even before the Gita age. The Gita had to deliver the message of renunciation of fruit. This is clearly brought out as early as the second chapter. 26. But if the Gita believed in ahimsa or it was included in desirelessness, why did the author take a warlike illustration? When the Gita was written, although people believed in ahimsa, wars were not only not taboo, but nobody observed the contradiction between them and ahimsa. — Mahatma Gandhi

There is no truth that has not its source in the Author of all truth. — Karl G. Maeser

Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me
a book consubstantial with its author, concerned with my own self, an integral part of my life; not concerned with some third-hand, extraneous purpose, like all other books. — Michel De Montaigne

All art is unstable. Its meaning is not necessarily that implied by the author, There is no authoritative active voice. There are only multiple readings. — David Bowie

I've done a lot of interviews of the last few years, and I've actually started a list of questions that it would be fun to ask an author, but no respectable interviewer would ever ask. Since I'm not respectable, I'm going to start doing interviews with some authors I know, just for fun. — Patrick Rothfuss

Does it matter if an empty vessel breaks, hollow hath no hate. — Unkown Author

For after all, what is man in creation? Is he not a mere cipher compared with the infinite, a whole compared to the nothing, a mean between zero & all, infinitely remote from understanding of either extreme? Who can follow these astonishing processes? The Author of these wonders understands them, but no one else can. — Blaise Pascal

But the operation of writing implies that of reading as its dialectical correlative and these two connected acts necessitate two distinct agents. It is the joint effort of author and reader, which brings upon the scene that concrete and imaginary object which is the work of the mind. There is no art except for and by others. — Jean-Paul Sartre

3,2,1 ... Launch! A lot of preparation goes into launching a rocket ship. No short cuts or cheating will get that rocket to its destination. A lot of hard work and dedication goes into every launch. What are you doing to launch? Are you doing the proper work needed? Are you dedicated? — Robert D. Kintigh

There are no new inventions, only new discoveries. — Stephen Richards

I know who the real hero is, and it isn't me or brave Lanaya. It's an old man with a white beard and a walking stick and a heart so big it won't let him stop thinking he can change the world by writing down things in a book no one will ever read. — Rodman Philbrick

No two readers can or will ever read the same book, because the reader builds the book in collaboration with the author. — Neil Gaiman

The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was. — Lin Yutang

That actually is true of most of the books in the New Testament. Such so-called pseudepigraphical works, or works attributed to but not written by a specific author, were extremely common in the ancient world and should by no means be thought of as forgeries. — Reza Aslan

No blasphemy harms Islam and Muslims so much as the call for murdering a writer — Naguib Mahfouz

Too much thought can find fault in anything, even if there is no fault to be found. — S.A. Tawks

Let us throw off everything that hinders and the sin that so easily entangles, and let us run with perseverance the race marked out for us. Let us fix our eyes on Jesus, the Author and Perfecter of our faith, who for the joy set before Him endured the cross, scorning its shame, and sat down at the right hand of the throne of God' (Hebrews 12:1-2). Jesus was motivated to endure by anticipating the joy of His reward. No amount of hardship and struggle could deprive Him of that anticipation. — Jerry Bridges

I am so in favor of the actual infinite that instead of admitting that Nature abhors it, as is commonly said, I hold that Nature makes frequent use of it everywhere, in order to show more effectively the perfections of its Author. Thus I believe that there is no part of matter which is not - I do not say divisible - but actually divisible; and consequently the least particle ought to be considered as a world full of an infinity of different creatures. — Georg Cantor

(from the author Q&A)
Q. After you wrote the book, however much time has passed, do you think back and wish you could write more, or that you could somehow create more of their world?
A. I never wish I could go back and write more, no. I spent a long, long time trying to write the book that became The Fault in Our Stars and to be completely honest with you, I am entirely happy that the story is no longer my problem and is now your problem. — John Green

I don't recommend emulating the behavior of any of the characters contained within. They're all quite mad.
The truth is, I have no idea what I'm talking about.
Except about love. We all know a little about that. Or nothing at all. In any case, we're all on equal footing." (Author's Note) — Lev A.C. Rosen

In the search for an author [of Hebrews] we are virtually stumbling over Priscilla. No longer is it feasible to pretend she isn't there. — Ruth Hoppin

Author Kenneth Blanchard says, "There's a difference between interest and commitment. When you're interested in doing something, you do it only when it's convenient. When you're committed to something, you accept no excuses, only results." That's what leaders do. They commit and follow through. — John C. Maxwell

He moved on from Anatole France to the eighteenth-century philosophers, though not to Rousseau. Perhaps this was because one side of him - the side easily moved by passion - was too close to Rousseau. Instead, he approached the author of 'Candide', who was closer to another side of him - the cool and richly intellectual side.
At twenty-nine, life no longer held any brightness for him, but Voltaire supplied him with man-made wings.
Spreading these man-made wings, he soared with ease into the sky. The higher he flew, the farther below him sank the joys and sorrows of a life bathed in the light of intellect. Dropping ironies and smiles upon the shabby towns below, he climbed through the open sky, straight for the sun - as if he had forgotten about that ancient Greek who plunged to his death in the ocean when his man-made wings were singed by the sun. — Ryunosuke Akutagawa

