Nineteenth Century Poetry Quotes & Sayings

The founding father of Albanian literature is the nineteenth-century writer Naim Frasheri. Without having the greatness of Dante or Shakespeare, he is nonetheless the founder, the emblematic character. He wrote long epic poems, as well as lyrical poetry, to awaken the national consciousness of Albania. — Ismail Kadare

The Allegator is the same, as the Crocodile, and differs only in Name. — John Lawson

If you were going to make sculptures of them, the swivel poems would be disparate objects all attached with hinges and the prose poems would be small sheep wrapped in extra wool. — Matthea Harvey

The nineteenth-century clergyman William Barnes preferred wheelsaddle to bicycle and folkwain to omnibus. By the same token forceps would be nipperlings, and pathology would be painlore. Some of his new words recalled the language of Old English poetry: he proposed glee-mote in place of concert, and the wonderful cellar-thane instead of butler. — Henry Hitchings

No one knows I lost my soul long ago — Three Days Grace

Anyone at any age is able to tell the story of his or her life with authority. — E.L. Doctorow

The invention of photography has dealt a mortal blow to the old modes of expression, in painting as well as in poetry, where automatic writing, which appeared at the end of the nineteenth century, is a true photography of thought. Since a blind instrument now assured artists of achieving the aim they had set themselves up to that time, they now aspired, not without recklessness, to break with the imitation of appearances. — Andre Breton

When Verlaine and Rimbaud were young," [Snyder] said, they were protesting the iron-grip bourgeois rationality had on all aspects of nineteenth-century French culture - the manners, the view of reality, and the exclusion of 'the wild' from public life. Rationality in business and society were dominant values. 'Deranging the senses' was one strategy artists like Verlaine and Rimbaud employed to break free of that.

"Today," he continued, "the bourgeoisie is sociopathic, overindulged, distracted, spoiled beyond measure, and unable to restrain its gluttony, even in the face of pending planetary destruction. In the face of such a threat, it has, by necessity, become the responsibility of the artist to model health and sanity. — Peter Coyote

While much recent historicist criticism has assumed early nineteenth-century readers attuned to subtle ideological nuances in poetry, actual responses from readers often come closer to clulessness ... It is no surprise that no one understood Blake, but other poets fared not much better ... Coleridge's 'Christabel' was 'the standing enigma which puzzles the curiosity of literary circles. What is it all about?', while another reviewer asked about Shelley, 'What, in the name of wonder on one side, and of common sense on the other, is the meaning of this metaphysical rhapsody about the unbinding of Prometheus?'. Even Keats was condemned for 'his frequent obscurity and confusion of language' and his 'unintelligible quaintness'. Byron, never to be outdone, boasted in 'Don Juan' that not only did he not understand many of his fellow poets, he did not understand himself either: 'I don't pretend that I quite understand / My own meaning when I would be very fine.' ... — Andrew Elfenbein

Maybe it's because spiritual growth and vibrant faith in God don't happen in isolation, but under pressure. — Lynn Austin

Avant-garde, adj.
This was after Alisa' show, the reverse-blackface rendition of Gone With the Wind, including songs from the Empire Records soundtrack and an interval of nineteenth-century German poetry, recited with a lisp.
"What does avant-garde mean, anyway?" I asked.
"I believe it translates as favor to your friends," you replied. — David Levithan

You have a touch in letter writing that is beyond me. Something unexpected, like coming round a corner in a rose garden and finding it still daylight. — Virginia Woolf

[H]e initially conceived of Olivier as a man of the greatest promise destroyed by a fatal flaw, the unreasoning passion for a woman dissolving into violence, desperately weakening everything he tried to do. For how could learning and poetry be defended when it produced such dreadful results and was advanced by such imperfect creatures? At least Julien did not see the desperate fate of the ruined lover as a nineteenth-century novelist or a poet might have done, recasting the tale to create some appealing romantic hero, dashed to pieces against the unyielding society that produced him. Rather, his initial opinion
held almost to the last
was of Olivier as a failure, ruined by a terible weakness. — Iain Pears

The oldest among Kashmiris often claim that their is nothing new about their condition, that they they have been slaves of foreign rulers since the sixteenth century, when the Moghul emperor Akbar annexed Kashmir and appointed a local governer to rule the state. In the chaos of post-Moghul India, the old empire rapidly disintegrating, Afghani and Sikh invaders plundered Kashmir at will. The peasantry was taxed and taxed into utter wretchedness; the cultural and intellectual life, which under indigenous rulers had produced some of the greatest poetry, music, and philosophy in the subcontinent, dried up. Barbaric rules were imposed in the early nineteenth century, a Sikh who killed a native of Kashmir was fined nothing more than two rupees. Victor Jacquemont, a botanist and friend of Stendahl's who came to the valley in 1831, thought that nowhere else in India were the masses as poor and denuded as they were in Kashmir. — Pankaj Mishra

In the nineteenth century, poetry was a bestselling genre rather than the cultish phenomenon it is now. — John McWhorter