Writers live with fear. Some writers cannot deal with the fear, and so they quit or refuse to publish. In order to write, you must either ignore the fear or trick it into leaving you alone. The fear is very sly, though and hard to trick. The fear in writing comes from exposing your thoughts, your emotions, your experiences, your ideas, your talent, your intelligence and ultimately your self to public scrutiny and possible scorn. The fear is by no means groundless. You have opened yourself up to the possibility of public humiliations...I sometimes wonder if perhaps the greatest novel ever written isn't gathering dust in some filing cabinet somewhere, simply because its author could not overcome the fear of having it published. — Patrick F. McManus

If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams. — James Hampton

I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them. — Bill Peet

About their wedding on a beach of Nantucket, after nearly 50 years together as a couple: "After years of being who we truly were only in the privacy of our homes or with a few friends, we were out in the world, under the sky, no longer pretending." - Norman Sunshine, co-author, Double Life — Norman Sunshine

I ain't no author, man ... my writing skills are not of 'New York Times' best-seller quality, trust and believe it ain't. My vocabulary ain't. — Steve Harvey

There seemed no reason why she shouldn't try writing something in between, but she was discovering once again that reading and writing were not the same - you couldn't just soak it up and then squeeze it out again. — David Nicholls

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium ... Shakespeare can not be recognized either as a great genius, or even as an average author ... far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, ... can not evoke among us anything but aversion and weariness ... All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language ... — Leo Tolstoy

No author dislikes to be edited as much as he dislikes not to be published. — Russell Lynes

The devil has not vanished simply because people refuse to believe he exists, no more than God has ... — E.A. Bucchianeri

Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, 'That's interesting. I wonder why my body seems bigger today than it did yesterday. Maybe it's water weight. Maybe it's my outfit. Or maybe my eyes are just playing tricks on me.' I know it's not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beat - and definitely without missing a meal. — Jenni Schaefer

No one knows if something works until it actually works. That's why you must always try. — S.A. Tawks

There is no telling how many miles you will have to run while chasing a dream.
Author unknown — Shelley K. Wall

It is important to remember that, as Ken Auletta wrote in his definitive Greed and Glory on Wall Street, "no reporter can with 100 percent accuracy re-create events that occurred some time before. Memories play tricks on participants, the more so when the outcome has become clear. A reporter tries to guard against inaccuracies by checking with a variety of sources, but it is useful for a reader - and an author - to be humbled by this journalistic limitation. — Bryan Burrough

I am an architect of words; there is no limit to the number of 'stories' I can create! — Traci M. Sanders

But they could be frightening, too. "Watching Watergate in Archie Bunker Country," said the cover of the June 18 issue of New York magazine. It began with the author, top-drawer trend journalist Gail Sheehy, recording what happened when the proprietor of Terry's Bar in Astoria, Queens, asked his patrons if he might tune the bar's TV to the hearings. Nine men cried "Forget it!" "The majority called for Popeye cartoons. But Terry couldn't find a channel that wasn't polluted with the 'search for unvarnished truth.' They had no choice. Television was suppressing their freedom not to know." These ironworkers, sandhogs, elevator operators, and beer truck drivers said things like this: that Ted Kennedy "killed a broad" ("Now there was a mountain, and they made a molehill — Rick Perlstein

We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies. — Fady Joudah

In my case, with my law degree, I was able to be an investment banker, in-house counsel, op-ed columnist, and author. No other degree except for the JD offers so many possibilities. More than knowing the law, the JD degree gives you a more invaluable skill set - the ability to think in a structured way to get to a solution. This type of skill set can be leveraged in almost any field. The only limit is your imagination. — Ann K. Levine

Either criticism is no good at all (a very defensible position) or else criticism means saying about an author the very things that would have made him jump out of his boots. — Gilbert K. Chesterton

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

Men cannot be nice and kind to a woman and have no affection for them. — S.A. Tawks

Time is of no account with great thoughts. They are as fresh today as when they first passed through their author's minds, ages ago. — Samuel Smiles

It is no worse, because I write of it. It would be no better, if I stopped my most unwilling hand. Nothing can undo it; nothing can make it otherwise than as it was. — Charles Dickens

A belief which leaves no place for doubt is not a belief; it is a superstition. -Jose Bergamin, author (1895-1983) — Jose Bergamin

Do you know who Samuel Langhorne Clemens is, Antonio?" Bessie asked.
"No, chood I?" he said.
"He is best known as Mark Twain, the author of The Adventures of Tom Sawyer," she said.
"I have herd of the story, but I hav not red the booc," he said.
"Well, you should read it," she said. "It is excellent reading. An American classic. Mark Twain worked in Schoharie for a while," she said.
"Is that so?" he said.
"Yes, he worked as a brakeman on the Schoharie railroad station on Depot Street the winter of 1879, three years after he wrote his famous book," Bessie said.
"Why would he do that, a famos author?" Antonio asked.
"A self-published author, I should add. — Yasmin Tirado-Chiodini

Like Sylvia Plath, Natalie Jeanne Champagne invites you so close to the pain and agony of her life of mental illness and addiction, which leaves you gasping from shock and laughing moments later: this is both the beauty and unique nature of her storytelling. With brilliance and courage, the author's brave and candid chronicle travels where no other memoir about mental illness and addiction has gone before. The Third Sunrise is an incredible triumph and Natalie Jeanne Champagne is without a doubt the most important new voice in this genre. — Andy Behrman

The secret to success is no secret. Be honest in your words, be trustworthy and share value. Most people won't tell the difference, but those that do are your readers. — Robin Sacredfire

People may indeed be treated as objects and may be profoundly affected thereby. Kick a dog often enough and he will become cowardly or vicious. People who are kicked undergo similar changes; their view of the world and of themselves is transformed ... People may indeed be brainwashed, for benign or exploitative reasons ...
If one's destiny is shaped by manipulation one has become more of an object, less of a subject, has lost freedom ...
If, however, one's destiny is shaped from within then one has become more of a creator, has gained freedom. This is self-transcendence, a process of change that originates in one's heart and expands outward ... begins with a vision of freedom, with an "I want to become ... ", with a sense of the potentiality to become what one is not. One gropes toward this vision in the dark, with no guide, no map, and no guarantee. Here one acts as subject, author, creator. — Allen Wheelis

Even those novelists most commonly deemed "philosophical" have sometimes answered with an emphatic no. Iris Murdoch, the longtime Oxford philosopher and author of some two dozen novels treating highbrow themes like consciousness and morality, argued that philosophy and literature were contrary pursuits. Philosophy calls on the analytical mind to solve conceptual problems in an "austere, unselfish, candid" prose, she said in a BBC interview broadcast in 1978, while literature looks to the imagination to show us something "mysterious, ambiguous, particular" about the world. Any appearance of philosophical ideas in her own novels was an inconsequential reflection of what she happened to know. "If I knew about sailing ships I would put in sailing ships," she said. "And in a way, as a novelist, I would rather know about sailing ships than about philosophy. — Iris Murdoch

It really depends on what the screenplay is asking of you, and what your responsibility is to that character. You have the author's intent to deal with, you have the filmmaker's vision, and then you have your own wants, desires and needs for the character. It's collaborative. But I knew, right off the bat, that there was no way to go into some sort of pink-haired, clown-nosed character with Ronald McDonald shoes. — Johnny Depp

No novel is anything, for the purposes either of comedy or tragedy, unless the reader can sympathise with the characters whose names he finds upon the pages. Let an author so tell his tale as to touch his reader's heart and draw his tears, and he has, so far, done his work well. Truth let there be, --truth of description, truth of character, human truth as to men and women. If there be such truth, I do not know that a novel can be too sensational. — Anthony Trollope

God uses millions of no-name influencers every day in the simplest selfless acts of service. They are the teachers whose names will never be in the newspaper, pastors who will never author a book, managers who will never be profiled in a magazine, artists whose work is buried in layers of collaboration, writers whose sphere of influence is a few dozen people who read their blogs. But they are the army that makes things happen. To them devotion is its own reward. For them influence is a continual act of giving, nothing more complicated than that. — Mel Lawrenz

If I choose to write about sheep, it's just because I happened to write about sheep. There is no deep significance. — Haruki Murakami

Now, in our opinion no author should be blamed for obscurity, nor should any pains be grudged in the effort to understand him, provided that he has done his best to be intelligible. Difficult thoughts are quite distinct from difficult words. Difficulty of thought is the very heart of poetry. — Alice Meynell

Never ask about the details of someone's personal life, only the quality. Because if they want you to know, they'll let you know. If they don't want you to know, there is no need to know. — S.A. Tawks

No one knows the author of memoir so well like himself. — Arthur Golden

No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway. — Rosecrans Baldwin

He without inspiration and motivation exists no more in a world full of innovations and inventions! — Darnaya Darice

At twenty-one, Richard Wright was not the world-famous author he would eventually be. But poor and black, he decided he would read and no one could stop him. Did he storm the library and make a scene? No, not in the Jim Crow South he didn't. Instead, he forged a note that said, "Dear Madam: Will you please let this nigger boy have some books by HL Mencken?" (because no one would write that about themselves, right?), and checked them out with a stolen library card, pretending they were for someone else. With the stakes this high, you better be willing to bend the rules or do something desperate or crazy. To thumb your nose at the authorities and say: What? This is not a bridge. I don't know what you're talking about. Or, in some cases, giving the middle finger to the people trying to hold you down and blowing right through their evil, disgusting rules. Pragmatism is not so much realism as flexibility. — Ryan Holiday